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ATTENTION: DO the following to submit your lab 5 on Deadline March 28, 2025. -->  1) before you submit, take a good video of your lab 5 explaining the theme and functionality of the work;  2) upload your video (name your group folder) of your lab 5 to this link:  https://drive.google.com/drive/folders/1c0CO-KsuRYkYoBcUk1yqQCfK7iq4gxq_?usp=sharing  -> 3) submit your physical lab 5 to the lecturer;  4) don't forget to write your Name & attendance number on a little piece of paper. Good luck.

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ATTENTION: DO the following to submit your lab 5 on Deadline March 28, 2025. -->  1) before you submit, take a good video of your lab 5 explaining the theme and functionality of the work;  2) upload your video (name your group folder) of your lab 5 to this link:  https://drive.google.com/drive/folders/1c0CO-KsuRYkYoBcUk1yqQCfK7iq4gxq_?usp=sharing  -> 3) submit your physical lab 5 to the lecturer;  4) don't forget to write your Name & attendance number on a little piece of paper. Good luck.

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ATTENTION: DO the following to submit your lab 4 on Deadline March 11, 2025. -->  1) before you submit, take a good picture of your lab 4;  2) upload your picture (name your group folder) of your lab 4 to this link:  https://drive.google.com/drive/folders/16X8dLKGfrtc0RPivcEomFMZp7qPWdyAK?usp=sharing   3) submit your physical lab 4 to the lecturer;  4) don't forget to write your Name & attendance number on a little piece of paper. Good luck.

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ATTENTION: DO the following to submit your lab 4 on Deadline March 11, 2025. -->  1) before you submit, take a good picture of your lab 4;  2) upload your picture (name your group folder) of your lab 4 to this link:  https://drive.google.com/drive/folders/16X8dLKGfrtc0RPivcEomFMZp7qPWdyAK?usp=sharing   3) submit your physical lab 4 to the lecturer;  4) don't forget to write your Name & attendance number on a little piece of paper. Good luck.

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ATTENTION: DO the following to submit your lab 3 on Deadline February 21, 2025. -->  1) before you submit, take a good picture of your lab 3;  2) upload your picture of your lab 3 to this link: https://drive.google.com/drive/folders/1zpj3LGTpvFMHJmOBf9iKk6E00X5ln8Fn?usp=sharing  ;  3) submit your physical lab 3 to the lecturer;  4) don't forget to write your Name & students ID on THE BACK of your work. Good luck.

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ATTENTION: DO the following to submit your lab 3 on Deadline February 21, 2025. -->  1) before you submit, take a good picture of your lab 3;  2) upload your picture of your lab 3 to this link: https://drive.google.com/drive/folders/1zpj3LGTpvFMHJmOBf9iKk6E00X5ln8Fn?usp=sharing  ;  3) submit your physical lab 3 to the lecturer;  4) don't forget to write your Name & students ID on THE BACK of your work. Good luck.

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ATTENTION: DO the following to submit your lab 2 on Deadline February 7, 2025. -->  1) before you submit, take a good picture of your lab 2;  2) upload your picture of your lab 2 to this link:  https://t2m.io/mH0vs1Lo  ;  3) submit your physical lab 2 to the lecturer;  4) don't forget to write your Name & students ID on THE BACK of your work indicating which panels individual student did. Good luck.

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ATTENTION: DO the following to submit your lab 2 on Deadline February 7, 2025. -->  1) before you submit, take a good picture of your lab 2;  2) upload your picture of your lab 2 to this link:  https://t2m.io/mH0vs1Lo  ;  3) submit your physical lab 2 to the lecturer;  4) don't forget to write your Name & students ID on THE BACK of your work indicating which panels individual student did. Good luck.

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Update your browser to use Google Drive and other apps - Google Drive Help

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A web browser helps you find websites and use online services, such as Google Drive. Update your browser or use a new browser Update your browser to get the best experience when you use Google Dri

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ATTENTION: DO the following to submit your lab 1 on Deadline January 17, 2025. -->  1) before you submit, take a good picture of your lab 1;  2) upload your picture of your lab 1 to this link:  https://t2m.io/JVCJEtUk  ;  3) submit your physical lab 1 to the lecturer;  4) don't forget to write your Name & students ID on THE BACK of your A4 paper. Good luck.

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ATTENTION: DO the following to submit your lab 1 on Deadline January 17, 2025. -->  1) before you submit, take a good picture of your lab 1;  2) upload your picture of your lab 1 to this link:  https://t2m.io/JVCJEtUk  ;  3) submit your physical lab 1 to the lecturer;  4) don't forget to write your Name & students ID on THE BACK of your A4 paper. Good luck.

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Please read instruction below for lab3 assignments. Deadline: 21 February 2025. All work for this assignment should be done by hand.

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Please read instruction below for lab3 assignments. Deadline: 21 February 2025. All work for this assignment should be done by hand.

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You can find this board here  ->  https://tapbio.link/2025vcm2002

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You can find this board here  ->  https://tapbio.link/2025vcm2002

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Instruction: please draw a black and white piece of visual idea/concept to create a mood/send a message. Use any FORM (Dots, lines, shapes...) that helps communicating the message/theme. Pick a theme based on the concept of time. You can use pencil or black marker, or the combination of pencil and marker. Use observational, visualization and presentation drawing as a means by which ideas/concepts are communicated. The size of the paper is A4 (21x29.7 cm) Deadline: 16 January, 2024.

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Instruction: please draw a black and white piece of visual idea/concept to create a mood/send a message. Use any FORM (Dots, lines, shapes...) that helps communicating the message/theme. Pick a theme based on the concept of time. You can use pencil or black marker, or the combination of pencil and marker. Use observational, visualization and presentation drawing as a means by which ideas/concepts are communicated. The size of the paper is A4 (21x29.7 cm) Deadline: 16 January, 2024.

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Research a real historical period, design a (1) character based on that period and create 4 expressions of that character in black and white that explain the period and its main characteristics without using words.

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My initial idea is about the black death. My character is a human skeleton with different expressions showing through body languages and actions. The top half is a mass burial scene and the bottom half is inspired by the common painting motif of the time called Danse Macabre.

I decided to change the idea for the final assignment because a skeleton is not really suitable for showing facial expressions and it doesn’t really pin point out the exact historical period.

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My original idea was about the period of World War 2 especially when the first nuclear warhead was experimented successfully.

At first l, I was about to create 6 characters based on real figures in that period like: Truman, Oppenheimer, Hitler, Einstein and so on with 6 different expressions for each person .

However, my work doesn't meet the requirements of the assignment. I will do my best to adjust my drawing as soon as possible.

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Time period: Victorian era (1830s - 1900)

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I sketched out the design for the character first before working on the piece itself.

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I sketched out the design for the character first before working on the piece itself.

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My character is a high class woman in the Victorian era. I plan on drawing a happy expression when she is having afternoon tea (as tea played a significant role in empowering women during the Victorian era); a bored, somewhat solemn expression; a displeased expression with half of her face covered by the fan; and the last one im unsure for now.

Bird in a cage: I design the dress with an emphasis on the crinoline (which was popular at the time) to resemble a bird cage. Crinolines were popular as they create a fashionable silhoutte, but it's difficult to move freely in them. The sleeves of the dress are also layered like a bird's wings. Caged birds can't survive on their own; which is similar to Victorian women, who spent their youth preparing for marriage and have no job skill.

Peacock hat: Feathered hat was extremely popular during the time, and people would even go as far as wearing the whole bird on their head. The peacock represents confidence, so having a taxidermy one would suggest she only possessed the illusion of self confidence through the display of wealth.

White orchid decorations: white orchid symbolize beauty, innocent and purity, dependant on the environment, luxury and underlying rot. They are flowers of wedding - Victorian women's valued are tied to their marriage.

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My idea is about the first Chinese emperor in the history Qin Shi Huang February (259 – 12 July 210 BC). He's an old man, and I created him as a The virtual image reflected in the sky represents a figure with great influence in feudal world history. It is not only an artistic masterpiece but also a symbol of Qin Shi Huang's power, spiritual beliefs and eternal ambitions. It is a unique heritage that helps us understand more about the worldview and philosophy of one of the most powerful emperors in Chinese history.

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My idea is about the execution of the Romanov family - The last Russian royal family (1918). The family was tricked by the Bolshevik revolutionaries into thinking they were invited to take photos of the family, the family were taken with their doctor and three servants into a basement room of a house where they would get executed by Bolshevik troops. My original character is based on one of the children of the Romanov family. For the first expression, she exhibits joy in preparation for the photo shoot. The second expression, she is expresses curiosity when the family is being lured into the basement. The third expression, upon being asked by the Bolshevik troops for the family to stand in a line, her expression shows worried about what is to come. The last expression she displays fear upon seeing her family being repeatedly shot and bayoneted one by one.

That is all for my idea, I hope to see your feedback soon!

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My character is a man from North Vietnam during the anti-American resistance war (1955–1975) who was equipped with a modular prosthetic arm. Originally a farmer, his life took a dramatic turn after witnessing the devastating bombings by American aircraft that ravaged his town and injured his family. Driven by anger and a thirst for justice, he enlisted in the army to seek revenge for his community and homeland. Over time, he became a formidable individual on the battlefield, earning numerous victories, trophies, and a reputation as a nightmare for the enemy, eventually rising to the rank of sergeant.

In my sketches, I prioritize accuracy, particularly in depicting clothing, body types, and emotions reflective of the historical period. However, due to my limited sketching and drawing skills, as well as an incomplete understanding of the task requirements, the results appear somewhat subpar. I would greatly appreciate your feedback and guidance on how I can improve. Thank you.

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My character is about Tran Nhan Tong was the third king of the Tran dynasty, renowned for his military talent and leadership. He led the Vietnamese army to victory against the Yuan invaders in two major wars (1258 and 1287–1288), preserving the independence of Dai Viet. After abdicating, he lived a life of meditation and founded the Truc Lam Zen sect, greatly contributing to the country’s cultural and religious development. Tran Nhan Tong is revered as one of the most enlightened kings in Vietnamese history.

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Here is just a sketch to explain the time and background. It’s basically a parade in the America Independence Day, during more of a modern era.The parade includes both normal civilians, leutinent, and soldier?(i dont know the word for people conducting the parade).4 expressions of a character i made are included in the comment.

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Mine is a story of a common folk (peasant) who made her way into the nobility. All of the events will progress clockwise so they can be chronologically correct. The clothes design is currently anticipated to be from the 19th century in France, the exquisite clock alongside the picture taken foreshadows her status as they aren't exactly available to the public at times

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So my story is about a farmer name Minh Nguyen. He lived a simple life as a farmer in Bắc Giang Province, tending the rice fields passed down through generations. But when the war reached his village, and the Việt Cộng came urging resistance, Minh made a fateful decision. Despite his wife Linh’s pleas to stay, he joined the fight to protect his family’s future.

Years later, when the war ended, Minh returned to his village. His fields were overgrown, but Linh and their daughter were waiting. Tears fell as Minh whispered, “I’m home.” That’s can be considered as Minh’s happiness moment in his life after years of war, of fighting for his life with his family

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My initial idea is a small metaphor scene about medieval society where royal class trample the peasant for hereditary and power. It describing a character in Eastern country but it also resemble the same situation in the West. In this sketch, i drawn 4 impressions of a bureaucrat contain of angry, contemptuous, happy and scary. All represent a typical greedy and conspiracy person. In lab 4 and 5, based on these sketch, i want to make a metaphor scene of these royal ruler trampling, punching on peasant trying to reach for a statue of a cow which symbolize for health, wealthy and power while the peasantry are feared, crying and crawling, trying to reach out for freedom and happiness.

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I chose the space race (1955-1975) as my historical period. My character is an US astronaut, who is on his mission to space and also have his own spacewalk.

I chose a few expressions for my character, as this is what astronauts usually feel when they're on their missions:

Anxious

Stressed

Surprised/awe

The last one is him waving back to the Earth, his home. I am not very sure about this one, since it doesn't show any emotion aside from his body expression, so I may change it to something else.

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My idea is about a cowboy living in between 18th or 19th century in a small town located in Wild West. His name is Cody William Thompson, he owns 2 guns called Colt with gun duel talent. Beside herding cows, he sometimes gunfight with other gunners like criminals, bounty hunters,... He has a horse name Chester, together, they won many competitions. He was loved by everyone in the town except for his parents. Being born into a noble family, his parents want him to stay away from the gun things and inherit the family business, so that they always do something to distract him from his doing. He gave up his family to look after freedom and ride his horse from place to place.

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My character is a Vietnamese woman in the 20th century. There are 4 expressions of my character in the picture.

1. Happy: the woman's job is to sell goods in the market, although it is hard, the woman is always happy to sell.

2. Tired: the woman is working hard in the corn field with a tired face in the hot noon sun.

3. Proud: although life is difficult and hard, the woman always tries to take care of her family. And the child is the best gift that God has given her.

4. Hope: the woman always carries within her a great love for her country and she always hopes for the country to be independent and peaceful.

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My idea was about the first female samurai Shifuna Agato in Japan is during the Genpei war (1180-1185). She was a orphan child because of an accident that took her parent life away and she have been adopt by a master samurai Sakamoto Haruto. Noticed her talent and interested in katana he decide to train her as she asked him. Then after few year she had become one of the most famous samurai in that time not only because the first female samurai but also she is a strong and skilled katana user. But during the war... when leading her team back after a victory, her teacher aka Sakamoto Haruto have been burn with the house by the enemy spy. When she come back and see that she was socked and depressed (pic 4) for a long time... even she has become a hero in everyone eyes but she still regret about her teacher death. Until she found a letter from the last gift from him "Shefi-chan (nick name that Haruka give to her) for 10 year living together i believe that i have seen you as my daughter seeing you growing up and become a talent samurai because of me that make me really happy so when ever bad thing happen remember i always on your side...". Few year after the war she become a teacher making new samurai generation to respect her teacher who adopt and training her. That all my idea, hope to see your feedback as soon as possible

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Trần Nhân Tông (1258–1308) was the third emperor of the Trần dynasty and one of the most outstanding historical figures of Vietnam. He was renowned not only for his governance and military prowess but also for a life filled with stories of sorrow, joy, and his journey of spiritual practice to become the Buddha Emperor.

A sorrowful story: The pain within the royal family

The Trần dynasty was known for its internal marriages (marriages between cousins or uncles and nieces) to consolidate power. However, this often led to family conflicts. One of the sorrowful stories related to Trần Nhân Tông was the disputes within the royal family, especially between him and some close relatives.

A joyful story: Peaceful and prosperous reign

After defeating the Mongol–Yuan invaders, Trần Nhân Tông focused on restoring the country.

A poignant story: Abdicating the throne

Despite being the emperor of a powerful dynasty, Trần Nhân Tông was deeply concerned with the human condition.

The war against the Mongol–Yuan Empire

The two wars against the Mongol–Yuan invaders (1285 and 1287–1288) were the greatest achievements of Trần Nhân Tông’s reign.

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My character is a poet living in the 14th century. He can be seen composing a piece relating to the topic of love and romance. In the first panel, he's contemplating, thinking of what the content the poetry should have. The second panel is him looking out to the window and witnessing a proposal. The couple holds each other's hands lovingly in an outdoor dome located in a lush garden, the roof of it also appears to have a cross that signifies God is blessing their relationship. In the third panel, the poet thinks of his second inspiration: the execution of the bishop Saint Valentine long ago, on february 14th, as represented by the guillotine, with a pair of birds being mates flying past it. And in the final panel, the poet is standing triumphantly as his piece is finished, above the proud author is another couple of birds. All those details should point out how Valentine's day is associated with love, how it got its name and why it is celebrated on this specific date.

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My character is based on the royals during the French Revolution period. A young lady in a simple yet unique dress. Her expressions shown in this picture can be seen as happy, displeased, sad and somewhat sarcastic.

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Do Phan Minh Vuong HE200040 - Progression

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Do Phan Minh Vuong HE200040 - Progression

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My character is based on the brave mail delivery girls within the Vietnam war, just the average yet really special model of them. I want to portray their bravery and willingness to sacrifice for freedom. I have tried my best to sketch out expressions such as: pleased, anger, fear, competitive, focused

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My character is based from the World War One . That the soldier from the Germany , take the gun and go to the war

There are 3 expressions of my characters in the picture

1: Tired : the soldier have to fight every every day , that just want to go home , just want the war go to the end

2: Panic : The soldier was so panic after he came back , he knows that all he did at the war is not happen like everyone imagine

3: Sad : Many years later , some friend , some family go to cemetery to visit their brother , their husband . They still remember their relatives and hate the hitler .

Sorry because the last lesson i was sick so i can't go , and i don't have the A4 paper . So i decided draw in my book have many lines

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I have depicted a female character from the Renaissance period (1350–1620), showcasing the classical, elegant, and refined beauty of this era. The main character wears a dress and shawl in Renaissance style, with each detail meticulously crafted. The painting particularly emphasizes the diverse expressions of the woman, including:

- Crying: Her tearful eyes reflect profound emotions, conveying meaningful sorrow.

- Joyful: A radiant smile and sparkling eyes express genuine happiness.

- Serious: A sharp, determined face and gaze demonstrate strength and resolve.

- Sad: Gentle gestures and a pensive look evoke thoughtfulness and loneliness.

Through the transformation in each expression, the painting narrates a story of the character's rich inner world while embodying the profound artistic spirit of the Renaissance period.

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My character is a little girl from the Victorian era. She got into a forest (accidently) for the first time and this is how she spent her day in there. I got inspired by some dolls in Victorian era (they look very adorable).

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Please read the instruction below. The deadline for this one is on the next slot after Tet Holiday.

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Please read the instruction below. The deadline for this one is on the next slot after Tet Holiday.

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This is the scripts https://docs.google.com/document/d/1ym0IlYlyRuDQROJQsj-GmJkK1tYkHoifXgcV5DiQvMc/edit?usp=sharing

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We have deceided to draw about the people in Lý Dynesty. King Lý Thái Tổ have public laws in building the army, booting economy and many more field. In order of expanding the land, the idea of moving to new nowhere land was encourage. In our story, Mr.Khương and his family is one of many group encouraged by it. The color we decide to used is orange because it bring a feeling of peace, wramth and energetic.

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We had the idea of drawing the deadly progress of the B-29 bomber Enola Gay dropped the atomic bomb "Little Boy" on Hiroshima, Japan, on August 6, 1945. The city was bustling with morning activity when the bomb detonated in a blinding explosion, killing approximately 70,000 people instantly. Those who survived the blast faced a devastating shockwave that destroyed nearly every structure within a mile, followed by intense heat that ignited a firestorm, claiming even more lives. However, being a sketch, which hasn't been visualized to understand yet, and we are expanding the idea and event until the final surrender of Japan

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The short story Vợ chồng A Phủ by Tô Hoài is set in the mountainous regions of northwestern Vietnam and depicts the oppression of ethnic minorities under feudal and colonial rule.

The story follows Mị, a beautiful and hardworking H'Mông girl, who is forced into becoming a daughter-in-law (essentially a servant) for the powerful, cruel ruler Pá Tra as a repayment for her father’s debt. Though initially full of life, Mị gradually becomes numb and resigned to her fate.

One day, A Phủ, a strong and brave young man, is caught and punished by Pá Tra’s family for a minor offense. He is bound and left to suffer in the cold. Witnessing his pain, Mị, who has long been oppressed, finds the courage to free him. The two escape together and later build a new life in a freer, more just society.

The story highlights themes of oppression, resilience, and the fight for freedom.

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my group have

Le Doan My Hanh - HE200060 - panel 1

Dinh Viet Quang - HE200494 - panel 2

Le Nguyen Vu - HE200078 - panel 3,6

Nguyen Khanh Vy - HE204005 - panel 4,5

Panel 1: Galileo excitedly adjusting his telescope, pointing it toward the stars. His expression is full of wonder, and notes or diagrams are scattered nearby as he observes.

Panel 2: Galileo presenting his findings to a group of scholars or students. He gestures toward a chalkboard or a diagram of the heliocentric model, while some people listen attentively and others murmur or look skeptical.

Panel 3: A heated courtroom scene. Galileo stands in the middle, defending himself with a raised hand, while accusers aggressively point fingers, and a judge looks stern and authoritative.

Panel 4: A dramatic moment where a book containing the heliocentric diagram is slammed shut by an authority figure (e.g., a church official), symbolizing the suppression of his ideas.

Panel 5: Galileo under house arrest, seated at his desk, pen in hand, writing or sketching his ideas despite his confinement. His face shows determination or frustration.

Panel 6: Galileo standing at a window or balcony at night, gazing longingly at the stars, telescope in hand but unused. This shows his continued connection to his passion despite the constraints placed on him.

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Alamy Blog - Stock Photo Trends, Insights & Inspiration

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Explore our Collage Art collection
When you brainstorm an idea, you'll probably visualise the end goal. Imagining what content you'll need to bring that idea to life. Photography, video, maybe even vectors. But have you ever looked at collages as a medium?

Whether you want to express a certain emotion or you want to take your creativity a little further, collage art is a medium that can say a lot in a very creative way.

Many creatives are creating and then scanning collages, and others are digitally creating them. Both types of collage art can be found on Alamy. Fancy creating your own collage? Learn how to in 16 steps.

Where it all began

The word 'collage' derives from the French word 'glue', and was first popularised by Pablo Picasso and Georges Braque in 1912. This wasn't the first time the word collage had been used, or even the first time a collage had been created. But this era was when it became mainstream in the art world.

After the first world war, the Dada movement made collage art more popular still. Starting in Switzerland, Dadaists began creating artwork known as photomontages. This art movement resulted in satirical and nonsensical artwork and has been described as a reaction to the horrors of the war.

This period paved the way for collages to become a fundamental part of the art world and is an important moment in history. If the Dada movement hadn't evolved, art today may look very different.

Collages therefore became a form of self-expression for creatives in the 1920s, and some of the greatest artists have dabbled in it - Hannah Hoch, Kurt Schwitters and John Stezaker to name a few.

Kurt Schwitters argues that everyday materials including wood, plasterboard, wheels, cotton are equal in expression to paint itself, suggesting that an artist can use any materials, and it would still be art. Creating a collage is no less an artform than painting a picture.

Sure, you could say that someone is just cutting out some images and sticking them together. But a collage is creativity at its finest. Having to imagine a concept, something that's unrealistic and isn't real, then putting it on paper, using elements to express an emotion or tell a story.

The advances of technology

There are many creatives today creating collages, but with one big difference; they're digitally created.

Technology has advanced a fair bit in the last half a century. It wasn't until the 1980s that the first computer engineers developed a paint program - known as AARON - which allowed creatives to take their art to a new level.

It seems crazy to think that the technology we use today didn't exists 40 years ago. Photoshop would have been like gold in the 1980s.

With such great advances of technology, people today are now creating illustrations, vectors and collages all on screen. On Alamy we currently have over 7 million illustrations, which continues to grow. Our Escape From Reality collection highlights how far creativity has come in the digital world.

Utilising digital collages

Digital collages can be a way for brands to take their creativity just a little further. AND Festival in Liverpool used collages in their recent campaign and brought new life to otherwise disparate objects. The concept is jarring and creates a sense of curiosity.

Women's Wear Daily (WWD) has written on one of their front covers "Nature is blooming all over again for beauty brands," with a collage of a lady surrounded by leaves and flowers emphasising their theme for the issue.

Pinterest are also utilising the benefits of collage art. Each of the predicted trends are now represented by a collage allowing the audience to visually absorb each idea rather than having to read about it, or try to understand it through one photograph.

Should companies be considering collages in their marketing? Yes. Great marketing pulls at the heart strings, and collages are often a form of self-expression which can combine multiple feelings and emotions.

Yes, you can capture the feelings in a photograph, but a collage also does just that. Each piece of the puzzle is specifically placed and considered, creatively telling a story or evoking an emotion.

So if you're working on a creative campaign, or trying to evoke a strong message, maybe collage art is the answer.
Explore our Collage collection.

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A brief history of collage art and why you should use it - Alamy Blog

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Explore our Collage Art collection When you brainstorm an idea, you'll probably visualise the end goal. Imagining what content you'll need to bring that idea to life. Photography, video, maybe even vectors. But have you ever looked at collages as a medium?

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Appearing at the beginning of the 20th century, Collage Art began as a form of novelty art. This style explored the incorporation of many different materials that were often glued together, to create a cutting-edge style of craft art that had never been seen before. The aesthetic surrounding Collage Art was described as being pieced together, which enabled the production of utterly unique creations. Viewed under the guise of mixed media, Collage Art typically explored the highs and lows that encompassed the elements of formal art.
The History of Collage Art: An Introduction

Becoming a distinctive part of Modern Art in the early 20 th century, Collage Art described the technique of assemblage that was used within this artistic creation of a new style. Despite the roots of Collage Art being traced back hundreds of years, this art form made a dramatic resurgence and was said to exist as an art form of novelty due to its one-of-a-kind aesthetic. Starting in the Modernist period, before being propelled into the contemporary art world, Collage Art has endured many changes as more artists began to explore it.

Taken from the French word coller, which means to either stick together or glue, the term "collage" described the process that was taken when creating Collage Art. Collage within art was first coined by Cubist artists Georges Braque and Pablo Picasso, who were the first pioneers of this movement. Existing as the first two artists who worked with different mediums in an attempt to make art, Braque and Picasso began their cutting-edge assemblages around 1910.

The first example of Collage Art appeared within Braque's 1912 artwork titled Fruit Dish and Glass, where he glued down imitation wood-grained wallpaper. Following in Braque's footsteps, Picasso began to add newsprint to his oil paintings which made reference to the current events that were taking place, as well as gluing rope around the edge of some canvases. Pioneers of the Collage Art movement, both Braque and Picasso composed their works from glued bits of colored paper, newspaper, and found objects.

Still Life with Glass, Dice, Newspaper and Playing Card (1913) by Georges Braque; Richard Mortel from Riyadh, Saudi Arabia, CC BY 2.0, via Wikimedia Commons

A variety of materials, such as paper, cloth, paint, found objects, magazine and newspaper clippings, and sections of other artworks and text were incorporated together before being glued onto a canvas or board to create an entirely new composition. This style essentially brought forth the production of a different form of art, which allowed new types of artworks to be created. These materials were considered to be such a bold intermingling of artistic elements that the return of the collage medium was thought to revolutionize modern art.

Collage Art has been referred to as one form of mixed media art, as many different types exist. The process of collage was viewed as a mixture of both elevated and diminished elements that existed within formal art, with this mixture referring to the traditional definition of art as well as art that was produced for mass consumption and commercial use. Thus, Collage Art existed as a newer form of Modern art due to its combination of elements, which saw many artists employing this popular medium.

From its early roots in both Dadaism and Modernism, Collage Art existed as a medium that was as diverse as it was politically motivated. Due to its emergence after World War One, Art Collage allowed artists to experiment with existing materials such as newsprint, magazines, tickets, propaganda, and photographs in order to create new works of art. These materials were ripped apart and reassembled into visually powerful fusions that interacted together in such a unique way that added to the avant-garde process that encompassed Collage Art.

Cam 20S 20 Ore (1936) by Kurt Schwitters; Kurt Schwitters, Public domain, via Wikimedia Commons

Through incorporating a variety of materials within an artwork, Collage Art successfully subverted traditional definitions of what was important art. The incorporation of these materials allowed collage artwork to frankly question society's tendency to detach fine art from ordinary objects through juxtaposing elements of high and low culture within works. Whether these compositions were purposeful or random, the comparison created by the contrast of different elements has long captivated the attention of artists.

Since images have the ability to take on new meanings within different contexts, the art of collage was able to easily overturn traditional meanings that were typically associated with art, as well as imply multiple meanings simultaneously. In doing so, Collage Art created works that did not simply fit into a single and rigid analysis. The style of collage held much artistic potential, which in turn made the movement incredibly accessible for all types of artists.

Many innovative artists ranging from the modernism and contemporary era have made use of collage to query the supposedly traditional duty of the artist within the works they created. Through using found and mass-produced objects, images, and materials that were not made by the artists themselves, Collage Art was able to undermine the customary importance that was placed on an artist's hand in the making of their original work.

Thus, Collage Art was adopted to undermine the idea of importance when composing unique and avant-garde works.

Collage Art Influences and Style

Collage describes the technique of creating an artwork through combining and gluing together a wide range of materials onto a surface like a canvas or board. However, the style of collage differs depending on the techniques and materials that an artist uses. For example, photomontage made exclusive use of photos in their artworks; decoupage involved gluing cut colored paper or images onto an object; assemblage referred to a three-dimensional collection of objects, and papiers collés described collages that were made only from bits of paper.

Precursors of Collage Art

The techniques associated with Collage Art were first used in China around 200 BC when paper was invented. The initial style of collage began to slowly come into fashion within 10 th century Japan when calligraphers started to utilize glued paper and texts on surfaces when writing poetry. During the 15th and 16th centuries within Europe, collage techniques were used in Gothic cathedrals when applying gold leaf panels, as well as gemstones and other valuable metals that were applied to religious imagery and icons.

Collage was also seen as a method of art undertaken by hobbyists for a period of time, as this style was used in items of memorabilia, such as photo albums, and books within the 19 th century. However, many institutions have attributed the history of collage and its official beginning within the art sphere to be dated around 1912, when both Picasso and Braque began to experiment with this style in their artworks.

Associated Movements

Within the development and history of Collage Art, many other artistic movements had significant influence. The techniques of collage, which took inspiration from the Cubism movement, became a principal element within both the Dada and Surrealist periods of art. In addition to these areas of art, collage was later represented in the Neo-Dada and Pop Art movement, as different collage techniques were used to explore various subject matters.

Within the contemporary sense, collage artwork was said to begin with Cubist painters Georges Braque and Pablo Picasso. Cubist collages began experimenting with fragments of different and completely unrelated subject matter to achieve a deconstructed appearance and form. Despite Cubism being mainly associated with paintings, the techniques that Braque and Picasso experimented with within their works allowed them to create collages that were essentially Cubist in nature.

Pen and Pipe (1913) by Juan Gris; Juan Gris, Public domain, via Wikimedia Commons

Cubism was able to pair perfectly with the Collage Art movement, as it allowed artists to selectively piece together a picture of their choice from a range of different elements. Due to this style, collage artwork had the ability to refrain from appearing flat, unlike traditional two-dimensional painting. Thus, Cubist collages differ significantly from previous Cubist works, as the added element of collage was able to draw out areas of dimensionality and perspective.

Materials that were frequently utilized in collages by Cubist artists were painted cut-outs, patterned paper, and newsprint. Picasso demonstrated the use of these elements within his 1913 artwork titled Bottle of Vieux Marc, Glass, Guitar and Newspaper, in which he played around with these materials on his artwork. In addition to this work, Braque represented the typical materials used in his Violin and Pipe artwork that he created in 1913.

The Dada movement was inspired by the cutting-edge work that was produced by Picasso and Braque, with artists practicing within this group beginning to play around with collage in the 1920s. Dadaists strayed away from the favored still-life subject matter of Cubism and instead opted to create collages that integrated a wide range of imagery. In doing so, the subject matter in Dada collages typically tended to represent reimagined portraits and figures that were ingrained in fantasy.

The Dada movement arose due to the political turmoil that had engulfed Europe after the First World War, with these anxieties manifesting themselves in the Dadaist collages that were created. Notable artists like Hans Arp, who arrived in Paris in 1914 to avoid being drafted into the German military, saw Picasso and Braque's collages which ultimately inspired him to create his own. By 1915, Arp was exhibiting his Dadaist collage works in a gallery in Zurich.

Dadaists integrated more materials in their collages than their Cubist colleagues. Through combining a variety of elements, artists who created collages within the Dada movement were celebrated for their creative use of presumably worthless and frequently disregarded objects. These items often included magazine cut-outs, candy wrappers, tickets, and various three-dimensional ornaments. Through transforming transient ideas and materials into more refined pieces, Dadaists were able to call into question traditional perceptions of art.

Surrealism

In the wake of the Dada movement, Surrealism also stepped away from the still-life focus of Cubism in favor of experimenting with the elements of collage. Artists began to make extensive use of collage within their works to create fictitious, unusual, and dream-like scenes. Surrealists adapted the cut-and-paste technique of collage to produce works that seemed to be a product of one's subconscious, which allowed truly unique pieces to be created.

These Surrealist collages made use of materials such as illustrations, photographs, colored paper, and paint to expand on the strange subject matter that was adopted within Dadaist collages. Thus, pieces that were reminiscent of strange dream sequences were created. This was seen in the works of Surrealist artists André Breton and Joseph Cornell, who made use of chaotic collage techniques to create coherent yet completely imaginary scenes.

Collage techniques that formed in the Dada era, such as photo-collage, relief assemblage, and overpainting, heavily influenced the development of Surrealist collages. Due to this influence, "collage" no longer solely implied works created with paper and glue. Surrealist artists began expressing an enchantment with text, which they began to incorporate within their collages. The first notable collages examples of this visual and verbal blend are demonstrated in the works of , who used collage in the late 1920s.

The reason that the style of collage differs so significantly from other artistic styles is that it allowed artists the opportunity to add commentary to their work through the inclusion of common images and objects. In doing so, dimension was added to collages, which had the ability to further demonstrate the idea that was being carried forth.

Within contemporary art, many artists displayed a sudden interest in materials such as magazine and newspaper cut-outs, printed words, photographs, dirty cloths, and even metal pieces. This was due to the fact that the inclusion of these elements was able to successfully convey the criticisms and comments that the works implied, which was not previously possible in merely painted works.

The method of collage made the historical and political contexts of the work inseparable from one another, due to the fact that collages typically incorporated mass-produced images within their works. Thus, collage artwork existed as an influential means of social commentary, as its ability to question society's assumptions and biases made it a worthwhile art form that was explored within a variety of other movements.

Notable Collage Artists and Their Collage Examples

Throughout Collage history, many significant collages painting pieces and works were made, which went on to greatly impact the direction of this cut-and-paste method of art creation. Some of the movement's more well-known artists have been listed below, along with their iconic collage works that helped shape the techniques within the movement.

Henri Matisse (1869 - 1954)

Known for his various cut-out collages, Henri Matisse exhibited techniques of collage long after the initial success of the movement. During the late 1940s, Matisse made a significant change in his approach to his artistry and began working with paper during the last decade of both his career and life. Labeling his new creations as "cut-outs", his seemingly simplistic works managed to evoke great complexity as he used gouache paint to stick down different pieces of colored paper in sequences that would often resemble elements of the natural world.

Within his cut-out types of collages, Matisse was most inspired by flowers, plants, animals, figures, and even abstract images. When creating his works, he arranged his cut-outs into energetic and colorful compositions that gradually grew in scale the more he continued to work. This style of artistic creation allowed Matisse to transcend the boundaries associated with traditional easel painting, as it gave him complete freedom to create art in whatever way he wanted to.

One of his notable cut-outs works that displayed his compositional style is his 1953 artwork titled The Sheaf. Matisse cut out a variety of colorful fronds that were thought to mimic a vivid fireworks display, which he then pasted onto a white background. This work, along with his other cut-out works, demonstrated some of Matisse's most expressive creations from his career, as he was able to directly translate his intense emotions into pieces of paper simply by rearranging and pasting them in different compositions.

Within his later artworks, Matisse was able to explore spatial ambiguity through his simple interpretation of forms and shapes. Additionally, Matisse explored the illusion of depth within art through the colorful and lively artworks he created, as the intense hues of the paper he used managed to somewhat avoid coming across as simply two-dimensional.

Pablo Picasso (1881 - 1973)

Said to be one of the two original pioneers of the Art Collage styles, Pablo Picasso began to experiment with this technique around 1912. Inspired by the works created by Georges Braque, Picasso commenced an intense phase of collage-making, where he was said to have created almost a hundred collages in a short period. His early collage compositions made use of artificial wood-grain paper, text, pieces of cloth, instruments, and other objects.

Picasso created his collages with extreme precision to the point where he was likened to a doctor dissecting a cadaver. An example of one of the first Cubist collages made, as well as one of Picasso's most notable collages, is Still Life with Chair Caning, created in 1912. Within this work, Picasso depicted various views of a café table holding different items, such as a napkin, a knife, a piece of fruit, and a wine glass.

What makes this work so interesting is that instead of painting a chair, Picasso stuck down a piece of oilcloth that was printed with the pattern of the chair caning. Additionally, he used a length of rope to frame the canvas. Both elements were utilized for their suggestive nature, as the cloth implied a physical chair, while the rope was a humorous take on the usually carved edge of a table.

By including the letters "Jou" at the top of his work, Picasso managed to seamlessly incorporate both wordplay and visual elements into his work. In doing so, his collages forced viewers to examine their own perceptions of what constituted an artwork, as well as the relationship that existed between and common objects. Within his later works, Picasso mastered the style of collage as his pieces famously mixed high and low culture, which had a notable impact on the subsequent development of art within the 20 th century.

Georges Braque (1882 - 1963)

Creating Collage artwork at the same time as Picasso, Georges Braque is considered to be the other original pioneer of Collage Art. Within his seminal works, he combined pieces of fake wood wallpaper into his Cubist depictions of objects. After buying a roll of wood-grain wallpaper that he found in a shop window, Braque began to cut and paste this paper into his various drawings. It was this technique that he shared with Picasso, which prompted him to begin experimenting with collage alongside Braque.

Braque's most influential example of collage art is his 1912 artwork titled Fruit Dish and Glass. Within this work, he stuck down pieces of the faux-wood wallpaper he found. In doing so, Braque created intersecting areas of collage elements and drawing within his work, which successfully called into question the formal ideas of perspective and space within art. Despite combining two seemingly juxtaposing elements, Braque's work still suggested pieces of a tabletop and door.

Within Braque's collage work, he explored the perception of space, which is what his Cubist works and the movement as a whole emphasized. While his addition of glued-on bits of wallpaper emphasized a shallower space to investigate the idea of space, this collage element allowed a greater exploration of the feeling of shapes and how they related to one another. Thus, the artistic methods Braque's demonstrated in his collages became fundamental within the growth and expansion of the collage technique as a whole.

Hans Arp (1886 - 1966)

Another influential artist within the Collage Art movement was Hans Arp. His collages were essentially Dadaist in nature, as he was profoundly affected by the insanity and trauma of war. In the aftermath of the First World War, Dada artists felt that traditional social systems and the focus they placed on reason were responsible for the war, and because of this, they sought to create art that was free from all rational reason and deliberate tactics. Thus, the collages that Arp created embodied this way of thinking.

One of Arp's most notable collage works, created in Zurich between 1916 and 1917, was Untitled (Collage with Squares Arranged according to the Law of Chance). This abstract collage was made up of a drawing that Arp had previously been working on but later disregarded. He then tore the pieces of blue and white paper into squares of various sizes, which he let fall to the floor. Once the paper had landed in arbitrary places, Arp pasted each scrap where it was to create a work that rested upon the random chance of gravity.

Through leaving the creation of this collage completely up to chance, Arp adhered to the new anti-art style that was established which avoided the traditional ideas of artistic talent. Arp's Untitled collage was resolutely devoid of any further essence, as it simply consisted of torn scraps of paper that did not express any story or picture. However, it can be argued that Arp did not fully abandon control within this work, as the grid-like arrangement of his collage points to a form of structure that was subtly incorporated into the work.

Kurt Schwitters (1887 - 1948)

A significant contribution to the development of Collage Art was made by Kurt Schwitters, who began working on his influential collages in 1918. These works were made from paper and were constructed from rubbish that Schwitters had found on the street. His aim within his collage art was to create works that were able to embrace all different types and styles of art.

Existing as another Dada artist, Schwitters produced collages and assemblages under the title of "Merz", which was a concept he formulated. This concept included works that combined all possible materials for purely artistic reasons, as he argued that common and found objects such as wood and plasterboard were equivalent to paint and other formal artistic elements. Thus, one of Schwitters' most well-known works, created in 1921, included a variety of elements and was titled Merz Picture 32A, The Cherry Pie.

Within this multilayered artwork, Schwitters created this collage from different pieces of debris and objects that he had collected on the streets of his hometown in Germany. Schwitters' method of collection differed vastly from the actual creation of this work, as he purposely chose a spot and meticulously glued and nailed down each item to a painted board. Areas of light and dark were created through the cut-outs, fabrics, and candy wrappers that were used, as the combination of these materials helped create a sense of pictorial depth.

When considering Merz Picture 32A, the chaotic nature of the different elements used by Schwitters helped evoke the idea of a bulletin board full of notes and cards. The inclusion of the child's flashcard with the cherry helped blur the boundary that existed between ordinary objects and painting, in addition to adding to the transparent title of the work. Thus, Schwitters managed to create a collage that was completely disorganized and confusing, which subscribed to the Dada notions of the time.

Hannah Höch (1889 - 1978)

An influential female artist who experimented within the Collage Art movement was Hannah Höch, who created some of the most iconic works from the collage period. Höch started to create collages as a young girl and brought her child-like techniques of sticking the wrong head on the wrong body into her works as an adult. Within her works, Höch investigated gender roles and politics, as she created a commentary that challenged the way society was structured and viewed itself.

Her most well-known work was created in 1919 and was titled Cut with the Dada Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany. Höch's work was very politically charged, as she repositioned images and text from the mass media to criticize the shortcomings of the Weimar German Government in the aftermath of the First World War.

Within her artwork, a seamless fusion is demonstrated between Höch's ideas and techniques, as she made use of newspaper cut-outs to call into question the sexist and racist rules that supported Weimar Germany at the time. Höch's work shows an image of Weimar society with its chief establishment and anti-establishment figures in and amongst industrialized disorder. This work was later exhibited at Berlin's First International Dada Fair in 1920 and was a great success due to its transparency.

Höch created these photomontages for the remainder of her career, as she believed that there was no true limit on the types of materials that could be used to make up a collage. Through pioneering a form of art that made use of fashion magazine cut-outs, illustrated journals, and photography, Höch demonstrated that art could be made up from the ordinary chaos of modern life. Her work challenged racism and the place of women in 20 th century society, which later influenced contemporary artists such as Cindy Sherman.

Photograph of Hannah Höch in 1974; Dietmar Bührer (de:Dietmar Bührer), CC BY-SA 4.0, via Wikimedia Commons

Collage Art in Other Forms

The development of Collage Art allowed the techniques that were created and refined to cross the boundaries of visual arts into other artistic spheres. Some of the most well-known areas, amongst many others, where elements of collage have been incorporated include architecture, music, and film.

Architecture

Although the pioneers of modern architecture used techniques that were closely related to collage, the theoretical concept of collage only became widely discussed after architects Colin Rowe and Fred Koetter published Collage City in 1978. While they were not advocating for collage in the graphic sense, Rowe and Koetter attempted to challenge the uniformity of Modernism through using the non-linear and disorganized ideals of collage.

Thus, collage within architecture was seen as a metaphor to revitalize the design practice.

The style of collage has also made its way into the development of music. In the last half of the 20 th century, the strides that were made in terms of the advancements in recording technology allowed innovative artists to start experimenting with the techniques of cutting and pasting within music production.

A notable group who made use of collage styles within their music was The Beatles. During the 1960s, English producer George Martin worked extensively with the band and created collages of the recordings from their albums. Additionally, in 1967 the cover for their Sgt. Pepper's Lonely Hearts Club Band made great use of collage techniques.

Musical collages developed significantly throughout the latter part of the 20 th century and by the 1990s and 200s, collage techniques became quite common within music. The most popular music styles that utilized a form of collage were rap, hip-hop, and electronic music.

Sgt. Pepper's 50th Anniversary Billboard in London (2017); Kreepin Deth, CC BY-SA 4.0, via Wikimedia Commons

Collage within film is best demonstrated when fictional scenes are interspersed with footage that has been sourced from a variety of locales, such as newsreels. The combination of different types of footage into a film carried various degrees of significance, which were dependent on the approach that the director took when filming. Collage within film can also encompass the physical collaging of materials onto the film strips. This technique was typical of Canadian filmmaker Arthur Lipsett, who was widely known for his collage film works.

The Legacy of Collage Art

Due to the many techniques and styles that made up the Collage Art movement, it is still easy to wonder: what is a collage in its entirety? Thus, it was said that collages painting and artworks were predominantly used to address a variety of issues, due to the technique's ability for vast social commentary. Often within collage, artists would leave hints within their artworks that alluded to social and political concerns, as collage gave artists the chance to comment on issues through the use of familiar objects and images.

The legacy of Art Collage can be seen through the many young artists that have continued to work in this medium and have produced artworks. Collage Art had the ability to tell the story of each different artistic generation through the commentary it creates, which allows for truly fascinating works to be created. Within the contemporary area, collage has been viewed as the base of the digital experience due to its vast experimentation with layering and interjecting of different mediums to make up one work.

Tips for Making Your Own Collage

Have you ever wondered what is a collage and if anyone can make one? While this type of art creation may seem daunting at first due to its chaotic and disorganized nature, the art of collage is entirely possible for anyone to experiment with. However, before constructing your own collage, here are two tips to consider when starting out with this cut-and-paste style.

Collect and Create Your Own Source Material

When making your own collage, it will be beneficial to start developing a library of different collage materials for you to choose from. In doing so, you will be able to peruse through what you already have when starting a new collage before having to go out to buy new items.

Some old items that can be kept to utilize within collages at a later stage include old books, photographs, clothing, and recycled paper. Additionally, you can also choose to create your own unique source materials when working on your collage. This can be done by painting pieces of paper and then cutting them up into any shape you want.

Painting with Warm Colours (2009) collage from art postcards, by Hendrikje Kühne und Beat Klein; Hendrikje Kühne und Beat Klein, CC BY-SA 3.0, via Wikimedia Commons

Organize Your Composition Prior to Gluing It Down

Before you permanently attach your materials to your backing, it would be wise to take some time out to plan your composition. Collage differs from two-dimensional mediums as allows you to arrange your elements in any way that you want to within your artwork. Take advantage of this medium's flexibility by experimenting with different compositions before committing to the final look.

If you are a beginner to this medium, it is suggested to focus on one or two of the basic elements at first so as not to be overwhelmed. These elements include line, color, form, shape, or texture. If you find that your composition has too many elements, try restricting the number of materials you are working with until you are satisfied with the outcome.

Throughout Collage history, the works that were created were deeply referential of the political climate that existed at the time. Thus, the style of collage proved to be a suitable medium for social commentary, as it allowed artists to abandon the formal elements that had previously governed art in order to create works that honestly represented modern society. In essence, Collage Art blatantly questioned the ideals that made up an artwork, whilst offering a reflection on the change and upheaval that characterized the 20th century.

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Collage Art - A History of Collage as an Artistic Medium

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The Origins of Collage Artwork ✔ Famous Collage Artists ✔ The Legacy of Collage Art ✔ How to Make Your Own Collage ✔

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A quick & brief video about collage artwork: https://www.youtube.com/watch?v=-HB3IrP_jRQ

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A quick & brief video about collage artwork: https://www.youtube.com/watch?v=-HB3IrP_jRQ

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Collage: A History on the Creative Technique of Combining and Modifying

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On the left side,is the food we eat in the past(back when we have poor environment),as well as some clothes ,tool to make it.On the right side is the food we eat nowadays(the modern era),as well as some beautiful clothes(on the people).

I plan to remove the bonfire,add a big plate in the middle to act as a focal point.The base paper is not great,but if i add a different base layer,for just the big plate in the middle, then i think it could still work

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Do Lam Truc: Kabuki - A famous dramatic genre of The Edo era

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Do Lam Truc: Kabuki - A famous dramatic genre of The Edo era

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The period I chose is the Edo era in Japan, one of the distinctive features of that time being traditional art forms, particularly Kabuki theater. I created a background resembling a typical Edo theater stage with vibrant lanterns, and added details like cherry blossoms, Japanese umbrellas, and ribbons to create a joyful and colorful atmosphere. In the center are the two main characters performing, dressed in vivid costumes, with exaggerated makeup and movements commonly seen in Kabuki theater.

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I'm recreating "The Boston Tea Party" which took place during the 18th century. The focal point will be the water splashing when the crate was dropped down from the boat, I'm planning to make it 3d (method written in the sketch), and alongside it is the boat where it came from (still considering whether should I do it or not)

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my idea is a scene where galileo galilei demonstrating his new found of heliocentrism to the church committee and the royal family

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My idea is the first Olympic games in the history. I drew some athlete that they're running in the field. Of course this is the skecth, I'll add the stadium and the most importantly that Olympic won't be forgot is the torch. The human and the torch I'll make a collage by cutting this figure in the sketch and pasting them. The stadium and the audiences I can draw by hands.

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Originally i wanted to portray Vietnam throughout the whole period of war, but later shrunk to the Vietnam war. The sketch is a hourglass with the sand on top being the war land that soldiers fight on, and the sand falling down will be reimagined to rain, with those under the rain being the backline, waiting for the war to end so these soldiers can get back to their families

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Tran Anh Quan - The changes of photography (Sketch)

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Tran Anh Quan - The changes of photography (Sketch)

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My idea is about the changes in the photos in the past and in modern time

On the left, there will be a collage of pictures taken in the early age of photography - black and white, grainy pictures

On right, because of advancements in the industry, the collage of pictures will be more vibrant, in HD

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This is my general idea for the composition. It's going to be about the moon landing of the Apollo 11 mission. I added a TV frame because it was also broadcasted worldwide.

I'm planning to use different paper types with different colors, patterns and textures. I will cut objects from magazines and old text books.

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the era i chose is sengoku in Japan, a special point in this area is structure - Himeji castle.

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Ludwig van Beethoven was a German classical composer. He is an important musical figure during the transitional period from the Classical music era to the Romantic era. Despite his natural musical talent, he lived with deafness for most of his life. However, Beethoven continued to compose great works during this time.

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My idea of of the famous Apollo 11 as it marked the first time that humans landed on the Moon. I plan to recreate the launching scene of the spaceflight into the starry sky above.

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So im thinking about an idea for this lab3. It's about the legend of sword lake. Im planning to use jean or some blue fabric, paper would be an replacement if there's no choice left to create a water background. The trees and bushes could be presented with some papers scraps and some sticks. About Le Loi king i will cut some images from old text books or print it out at the very least

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Nguyen Tri Hung- HE200082: Geisha - "Onion Life"

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Nguyen Tri Hung- HE200082: Geisha - "Onion Life"

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This is my initial sketch

Period: The Edo era

I chose the topic of Geisha because they are an important part of Japanese culture and history. They are highly skilled in traditional arts like dance, music, and tea ceremonies. I find their way of life interesting because it requires a lot of discipline and dedication. Learning about Geisha helps me understand more about Japanese traditions and how they have changed over time. I also think that many people have misunderstandings about Geisha, so this topic allows me to explore the truth behind their role in society.

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I'm going to do a 3d of this building, it's called Hoan Kiem lake. I'm using many types of stuff to put on the 3D, like blue bag for making water. This one is my sketch on 2d to make sure I can imagine what I'm gonna do for the final.

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My idea is based on the timeline of 1954, when Vietnam had to fight against the invading French army. It was a period of great upheaval, marked by significant historical events and renowned campaigns, including the famous Dien Bien Phu Campaign—a legendary victory that forced the French army to surrender. In this project, I will use illustrative stickers and other materials such as cardboard, cotton, and foam paper to create the most visually engaging representation

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My assignment dates back to the ancient greece where few of the first vivisection were performed. Im making a model of vital organs and positioning them inside of a stone tablet-a popular means of recording information at the time

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I'm reusing the theme from our last group assignment about King Henry VIII but with an emphasis on his 6 wives. I'll make the wheel spinnable.

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Nguyễn Quỳnh Anh - HE200007 - The Americas in 1492 and 1992. (The Columbus Event and the development of America)

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Nguyễn Quỳnh Anh - HE200007 - The Americas in 1492 and 1992. (The Columbus Event and the development of America)

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Please read the instruction below. The deadline for this one is 11 March, 2025.

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Please read the instruction below. The deadline for this one is 11 March, 2025.

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we planning on some flip book or a house figure with the calendar around the house

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Hà Huy Quang Minh. Gia Bảo

Cao Hoàng Thành. Nhật Nam

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Group members: Trúc, Hạnh, Vinh, Hùng, Vũ

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Group members: Trúc, Hạnh, Vinh, Hùng, Vũ

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This is our sketch. We're going to make a 3d with layers calendar, which looks like a Japanese pagoda. Inside, we put people and backgrounds to point out the differences of The Edo era in four seasons.

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Lâm Gia Bảo

Cao Hoàng Thành

Nguyễn Nhật Nam

Hà Huy Quang Minh

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We share our very first progress update on our pop-up project, which explores the evolution of humanity through the centuries—from the Stone Age to the era of advanced technology. Right now, everything still feels a bit abstract, almost like an illusion, because each team member is working on bringing a specific milestone in history to life. It’s both challenging and fascinating to see how different time periods and breakthroughs will come together in one cohesive experience.

Although we’re still in the early stages, we truly believe that once fully realized, this project will creatively and vividly capture the key moments that have shaped human civilization. The journey from primitive tools to cutting-edge innovations is an incredible story, and we’re committed to making it as immersive and thought-provoking as possible.

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progression 4/3

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Group members: Phạm Ngọc Minh Anh, Nguyễn Thanh Thảo

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Group members: Phạm Ngọc Minh Anh, Nguyễn Thanh Thảo

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Please read the instruction below for lab 5. The deadline for this one is Week 10 slot 2.

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Please read the instruction below for lab 5. The deadline for this one is Week 10 slot 2.