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Uses ornamentation throughout to create interest

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Beethoven- bar 11 increase in tempo and dynamics creates

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Homorhythmic opening

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In bar 18 the tempo changes to adagio, which is even slower than larghetto and this maintains the sombre mood

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The slow tempo at the end (Adagio)
Bar 18
Creates a feel of ending and possibly sadness as the lively feel is retrained

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Beethoven:sudden dynamic changes

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Not very interesting change in tempo

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Handle uses a semi quaver rest followed by three quavers in bar 9; this illustrates the more regular seqences used in the baroue period. 

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Handle uses a semi quaver rest followed by three quavers in bar 9; this illustrates the more regular seqences used in the baroue period. 

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Uses a wide variety of textures which makes use of the wide range of effects available in a solo piano piece

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uses triplets which add a lilting feeling to the piece.

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Change in tempo in bar 10 creates drama

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Begins Larghetto, which is quite slow. This gives the piece a sombre feel

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In bar 10 the tempo is slow but the notes make if have a quicker tempo

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Bar 12

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Use of ties throughout both subjects
Emotive

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Handel : not much change in tempo until the very end which brings focus to the ending of the piece when it's more virtuosic and faster

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Use of trills
Bar 11
Decorate the melody to make it more exciting

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Range of dynamics

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Changes tempo at end to adagio (bar 18)
Brings audience's focus to the end as the texture thins and gradually comes the final chord

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Beethoven: huge change in tempo from Grave to Allegro to create a dramatic effect

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Virtuosic playing in bar 10 creates excitement

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Beethoven- in bar 11 changes to allegro- creates excitement 

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Beethoven- in bar 11 changes to allegro- creates excitement 

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Beethoven

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Handel mainly uses relatively short notes as the harpsichord cannot sustain long note

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Use of a pause
Bar 10
Creates suspense and tension

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Uses dotted rhythms which move the piece forward,

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Beethoven uses contrasting tempos in this piece. For example in the intro it is marked Grave, meaning very slow. At the start of the exposition it is marked Allegro. This gives the music a sense of excitement. In the recapitulation Beethoven changes the key and tempo to the same material as the intro.
Handel beings Largetto, meaning quite slow, creating a solemn mood. It does not have a stark contrast in tempo until the very end. It moves to Adagio for the last 2 bars. The adagio ending gives the feeling of winding down.