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Here the focus are three Palestinians, a woman, a girl, and a boy. The woman holds paintbrushes signifying the power art holds. A white dove accompanies them, signifying the freedom of expression and peace they intend. The girl holds a book and a key signifying knowledge and logic. The boy holds a gun straight up and turned around, one of his hands has an olive branch. This signifies the refusal to use violence and the intention of peace.

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Sliman Mansour, The Convoy Keeps Going (2016)

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Sliman Mansour, The Convoy Keeps Going (2016)

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Anti-tank hedgehog painted in a traditional Ukrainian floral style. This was done as a way of taking power back against the feeling of vulnerability against the Russian invasions. 

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Varvara Logvyn, Yellow Hedgehog (2022-2024)

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Varvara Logvyn, Yellow Hedgehog (2022-2024)

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Here, people are forced to flee their homes in Palestine. There is no destination in sight. All of the people have their heads down, signifying their grief. 

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During the Holocaust, victims were forced to march until their death. This painting was created shortly after Jan Hartman was liberated. It depicts the victims marching past bodies with soldiers watching over them. The bodies are in the foreground showing that many of the marchers will meet the same fate. 

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This painting illustrates the emotions and trauma that come with war, even after it is over. This is solidified by "I come back" being placed in the center.

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This seemingly peaceful painting depicts troops heading toward the viewer, giving it an ominous undertone. 

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Fukuda Bisen, Scene from the Winter Offensive (1940)

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Fukuda Bisen, Scene from the Winter Offensive (1940)

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Throughout 2024, we have been constantly bombarded with news of war and violence. We have entered a regression period, similar to the world in the 30s and 40s. The genocide against Palestinians mirrors the Holocaust. For one, Zionists believe they are in constant danger from the outcome of WW2, similar to how the Nazis felt they were wronged during WWI. On top of that, there has been a rise in authoritarian leaders. With Putin's attacks and Netanyahu's genocide, our modern world is all too similar to the one with Hirohito, and Hitler. This instillation goes through the emotions of living in such a world. From the realization of such an impeding force into our beautiful world to using beauty as a form of resistance, this instillation shows the overwhelming devastation that comes with murder and war but also the beauty of the human spirit.

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Here, the focus is a woman pleading with god. The people surrounding her represent all of the emotions she is feeling. The dead represent the loss and destruction she's already endured. The environment is chaotic and is actively being destroyed, representative of the time. She is the focal point, and around her is all of her trauma. Victims of the Holocaust were sometimes pushed to the point of questioning their faith and sanity after such horrific experiences.

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Morris Kestelman, Why Have You Forsaken Me?, (1943)

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Morris Kestelman, Why Have You Forsaken Me?, (1943)

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Lama Sabachthani-Why have you forsaken me-1943-Morris Kestelman

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This painting depicts the emotions and the physical experience of being in Gaza. It's chaotic, with screaming faces and flying limbs. Everything is black and white with blotches of yellow and red signifying the explosions and injuries. 

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Malaka Mahmoud Abu Awda, Between the Rubble (2024)

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Malaka Mahmoud Abu Awda, Between the Rubble (2024)

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A house is being burned, symbolizing the attacks on civilians. The fire fills the canvas and has blue shadows signifying the grief and sadness of losing a home. 