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a color distortion that creates an outline of unwanted color along the edges of objects in a photograph

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print or display (a photograph or other image) using only a small number of different tones.

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The unique distortion caused by a moiré pattern is known as aliasing

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caused by compression when an image is saved in the . jpg format

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a type of distortion wherein lines that are straight in real life appear to curve inwards

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causes straight lines to curve outwards from the center of the image

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an adopted term for the image sensor format approximately the size of the now-defunct Advanced Photo System film negative classic, of 25.1×16.7 mm, with an aspect ratio of 3:2

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simply deﬁned by its sheer size—36 mm by 24 mm—and the distinctive look it makes possible. Compared to a Super 35 mm sensor, a full-frame sensor has over twice the surface area while providing a wider angle of view and shallower depth of ﬁeld.

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a device that allows the camera to convert photons – that is, light – into electrical signals that can be interpreted by the device.

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the ratio of the sensor size to 35mm / full-frame

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a unit of memory size

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an early 20th-century style and movement in art, especially painting, in which perspective with a single viewpoint was abandoned and use was made of simple geometric shapes, interlocking planes, and, later, collage.

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a trend in sculpture and painting that arose in the 1950s and used simple, typically massive, forms.

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art based on modern popular culture and the mass media, especially as a critical or ironic comment on traditional fine art values.

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new and unusual or experimental ideas, especially in the arts, or the people introducing them.

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a 20th-century avant-garde movement in art and literature which sought to release the creative potential of the unconscious mind, for example by the irrational juxtaposition of images.

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the practice of artists using pre-existing objects or images in their art with little transformation of the original.

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a technique that layers two different exposures on a single image, combining two photographs into one

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a form of professional photography that depicts inanimate objects or subject matters

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photographing a particular product, or someone supplying or receiving a particular service, in a way that showcases that product or service's best features and entices the viewer to want to buy.

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a photograph of the ground taken from an elevated position, usually from the air or sky

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a graph that measures the brightness of an image by representing the frequency of each tone as a value on a bar chart.

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term applied to an array of concepts and attitudes that reject prior definitions of art and question art in general.

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art that is made by assembling disparate elements – often everyday objects – scavenged by the artist or bought specially

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a filter that reduces or modifies the intensity of all wavelengths, or colors, of light equally, giving no changes in hue of color rendition

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the deliberate processing of photographic film in a chemical solution intended for a different type of film

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a tight structure of a similar shape to the honeycomb made by honey bees. It's affixed to the front of a studio strobe.

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a photographic lighting device that uses a parabolic reflector to distribute light towards a focal point.

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a tube or similar object that fits over a studio light or portable flash and allows the photographer to control the direction and radius of the light beam.

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a light modifier that confines light from an artificial source into a wire framed box and releases it through a layer of diffusion

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a self-contained photographic flash lighting unit usually found in a studio

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a light source that causes a specular highlight in a subject's eye in an image.

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a remapping of image tonality, specified as a function from input level to output level, used as a way to emphasize colours or other elements in a picture.

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a tool in Photoshop and other image editing programs which can move and stretch the brightness levels of an image histogram

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a circular light that fits around a camera's lens or is large enough to shoot through it

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the use of camera movements that change the orientation or position of the lens with respect to the film or image sensor on cameras.

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the absence of post-processing with an image editing program. The image is untouched, just what the photographer saw and the camera recorded.

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A positive photograph on glass made using the wet-collodion process, often hand-tinted and mounted in a hinged case.

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a technique used to develop a peel-apart film picture on to a different material, like drawing

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a process for printing from an intaglio plate prepared by photographic methods.

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a photographic printing process that produces blue prints using coated paper and light.

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an organic alternative photography process akin to the anthotype process

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a lighting technique that lights up half of a subject's face while leaving the other half in a shadow, essentially “splitting” the face

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characterized by an illuminated triangle (also called "Rembrandt patch") under the eye of the subject on the less illuminated side of the face.

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a lighting pattern that creates a circular shadow on the subject's face just under the nose.

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a lighting pattern used in portrait photography where the key light is placed above and pointing down on the subject's face.

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a type of lighting photographers use primarily for portrait photography.

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a lighting technique used primarily in portrait photography in which the far side of a subject's face is lit relative to the camera.

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an old style of photograph that creates a photographic image on a thin sheet of metal or iron that has been coated with a dark lacquer or enamel.

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a shot that is devoid of camera movement

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the visual impact of elements in your composition.

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the application of algorithms to a digital image file which convert the image information contained within the file into a viewable format on a viewing device.

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to imply that the scene is three-dimensional.

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the first completely abstract kind of photograph, composed of kaleidoscopic repetitions of forms achieved by photographing objects through a triangular arrangement of three mirrors.

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the process of capturing digitized images of objects for the purpose of creating printable art using a flatbed "photo" scanner with a CCD (charge-coupled device) array capturing device.

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a single photograph or more commonly a body of photographic work, that shares a high level of consistency.

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a similar banal aesthetic, in that they were formal, mostly black and white prints of the urban landscape.

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the practice of creating solargraphs; creating photographs of the path of the Sun across the sky using a pinhole camera and exposure periods measured in days or months.

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the temperature of light directly correlated with the color of the burning carbon at that temperature

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removing light or, in essence, creating shadows to achieve a more dimensional portrait.

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the comparison of key light (the main source of light from which shadows fall) to the fill light (the light that fills in the shadow areas).

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a set of data that characterizes a color input or output device (or a color space) according to standards promulgated by the International Color Consortium (ICC).

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even front lighting of a subject, producing little contrast, no shadows, and no modeling.

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describe the habit of checking every photo on the camera display (LCD) immediately after capture.

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a fast 50mm lens. The “nifty” part comes from a very wide aperture—under f/1.8. The “fifty” refers to the focal length. A fast 50mm lens is the closest you can get to the human eye. This means low amounts of distortion and a similar field of view.

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It's short for a photographer.

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When a photoshop file has hundreds of unnamed layers.

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Appearance of print in which tone reproduction is low in contrast, lacking deep blacks or brilliant whites.

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those little round, dark spots that just seem to appear out of nowhere

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the process of removing or separating specific elements within an image. Clipping can be used to remove an object in order to be placed in front of a coloured or a transparent background or even on another image. As a result, people, objects and backgrounds can be removed from the image.

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the secondary light in the traditional 3 point lighting setup. The fill light is typically positioned opposite of the key light to literally fill in the shadows that the key light creates. The strength of the fill in is a determining factor to the lighting style and mood of a shot.

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the primary light source for your scene. The strength, color, and angle of your key light is a determining factor to a cinematographer's lighting design. The key light is most often placed in front of your subject, at an angle, and thus illuminates one section of your subject.

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the process of capturing images while your camera is connected to your computer, which allows your photos to instantly upload to the computer.

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the film or image sensor used is sensitive to infrared light

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a photograph made by combining several distinct photographs either made one over another on the same plate or made

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a style of portrait/people photography which aims to capture and document real-life events, situations, or milestones in an artistic manner and the art of the everyday

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the art of finding old and abandoned buildings and locations, exploring them, and taking photos as you go.

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the use of photography in astronomy; the photographing of celestial objects and phenomena.

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ideally, a neutral grey filter that has no effect on the image other than darkening it

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a glass attachment that can reduce the glare from reflected surfaces

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a color distortion that creates an outline of unwanted color along the edges of objects in a photograph

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capture images without the use of a mirror in the camera body

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a logo, piece of text or signature superimposed onto a photograph.

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a simple, two-light configuration: You place both lights facing your subject at a 45-degree angle, one angled up, one angled down. Note that your key light (i.e., your primary, brighter light) should point 45 degrees downward, while your fill light should point 45 degrees upward.

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This photo turns out like the name of the lighting set up, a badger. The lighting set up gives an effect of a badger shaped face

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High-key lighting reduces the lighting ratio in the scene, meaning there's less contrast between the darker tones and the brighter areas. Alternatively, low-key lighting has greater contrast between the dark and light areas of the image with a majority of the scene in shadow.

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Low-key lighting is a type of lighting style used in photography, film, and television that accentuates shadows, high contrast, and dark tones. The visual aesthetic of low-key lighting is usually achieved by using hard sources or key lights with minimal to no fill light.

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High key lighting is a lighting style that results in a brightly lit frame with soft lighting, minimal shadows, and low contrast. In photography, film, and television, this lighting style uses minimal shadows with a majority of the frame composed of highlights.

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an optical effect which limits the total resolution of your photography — no matter how many megapixels your camera may have. It happens because light begins to disperse or "diffract" when passing through a small opening (such as your camera's aperture).

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IPS stands for In-Plane Switching. It uses liquid crystals to produce the richest colors imaginable. IPS monitors have shifting patterns of liquid crystals to create better viewing angles for photographs

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Anamorphic lenses compress images horizontally to capture an artificially widened field of view (FOV) with a standard 4:3 size sensor. This process, called desqueezing, creates a wider aspect ratio in post-production without a wide-angle lens.

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ATGNI, All the Gear, No Idea. Copyright 1988-2018 AcronymFinder.com, All rights reserved. Suggest new definition.

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Changes or transitions in a characteristic or quality of a part of an image e.g. its lightness, texture, density either wihin an area of the image or between one area and another.

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The technique involves shooting the same composition multiple times with various focal points. These images are then composited in Photoshop or other editing software to create a single image in which everything in the photo is in focus

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on sunny days, at an aperture of f/16, your shutter speed is the inverse of your ISO value. This means that if you are at, say, aperture f/16 and ISO 100, your shutter speed should be 1/100 seconds. This is one of the easiest photography rules to remember.

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any non-traditional photographic printing process. Some of the processes include cyanotype, salt prints, photograms and pinholes.

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the moment when all the elements in a photograph come together perfectly to create a meaningful image.

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to set your camera in a fast burst mode, shooting several photos per second, and then to simply hold down the shutter button while hoping to capture the perfect image.

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a simple, inexpensive film camera.

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The style typically features apparently banal everyday subject matter and off-centered framing. Subject matter is often presented without apparent link from image-to-image and relying instead on juxtaposition and disjunction between individual photographs.