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Anna Bella Geiger is a multi-media artist who utilizes collaging and cartography to explore themes of national identity and borders, through the means of printmaking, painting, video, and sculpture.

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In O Pao nosso de cada dia, 1978, Gieger utilizes photography and printmaking to convey a narrative surrounding poverty in Brazil.

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Lygia Pape was focused on a variety of art forms such as sculpture, drawing, engraving, filmmaking, and installation. She was a founder of Brazil’s Neo-Concrete Movement (1959), and after the dictatorship took power in the country, Her work started to focus on the freedom of expression and fighting against the wave of mass industrialization which threatened to wipe away the identities of Brazil’s indigenous’ groups.

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In Divisor, Papa uses performance and soft sculpture to evoke the spirit of camaraderie across socio-political boundaries, inviting the performers to work together to accomplish a shared goal of movement.

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Concrete-art being a form originating from Europe, Pape and a crew of other Neo-concretists were engaging in a form of cultural cannablism, embracing and co-opting a style and melding said style with organically Brazilian works.