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Art from the subjects point of view was actually a turning point in my project development. This inspired me to show both sides of two people learning a new card game together from both of their view points.

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Piet MondrianComposition C (No.III) with Red, Yellow and Blue

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When developing my publication cover, one of my layouts reminded me a little of a Mondrian piece because of how I positioned the image inside a square, off-center. Maybe I can apply this geometric style of composition to my other spreads

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The birds eye view of this painting gives the audience a sense of omnipotence by being able to see all the players hands of cards. A body of text mimicing this sort of layout could be interesting to create in my publication

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In this painting the audiences point of view only reveals one of the players hand of cards, putting us in the same position as the distressed boy who cannot guess his oppositions next move

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Gustave Caillebotte, “Game of Bezique,” 1880

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I hope to portray a game of cards being played out through text and abstract visuals. By looking at how playing cards is portrayed throughout history I can inform my own process.

All painting from this article: https://albertis-window.com/2015/07/guest-post-artistic-depictions-of-card-games-between-1880-and-1980/

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Embossed paper piece from an article by Emily Harvey

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To add something interesting to my publication, I would like to emboss small parts of the cover to give an interesting tactile experience

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Crowded text layouts have a certain aesthetic appeal with the way they fill up the page

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Interesting textures in this collage piece that I could recreate in my own experimentation

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David Wischer risographed zine, "Bandits"

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I really enjoy the aesthetic of riso printed work. I will hopefully be able to use this method when I print my publication.

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Characters within a film could be represented by decomposing apples and fruit?

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News article detailing the death of one of the victims of radium poisoning

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Uranium glassware, mildly radioactive and known to emit a green glow under UV lighting

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One of several time lapse scenes in Requiem For A Dream that shows the continuation of the characters lives in a more efficient way for the audience. We are aiming to experiment with filming time lapses to represent the fast deterioration of the radium girls health

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In this scene from "The Others" (2001), the lighting is all candlelit. Many of our shots involve lit candles with additonal lighting from above but we could try to recreate the moody feeling of the lighting in this scene. The position of the candle also has some symbolism which we could take into account

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The Others (1/11) Movie CLIP - Mummy Went Mad (2001) HD

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The poster shot for Melancholia mimics the etheral painting "Ophelia" by John Everett Millais, 1851. We hope to do something similar in some of our film shots and maybe mimic the photos from news articles about the radium girls

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In Hot Fuzz (2007) Wright used quick paced shots that last an average time of 1.71 seconds. In my own film I have attempted to create a fast pace by speeding up the changes between shots more and more throughout the film

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"Eternal Sunshine of The Spotless Mind" - Michel Gondry, 2004

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In Eternal Sunshine overhead shots are used to give the viewer more information and place them in an almost god like position, knowing everything that the characters don't. In our film, we used overshots to film the painting of a giant clockface to give the impression that the painter is almost unaware of what she paints, the clockface counting down to her own death

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The plot of our film represents the deaths of the six radium girls through objects and their deterioration.

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News article covering the Radium Girls story

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One of the most iconic examples of fruit symbolisim lies in the tale of snow white, who was sent into a poison induced coma by eating a cursed apple.

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"Snow White" - Disney, 1937

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The spinning camera creates a tense opening in this scene. We used a similar technique in some of our shots, but much more sped up to increase the tension.

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Moonlight Intro : On The Block With Juan

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Chaotic editing technique. The fast pace of the intro is something we want to capture in our short film

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American Horror Story : Season 1 - Opening Credits / Intro

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Use of green lighting for ominous effect

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The Strange Colour of Your Body’s Tears (Dir. Hélene Catte, Bruno Forzani, cinematography Manuel Dacosse)

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"Torn Poster, Holland" - Brett Weston, 1971

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An abstraction of foam close up. An interesting technique I could try for myself

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"Foam" - Brett Weston, 1978

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Light in conbination with fabric is someting I want to try for the sensation task

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"Red with Black and Bulbs" - Ola Kolehmainen, 2004

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"Suprematism Nr. 114 Black Circles and Orange Circle with Pink" - Ola Kolehmainen, 2020

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I'm very interested in learning how to use double exposure in photography like this artist does

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"Aqueduct 1564 I" - Ola Kolehmainen, 2014

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I enjoy the contrast and scale making the figures seem small in stature

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"Io non ho mani che mi accarezzino il volto" - Mario Giacomelli, 1961 - 1963

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Visually interesting macro shot of the textures in kale. Many layers and contrasting values

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"Kale Halved" - Edward Weston, 1930

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This piece has such interesting form and texture. The depth is something I'd like to capture in my own photography

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“Cabbage Leaf” - Edward Weston, 1931

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The large installation piece made with suspended fabric has a ghostly feel

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"Navedenga" - Ernesto Neto, 1998

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These forms were created by dipping squares of fabric into starch and letting them harden into abstract forms

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"Pina" - Taeg Nishimoto, 2014

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The look of this sculptural piece is what I want to capture in my fabric photography 

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"Pina" - Taeg Nishimoto, 2014