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a category of artistic composition, as in music or literature, characterized by similarities in form, style, or subject matter.

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Description

35 mm film is a film gauge used in film making, and the film standard. In motion pictures that record on film, 35 mm is the most commonly used gauge.

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A twin-lens reflex camera is a type of camera with two objective lenses of the same focal length. One of the lenses is the photographic objective or "taking lens", while the other is used for the viewfinder system, which is usually viewed from above at waist level.

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Large format cameras use sheet film sized 4x5" or larger with the most common film sizes being 4x5" and 8x10".

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The gelatin silver process is the photographic process used with currently available black-and-white films and printing papers. A suspension of silver salts in gelatin is coated onto a support such as glass, flexible plastic or film, baryta paper, or resin-coated paper.

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Curators are in charge of a collection of exhibits in a museum or art gallery.

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A public display of works of art or items of interest, held in an art gallery or museum or at a trade fair.

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Framing is the presentation of visual elements in an image, especially the placement of the subject in relation to other objects.

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A room or building for the display or sale of works of art.

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The exclusive legal right, given to an originator or an assignee to print, publish, perform, film, or record literary, artistic, or musical material, and to authorize others to do the same.

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Line like shapes that draw the viewer's eye to the intended subject of the photograph.

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Areas of enclosed space that are two-dimensional. Shapes are flat, and can only have height and width.

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Color is an element consisting of hues, of which there are three properties: hue, intensity, and value.

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Form is a three-dimensional object with volume of height, width and depth.

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Texture is used to describe the surface quality of the work, referencing the types of lines the artist created.

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Value refers to the degree of perceivable lightness of tones within an image.

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Space refers to the perspective (distance between and around) and proportion (size) between shapes and objects and how their relationship with the foreground or background is perceived.

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A distribution of equal visual weight

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An accentuation of importance.

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A scaling of objects in relation to each other.

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A directed path of optical motion.

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An orderly repetition of an object.

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Creating a visually stimulating image by combining similar elements throughout the frame.

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Varying elements and objects in your image, to avoid making them boring.

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This type of symmetry usually involves shapes that go round and round with the same patterns. This is often associated with ripples.

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Symmetry is achieved when both sides of the image hold equal weight

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Unequal visual weight on either side, but those unequal visuals need to balance each other.

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Two objects close to each other that try to attract the viewer's attention to their differences.

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Using only one color in your photos.

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Depicting a visual image that does not have an immediate association with the object world

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Cool colors include green, blue, and purple, and variations of those three colors.

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Warm colors are those that tend to advance in space and can be overwhelming. Examples of warm colors include red, yellow and orange.

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Colors opposite one another on the color wheel.

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Neutral colors include black, white, gray, and sometimes brown and beige.

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Want to get the most out of your eAgentC website? Add The World's Most Popular Blogging Platform- WordPress to your website with just a few clicks.

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The process of dividing an image into thirds, using two horizontal and two vertical lines. ... When you position the most important elements of your image at these intersection points, you produce a much more natural image.

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lines that appear in a photograph that have been framed and positioned by the photographer to draw the viewer's eye towards a specific point of interest.

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The golden ratio is a composition guide. Some people call it the Fibonacci spiral, golden spiral, phi grid, divine proportion, or the golden mean. It helps to lead the viewer through the entire photo. The composition will be more pleasing and balanced for the human eye.

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The area surrounding the main subject in a photograph which is left unoccupied.

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Any part of the photo that jumps out from its surroundings.

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a light is placed behind or at right angles to an object, person, or scene to produce such effects as depth or separation of subject and background.

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Diffused light that which is not harsh and direct, it has been softened in some way.

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any form of light that the photographer did not add to their image, and can include both "natural" ambient sunlight, or "artificial" ambient light such as a nearby street light, lamp, or similar.

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the use of contrast in light and shading across an entire image composition. It is a technique that creates a three-dimensional quality in images on a two-dimensional plane.

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a view of an object or a scene consisting of the outline and a featureless interior, with the silhouetted object usually being black.

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an impersonal image not influenced by feelings, interpretations or prejudice.

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based on or influenced by personal feelings, tastes, or opinions.

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a critique which is constructive– it informs the photographer how to improve. ... You actually give the photographer useful information how to improve, and get better. You tell them what they can possibly do next time to avoid a mistake.

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the act of putting one's own name to another person's work and that can be writings, ideas or visual media.

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a “word, name, symbol, device, or any combination, used or intended to be used to identify and distinguish the goods/services of one seller or provider from those of others, and to indicate the source of the goods/services.”

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the principles that guide how we take and share photographs. Photography ethics are subjective, contextual, and fluid, meaning that every person's ethics will be different, because ethics are based on a person's life experience and values.

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Two images combined into a single frame or presented together

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a common style used in modern commercial artwork. The photographs are usually arranged with a plain border between them. The work may consist of separate images that are variants on a theme, or may be one larger image split into three.

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The smallest item of information in an image.

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The golden hour starts roughly one hour after sunrise and one hour before sunset. ... The golden hour's soft, warm, directional light makes it easier to shoot than the harsh light of a midday sun.

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The blue hour occurs twice each day. It refers to a period of time just before sunrise when the sky turns from a deep twilight to dark blue and then to light blue just before the Sun peeks above the horizon

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Image file formats are standardized means of organizing and storing digital images. An image file format may store data in an uncompressed format

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JPEG stands for “Joint Photographic Experts Group”. It's a standard image format for containing lossy and compressed image data. ... JPEG files can also contain high-quality image data with a lossless compression.

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A camera RAW image is an unprocessed photograph captured with a digital camera.

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Tagged Image File Format, abbreviated TIFF or TIF, is a computer file format for storing raster graphics images, popular among graphic artists, the publishing industry, and photographers.

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stands for Photoshop Document, is the default format that Photoshop uses for saving data. PSD is a proprietary file that allows the user to work with the images individual layers even after the file has been saved.

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a brownish tone imparted to a photograph, esp an early one such as a calotype.

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A shadow is a dark (real image) area where light from a light source is blocked by an opaque object. It occupies all of the three-dimensional volume behind an object with light in front of it.

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These are neither shadows or highlights but rather a middle value of luminance. Shadows – Darker areas of the image that still maintain detail. Blacks – Completely 'burnt out' portions of a photo that contains absolutely no detail.

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defined as the brightest area in a photo.

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process of editing the data captured by camera while taking the photo to enhance the image.

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A digital single-lens reflex camera is a digital camera that combines the optics and the mechanisms of a single-lens reflex camera with a digital imaging sensor.

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a set of data describing and providing information about rights and administration of an image. It allows information to be transported with an image file, in a way that can be understood by other software and human users.

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reduced-size versions of pictures or videos, used to help in recognizing and organizing them, serving the same role for images as a normal text index does for words.

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the absence of post-processing with an image editing program. The image is untouched, just what the photographer saw and the camera recorded.

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an image stabilization technology that minimizes blur caused by camera shake

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a long-duration shutter speed to sharply capture the stationary elements of images while blurring, smearing, or obscuring the moving elements.

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used to describe a way of filming something in which many photographs are taken over a long period of time and are shown quickly in a series so that a slow action appears to happen quickly.

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techniques of moving a light source while taking a long exposure photograph, either to illuminate a subject or space, or to shine light at the camera to 'draw', or by moving the camera itself

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swiveling a still or video camera horizontally from a fixed position.

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the size of the digital image the camera produces, and is usually expressed in terms of "megapixels" or how many million pixels it can record in a single image. ... More resolution means better quality - up to a point!

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standard feature on digital cameras that will automatically determine the correct exposure for pictures without any user input other than to select the AE option before taking a picture.

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the camera still sets the exposure for you. It chooses the correct aperture and shutter speed for the light available, so your shot is correctly exposed. Program mode also unlocks other functions that give you more creative control over your images.

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a setting on some cameras that allows the user to set a specific aperture value (f-number) while the camera selects a shutter speed to match it that will result in proper exposure based on the lighting conditions

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a setting on some cameras that allows the user to choose a specific shutter speed while the camera adjusts the aperture to ensure correct exposure.

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Manual mode requires the photographer to make all the decisions that determine an image's exposure, as opposed to an automatic or semi-automatic mode that makes at least some of the calls for the photography. Manual exposure gives the maximum amount of control to the photographer.

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scale is an arbitrary rating of film speed; that is, the sensitivity of the film to light.

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a sensor's (or film's) sensitivity to light.

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the random optical texture of processed photographic film due to the presence of small particles of a metallic silver, or dye clouds, developed from silver halide that have received enough photons.

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the commonly-used term to describe visual distortion. It looks similar to grain found in film photographs, but can also look like splotches of discoloration when it's really bad, and can ruin a photograph. Noise tends to get worse when you're shooting in low light

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a device that allows the camera to convert photons – that is, light – into electrical signals that can be interpreted by the device.

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Aperture refers to the opening of a lens's diaphragm through which light passes. It is calibrated in f/stops and is generally written as numbers such as 1.4, 2, 2.8, 4, 5.6, 8, 11 and 16.

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An f-stop is a camera setting that specifies the aperture of the lens on a particular photograph. It is represented using f-numbers.

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“the effect of a soft out-of-focus background that you get when shooting a subject, using a fast lens, at the widest aperture, such as f/2.8 or wider.” Simply put, bokeh is the pleasing or aesthetic quality of out-of-focus blur in a photograph.

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the distance between the nearest and the farthest objects that are in acceptably sharp focus in an image.

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Focal length, usually represented in millimeters (mm), is the basic description of a photographic lens. ... The longer the focal length, the narrower the angle of view and the higher the magnification. The shorter the focal length, the wider the angle of view and the lower the magnification.

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the length of time when the film or digital sensor inside the camera is exposed to light

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a momentary-action mode that holds shutters open for as long as a photographer depresses the shutter-release button.

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the purposeful streaking or blurring of an object in motion in a photo for visual effect.

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the act of accidentally shaking a cameraduring shooting due to unsteady hands, which results in blurry images.

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Both a tripod and monopod are accessories designed to support a camera — where the two differ are the legs. A tripod has three legs (that's the “tri”). A monopod is a camera support that has one leg

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a digital single-lens reflex camera with a 35 mm image sensor format.

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Advanced Photo System type-C is an image sensor format approximately equivalent in size to the Advanced Photo System film negative in its C format, of 25.1×16.7 mm, an aspect ratio of 3:2

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the ratio of the dimensions of a camera's imaging area compared to a reference format.

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A prime lens is a fixed focal length lens that does not allow you to zoom in or out. In short, the determined focal length of the lens is the distance between the point of convergence in your lens to the sensor or film in your camera.

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a long-focus lens that allows photographers to utilize a focal length that is in fact shorter than the lens' physical length.