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Jake is a 23 year old self starter who created his own production company (We're Not Just Cats Records) independently to help online music artists gain a footing for production and a stepping stone onto bigger things beyond. Starting with friends such as Libby Tidley who is a singer/songwriter on YouTube and long time friend of Jakes and myself. She has released several EP's and hitting iTunes charts on release. She is described as a dark folk singer and since joining her friend on his record label, she has moved from online videos releasing music in her bedroom to mixed and mastered sounds using high-end production equipment with full bands and backing vocals on EP's. These have gone through Jakes hands from the beginning of the EP planning stages, to production, to mixing and finally handling distribution and selling online and physical CD and vinyl copies.
Since the beginning of his production company, Jake has signed a handful more artists and worked on other artists EP's as distributor.

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Times and dates confirmed!

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The 29th/30th October 2018 were proposed and work well for both parties.
I shall be travelling to London to shoot at my subjects home and place of work

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The cutaway footage adds a nice cinematic element to the documentary and makes it feel like a neat little story and smooth, less disjointed unlike some documentaries I've seen.
However, the style of the subject solely talking without input from a filmmaker. I wouldn't like to use this style, it feels too much like an advertisement whereas i'd like to make it feel more like a discussion

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This reflexive filmmaking style of having a more casual chat with the subject to get a more natural conversation and encounter is a style I feel like I would like to go down. For my interview, having known the subject personally, this face-to-face style with a close conversation will show that closeness better than having me off camera.

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This documentary uses a lot of found footage, showing previous clips of Orcas being hunted, this is because they can't get footage of this now, a lot of what I would like to include in my documentary would be found footage of performances or clips of my subject running his gigs and recording music to show events that i couldn't capture for purposes of this film.

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Blackfish Movie CLIP - Capturing Orcas (2013) - Documentary HD

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This documentary goes down a very interrogative route in the filmmakers input. I don't like this style and will likely not be using it in my documentary. Useful when trying to get answers and to purposefully make the subject slip up or nervous. However, for my documentary I am purely asking about the success of a friends business and have no need to press them with leading questions.

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Responding to the Financial Crisis, Clip from Inside Job Documentary (2010)

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This documentary, while not involving a filmmaker as such, it is the style of documentary I am hoping to achieve, talking and focusing on one person and hearing their story about their life and successes. I want my film to have a similarly positive vibe to this piece.

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As the font for the record label isn't available to me, I needed to search and find similar looking fonts and comparing them until I found the fonts I can use on screen throughout the film.

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This video gives me inspiration and ideas to possible cut away footage I could capture in London with possible over ground and under ground trains taking me around.

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Looking at how to set up n interview, this video gave me some tips on how to make a more interesting interview through camera and editing techniques with multiple cameras and cut aways which is doable.

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Shooting Interviews solo with TWO cameras

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Understanding issues relating to factual programming