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In the 1952 short story by Mavis Gallant, the author uses repetition, expressive imagery, and an anxious yet hopeful tone to illustrate Mike's aimless pursuit of art.

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In Mavis Gallant's short story, "One Morning in June," the author uses a lost tone, comparisons, and vivid imagery to convey Mike's desire to paint while also demonstrating his lack of skill and support.

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In Mavis Gallant's 1952 short story "One Morning in June", Gallant utilizes comparisons, an insecure tone, and symbolism to convey the protagonist's, Mike Cahill, feelings of desperation for self-fulfillment, yet disinterest to learn from failure through his art.

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In the short story "One Morning in June" by Mavis Gallant the writer uses indirect characterization, abstract metaphors, and dull imagery to convey the speakers indifference towards his artistic career despite his blooming enjoyment for painting.

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In the short story "One Morning in June" by Mavis Gallant, the author portrays the main character's struggle with abstract concepts and creative insight through comparisons, imagery, and diction.

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The author chooses diction that creates a lost tone throughout the story to highlight how Mike feels about the challenges and uncertainty that is before him. The diction in the phrases "unbreakably joined in his family's imagination", "sober patience", and "unnerved by the pressure" fully displays Mike's pensive emotions during this time as he copes with the challenges. It is portrayed through this word choice that despite Mike's efforts, he still cannot find true confidence in his painting abilities. As the author describes the effort that Mike is putting in, he uses words that demonstrate a sense of the confusion that Mike is experiencing as he continues to fail time and time again.

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Gallant uses comparison to display that Mike's family does not support him in his pursuit of art. When Mike's family sends him to Paris to kickstart his art career, it is described as being "like exposing someone to a case of measles and watching for spots to break out" (Gallant, 10-11). Mike's family views his potential art career as an experiment, with an almost certain fail rate, as opposed to an opportunity for success. The author's choice of measles as the comparison gives off the connotation that his family has low expectations and are potentially hoping for the worst. The author's use of simile to describe Mike's family shows their lack of belief in his art career.

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In the short story "One Morning In June", Gallent uses transformative characterization, third person point of view, and colorful imagery to display Mike's complex feelings for art, while also transforming his feelings.

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Gallant uses transformative characterization to express Mike's artistic journey. In the beginning of the short story, Mike seems to feel uncertain towards art as "Mike painted with a somber patience" (Gallant). This characterizes Mike as a very melancholy person and his feelings towards art. By the end "he now believed in it, enjoying, above all, the solitude, the sense of separateness, the assembling of parts into something reasonable" (Gallant). Now, it is apparent that Mike understands the purpose of what he is doing. This transformative characterization is used to display Mike's own transformative opinions with art.

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The author uses vivid imagery to convey the lack of support and skill in Mike's painting. Mike does not have the support of his family and struggles to feel supported by Mr. Chitterley. Often, this feeling of solidarity is reflected in his art. The author states that Mike "recognized that his pictures were flat, empty, and the color of cement" (Gallant 33-34). The dull nature of his paintings parallels the dullness of Mike's life and career as an artist.

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The author's use of expressive imagery allows the audience to experience Mike's intense emotions throughout the short story. When explaining how he ended up residing in Paris, Mike describes his family's urgence for him to move, "rather like exposing someone to a case of measles and watching for spots to breakout" (Gallant 4). This comparison enables the reader to sympathize with how uncomfortable the major change in his live was. Additionally, Mike later describes that part of his affinity for art comes from, "the solitude, the sense of separateness, the assembling of parts into something reasonable" (Gallant 4). This thought process assists the reader in understanding the possibility that the reason Mike is so passionate about art is that it gives him a semblance of control that he is otherwise lacking in his own life.

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Gallant uses comparisons to illustrate Mike's hardships towards his personal struggles with creativity. When Mike's unsuccessful art plans occur, Mr. Chitterley suggests, "Menton... he remembered it as a paradise of lemon ice and sunshine" (Gallant 66-68). Mike begins to realize he wants to work on his creativity, so he agrees to Mr. Chitterly's recommendation because Mr. Chitterly remembers the positive effects Menton brought to him. Through the comparison, Mike realizes he needs to work on his creativity struggle to deepen his art works.

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Through transformative characterization, a third person view point, and colorful imagery Gallant portrays Mikes complex feelings for art.

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In the short story "One Morning in June", Gallant uses vivid imagery to illustrate his personal struggles with creativity. An example of this inner struggle is when Mike expresses that he "had blamed the season, for the Paris winter [that] has been sunless; later on, he saw that its gray contained every shade in a beam of light, but this effect he was unable to reproduce" (Gallant 34-38). Within this quote the author expresses that as the seasons changed, his inspiration followed. Mike's ability to paint in beautiful colors and arrangements were often reflections of what he felt from within. Mike often "wished he would be more specific, for he sometimes recognized that his pictures were flat, empty, and the color of cement" (Gallant 32-34). This use of imagery shows Mike's struggle with his inner creativity and motivation. Often times he felt that his artistic ability lacked in ways he could not control, which he blamed on the environment around him.

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Gallant first uses abstract comparisons to convey the speaker's apathy in studying art in Paris. He compares this opportunity to "rather like exposing someone to a case of measles and watching for spots to break out" (Gallant 10-11). The blunt abstraction of this simile successfully conveys the speaker's opinion on going to Paris as something dull or hopeless. Writing against the audience's expectations that the speaker would be hopeful or excited strongly highlights how little the speaker cares for his opportunity. Words such as "measles" and "spots" also add to a grotesque image, strengthening the idea that the speaker is not interested in study art in Paris.

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Finally, Gallant uses diction and word choice to convey Mike's monotonous and tedious struggle as he studies painting. In Paris, Mike "painted with sober patience the bridges of the Seine, the rain-soaked lawns of the Tuileries, and a head-on view of Notre Dame... and empty of people (he had never been taught to draw, and it was not his nature to take chances)," (Gallant). The author utilizes words such as "sober patience" , "rain-soaked", and "empty of people" to show his difficulty with change and variety as he paints in Paris. Mike views painting as an obligation and responsibility, therefore he does not find inspiration in his work. The author uses monotonous tone to show how little Mike feels as he begins art classes. Additionally, it shows his inability to grow and learn as an artist, as he does not attempt to draw humans in his work. Diction in the short story "One Morning in June" exhibits how monotonously Mike views the task of painting.

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Through the use of comparative language, imagery, and diction Mavis Gallant effectively portrays Mike's struggle to understand abstract concepts and to utilize his creative abilities.

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Through Gallant's use of an uncertain tone, comparisons and vivid imagery, he fully portrays Mike's desire to paint in contrast to his lack of ability and outside support.

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The use of indirect characterization displays the artist's apathy towards his art career and his need for external motivation. When describing the artist's choices in life, he chooses phrases like "this had not been suggested", "giving up", and "not his nature to take chances", providing the reader with an outlook into the reasoning behind his motivations. The artist is indifferent towards his art and furthering his artistic career. The words chosen show his subconscious lack of desire towards art. He continues "creating" art to please the people around him and escape from the stresses of deciding his future. The artist is disinterested in his future to the point that he doesn't pretend to be interested when describing it.

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The use of colorful imagery, throughout the short story, shows the vacillating opinions Mike feels towards art. During Mike's beginning time in Paris, he had trouble with his paintings looking "flat empty, and the color of cement... he had blamed the season for Paris winter had been sunless" (Gallant 33-36). Mike feels like the art and world around him is engulfed in gray darkness. Similarly, mike's feeling towards art is dark and sad while he struggles to adapt to his new environment and his work to improve his art. Later in the short story, Mike thinks about the time stayed in the French countryside and "he remembered it as a paradise of lemon ice and sunshine" (Gallant 67-68). After he is told by his French teacher to go to the countryside mike feels discouraged and confused because his art has finally improved in Paris. However, when he thinks back to his time in the countryside, he craves the happiness and joy he felt. This makes him decide not only for himself and his art to take a chance.

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Mavis Gallant uses comparisons to convey Mike's fear of failing his family and his feelings of intense stress in his current situation. When his family encourages his to leave the US and study in Paris, Mike compares it to "exposing someone to a case of the measles and watching for spots to break out" (Gallant 4). Mike's family most definitely have the best intentions at heart, encouraging him to pursue the arts with his gifts, but Mike sees it more as being thrown into the deep end of a pool and being told to swim. He desperately wants to impress his family, but at the same time he feel little motivation to actually get out of his comfort zone. Mike feels little direction from those around him, causing him to develop feelings of self-doubt and unworthiness. Through the perceived lack of direction as evidenced by Gallant's comparisons, the author conveys Mike's feelings of desperation while showcasing his lack of motivation to ask for help.

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The Author dives deeper by utilizing Mike's own art to symbolize his futile pursuits of his creative career. When his teacher came comment on one of Mike's paintings, mike worries about his progress and wishes that the professor would elaborate on how to improve. He reflects on how "he sometimes recognized that is pictures were flat, empty, and the color of cement" (Gallant 31-34). The author takes the symbol of his painting and uses it as a representation of the protagonists' mind plain, dull, and basic. Mike describes how his works can be boring and plain in his artist, yet wonders how to change. The author wants us to see through his painting, that he could take more creative liberties. However, that you have to put in more than meets the eye for art to form. Through his art, we can see his characterization and how it helps and hurts his goal to connect with the art world.

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Gallant describes Cahill's pursuit of art in an anxious yet hopeful tone to convey his passion for painting. By introducing Cahill's talent for painting as, "a talent not to be buried under the study of medicine or law," Gallant makes the reader feel hopeful for the possible future Cahill could achieve (6-8). Creating a sense of hopefulness for Cahill's success invites the reader to accompany him throughout his journey of the arts. Allowing the reader to experience the ups and downs Cahill encounters while trying to carry out his dream, sets a sense hopeful anticipation for his future. Gallant shows Cahill's enduring struggles while pursuing painting by stating he was, "Unnerved by the pressure of time... searching for the clue that would set him on a course" (38-40). This simple statement causes doubt of the future Cahill dreams of having in art. Watching Cahill search for inspiration creates worry that he will not be able to find what he is looking for. In all, Gallant shows Cahill's dream of art through the use of a consistently anxious yet hopeful tone.

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Mavis Gallant uses dull imagery to convey his career in art while disregarding his emotions about his new fondness of painting. Cahill refers to pictures as "flat, empty, and the color of cement" (Gallant 34). He often felt that his paintings reflected the scenery around him but now that his year has come to an end he thinks otherwise. He learns that his enjoyment of practicing art and yearns for a new direction in life. Cahill's new guidance will help him redirect his life in spite of his original feelings towards his paintings.

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Through symbolism, comparisons, and reflective tone the author conveys how the protagonist contemplates his purpose whilst concerns for failing.

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In the short stroy, "One Morning in June," Mavis Gallant's uses 3rd person point of view to to convey Mike's complicated feelings towards art, while also evolving his feelings. Gallant's short story entails with the background inforamtion that Mike's arrival to Paris was not completely in his full intrest. Mike orgianlly came to France because the "words "art" and "Paris" were unbreakably joined in his family's imagination... his family had decided that a year in Paris would show whether or not his natural bent was toward painting" (Gallant 1-3 8-10). With the use of third person point of view, the readers are revealed Mike's internal and backgroung information on relating to his skill of art and his arival to Paris. Without this third person point of view, the readers would be revealed this viable information that serves to relate Mike's complex experience with painting. As the short story continues bits of information are revealed of Mike's internal feelings ask his study of art continues. When in a art classes with his teacher Chitterley, Mike thinks, "he sometimes recognized that his pictures were flat, empty, and the color of cement... Prodded in the direction of art, he now believed in it, enjoying above all, the solitude, the sence of separateness, the assembling of parts into something reasonable" (Gallant 33-34 40-43). Within these internal statments, the readers are faced with Mike's contrasting feelings towards his art work. Mike sees his flaws but at the same time he feels comfort in the solitude and calmness his art work brings him. Without the use of third person, the readers would not be able to fully comprehend the extent of Mike's feelings and realtionship he shares with art.

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Gallant uses repetition of the word "paint" to demonstrate Mike's exasperation and uncertainty of his artistic progress. Cahill feels like is he has made his art his life's purpose and it is taking him nowhere, "I can stay over here until August, if you think there's any point. I mean is it wasting time for me to paint, paint, paint?" (60-62). Mike's lack of confidences in his progress is seen when he asks his mentor if him continuing to stay in Paris would even be worth his or his mentors time. Gallant's use of repetition illustrates to the reads Mike increasing level of self-doubt. Again, Gallant uses repetition of the word "paint" to express Mike's concern for his life goals. "'Go south. Don’t stop in a hotel but live on the land, in a tent, and paint, paint, paint, paint, paint!' 'I can’t afford it'" (56-59). Even with the encouragement of his mentor, he can't seem to find the validation to believe in his work.