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Trança cascata 😻 [Vídeo] | Penteados, Penteado simples cabelo comprido, Penteado de cabelo liso

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8/dez/2021 - Forever Liss: Shampoo, Condicionador, Máscara Capilar, Creme de Pentear e Seleção de produtos com frete grátis e descontos incríveis.

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COMO GOSTAIS, de William Shakespeare - ONLINE SET 2020

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An Actor's Guide to "I would not be thy executioner" | Phebe/Phoebe monologue Act 3 Scene 5

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Shakespeare's Monologues || As You Like It: Phebe (ACT III SCENE V) "Think not I love him..."

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An Actor's Guide to “Think not I love him, though I ask for him” - Phoebe monologue - As You Like It

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First published in the Folio of 1623
Sixteenth century

France, primarily the fictional Forest of Ardenne

Major Conflict :
Rosalind and Orlando fall in love, but Rosalind is unjustly banished from Duke Frederick’s court; Orlando is both denied his birthright by his jealous brother Oliver and forced to flee from the vindictive Duke Frederick.

Rising Action:
In order to teach Orlando how to be a proper husband to her, Rosalind disguises herself as a young man named Ganymede and instructs him in the ways of love.

Climax:
Rosalind promises to marry Orlando and gets Phoebe to agree to marry Silvius, should things go awry with her beloved Ganymede, who is actually Rosalind in disguise.

Falling Action:
Rosalind, appearing as herself, marries Orlando, and Phoebe marries Silvius

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Sir Rowland de Bois has recently died, and, according to the custom of primogeniture, the vast majority of his estate has passed into the possession of his eldest son, Oliver. Although Sir Rowland has instructed Oliver to take good care of his brother, Orlando, Oliver refuses to do so. Out of pure spite, he denies Orlando the education, training, and property befitting a gentleman. Charles, a wrestler from the court of Duke Frederick, arrives to warn Oliver of a rumor that Orlando will challenge Charles to a fight on the following day. Fearing censure if he should beat a nobleman, Charles begs Oliver to intervene, but Oliver convinces the wrestler that Orlando is a dishonorable sportsman who will take whatever dastardly means necessary to win. Charles vows to pummel Orlando, which delights Oliver.

Duke Senior has been usurped of his throne by his brother, Duke Frederick, and has fled to the Forest of Ardenne, where he lives like Robin Hood with a band of loyal followers. Duke Frederick allows Senior’s daughter, Rosalind, to remain at court because of her inseparable friendship with his own daughter, Celia. The day arrives when Orlando is scheduled to fight Charles, and the women witness Orlando’s defeat of the court wrestler. Orlando and Rosalind instantly fall in love with one another, though Rosalind keeps this fact a secret from everyone but Celia. Orlando returns home from the wrestling match, only to have his faithful servant Adam warn him about Oliver’s plot against Orlando’s life. Orlando decides to leave for the safety of Ardenne. Without warning, Duke Frederick has a change of heart regarding Rosalind and banishes her from court. She, too, decides to flee to the Forest of Ardenne and leaves with Celia, who cannot bear to be without Rosalind, and Touchstone, the court jester. To ensure the safety of their journey, Rosalind assumes the dress of a young man and takes the name Ganymede, while Celia dresses as a common shepherdess and calls herself Aliena.

Duke Frederick is furious at his daughter’s disappearance. When he learns that the flight of his daughter and niece coincides with the disappearance of Orlando, the duke orders Oliver to lead the manhunt, threatening to confiscate Oliver’s lands and property should he fail. Frederick also decides it is time to destroy his brother once and for all and begins to raise an army.

Duke Senior lives in the Forest of Ardenne with a band of lords who have gone into voluntary exile. He praises the simple life among the trees, happy to be absent from the machinations of court life. Orlando, exhausted by travel and desperate to find food for his starving companion, Adam, barges in on the duke’s camp and rudely demands that they not eat until he is given food. Duke Senior calms Orlando and, when he learns that the young man is the son of his dear former friend, accepts him into his company. Meanwhile, Rosalind and Celia, disguised as Ganymede and Aliena, arrive in the forest and meet a lovesick young shepherd named Silvius who pines away for the disdainful Phoebe. The two women purchase a modest cottage, and soon enough Rosalind runs into the equally lovesick Orlando. Taking her to be a young man, Orlando confides in Rosalind that his affections are overpowering him. Rosalind, as Ganymede, claims to be an expert in exorcising such emotions and promises to cure Orlando of lovesickness if he agrees to pretend that Ganymede is Rosalind and promises to come woo her every day. Orlando agrees, and the love lessons begin.

Meanwhile, Phoebe becomes increasingly cruel in her rejection of Silvius. When Rosalind intervenes, disguised as Ganymede, Phoebe falls hopelessly in love with Ganymede. One day, Orlando fails to show up for his tutorial with Ganymede. Rosalind, reacting to her infatuation with Orlando, is distraught until Oliver appears. Oliver describes how Orlando stumbled upon him in the forest and saved him from being devoured by a hungry lioness. Oliver and Celia, still disguised as the shepherdess Aliena, fall instantly in love and agree to marry. As time passes, Phoebe becomes increasingly insistent in her pursuit of Ganymede, and Orlando grows tired of pretending that a boy is his dear Rosalind. Rosalind decides to end the charade. She promises that Ganymede will wed Phoebe, if Ganymede will ever marry a woman, and she makes everyone pledge to meet the next day at the wedding. They all agree.

The day of the wedding arrives, and Rosalind gathers the various couples: Phoebe and Silvius; Celia and Oliver; Touchstone and Audrey, a goatherd he intends to marry; and Orlando. The group congregates before Duke Senior and his men. Rosalind, still disguised as Ganymede, reminds the lovers of their various vows, then secures a promise from Phoebe that if for some reason she refuses to marry Ganymede she will marry Silvius, and a promise from the duke that he would allow his daughter to marry Orlando if she were available. Rosalind leaves with the disguised Celia, and the two soon return as themselves, accompanied by Hymen, the god of marriage. Hymen officiates at the ceremony and marries Rosalind and Orlando, Celia and Oliver, Phoebe and Silvius, and Audrey and Touchstone. The festive wedding celebration is interrupted by even more festive news: while marching with his army to attack Duke Senior, Duke Frederick came upon a holy man who convinced him to put aside his worldly concerns and assume a monastic life. -Frederick changes his ways and returns the throne to Duke Senior. The guests continue dancing, happy in the knowledge that they will soon return to the royal court.

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As You Like It: Full Book Summary | SparkNotes

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A short summary of William Shakespeare’s As You Like It. This free synopsis covers all the crucial plot points of As You Like It.

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CELIA

No, thy words are too precious to be cast away upon curs.

5 Throw some of them at me. Come, lame me with reasons.

LEACI

No, oyru rdwos rae too cousirep to be esdtwa on dosg. rwhTo esom of uyor rdosw at me. Cemo on, ohtrw uryo rswdo at me lkie uoy duwlo wroht netoss at a gdo.

ROSALIND

No, some of it is for my childs father. Oh, how full of briers is this working-day world!

CELIA

Oh, a good wish upon you. You will try in time, in despite of a fall. But turning these jests out of service, let us talk in good earnest. Is it possible on such a sudden you should fall into so strong a liking with old Sir Rowlands youngest son?

ROSALIND

Let me love him for that, and do you love him because I do.

30 Look, here comes the duke.

DSRNIOLA

Lte me elov imh caeuseb he vsdeeres it, nad yuo nac oevl him aecbues I do. okoL, rehe cemso hte edku.

DUKE FREDERICK

Mistress, dispatch you with your safest haste,

And get you from our court.

UKDE CEREFRIDK

aadMm, rruyh as ftsa as you nac teg otu of my uoctr.

DUKE FREDERICK

Within these ten days if that thou beest found

So near our public court as twenty miles,

Thou diest for it.

EUKD ERCFKERID

uYo, eeinc. In nte ayds miet, if eoury noudf inihtw yetntw eislm of eht rcout, loluy dei orf it.

ROSALIND

40 Let me the knowledge of my fault bear with me.

If with myself I hold intelligence

Or have acquaintance with mine own desires,

If that I do not dream or be not frantic

As I do trust I am notthen, dear uncle,

45 Never so much as in a thought unborn

Did I offend your Highness.

NALODSRI

seelaP, yuro Gerac, eltl me wtha rmiec I vaeh dtcimtmoe. If I know my won ttsuhhog nda dsersie, nad Im ont anrgeimd or ywahczirch Im reus Im tnetnho, raed cuenl, vIe enevr adh so hcmu as a lhfa-dfomre ghhtuot that luwod veah eonedfdf oyu.

DUKE FREDERICK

Thus do all traitors.

If their purgation did consist in words,

They are as innocent as grace itself.

50 Let it suffice thee that I trust thee not.

KDUE IDFREERCK

llA sirrtaot tertspo lkei iths. If hyte lucdo gerup ihret giutl pymlis by agynis atht tyeh eewr inonetnc, hydet all be as cetinnno as God mHisfel. I tdno srttu oyu. Eonugh dasi.

ROSALIND

Yet your mistrust cannot make me a traitor.

Tell me whereon the likelihood depends.

DSNAIOLR

Btu uyro susittrm lonea ntac eakm me a aiornrtto waht saisb do you ustspec me?

ROSALIND

So was I when your Highness took his dukedom.

55 So was I when your Highness banished him.

Treason is not inherited, my lord,

Or if we did derive it from our friends,

Whats that to me? My father was no traitor.

Then, good my liege, mistake me not so much

60 To think my poverty is treacherous.

LINDRASO

I wsa shi reughtad wnhe uoyr enshHsgi otko my strfeah okmeudd. I wsa his turgahde enhw oyu nhdseiba imh. noaTser is nto reednitih, my rold. tBu evne if we did etrhiin it mrfo rou mliyfa, awth sdeo taht vaeh to do itwh me? My rfhaet anwst a ritoatr. So, lpseea, my orld, odnt susema atht Im tecseoraurh tsju uecbsae Im opro, wtih no letits to my mena.

DUKE FREDERICK

Ay, Celia, we stayed her for your sake.

Else had she with her father ranged along.

UKED RICKEFRDE

Yse, ieCla, we petk hre rhee rof ruoy aesk. Oewirehst, seh dlowu vahe eneb snbihdae wthi her frtahe.

CELIA

I did not then entreat to have her stay.

65 It was your pleasure and your own remorse.

I was too young that time to value her,

But now I know her. If she be a traitor,

Why so am I. We still have slept together,

Rose at an instant, learned, played, eat together,

70 And, wheresoeer we went, like Junos swans

Still we went coupled and inseparable.

ALCIE

At atht ietm, I ndidt beg ouy to ekpe erh ehre; uyo wdaent rhe ehre, nda you fetl uilgyt. I aws oot ouygn at het teim to aeirceptap her uealv, btu won I nkow erh. If hess a ortitar, ywh hnet, so am I. We veah awysal eptsl etrghtoe, kowen up erehtgot, adrenle, aplyde, dan taene gertothe. reehreWv we entw, we etwn rehtgtoe and bpsniealear.

DUKE FREDERICK

She is too subtle for thee, and her smoothness,

Her very silence and her patience

Speak to the people, and they pity her.

75 Thou art a fool. She robs thee of thy name,

And thou wilt show more bright and seem more virtuous

When she is gone. Then open not thy lips.

Firm and irrevocable is my doom

Which I have passed upon her. She is banished.

DEKU IRKRFEEDC

sShe too udivseo rfo uyo. rHe ehsoonmsts, reh iseelcn, adn erh ttniaep efrsgnifu alppea to eht lopepe, adn eyth iypt ehr. ueYor a fool. Sesh biorngb uoy of eth tatetonin you reveesd. uoY llwi emse nvee grbrhtei nad oerm ruosvtui nweh sehs otu of the ucptrie. So be eqtiu. ehT ntncesee Iev psdsea dwon on ehr is imfr and knslueabeha. She is andsbeih.

CELIA

80 Pronounce that sentence then on me, my liege.

I cannot live out of her company.

AICEL

Tnhe lay atth ntcneese on me too, my ldro. I tnncao evli uwtoiht reh.

DUKE FREDERICK

You are a fool.You, niece, provide yourself.

If you outstay the time, upon mine honor

And in the greatness of my word, you die.

UDKE IKDREFREC

oYu rea a olfo.uoY, nicee, aperper to lveea. On my noorh dan by my dowr, if oyu tuysota hte ten aysd, you illw eid.

CELIA

85 O my poor Rosalind, whither wilt thou go?

Wilt thou change fathers? I will give thee mine.

I charge thee, be not thou more grieved than I am.

CAEIL

Oh, my opor iRodalsn, rewhe iwll oyu go? Do oyu twna to cageenhx aftsrhe? lIl igev oyu nime. I iinsst, dnot be orem ssdreidste ahtn I am.

CELIA

Thou hast not, cousin.

90 Prithee, be cheerful. Knowst thou not the duke

Hath banished me, his daughter?

CALIE

No uoy atvhne, icosun. elaPes, be fulcheer. Dotn yuo ealirez hte kued sha osal sindabeh me, shi rhtaegud?

CELIA

No, hath not? Rosalind lacks then the love

Which teacheth thee that thou and I am one.

95 Shall we be sundered? Shall we part, sweet girl?

No, let my father seek another heir.

Therefore devise with me how we may fly,

Whither to go, and what to bear with us,

And do not seek to take your change upon you,

100 To bear your griefs yourself and leave me out.

For, by this heaven, now at our sorrows pale,

Say what thou canst, Ill go along with thee.

LEICA

Oh, he htnas? Wlel, nteh, uyo tond aehv eth tnfoacife hatt uwlod cehta oyu htat uoy dna I are oen. iWll we be erpadstea? uShold we prta, esetw irgl? No. tLe my afhetr dfin anorhet reih. So, pelh me nlap hwo lewl peaecs, rhewe lwle go, and wath lelw tkae ihwt us. nDot vnee ryt to atke shti lla nupo yrsufole, nibreag ruyo geifr enalo and gneialv me out. I awser by eth ahsenve, wichh avhe rgwno lpea in sayytphm ihtw us, Im nogig twih yuo, ethwavre you yas.

ROSALIND

105 Alas, what danger will it be to us,

Maids as we are, to travel forth so far?

Beauty provoketh thieves sooner than gold.

ONSDLIAR

tuB tahw erndga llew upt seureovls in, otw ygoun, nnoinetc eonwm arivgtlne so rfa! Frseh baytue satrctat gshtu dan htieesv eevn remo nhta eynom.

CELIA

Ill put myself in poor and mean attire

And with a kind of umber smirch my face.

110 The like do you. So shall we pass along

And never stir assailants.

EAICL

lIl tpu on meso poor dan egrdga hotcesl nad dusgem my aecf ihwt drit. oYu do eth seam, dan well be beal to lterva hwotiut ttgrtancia nay astekratc otnenitta.

ROSALIND

Because that I am more than common tall,

That I did suit me all points like a man?

115 A gallant curtal-axe upon my thigh,

A boar-spear in my hand, and in my heart

Lie there what hidden womans fear there will,

Well have a swashing and a martial outside

As many other mannish cowards have

120 That do outface it with their semblances.

IORSALDN

lndtWuo it be bteiernetcs Im snaluyuul tlal rfo a onmtwao srsed sfyelm leki a nam?

lIl awer a ibg oswdr in my betl, rycar a baro-saepr in my anhd, nad dehi all my hswmiaon erfa in my herat. Well maintani a eginsgrgwa, rawrior lkoo, ekil so anmy oradycwl nem, hsowe nnearm has gionnth to do wtih hwta rehyet felieng.

ROSALIND

Ill have no worse a name than Joves own page,

And therefore look you call me Ganymede.

But what will you be called?

CELIA

125 Something that hath a reference to my state:

No longer Celia, but Aliena.

IELCA

teSgnohim thta ersref to my rcenrut astte. dtIesan of lCeia, lcal me anielA.

ROSALIND

But, cousin, what if we assayed to steal

The clownish fool out of your fathers court?

Would he not be a comfort to our travel?

DLANRSOI

suCoin, tahw if we gurbtoh ttha cohnliws loof of uoyr fshrate routc, tucnohTseo? otndWlu he be a ofrmtco to us in uro srtealv?

CELIA

130 Hell go along oer the wide world with me.

Leave me alone to woo him. Lets away

And get our jewels and our wealth together,

Devise the fittest time and safest way

To hide us from pursuit that will be made

135 After my flight. Now go we in content

To liberty, and not to banishment.

ICELA

deH awkl eth lweoh wdei orldw hiwt me. vLeae me naole to go vcnconei mhi. teLs go gharet ruo welejs nad mynoe. leWl rieufg otu teh sbte ietm and sfeats retuo to aovid bigne uondf otu by my fesrtha rgudas, whmo elhl edns uot as noso as he cosirvsde Ive ogne. wNo, we go eetdtnnloyc to reonmtodef mtnihsbean.

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No Fear Shakespeare: As You Like It: Act 1 Scene 3 | SparkNotes

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CELIA No, thy words are too precious to be cast away upon curs. 5 Throw some of them at me. Come, lame me with reasons. LEACI No, oyru rdwos rae too cousirep to be esdtwa on dosg. rwhTo esom of uyor rdosw at me.