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https://www.youtube.com/watch?time_continue=3&v=dB1wVNqksJs

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https://www.youtube.com/watch?time_continue=2&v=cCTEmoJnyTs

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I NEED PHOTOS FROM CONCERT TO MAKE VIDEOS

PAM'S VOICE MEMOS

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LINK

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Second page last system first 2 measures i need the smallest of pauses so that I can make the low D naturals more audible. I'm rushing through them to get to the next downbeat and as a result they are not heard. Ludvig does have the smallest of pauses between those measure so she can get those low notes into her chest voice and they are heard.

top of the second page first system second measure it'd be nice to take a very small bit of time on the word "Wonne" I'll just stretch it a bit

our tempo is very good for this piece!

last page going into the 3rd system we could poco rit. a bit more. Wagner writes "morendo" as a direction which means dying so I think it shouldn't be exactly in tempo as we were doing

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Christa Ludvig keeps the entire piece at a consistent tempo and it is a smidge slower then the tempo we set. There is something very appealing about the way she does it compared to our recording which definitely does sound rushed. Her pianist has all the 8th notes very even. I also need to keep my 8th notes more even and not rush through the ones that should be strict. we could take more of the poco rit. that is marked second page second system last measure at "Wonnen"

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On the very last page the piano can rit. second system second measure...this page should not feel rushed at all and we can bend the tempo to make it gradually slow more and more. "a whispered stirring anxioulsy fills the room, heavy drops i see suspended on the leaves green edge." .......the text is very heavy and painted wonderfully so we should take our time with this page.

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Needs forward motion and the tempo to be picked up a bit at "das in selig süssem Vergessen ich mög alle Wonnen ermessen!" (page 3 of that song)

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in listening to Jessye Norman and Christa Ludwig sing "Der Engel" and comparing recordings with ours this morning we were definitely a smidge too slow..it comes off as draggy if its not set just a tad faster. there should be movement as its discussing ultimately the movements of angels who come down to and then back to heaven.

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For editing

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Text Translations

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When I first read the poetry that Wagner set the Wesendonck Lieder to, I felt immediately transported and elevated to a deeper understanding of love and euphoria that exists within the universe. The poet so eloquently expresses the quite complicated nature of human love, and brought me on this incredible journey that covered all reaches of human consciousness from utter despair to transcendental bliss. I found that she composed her words with such care and yet at the same time brutality; the gorgeous vividness and raw emotion of the work took my breath away.

"Tell me, what are these wondrous dreams that embrace my senses, and have not, like empty foam vanished into desolate nothingness? Dreams, that with each hour, each day bloom fairer, and with their heavenly tidings blissfully pass through my soul! " -Text from Träume

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Bard Suverkrop for IPA Source LLC copyright in 2008.

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North Stonington Quarterly
Sent with headshot

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2-11-2018 North Stonington Quarterly DRAFT 2.docx

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2-11-2018 North Stonington Quarterly DRAFT 2

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https://drive.google.com/open?id=1EEqyeHpsgrj-erUucS_9-AHfG7zA_S78

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Version 3a

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Version 2a

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Version 1a

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Version 2

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version 1

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This is what last year’s concert looked like.

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This is what last year’s concert looked like.

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Cosmographic Love

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Ok, I've given 5 stars to the pieces I'd like to do. If you can add in piano music to fill them out then i think this is a great program. 

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Ok, I've given 5 stars to the pieces I'd like to do. If you can add in piano music to fill them out then i think this is a great program. 

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Ich liebe dich
Almen se non poss'io
Per pietà...
Venise
La mort d'Ophélie
Wesendock lieder

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https://youtu.be/i--GkNr5SRw
Great piano writing: p 17 http://ks.petruccimusiclibrary.org/files/imglnks/usimg/4/44/IMSLP106535-PMLP217134-Rossini_-_Soir%C3%A9es_musicales.pdf

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DURATION:
2:42'
Hildegard Behrens
TEXT & TRANSLATION

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DURATION:
3:32'

Montserrat Caballe

TEXT & TRANSLATION

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DURATION: 3:36'

Renata Tebaldi

TEXT & TRANSLATION

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Translation for the Berlioz

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DURATION:
5:08'
Jorge Bolet

PIANO SCORE

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DURATION:
3:47'
Tatiana Troyanos
Martin Katz
Casals festival
1985

TEXT & TRANSLATION

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DURATION:
4:59'
Anne Sofie von Otter
Cord Garben
1991

TEXT
TRANSLATION NEEDED

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DURATION:
3:01'
Regine Crespin, soprano
TEXT & TRANSLATION

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DURATION:
2:48'

Tatyana Vitsinskaya, soprano

3:41'
Bernadette Wiedemann

TEXT & TRANSLATION

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DURATION:
8:32'
Anne Sofie von Otter

TEXT & ORIGINAL ENGLISH

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EDIT

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Ava wrote:

Wagner claims that these songs were largely influential in his composition of Tristan und Isolde.  The poetry is not light, but definitely speaks of love on a grander scale. Which actually could be quite wonderful. "This Valentine's Day we invite you to contemplate a deeper love, a love that is not shallow or fleeting, but rather a love as fantastic, complicated, and immense as the universe we live in."

TEXT & TRANSLATION
Who is the author of the translation?