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Celebrating being non-binary/ a woman and being queer and using this theme through illustration and design in a tarot deck (major arcana for the present moment).

being queer is not just about your sexuality. It's a movement, a community, a way of defying social conventions and expressing yourself through various styles or fashion etc. I wanted to express this through my designs.

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Celebrating being non-binary/ a woman and being queer.
The purpose is to aid people in furthering their understanding of themselves as humans as well as their identity and sexuality in the process. It is to help this community feel more open and honest with themselves and over their emotions and spirituality on an fun and/or deeper level.

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- selling the deck as a whole
- selling separate prints and establishing which designs are popular and why
- selling on a host website or own
- selling to a shop

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- queer community
- non-binary/women
- all ages
- spiritual community

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Approx. £100-£200

Printing
Materials
Packaging
Shipping
Manufactorers
Host Sites
Exhbitions space

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- queer-led spaces and events (art and design based)
- spiritual communities- events and hubs
- social media
- designing a campaign for public access (QR codes, posters, prints, or even a mural)
- women and non-binary spaces
- university notice board- places to sell products like NJAS or just for advertising products on campus

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- getting enough money to print the initial deck and construct the packaging
- advertisement and awareness
- initial interest in the product for shops and sellers

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When commissioned a tattoo design for a client I would first ask them for their initial ideas and any references they may have. I also ask if the tattoo will be in colour and what the scale of it will be (as too much detail will blur over time if the tattoo is small). After gathering this information I can give them a rough estimate of what the design will cost.

I then begin my research stage, gathering references and working on the design with the client's idea in my own style. After showing them the initial sketch they can ask for adjustments to the design. Finally, I created a finished lined version of the tattoo that is clear for the tattoo artist to work on.

After the client is happy with the design and it has been delivered to them in whatever format they require (typically a JPEG) I then collect payment.

This was the process for the tattoos I designed for both of my clients.

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This initial idea came about after our collective had applied for a previous mural application for ... which was designed by Flora based on the year of the rabbit, for the lunar new year. We began by meeting with Zoe, our coordinator for the mural shop display, and discussed what past students have done, what our initial ideas were, and taking a look around the shop to inspire us. This is because the purpose of the mural is to get people to look into the shop and see the products.

After several joyride meetings, we began to collaborate on ideas. We decided that as the mural will be up and displayed in May that we would each create a summer flower illustration in a similar style (non-lineart). We then brought this to our meeting and created several collaborative murals until we found what worked for us. This was then sent to Zoe for review. We then began to prepare an official pitch to her and the team and Not Just A Shop.

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As a collective, we also applied to many different things such as the 17&Central shopping center mural proposal in Walthamstow. Taking management in this application I was in charge of organising fellow peers to collaborate in idea generation and responses to the application including things such as budget.

We also took a vote on ideas for the mural and Flora received the most positive feedback. Flora created a beautiful sketch for the proposed mural based on the Lunar new year, the Year of the Rabbit.

Though this application was unsuccessful this design was very useful in helping us land another commission with Not Just A Shop to paint a mural in their window.

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Sustainability is the core of our circular bio economy business model. By upcycling and recycling organic surplus and waste on industrial scale to create food, feed and health care products. For healthy soil, plant, animals and humans. We create continuous value for the environment, society and shareholders.

We view waste as a profit centre instead of a cost centre, and by using modern and industrial biotechnologies, this waste can be transformed into diverse products of applications in numerous bio-based industries.

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Sustainability is the core of our circular bio economy business model. By upcycling and recycling organic surplus and waste on industrial scale to create food, feed and health care products. For healthy soil, plant, animals and humans. We create continuous value for the environment, society and shareholders.

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I created a recorded presentation of the initial pitch to my client, detailing what the website design would look like, and the features and buttons it would have, and displayed my research of this industry alongside other competitors.

Alongside this feature I also pitched several design choices such as colours, fonts and graphics.

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Though I enjoyed the new process of discovering what it was to be a website designer, there were several extra elements that weren't discussed in the brief which I still attempted to design. These were things such as technical drawings, logo design, and typography. Though I enjoyed learning new ways of working I struggled to produce these new design elements in a quick turn around. This made me learn new things in the freelancing process such as working up a contract so the client is not constantly asking me things where I am not being paid extra for this time.

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I had several mentors during this process: my tutors for general feedback, the incubator sessions for business and selling advice, and a mentor selling their tarot card deck.

Key learnings and feedback:
- IP, understanding my design rights and copyrights
- design standards, keeping a consistent style, theme, and format throughout the series of cards
- Translating imagery through personal experience and understanding my unique selling point
-Setting goals and plans for the future
- Pitching and idea ideations
-Research methods and engage with my community (e.g selling cards at queer events)

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Portfolio review feedback

Shotopop kindly agreed to meet with me online to review my portfolio. Here is some feedback and general advice I received:

-be more focused on the goals of your portfolio, if you want to do character design show more of this in there. It's great to see the flexibility and range of what you can do but leave this more to your website
-we find selling our artwork very hard so setting up your business by yourself will also be very challenging. You must find your target audience and promote yourself right. Consistency is key.

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In light of wanting to be a concept artist and character designer in the future for the gaming industry, I decided to mainly focus on passion projects to build my portfolio around this subject matter. With the help and aid of my tutor Alisa, I built an online portfolio that is easily accessible to all.

I started by grouping my work into categories and then building each theme through this. I also created several pieces for specific applications such as the character design internship for Riot Games in which I created my own splash art design of one of the characters from League of Legends.

I also built an offline version of this portfolio to demonstrate other technical skills such as product and packaging design.

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Ideas pitch and children's book research

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Ideas pitch and children's book research

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Through several meetings with Sarah and peer feedback I decided that I wanted to go with the idea of helping young children understand their ADHD better and celebrating their differences. I decided to choice this idea as I personally relate to struggling with ADHD as a child and not knowing what it was that made me think so differently.

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As per my research beforehand, I decided to use bright and pastel colours to make each piece welcoming. Throughout the illustrations, I tried to maintain the same style and character design.

Creating the illustrations was very challenging for me as I don't have a children's book style, but despite this, I enjoyed creating and constructing the narrative of a book that I wish I had as a kid that could potential help children understand themselves better.

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Presenting to Walker Books was one of my first professional pitches. I planned my script beforehand and presented it infront of members of the organisation.

The feedback I received was to adjust my title name (as the 'Head in the Clouds' title may translate differently in different languages) and that I had a clear and concise message with a unique selling point. This also told me to be mindful of my margins when adding text but they very much enjoyed my printed mock-up with physical elements such as cotton clouds on the front.

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I went to this immersive exhibition with a few peers when it first opened. Immersive exhibitions are my favourite type of exhibition and I was amazed by the sensory and audio-filled lasers and light displayed here. The exhibition was to transform the audience's 'existential' experience which I was invested in. I loved the interaction and narrative behind each piece. I also enjoyed walking around and immersing myself. Each installation was different and on a different scale, the first was an entire warehouse room, almost like a rave in which you could fit thousands of people. The endless space made it feel empty yet the loud vibrations and sounds filled the void. For some other light shows you could sit on beanbags, lay down, and watch the show on the ceiling. This range and adaptability of each one was a transformative experience.

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Coming into campus there was always something going on or something to get involved with. Many times I would look at current students' progress exhibitions and some graduate exhibitions. The final projects have motivated my own passion projects and have set the bar on my standards for what I expect to do in year 3 of my degree.

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Luyang show at the Zabludowicz collection

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Luyang show at the Zabludowicz collection

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I very much enjoyed the exhibition. Immersive exhibitions are my favourite and bringing aspects of east Asian culture into his art was amazing to see. I loved the quirky style and graphics of the videos as they were wild and unpredictable. I also very much enjoyed the way he transformed and adapted his art into a playable arcade for the audience to interact with.

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Sustainability is the core of our circular bio economy business model. By upcycling and recycling organic surplus and waste on industrial scale to create food, feed and health care products. For healthy soil, plant, animals and humans. We create continuous value for the environment, society and shareholders.

We view waste as a profit centre instead of a cost centre, and by using modern and industrial biotechnologies, this waste can be transformed into diverse products of applications in numerous bio-based industries.

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Sustainability is the core of our circular bio economy business model. By upcycling and recycling organic surplus and waste on industrial scale to create food, feed and health care products. For healthy soil, plant, animals and humans. We create continuous value for the environment, society and shareholders.

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https://miro.com/app/board/uXjVPrGrxOk=/

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Sign up | Miro | Online Whiteboard for Visual Collaboration

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Scalable, secure, cross-device and enterprise-ready team collaboration whiteboard for distributed teams. Join 35M+ users from around the world

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5 week course

During my 5 week course at the Peckham Levels Studio I learnt many core skills to help me on my journey in using cermaics.

1. Learning how throw. I learn how to first mould the clay ball so there were no air bubbles in the clay. Then throwing the clay on the wheel and learning to centre it on the wheel, learning key hand positions. I then learnt how to manioulate they clay into the desired shape with my hands and the aid of tools.

2. Hand build- in this method there were long cylinders of clay which we gradually build up into our desired bowls, making sure to smooth the edges so no air bubbles would arise. I then decided to be ambitious and sculpt an octopus emerging from the bowl. This was not only challenging because of its weight but extremely fun.

3. Molds- I learned how to properly rolls out the clay to its correct length and press it in the mold. I created a plate.

4. Slips and handles- After the clay had airdried we went back in with water and a sponge to smooth out surfaces, use various tools to engrave or make shapes, and used slips to attach handles to mugs

5. Again after the airdry we then went in with decoration. This is when I learned about glazes and top coats. I also realised how important it was to apply them in the correct order and make sure they were fully mixed before dipping. The glaze almost instantly dried and appeared white. When fired the true beauty of each colour appeared.

Results:
1 hand-built bowl sculpture
3 mugs
1 plate
2 dishes

This process it had motivated me to start applying my design skills to ceramics and making with clay in my own time. I also would love to gain more experience in further workshops and eventually join a local studio to create my own work.

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In this commission, I designed a PC case design for a friend. This was challenging as I had to dismantle the case and spray paint inside it. I then had to take off the back of the case and illustrated this with a white Posca acrylic marker pen. I planned this design in light of their prompts and was inspired by the world of gaming. I enjoyed this design process as I have not illustrated this type of surface before.

This made me realise that though I have been commissioned to do a variety of different creative things, I can apply my art and illustration to many different objects and jobs not exclusive to the 2D digital art I usually stick to. This is what inspired me to look for other wise I can apply my illustrations, and so I asked them if I could do a mural on their family business' shutters to which they gladly accepted.

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Creating a climate concsious sellable product for Not Just A Shop

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Creating a climate concsious sellable product for Not Just A Shop

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For my first idea, I found it difficult to come up with an idea and product, as I want to create a physical product to pitch, which was out of my expertise area. After several talks with tutors and seeing other peers' work, I finally decided to create a series of stamps. These stamps were of a daisy, nettles, and a dandelion flower. I wanted to create more awareness of forging and what we can do to make it a more active choice in our diet whilst being respectful to not disrupt the habitats and growth of the current plants and creatures in that area. I selected these 3 as they are very common and there are accessible recipes for each, such as nettle tea and dandelion honey. If I were to continue this project in the future I would like to promote it by illustrating a recipe book for foraging recipes and doing tutorials of me foraging and cooking these recipes.

After finishing designing these 3 elements, which I had to learn illustrator to do as this is the only way to laser cut a design on stamps, I went to the 3D workshop. With a technician, I discussed what I wanted and I used the scrap materials to experiment with the first few stamps. I found that these were much too big of a scale and for the next series of stamps I decided to create a smaller size. I laser cut in total 9 stamps, using all recycled materials. I also engraved them on the bag of the stamps for a nice finishing quality.

After discussion with the technician, from several visits to the 3D workshop, I found that she also did DPS several years ago and that she also was on the illustration course. She explained to me that the 3D workshop was a great way to create a different way to create through illustration.

After this, I then began to think about sustainable packaging for my product. At first, I wanted to create a box to place my stamps in, but then I decided that I wanted to create packaging that would also fit my theme. Thus I decided to sew 9 pouches using scrap material from an old skirt. These pouches would not only serve as packaging for the stamps but could also be used when people are foraging for plants etc.

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This made me realise that though I have been commissioned to do a variety of different creative things, I can apply my art and illustration to many different objects and jobs not exclusive to the 2D digital art I usually stick to. This is what inspired me to look for otherwise I can apply my illustrations, and so I asked them if I could do a mural on their family business' shutters to which they gladly accepted.

The owners did not want anything specific and told me I could pitch any design to them. Therefore, as the family is from Pakistan I wanted to create an illustration that captured and celebrated their culture, bringing ideas of traditional clothing, patterns, and colours together. I pitched 2 coloured illustrations and my initial idea was selected.

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In December I applied to be an illustrator intern at Riot Games in the US. Unfortunately, I did not get this role as it was filled. Here are something I could do to improve my chances for a future internship:

-network with people in the gaming industry
- understand what specific things they are looking for in a portfolio
- Watch feedback videos for more in depth knowledge of what they want
- show the consistency of engagement and development throughout the time until the next application
- show strong core skills such as anatomy, colour theory, and character design/ concept art portfolios
- look at current concept artist portfolios in the company already
-APPLY EARLY!

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So You Wanna Make Games?? | Episode 2: Concept Art

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-advertise through social media
-attend events for either tarot readings or selling work- decks/prints (queer-friendly events)
- sell in crystal/tarot shops

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Wanting to be as sustainable as possible within my materials use as well as my budget I tried to reuse old materials such as rags and old containers to put water and paint in. Here is a list of materials I used:

-acrylic paint
-rags
-water containers
-dust sheets
-stool
-spray paint
-paint brushes
-masking tape
-spray paint mask
-measuring tape
-projector

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As this is the first time I have painted outside and done a mural I faced many new challenges I had to learn to overcome on the job or adapt to such as:

-the shape of the shutters. The metal shutters were curved and had holes in them. This was hard to paint on and get precise and clean lines. I tackled this by constantly stepping back from my work (as it is large scale) and covering the windows beneath.
-On rainy days, this was quite often where I could not paint. On these days I had to wait out but prepare myself for the next time I could paint.
-out in public by myself, though the owners were always on site there would be a few times were I would be alone, this was challenging as there were a few people walking by so I had to watch my back in case of any incidents occurring, though I felt safe as local businesses either side of the shop would often come to check on me

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In general, the community was very pleasant. The surrounding businesses were very welcoming and inquisitive as well as people passing. I got much positive feedback about how this piece uplifts the community and makes it more vibrant. I had lots of comments, maybe as there is not a lot of art and change in the community.