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Artist Trading Card Examples: Click Here

Related Examples: Click Here

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Student Examples

More Student Examples!

References

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1. Pencils only. No writing, no miming! Drawing with non-dominant hand only.

2. Table 1, 2, and 3 are teams.

3. I will write the word on the board (while non-drawers close their eyes)

4. You get ONE minute to draw. Whoever guesses first ends that round and gets a point. First to 10 wins!

5. Pass the big paper to the next table-mate and continue.

6. Winning table gets candy!

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What To Know:

You will be turning in at least 2 completed Artist Trading Cards

Every additional, well made, well crafted and creative card gets you an additional 5 points (each required card is 10).

You should put your name, date, and title of the card (if you can think of one)

At the end, you can trade with classmates , only if you want to :)

Order of Operations:

1. Review slideshow: How To Fill Up Your Work

2. Everyone gets one card (to start)

3. You have 10 minutes to add anything to your card

4. You will then pass your card to the person to your right, who will also have 10 minutes to add to it

5. You will do this one more time

6. You will get YOUR card back. You have 10 minutes to finish it how you'd like

7. You do one more card, completely on your own.

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First Steps:

1. Draw a person from memory

2. Draw your hand

3. Draw object in bag

4. Let's discuss our observations from these three drawings.

5. Draw image right-side up for 5 min.

6. Review and practice "Drawing Accurately Slideshow" tips -- please view this on your Chromebook to follow along.

7. Show final examples (links in next column).

8. Begin drawing upside down (may need folders).

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STUDENT Examples Here

Professional Examples Here and Here

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Steps:

1. Search: Look through my linked examples. Screenshot/save a few that appeal to you.

2. Thumbnails: Create at least 2 thumbnail drawings. Less than 5 minutes each. This is your composition planning time (how you will lay things out on your round).

3. Practice! Get painting paper. Draw your idea. Paint it as best you can. Ask for help when you need it.

4. Gesso: You must gesso both sides of your round when you get it. This will prevent warping.

5. Draw your image lightly with a pencil on your round.

6. Paint!

7. Remember: RISK - not doing the easiest possible thing. RESOURCES - try to combine more than one resource. Your rubric requires this for full points (if you're not ready for that, that's fine. You just will not get 100% full points).

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Student Examples

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Steps:

1. Search: Look up Collage examples. Screen shot a bunch that appeal to you.

2. Collect: Collect materials! Cut up our art books, maps, old papers, magazines. Develop a STASH. Become a hoarder!

3. Experiment! Place interesting images near each other. Change it often. Use tape before you use glue.

4. Size: Aim for printer paper size. If you go smaller, do more than one (or a small series).

Add on: Add another media. Thread, paint, buttons, gems, beads, shells, yarn, markers, etc. If you're fancy, part of your art can be your own drawing.

TIP: With collage, it's not always helpful to have a preconceived notion of what you want your end product to look like. Experiment and trust the process.                Also, your final piece doesn't have to be a rectangle.

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1. Paint along with "Watercolor Intro" video

2. Paint avocado WITHOUT help

3. Paint along with "Watercolor Avocado" video

4. Choose a semi-choice image and paint it

5. Full choice watercolor

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Click IMAGE to upload finished work for grading

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Click IMAGE to upload finished work for grading

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High School - Art Project Planning Guide

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Charcoal is best done on Strathmore drawing paper, which is in a brown pad of paper.

To Do:

1. Experiment with Charcoal. Play around with media (bags of materials are located in storage room)

2. KWL on Charcoal

3. Watch and draw along with Charcoal demo video (under resources)

4. Choose from the Semi-Choice options (under resources). Print it out. Draw from the print out.

5. FULL CHOICE. Choose your own resource and create your own drawing of ANYTHING using your new skills in charcoal.

Know:

It's black

Messy

Shade with it

Blendable

Draw with it

Want to know:
Does it stain?

How to draw with it?

What to make out of it

What kinds of media mix well w it?

Is it edible?

How detailed can you get with charcoal?

Where does it come from?

Learned:
Shading - smudger, chamois, or finger

It doesn't matter if you go outside of your lines

It doesn't matter if you go too dark

It doesn't matter if you go too light

You shouldn't eat it

Details with clicky eraser

Start with a ground

Gummy eraser can be used for shading - take off different amounts of charcoal

You should tape your paper down

Charcoal is fast(er)

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Get access to files anywhere through secure cloud storage and file backup for your photos, videos, files and more with Google Drive.

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Choice Art -- Examples by Wheeler Students

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Choice Art -- Examples by Wheeler Students

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Map resources for Kaelin

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Watercolor Demo (Watch and paint along with this 1st)

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Watercolor Demo (Watch and paint along with this 1st)

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Bob Ross Avocado (Watch and paint along with this 2nd)

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Bob Ross Avocado (Watch and paint along with this 2nd)

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Another Pinterest Board
Student Artwork Examples

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You are to complete this worksheet. Please turn in your worksheet to the sub when you're done.

When you are done with the worksheet, you may start your own Op Art artwork. I suggest Bristol paper for a final.

Any well crafted and high-effort completed Op Art artworks will get you extra credit (up to 40 points).

Here's the link to the Parabola demo video (question 1)

Here's the link to the Parabolic Swirl video (question 2)

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1. Pencils only. No writing, no miming! Drawing with non-dominant hand only.

2. Table 1, 2, and 3 are teams.

3. I will write the word on the board (while non-drawers close their eyes)

4. You get ONE minute to draw. Whoever guesses first ends that round and gets a point. First to 10 wins!

5. Pass the big paper to the next table-mate and continue.

6. Winning table gets candy!

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Let's loosen up!

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Charcoal Semi-Choice - Resources to Choose From

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Charcoal Semi-Choice - Resources to Choose From

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Charcoal Demo (Watch and draw along with this video)

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Charcoal Demo (Watch and draw along with this video)

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Helpful Pinterest Boards:

Creature Cards

Monsters and Aliens

Medieval Inspo

Hybrid Animals

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Explore a hand-picked collection of Pins about MTG/Pokemon Card Project on Pinterest.

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Welcome to 2D Art
Class code: 7qx36ca

___________________________________

To Do:

1. Phones in holder every day

1. You must ask me to use it.

2. Grading policy

1. My biggest rules:

1. Please do not talk while I'm talking.

2. Please ask 3 before you ask me.

2. DAILY GRADE: 10 points per day. Please see above.

3. 0 for bad behavior for sub (what to do when there's a sub -- sub folder)

4. 100 for projects.

1. What you're graded on:

1. Risk

2. Craftsmanship

3. Use of References

4. Creativity

5. Effort

6. Meeting requirements

5. Firedrill/Lockdown

6. Room sign-out

___________________________________

Then:

Name Tags

Bins: Choose your bin - 2 per bin

Non-Dominant Hand Pictionary

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ESSENTIAL QUESTIONS: Why are book covers important? How can you tell a story with images? How can you create a balanced composition?

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1. Experiment with OPs

2. Draw Avocado in OP by yourself

3. Following along w Mrs B drawing Avocado

4. Create your OWN OP art!

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Artist: Blackbean CMS on Pinterest and Youtube

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34 Teaching (Art): Pastels ideas to save today | pastel painting, oil pastel, teaching art and more

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Nov 25, 2015 - Explore Sarah Baumann’s board “Teaching (Art): Pastels” on Pinterest. See more ideas about pastel painting, oil pastel, teaching art.

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Get access to files anywhere through secure cloud storage and file backup for your photos, videos, files and more with Google Drive.

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Your project should take more than two class periods and adhere to our rubric requirements of RISK, CRAFTSMANSHIP, and use of resources.

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TIP: With collage, it's not always helpful to have a preconceived notion of what you want your end product to look like. Experiment and trust the process.

Also, your final piece doesn't have to be a rectangle.

Steps:

1. Search: Look up Collage examples. Screen shot a bunch that appeal to you.

2. Collect: Collect materials! Cut up our art books, maps, old papers, magazines. Develop a STASH. Become a hoarder!

3. Experiment! Place interesting images near each other. Change it often. Use tape before you use glue.

4. Size: Aim for printer paper size. If you go smaller, do more than one (or a small series).

5. Add on: Add another media. Thread, paint, buttons, gems, beads, shells, yarn, markers, etc. If you're fancy, part of your art can be your own drawing.

Requirements:

1. Follow the steps

2. Experiment

3. RISK

4. Creativity

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Watercolor pans are in counter drawer. Watercolor is best painted on "Painting Paper."

1. Get set up for watercolor. Play with the paints for a few minutes.

2. Watch and paint along with "Watercolor Demo."

3. Paint avocado without help.

4. Paint avocado Bob Ross Style with me! It's under Resources.

5. Choose your semi-choice watercolor resource. Always paint/draw from printed out resource.

6. PLEASE repeat step 4 if you're asked to or want more practice. We should focus on color matching (I'll show you a great trick with an index card!)

7. FULL CHOICE watercolor!

Once you're completed with all four of the above, you can start working on a watercolor painting of your own choice! Still, I recommend fruit, veggies, flowers, food, candy, desserts, etc (things from the natural world).

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Discover the most exciting Illustrators active today. We work with emerging and mid-career illustrators from all over the world to provide a range of prints, paintings, collages and more for you to discover. Whether you're after a botanical illustration, an animal print or an intricate cityscape, our curated gallery makes it easy for you to discover new illustrations to purchase for your home.

Kristjana S Williams. Kristjana's illustrations epitomises the appeal of contemporary illustration; she infuses intricacy with colour to make fantastical narratives in her art. Whether forming patterned prints of butterflies or creating mystical scenes of nature, Kristjana transcends the traditional notion that an illustration is an addition to a piece of writing, and in turn each piece of Kristjana's art becomes a story in itself.

Mat Cahill is another artist who works to push against the imposed boundaries of traditional illustration. Mat reimagines the possibilities of illustration and uses his art to discuss issues of modern society, ranging from reflections on individuality and anonymity to examinations of masculinity in today's day and age.

Michelle Loa Kum Cheung works in mixed media to create illustrations of far off lands and magical settings. Michelle uses gold leaf and liquid graphite to form patterned motifs and inject her art with a tone of wistfulness. Exploring themes of memory and the relationship between time and place, Michelle's drawings and paintings transport the viewer to another world entirely.

About Illustrators

Illustrations has existed for as far back as ancient cave paintings in prehistoric times, however the profession of the illustrator is fairly recent in comparison. Emerging at the beginning of the 19th century, illustrations were originally synonymous with the printing and publishing process. Illustrators had the functional role of decorating, interpreting and providing a visual explanation to assist writing. Advances in technology throughout the 18th century propelled illustrations into the mainstream and by the invention of the printing press in the 1950s, illustrators had become established globally.

Today, some of the most famous illustrators are still recognised for their ability to tell a story or reinforce a narrative. Beatrix Potter, Quinten Blake and Ralph Steadman are all known in conjunction with writers, and in some cases have characterised stories in a way that is more recognisable than the writing itself.

Discover illustrative art for sale here.

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Browse Artists | Buy Contemporary Art Online | Rise Art

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Browse contemporary art from exciting artists from around the world. Explore our online art gallery with artwork for sale including paintings, prints, sculpture, photography and drawing in a range of styles from abstract expressionism to pop-art. Buy or rent art online with confidence.

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360 Illustrate ideas | illustration art, art inspiration, illustration

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Oct 6, 2020 - Explore Sarah Baumann’s board “Illustrate”, followed by 185 people on Pinterest. See more ideas about illustration art, art inspiration, illustration.

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Your job is to choose a contemporary illustrator and create an illustration in their style, or at minimum, inspired by them.
Think about how your illustrator uses the following elements and how you should apply those elements to your work:

Mark-making

Color

Materials

Composition/focal point

Mood

Balance

Message

Your prompt is: CONTROL. We will do a mind map as a class. You may interpret this word however you'd like.

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© Aart-Jan Venema. All images courtesy of the artists

Known as the "go-to" resource for illustration, the Directory of Illustration is an invaluable tool for searching, referencing, and connecting with the most talented artists in the world.

At the beginning of each year, the Directory creates a gorgeous printed printed book, distributed free of charge to thousands of creatives.

It lands on the desks of those who regularly hire freelance illustrators and animators. And at Creative Boom, we've had a sneak peek before the 36th edition is released. It contains almost five-hundred pages filled with thousands of illustrations from the best commercial artists working today. And this year's compendium features original cover illustrations by Lisa Perrin, with art direction by award-winning designer/illustrator Dave Plunkert of SPUR Design.

It was an impossible task with so much talent on display, but we've picked out 20 of our favourite illustrators - artists both new and established, and who we think will make a significant impact in 2020.

Award-winning Italian artists Alessandro Lecis and Alessandra Panzeri have been the team behind Ale + Ale for more than 20 years. Based in France, they're known for their unusual collages, plucked from children's books to corporate imagery. The duo is represented by Morgan Gaynin.

Gail Armstrong works with paper, creating 3D illustrations of people, animals, buildings, landscapes or even graphs. Her crafted sculptures have appeared in National Geographic and attracted the attention of Rotary Watches, Anchor Butter and Milkybar. And to think her intricate works each begin with a flat piece of paper! We've seen paper become increasingly popular throughout 2019; we expect that trend to continue over the next 12 months, with Gail being one of the leading paper artists. She is represented by IllustrationX.

Iker Ayestaran specialises in digital, gouache and graphic art, and his work is full of texture, soft lines and retro colours. Represented by Shannon Associates, he's often hired by Fortune, The New York Times, Variety, The Washington Post, The Daily Telegraph, and The Economist for his stunning editorial illustrations. Based in Spain, he's won many awards and is recognised as one of the most celebrated illustrators in the world.

Represented by Mendola Artists, Kirsten Ulve is an illustrator and designer from New York City who mixes crisp conceptual design with bold colour and heaps of fun. She specialises in fashion and lifestyle, caricature, toy and game design, and her clients include The New Yorker, Glamour and Volvo.

This talented Norwegian has lived in London since 2000. He has a BA in graphic design and since 2002 has been the political cartoonist for The Times. Alongside this, he produces weekly satirical animations for the newspaper's online and tablet editions.

As politics continues to dominate the global conversation, we can expect to see even more of Morten in 2020. He is represented by Début Art.

An award-winning illustrator and designer, Lisa Perrin also calls herself a collaborator, entrepreneur, educator and general mover and shaker. Represented by Frank Sturges, she graduated in 2013 with an MFA in Illustration Practice from the Maryland Institute College of Art and today works full-time as an illustration professor at MICA. During her spare time, she creates art for clients such as Macy's, Penguin Random House and Anthropologie. One to keep in your sights.

Represented by Folio, Michael Driver is a London-based illustrator whose work is created using both digital and analogue techniques. He crafts gorgeous fictional characters and produces lush textures for clients such as Apple, Deliveroo and The Guardian. Predominantly editorial, his work can also be found in advertising campaigns and publishing.

Based in Toronto, Canada, Sue Todd has literally carved out a niche with her lino-cut technique which she then colours digitally. It's a mixture of two worlds - analogue and digital - to create her colourful illustrations that have won over clients such as Barnes & Noble, The Wall Street Journal and Walmart. There's a heavy influence of medieval woodcuts along with the art of Jim Flora, Frans Masereel, and Jose Francisco Borges.

Figurative illustration is the main dish served up by UK illustrator Richard Beacham, sprinkled with a dash of humour. He's depicted everyone from the Queen and Theresa May to President Trump and Angela Merkel - specialising in editorial artworks for some of the world's leading publications.

The soft sketches, textures and bold colours seem to leap from the screen when you first lay your eyes on Matt Chinworth's illustrations. If you visit his website, you'll notice his name follows a similar style, as though sketched in charcoal with a dash of animation to make it wobble. It's this tactility that draws us to Matt's work. He's recently created illustrations for The New York Times, The New Yorker and The Washington Post.

Mercedes deBellard is an illustrator from Madrid who specialises in portraits. She has something of a hyperrealistic speciality. Yet the people she delicately draws have an indefinably light touch. You'll have spotted her work before, as her clients range from Warner Brothers and Random House to The Sunday Times. She is represented by Folio and one of our favourites for 2020.

Jeremy Booth was born and raised in Louisville, Kentucky, where he still lives. His love of drawing began at a young age, but it wasn't until his twenties that he pursued graphic design. It was during that time that he discovered digital illustration, and the rest is history. Today, he is represented by Artistique and his work, that centres around light and shadow, is something he calls 'Vector Noir'.

Children's books and whimsical editorial illustrations are the focus of Francesca di Chiara, an illustrator who mainly works with international and Italian publishers such as Fabbri Editori, RCS, Piemme, Einaudi, La Coccinella and Usborne Publishing. Cute and lovable, we think she is one to watch for 2020. Francesca is represented by MIA Milan Illustrations Agency.

Bursting with bright colours and inspired by old printed ephemera, vintage illustration and hand-painted signage, we can't get enough of Ruby Taylor's fun artworks. Represented by Central Illustration Agency, colour plays an important role in her illustrations, which are full of warmth, humour and character. Her clients include Adidas, Harper Collins and Penguin Random House.

Originally from South Korea, Uijung Kim now lives and works in Brooklyn, New York. She studied Art and Design at Gunsan University in South Korea and Illustration at the College for Creative Studies in Detroit.

Inspired by her childhood experiences and the family and friends she grew up with, her work is firmly rooted in Korean culture through colour, tone and narrative. If her artworks make you happy, that will undoubtedly make Uijung happy, too. Another one on the books of Central Illustration Agency.

Aart-Jan Venema uses digital and traditional painting techniques to create his multi-layered and fantastically coloured illustrations, anchored with a keen compositional eye. He loves to fill his artworks with stories and surprising details for all to discover.

The winner of both the Overall Professional and Design awards at the World Illustration Awards 2017, Aart's diverse portfolio has led him to work with clients such as Google and The New Yorker. And his first picture book, Night Windows, received much acclaim. Based in The Hague, Aart is represented by JSR.

Victoria Borges is quite the traveller. Born in Germany, she has lived in many places including Hawaii, Austria, and more recently, Richmond, Virginia. She has a degree in Communication Arts from Virginia Commonwealth University and now works as a designer and freelance illustrator, making work for both home decor and editorial publications.

Represented by Artistique, we love her exploration of various media, from oil painting, watercolour and screen-printing to stop motion, gif-making and digital illustration. Her style is versatile, whimsical and textured - something that we expect to see more of in 2020.

Represented by Rapp Art, James O'Brien is an illustrator and artist whose impressive client list includes American Express, Colgate and Microsoft. With soft colour palettes, plenty of texture and the odd moving image, James creates conceptual and decorative art and design for editorial, commercial and publishing.

Lars Madsen is an award-winning German artist based in Hamburg. He creates illustrations, animations, logos, and custom letterings for clients all over the world. 2019 has been quite his year, as he scooped the Communication Arts 2019 Award of Excellence and was the American Illustration Chosen Winner, too. We expect great things from Lars over the next 12 months.

Based in Antwerp, Fatinha Ramos is an award-winning illustrator and visual artist originally from Portugal. After working in art direction and design for 12 years, she took a giant leap and followed her dream to become an illustrator.

Since then, her work has appeared all over the world, and she has won lots of awards, including one from the World Illustration Awards. We love the way she tears down conventions and avoids the usual clichés, creating poetic and often surreal artworks full of textures and vibrant colours.

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20 exciting illustrators to follow in 2020

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Known as the "go-to" resource for illustration, the Directory of Illustration is an invaluable tool for searching, referencing, and connecting with the most talented artists in the world. At the beginning of each year, the Directory creates a gorgeous printed printed book, distributed free of charge to thousands of creatives.

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Prep Steps:

Look around at puzzle art online. What do you notice?

Narrow your focus: choose a theme to anchor your design choices (cars, cats, forest scene, under water).

Consider your current skill level: don't be intimidated! there are lots of beautiful puzzles that aren't realistic, but they are usually always busy and well crafted. If drawing is scary, try designs, as long as they're carefully done they'll look amazing.

Create a few thumbnails and a draft. Be open to feedback!

Requirements:

Use resources when you're drawing!

Excellent craftsmanship.

Multiple sections, no dead space.

Well balanced and interesting.

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Graffiti Artwork/Illustrated Quote Proj. Requirements 

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Graffiti Artwork/Illustrated Quote Proj. Requirements 

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Create a new document and edit with others at the same time -- from your computer, phone or tablet. Get stuff done with or without an internet connection. Use Docs to edit Word files. Free from Google.

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Examples of Illustrated Quotes and Graffiti Art

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Examples of Illustrated Quotes and Graffiti Art

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Student work here:
And here.

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33 Best Illustrated Quote images in 2022

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Jan 28, 2022 - Explore wheelerarts’s board “Illustrated Quote”, followed by 172 people on Pinterest.

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Here is the website with lots of resources and information for our project.

Here's a very pretty video showing an artist carving a linocut print.

Here's a video tutorial for linocut.

Here's a video of the linocut process, including adding watercolor to embellish your final print.

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Level 1:
Students will create an original drawing, transfer to lino block, and carve.
Students will:

1. Print light colors on dark paper

2. Print dark colors on light paper

3. Take 3 or more of your best print and mount them for display.

4. Draw on/around a good print/prints to create a new composition/work of art.

5. Create a creative composition of your own idea (banner, cards, etc.)

***You must do 1, 2, and 3
***You can choose between 4 and 5
***Extra points for doing all 5

Students will use the
elements of art and principles of design to create an original drawing. Students should choose at least one compositional tool to focus their drawing. The drawing can be of an idea, a mood, a still life, etc. Students will transfer their drawing to lino block and carve.
Students will:

1. Use more than one color ink in their printing.

2. Blend ink colors in their printing.

3. Mount their best prints for display.

​

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Level 1: Students will create an original drawing, transfer to lino block, and carve.Students will: Print light colors on dark paper Print dark colors on light paper Take 3 or more of your best print and mount them for display. Draw on/around a good print/prints to create a new composition/work of art.

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Create a new document and edit with others at the same time -- from your computer, phone or tablet. Get stuff done with or without an internet connection. Use Docs to edit Word files. Free from Google.

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@patternedstudio
@liliarnoldstudios
@spindle_printer
@skylineprintworks
@jasonlimberg

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Aug 30, 2022 - Explore Sarah Baumann’s board “Ink Blowing”, followed by 178 people on Pinterest.

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1. Bob-Ross Draw-Along

2. Semi-Choice

3. Full Choice!!

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1. Play with watercolors without help

2. Watercolor Demo

3. Paint Avocado without help

4. Avocado paint-along Bob-Ross Style

5. Semi-Choice

6. Full Choice!

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How to Get Started:

1. Research: Screenshot at least 5 linocuts that you like. You can search instagram, tiktok, pinterest, etc. Be sure that the artists name/handle is visible. They do NOT need to be artworks you want to replicate... just art you honestly really like!

2. Resources: Start gathering image resources to create a great drawing. (A great print starts with a great drawing). Put those resources into a Google Doc and email them to me: bookers@nostoschools.org

3. Thumbnails: While drawing from resources, create at least 2 different thumbnail sketches for your idea. Show them to your peers.

4. Draft: Choose your favorite/best to turn into a detailed draft. Be sure your draft is the exact size of the printing block you will be using.

5. Critique: Show your draft to your peers. Give and take feedback. This is your last chance to make important changes.

6. Transfer: We will then transfer the image to your block. We will stain it with India ink, you will mark which areas to carve (with "x" for example), and you will get carving!

** REMINDER that everything prints backwards. If you have lettering, you need to be sure to flip your drawing before you transfer it. I will show you how to do this, do not worry!**

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1. Create a drawing that is 4x6 (or email your larger drawing to Mrs B who will print it 4x6) bookers@nostoschools.org

2. Heavy graphite on the back of your 4x6 drawing

3. Clip your drawing to a lino block

4. Go over all lines with a pen to transfer it to the block

5. Go over all transferred lines on your BLOCK with the pen, too, to make it easier to see

6. Mark “X”s where you will CARVE OUT (those areas will be white)

7. PRACTICE CARVING

8. DO NOT CARVE until Mrs B has seen your practices

9. Then… finally… start carving

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1. ✅ Make sure you have all the required prints completed.

2. ✂ Use the paper cutter (not scissors) to trim all of your prints to be even.

3. 🧻Tape your prints down to Color Board or large sturdy white paper (use small beige masking tape rings on the back).

1. You can mount them all on one sheet, or you can put each print on a small individual sheet. You can use as much Color Board as you’d like.

4. ✂ Trim your color board around your prints, leaving a small, even border on all sides.

5. ✎ Name on back, hand all to Mrs. B!

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After you complete your FULL CHOICE charcoal, your next project will be FULL CHOICE (any media). It must be completed by the end of the quarter (Oct 29), and it will be graded with the same rubric as all of your other projects, meaning risk, creativity, originality, are all crucial parts, still!

Please begin by adding resources images to a GOOGLE DOC and posting the link to the doc on your column in Padlet (or simply sharing it to my gmail -- bookers@nostoschools.org)

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Students will create an original drawing, transfer to a linoleum block, carve, and print. You will turn in a total of 6 prints. (Which means you may prints upwards of 25 prints to get 6 of quality).

Students will:

1. Print black on white paper

2. Print light colors on dark paper

3. Print dark colors on light paper

4. Print on alternative paper (newspaper, music paper, painted paper, etc.)

5. Add additional color to a print with colored pencil, etc.

6. Embellish a print in anyway you see fit (adding collage, sew on it, paint on it, draw on it

7. You will turn in your best print from each task above, (totaling 6 prints).

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1. Get into 2 groups

2. You have 5 minutes to work together to try to remember the 9 Drawing Tips and Trick from last year. The first team to get all 9 (or the MOST) wins. I'll give you 1: Parallel Pencil Trick

3. You must demo the Drawing Tips and Tricks for each other.

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1. Artwork must be drawn at least 90% upside down.

2. You may choose how you add color/shading, etc.

3. Your final project must showcase your best work in craftsmanship, creative setting/background, and effort.

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You *must* use resources when you're drawing. They can be the ones I provide or YOUR OWN!

You should focus on detail. If you are "done" drawing before the end of the allotted time, please add texture, background, clothes, scales, feathers, etc.

After you receive your exquisite corpse back, you can edit it to your liking. You may also choose to transfer it to final paper if you'd like :)

*10 Extra Points to anyone who writes a story about their character*

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Welcome to 2D Art!!
*Check this column everyday for your daily to-do's.*
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Class code:
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To do:

1. Course Expectations

2. Phone Manners

3. Grading policy

1. My biggest rules:

1. Please do not talk while I'm talking.

2. Please ask 3 before you ask me.

2. WEEKLY GRADE: 20 points per week.
Responsible - Student is on task, following directions, not distracting others, has phone away, and cleans up well at the end of class.
Respectful - Student is respectful to all students, tools and equipment around the classroom.
Safe - Student uses classroom tools and equipment appropriately and safely.
Honest - Student is honest and shows integrity with their work and develops their own ideas.

Phones: If you are misusing your phone in class, I will give you at most a "B" for your weekly grade every week.

4. 0 for bad behavior for sub

5. 100 for projects.

6. Studio Stewards

7. Fire drill/Lockdown

8. Room sign-out

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Then:

Name Tags

Bins: Choose your bin -- 3 to a bin

Non-Dominant Hand Pictionary

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This week, please post your first attempt at the upside down drawing along with a picture of your FAVORITE artwork you made this year!

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Printmaking introduction

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Charcoal Demo
Semi-Choice
Full Choice!

Please upload pictures of finished artwork to Padlet :)

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Charcoal Intro!

First -- let's make sure everyone has the same supplies!

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Finishing up our upside down drawings.

Please test out your media on separate paper before you apply that media to your final.

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Last week, we did a crash course in drawing "accurately."

Today, you draw your chosen resource upside down for about 15 min. When you feel you're really getting the hang of it, we'll move onto final paper. PLEASE consider your final media before choosing paper :)

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Today, we do a crash course in drawing more "representationally" otherwise known as more accurately. You will also start your upside down drawing project! You guys are going to rock this!

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Today is last day on Graffiti Project

Thumbnails and drafts and media experiment for Graffiti Art Project.

Dry media (any pencils, markers, etc) paper is in drawer #2
Wet media (watercolor/paint, etc) paper is in drawer #3

Remember to ask me for final paper when you're ready! I might ask you to keep on experimenting or you might be ready!

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1. Finish up name tags

2. Claim a bin

3. Three part monsters

4. Intro Graffiti Project!

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WELCOME!!

To Do Today:

1. GC Code

2. Fill out First Day Questionnaire on GC

3. Padlet: Please bookmark this page on your browser and phone.

4. Under your name on Padlet, please add one special memory from this year (please add a picture if you have one!) AND a picture of your pet (or a pet you want to have if you don't have one!)

5. Non-Dominant Hand Pictionary!

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Housekeeping:

1. Course Expectations

1. Generally, I start by teaching "Bob-Ross" style how to use a material or technique, and then you try it. After you have the hang of it, you get a lot of freedom to do it your way! I hope to teach you simple tricks and tips that will help you to draw/paint more realistically and confidentially! But remember, you are graded on your improvement, effort, resilience, and attitude not on your innate ability.

2. Firedrill/lockdown

2. Phone Policy

1. Warning

2. Phone Holder

3. Blue Slip & Phone stays in holder

3. Leaving the Room (Sign Out)

4. Masks and Distancing -- Won't remind, but will report.

5. What to do if you have to quar (and where to find choice project info). Remember to post to Padlet.

6. Grading policy

1. 20 points per week. -5 for any issue

2. 0 for bad behavior for sub

3. 100 for projects

4. Look at rubric

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Then:

Name Tags

Bins: Choose your bin/folder

Non-Dominant Hand Pictionary

Exquisite Corpse Game

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Fire drill/Lock down Procedure

Review rubric

Exquisite Corpse Game

Start Graffiti Art or Illustrated Quote Project!

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Lincocuts!

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Introducing our printmaking project!

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Continuing our work in Watercolor. Most of you are working on your Full Choice Final.

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First 40 min in media center to see a speaker on jewelry making!

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Welcome to Watercolor!!!

Ash & others -- if you need a more "watercolor-y" resource, please search pinterest, google, etc. for "watercolor flowers," "loose watercolor paintings," and paint from something we both like!

See project info --->
for step-by-step guide to today's class!

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Please make sure your final full-choice artwork is up on your column!

Then... Watercolor Intro!

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We are onto.. FULL CHOICE (any media).

Please make sure pictures of your completed artwork are on your column!

It must be completed by the end of the quarter (Oct 29), and it will be graded with the same rubric as all of your other projects, meaning risk, creativity, originality, are all crucial parts, still! Please read thru next columns for info --->

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Then.. Full Choice Charcoal Project (after successful completion of semi-choice charcoal drawing)

Please post resources to your column for your Full Choice Charcoal Project. Remember, RISK, CREATIVITY, and ORIGINALITY, are parts of your rubric. And I, as your art teacher overlord have veto power over your choice (meaning, I might nicely say... please keep looking...!)

After you complete your FULL CHOICE charcoal, your next project will be FULL CHOICE (any media). It must be completed by the end of the quarter (Oct 29), and it will be graded with the same rubric as all of your other projects, meaning risk, creativity, originality, are all crucial parts, still!

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What did we learn from our Charcoal demo day?

View professional charcoal examples

View Charcoal Pinterest Board

Next: Choose a resource from the pile
Then: FULL CHOICE Charcoal

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Project Closure: What did Drawing Upside-Down teach us that we can apply to all future project (and life..?!)

Please upload final photo of artwork to your column

Then...

Welcome to Charcoal!

Experiment with Charcoal -- Draw Anything!

KWL on Charcoal

K

Dark
Smudges easily
Messy

W

How to use it?!

L

Blending is key
Stump blends (keeps it dark)
Chammy blends but makes it light
Gummy eraser -- lightens but doesn't super erase
Pen eraser -completely erases!

Bob-Ross Style Draw-Along!

Addie & Hannah -- Mr B has Corn Hole boards you can take and start to paint for fall fest

INKTOBER BREAK mid-class?

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Announcements

Upside down drawing finals.

Please conference with me when you are done drawing your figure and BEFORE you add background or any other media :)

If you finish early, you can work on a logo/sign for NAHS!