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- status quo will be broken via conflicts over the means of production

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Bautista, Roehl Niño. “Ken(Shin)Do(Es It): Exploring Anime Fandom as a Driving Motivation in Practicing Martial Arts.” Plaridel 16, no. 2 (2019): 91–112. https://doi.org/10.52518/2020.16.2-04btista.
- The paper focuses on the influence of Ruroni Kenshin and Anime as the main motivators and inspiration for Filipinos that want to practice Kendo as a sport. The paper collected data on a dedicated kendo group in the Philippines to determine these factors. The paper also tries to connect Anime and Media consumed by people as one of the driving forces to pursue the sports or the actions in said media as a way to further consume, appreciate and understand the culture and the fandom of these Media.

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“Filipino Martial Arts and the Construction of Filipino National Identity: Research Explorer: The University of Manchester.” Filipino Martial Arts and the Construction of Filipino National Identity | Research Explorer | The University of Manchester. Accessed May 5, 2022. https://www.research.manchester.ac.uk/portal/en/theses/filipino-martial-arts-and-the-construction-of-filipino-national-identity(62dc3e99-ad1a-46ea-936f-9a0c4bf196c0).html.

- I would consider this source as an inspiration as it shows and dictates the how the FMA was able to create the sense of national identity.

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“Locating the 1960s Filipino Western Genre - Researchgate.net.” Accessed May 5, 2022. https://www.researchgate.net/publication/357826989_Locating_the_1960s_Filipino_Western_Genre.

- the craze of the American cinema influence took a step back to see the Philippine condition and reality, which reflected indigenous themes and native concepts, but now evolved into the localized western genres becoming Filipino Western

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Sanchez, D.T. and Sanchez, R.D. (2021). The Embodiment of an Authentic Filipino Art of Self-Preservation and Well-being. Alinteri Journal of Agriculture Sciences, 36(2): 115-121. doi: 10.47059/alinteri/V36I2/AJAS21123

- The paper is about Arnis, its rich history from its inception, the hardships that it faced and the accolades it has achieved till today, and its cultural significance in the modern day as a connection for us Filipinos to our own culture as a testament to our unyielding spirit and identity.

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McClung, John. “A People's Martial Art: Filipino Martial Arts and Decolonial Praxis.” Scholarly Publishing Services - UW Libraries. University of Washington Undergraduate Research Program, January 1, 1970. https://digital.lib.washington.edu/researchworks/handle/1773/34310.

McClung's Paper talks about observing the FMA as a way to reconnect the Filipino-Americans in Seattle to their ancestry as it can be viewed as a practice to decolonialize oneself from our history and build a better bond between the Fil-Americans and their own culture.

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Malmo, John R., and Merry Moiseichik. “Development of the Cultural Appreciation of Martial Arts Scale.” Journal of Combat Sports and Martial Arts 8, no. 1 (2017): 9–17. https://doi.org/10.5604/01.3001.0010.4650.

- this research showed a deep cultural appreciation of martial arts as a way to reconnect to their routs through performance, recreation, and study of taekwondo and FMA.

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Abulad, Romualdo E. “Filipino Postmodernity: Quo Vadis?” Kritike: An Online Journal of Philosophy 13, no. 2 (2019): 37–59. https://doi.org/10.25138/13.2.a.2.

- talks about the time in history for the Filipinos to enter a postmodernity era, this follows after the decolonization efforts and how this changes and shape the Filipino understanding in the future. This uses the thoughts of the german idealists, EDSA, and through Duterte these times are differing in nature but they have things in common in which they talk about new beginnings out from stiff paradigm shifts and from then only then can Filipinos know where they are going.

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Tabuena, Almighty C., A Synthesis Overview of the Contemporary Art Forms and Performance Practices in the Philippines (November 30, 2020). International Journal of Humanities and Social Science Studies, volume 7, issue 1, p. 103 - 109, 2021, Available at SSRN: https://ssrn.com/abstract=3777431 or http://dx.doi.org/10.2139/ssrn.3777431

This talks about the dismantling of different types of art forms here in the Philippines, from what is traditional to contemporary. whether it be painting and other visual arts, architecture, sculpture and installation, literature, music, dance, cinema, and theater and performance these continued to evolved with only the traditional still being used in private.

"I think this can be used as well in also discussing Filipino Martial Art as it is also performative, theater and being used in cinema as well"

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Bowman, Paul. “Modernity, Media, and Martial Arts.” The Invention of Martial Arts, 2020, 32–56. https://doi.org/10.1093/oso/9780197540336.003.0003.

- poses the question of when and where the analysis of the discursive entity ‘martial arts’ should begin. In exploring this, the chapter notes the prominence of origin stories in traditionalist martial arts, and interrogates their roles and functions. This leads to a discussion of what Rey Chow called ‘primitive passions’ in a deracinated, postmodern, and postcolonial world.

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Bowman, Paul. “Making Martial Arts History Matter.” Martial Arts in Asia, 2019, 35–53. https://doi.org/10.4324/9781351167802-5.

-The topics of history, tradition, and authenticity in Asian martial arts are highly conflicted. A handful of scholars have offered well-researched martial arts histories, which challenge what are often quite obviously preposterous myths. Yet even the most outrageous and ludicrous of myths about Asian martial arts seem tenacious. Articles and books – both scholarly and popular – continue to be published that trade entirely in myths and legends, snake oil and sorcery, presenting them as history.

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Bowman, Paul. “From Linear History to Discursive Constellation.” The Invention of Martial Arts, 2020, 99–128. https://doi.org/10.1093/oso/9780197540336.003.0006.

- the chapter attempts to establish the main discursive contours that appeared and developed through the 1980s—a decade in which ninjas and Shaolin monks explode onto the cultural landscape. This is followed by attention to the 1990s, in which three major events took place in the same year: the first Ultimate Fighting Championship (UFC), the Wu-Tang Clan’s release of their enormously popular album, Enter the Wu-Tang (36 Chambers), and the appearance on children’s television screens around the world of ‘The Power Rangers’—all of which took place in 1993. The chapter then attempts to track the major discursive tendencies and contours of martial arts aesthetics through the first decade of the twenty-first century, up to the mainstreaming of combat sports in more recent years.

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Bowman, Paul. “The Limits of Post-Marxism: The (Dis)Function of Political Theory in Film and Cultural Studies.” Global Discourse 9, no. 2 (2019): 329–45. https://doi.org/10.1332/204378919x15526540593598.

The influences of Film, Bruce Lee and what he has done in creating the "global kung fu craze", in political discourse through social and cultural practices such as Martial arts.

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-something that I thought I would like to raise-

glocalisation - western influences here in the philippines

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- a fetishization of the western nations towards anything that is 'east'

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- thesis, antithesis = synthesis, spirit

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- a way of looking back to looking forward, to break free from colonial ties

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Hurley, S. (2021). The “Ultimate Athlete:” Bruce Lee, Martial Arts and the Pursuit of Human Perfection. In: Hiroshi, A., Galbraith, P.W., Kovacic, M. (eds) Idology in Transcultural Perspective. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-82677-2_6

Talks about the philosophical and religiosity of Bruce Lee's philosophy in why he became so successful - the "Asian Spirituailty"

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Researches that talk about Martial Arts history through Media 

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Researches that talk about Martial Arts history through Media 

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These sources by Wiley showcase that the history of FMA is verifiably different from one another as they show differences in region, differences in origins, and differences in how they were brought up showing reasons why different clubs in FMA have the same moves but are essentially the same.

Wiley, Mark V. Arnis: History and Development of the Filipino Martial Arts. Boston, MA: Tuttle, 2001.

Wiley, Mark V. Filipino Martial Arts: Cabales Serrada Escrima. Rutland (Vermont): C.E. Tuttle, 1997.

Wiley, Mark V. Filipino Martial Culture. Rutland, VT: C.E. Tuttle Co., 1997.

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[Topic] Filipino Martial Arts and the Evolution of their Public Image

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[Topic] Filipino Martial Arts and the Evolution of their Public Image

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- an obscure form of martial art that turned into a global phenomenon that saw its influence in the many of the modern films that feature fight scenes