# data[].attributes.body
I am currently engaged at CEPT University in Ahmedabad as Adjunct Associate Professor. I offer a studio called 'You Had To Be There | Experiments in Liveness' , an input based course 'Design Aesthetics' and a foundational course, 'Design Process and Projects'.

https://cept.ac.in/people/avni-sethi

# data[].attributes.body
As a part of my studies at the MA Dance: Participation, Communities, Activism at the London Contemporary Dance School, hosted at The Place, I delivered a presentation elaborating my final project at the Future Bodies Symposium.

# data[].attributes.attachment_link.title
1. State Subject; Dance Object by Avni Sethi (India)

# data[].attributes.body
Working in collectivity alongside Tarit Gautham, Nishant Seth and Avani Tanya at Spreepark Art Space, Berlin

# data[].attributes.body
Offering choreographic scores, conversation and dramaturgical input to Belgian - Norwegian choreographer - dancer Mirte Bogaert at a residency in BUDA in Kortrijk, Belgium.

# data[].attributes.attachment_link.description
Mirte Bogaert werkt tijdens haar residentie in BUDA samen met Ive Stevenheydens aan As you like it. In As you like it is haar eigen lichaam een levend vraagteken en nodigt ze het publiek uit te reflecteren over hoe we naar het (vrouwelijke) (naakte) lichaam kijken. De solo is geïnspireerd door haar onderzoeksreis naar Japan, waar ze onderzocht hoe westerse idealen rond lichaam en seksualiteit het Japanse perspectief hebben beïnvloed, en waar ontmoetingen met striptheaters rijk materiaal boden voor reflectie.

# data[].attributes.attachment_link.title
Indian Dance: Articulations/Tensions/Negotiations with Avni Sethi (2022)

# data[].attributes.headline
(in)Corporeal Encounters : a partnership between VCA Dance at the Faculty of Fine Arts and Music, University of Melbourne, and Dancehouse. 

# data[].attributes.subject
(in)Corporeal Encounters : a partnership between VCA Dance at the Faculty of Fine Arts and Music, University of Melbourne, and Dancehouse. 

# data[].attributes.body
in conversation with Amaara Raheem, Wendy Lasica and Shinjita Roy in a podcast episode called Speculative Futures, speaking through the many possibilities of dance

# data[].attributes.attachment_link.readable_text
In these critical conversations we divine possibilities for future dance(r)s through an interdisciplinary weave of voices from artists, scholars and activists working in the fields of art and related disciplines. (In)Corporeal Encounters encourages speculation, provocation and creative thinking.

Featured: Rheannon Port, Ngioka Bunda-Heath, Professor Tracey Bunda, Zoë Brown, Philipa Rothfield, Victoria Chiu, Caroline Bowditch, Shinjita Roy, Wendy Lasica, Amaara Raheem, Avni Sethi, Brooke Stamp, Amelia Wallin, Zoe Bastin, Tiriki Onus, Carol Brown, Gregory Lorenzutti, Renae Shadler and Caitlin Dear

(In)Corporeal Encounters is a partnership between VCA Dance at the Faculty of Fine Arts and Music, University of Melbourne, and Dancehouse. This series is curated by Professor Carol Brown, Dr Philipa Rothfield and VCA Creative Researchers Shinjita Roy and Brooke Stamp.

# data[].attributes.attachment_link.description
In these critical conversations we divine possibilities for future dance(r)s through an interdisciplinary weave of voices from artists, scholars and activists working in the fields of art and related disciplines. (In)Corporeal Encounters encourages speculation, provocation and creative thinking.

# data[].attributes.body
Artist in Residence at Cemeti Institute for Art and Society

# data[].attributes.attachment_link.title
a micro-moment in the study of violence | avni sethi | July 2024

# data[].attributes.body
Artist in Residence at the Saison Foundation

Finding ‘economical movement’ through the influence of Butoh on contemporary moving bodies.

# data[].attributes.attachment_link.provider_name
公益財団法人セゾン文化財団

# data[].attributes.attachment_link.title
公益財団法人セゾン文化財団

# data[].attributes.attachment_link.description
公益財団法人セゾン文化財団では、日本の現代演劇・舞踊の振興、およびその国際交流の促進に寄与するため、1987年より助成活動を行っています。

# data[].attributes.attachment_link.readable_text
The Museum of Conflict is glad to welcome you back!

To maintain everyone's health & safety we have arranged for you to plan your visit and practice physical distancing. Please go through the following guidelines prior to your planned visit.

Pass through the disinfectant tunnel to enter the Museum premises.

Use the foot-stand dispensers that are available on both floors to sanitize your hands regularly.

Get a thermal scan at the reception desk.

Confirm your name and contact details at the reception.

Maintain a safe distance of 3 meters while interacting with anyone.

Lastly, the most important measure, wear a mask.

# data[].attributes.attachment_link.description
The Museum of Conflict is glad to welcome you back! To maintain everyone's health & safety we have arranged for you to plan your visit and practice physical distancing. Please go through the following guidelines prior to your planned visit. Pass through the disinfectant tunnel to enter the Museum premises.

# data[].attributes.headline
Feminist Festival: Nurturing Adolescent Empowerment 

# data[].attributes.subject
Feminist Festival: Nurturing Adolescent Empowerment 

# data[].attributes.attachment_link.title
Feminist Festival: Nurturing Adolescent Empowerment – “Mari Patang, Mari Dheel”

# data[].attributes.attachment_link.description
Feminist Festival: Nurturing Adolescent Empowerment - “Mari Patang, Mari Dheel″ About the Event: Mari Patang Mari Dheel is a transformative initiative to empower girls from Patadi and Mahisagar districts of Gujarat –centred around the themes of body, autonomy, expression,

# data[].attributes.attachment_link.title
ReverseForward

# data[].attributes.headline
in conversation: Amar Kanwar \ Avni Sethi moderated by Carin Kuoni

# data[].attributes.subject
in conversation: Amar Kanwar \ Avni Sethi moderated by Carin Kuoni

# data[].attributes.attachment_link.title
Avni Sethi in conversation with Amar Kanwar

# data[].attributes.attachment_link.description
On Day Four of the VLC Forum 2021, we present an online, in-depth conversation between 2020–2022 Jane Lombard Prize Recipient Avni Sethi and seminal filmmaker and artist Amar Kanwar. In the context of Sethi’s exhibition, Owed to a Certain Emptiness: Infra-structuring the Conflictorium, Sethi and Kanwar will reflect on expanded notions of infrastructures, considering new approaches to museum work and artistic practices that center alternative infrastructures, both personal and institutional in nature.

# data[].attributes.attachment_link.provider_name
Owed to a Certain Emptiness: Infra-structuring the Conflictorium | Vera List Center

# data[].attributes.attachment_link.title
Owed to a Certain Emptiness: Infra-structuring the Conflictorium | Vera List Center