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Panorama general.

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DEC _ Design Thinking 00 - Intro-20210921_163838-Grabación de la reunión

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Everything from everywhere

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Innovar. Colaborar

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DEC _ Design Thinking 01 - Los problemas malditos-20210921_165145-Grabación de la reunión

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Una aproximación relacional

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Etapas.

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DEC _ Design Thinking 02 - Etapas-20210921_170941-Grabación de la reunión

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Observación en diseño.

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Mood para innovar. Técnicas de ideación.

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DEC _ Design Thinking 03 _ Divergencia-20210921_174448-Grabación de la reunión

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Brainstorming. Analogías. Límite como punto de partida. Conexiones forzadas. Verbos de acción.

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Tipos de prototipos.

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DEC _ Design Thinking 04 _ Prototipar-20210921_181334-Grabación de la reunión

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Hágalo Ud. mismo

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A través de las experiencias. A través de las historias.

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DEC _ Design Thinking 05 _ Crear valor-20210921_182237-Grabación de la reunión

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What if. HMW. Storytelling

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“Delia y Edmundo son dos nenes. Andan, andan y ríen. Dos nenes, dos risas… ¡Qué linda es la risa de los nenes!”. 

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“Delia y Edmundo son dos nenes. Andan, andan y ríen. Dos nenes, dos risas… ¡Qué linda es la risa de los nenes!”. 

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Nana de mi abuela

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¡Hola! Mi nombre es Marcela Frias, soy mamá de dos nenes: Belu (18) y Nazareno (12) a quienes me propuse dejarles un mundo en mejores condiciones de las que yo lo encontré.

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Soy magister en desarrollo de proyectos de innovación; vengo del diseño gráfico y me especialicé en diseño estratégico. Amo enseñar: Los talleres de diseño me hicieron un lugar hace casi 25 años, las materias que dicto tienen que ver con el hacer, la morfología, la heurística, el lenguaje visual y el diseño gráfico. Sin embargo, del hacer me fui al pensar y hace 12 años comencé una investigación acerca de cómo pensamos los diseñadores y cómo ese pensamiento se ha transformado en lo que hoy conocemos como design thinking. Desde entonces soy embajadora de mi disciplina en ámbitos no diseño. Allí experimento y descubro en mí y en otros, nuevas formas de pensamientos que inspiran e intentan cambiar o mejorar nuestro estatus quo.

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En este módulo quiero contarte acerca del design thinking; mencionar algunos casos en los que la economía circular es la médula del proyecto; mostrarte algunas técnicas que utilizamos en el taller para pensar ideas diferentes y; dejarte unas cuantas preguntas para impulsar innovación en el proyecto de la diplomatura. Para ello, dividí la charla en pequeñas porciones que irán decantando -supongo- a medida que transites todas las asignaturas.

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An exploration into the outer reaches of scent

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FRAGRANCE LAB - An exploration into the outer reaches of scent

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Can the essence of a person be captured in a scent? That is the question Selfridges will answer in May, when it launches an immersive fragrance experience in partnership with trend forecasting consultancy The Future Laboratory, international design studio Campaign and perfumers from Givaudan.

In residence at the prestigious Concept Store in Selfridges from 1 May, Fragrance Lab will take visitors on a multi-sensory journey leading to a personalised perfume crafted by Givaudan. ‘It’s an exploration that helps you to discover the essence of yourself and imagine how your personality, your mindset, your preferences, your behaviour could be distilled into a scent,’ says Chris Sanderson, CEO of The Future Laboratory.

A profile of each guest will be created as guests venture through a series of interactive areas. ‘It is possible to select the design packaging as well as the fragrance that is absolutely right for them,’ says Sanderson. During the experience, guests will also have the opportunity to explore Selfridges’ renowned windows, a first in the store’s 105-year history.

Fragrance Lab will launch as part of Selfridges’ Beauty Project, a six-week event which Selfridges describes as an ‘exploration of the definition of beauty and what it means in today’s society’. The project will encompass talks, workshops and in-store services centred around six key themes, including Men and Beauty, Age and Beauty, and Androgyny and Natural Beauty.

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Design Thinking: ¿Pueden las empresas pensar como diseñadores?

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Design Thinking: ¿Pueden las empresas pensar como diseñadores?

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Esa publicación recopila mis experiencias impartiendo la metodología en los talleres de diseño y en el posgrado

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Design Thinking para la innovación en los negocios

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Design Thinking para la innovación en los negocios

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Del estudio MJV

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La economía circular en 4 minutos - Pixtin

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Centro de investigación educativa

En la intersección del diseño, la ciencia y la tecnología, buscamos desarrollar materiales biofabricados, bioinspirados y responsivos.

Sistemas Materiales (@sistemasmateriales) • Fotos y videos de Instagram

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@sistemasmateriales
@somoslabva
recomendamos: Documental Fantastic Fungi
Biodesign Challenge!

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Circular economy / Climate Change / Energy / etc.

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A Venture Studio That Builds to Launch

Through venture design sprints, residencies, and special events, CoLab helps you incubate, accelerate, and launch ventures. We builds alongside leading founders, early stage startups, and corporate innovators to move new concepts toward market.

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Through venture design sprints, residencies, and special events, CoLab helps you incubate, accelerate, and launch ventures. We builds alongside leading founders, early stage startups, and corporate innovators to move new concepts toward market.

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Adidas has started a public trial of its endlessly recyclable UltraBOOST DNA LOOP trainer, created as part of the sportswear company's drive to conform to the principles of the circular economy.

The UltraBOOST DNA LOOP trainers have been designed by Adidas so that they can be recycled at the end of their life and remade into new trainers.

The trainers will now be tested by 1,500 runners to determine how the company's Made to be Remade system of selling and returning will be launched commercially next year.

"We believe we have to design the product of the future now - but we can't get there alone," said James Carnes, vice president of brand strategy at Adidas.

"Through this release, we hope to learn more about how to include the most important element of the process - behaviour - to shape how we reuse these materials in an endless loop as part of Adidas's wider commitment to end plastic waste."

"Importantly, the whole concept of 'Made to be Remade' will only work if we can complete the loop, and we don't control every part of that process," continued Carnes.

"The return of the shoes is the most crucial factor in making this a success so the specially created digital experience for this release is designed to test and refine the process we have before we take this out to the wider world."

Each UltraBOOST DNA LOOP trainer is entirely made from one material - thermoplastic polyurethane (TPU) - and is assembled using heat rather than glue.

This means that they can be returned to Adidas once they are worn out and remade into new trainers. Adidas first trialled the trainers in 2019 and this public trial, which is open to its Creators Club members, will focus on how the commercial launch will work.

"In April 2019, 200 runners around the world were involved in the first, closed trial of the process, taking possession of Gen 1 UltraBOOST DNA LOOP running shoes, wearing them and then returning them to Adidas to be reborn," said Carnes.

"In November 2019, the first Gen 2 UltraBOOST DNA LOOP running shoes were produced and included material recycled from the Gen 1 pairs," continued Carnes.

"Again, the 200 runners were asked to put the shoe through its paces to provide feedback that would help get Adidas ready to take the revolutionary concept to a wider audience."

"The shoes we received back from our creators from Gen 2 will then be used to make components for shoes set to be released in 2021."

Adidas created the shoes as part of a push toward reducing its environmental impact and moving towards circular design principles.

"Our ambition is to end plastic waste. Through our three-loop strategy, we want to make sure that more and more of the products we create are either made with recycled material, made to be remade or made with natural materials," said Carnes.

"The biggest impact on our environmental footprint comes from the materials that we use in our products. We need to make sure that these materials are kept in play as long as possible and reused to make new products."

Although with the UltraBOOST DNA LOOP trainer Adidas is aiming to create a product that works in a closed-loop, Carnes acknowledges that to create products that fully take advantage of the circular economy will require buy-in from many people.

"We won't make circularity happen alone," he said.

"The industry must adapt to the needs of the circular economy. Recycling capabilities must be developed and scaled. Governments must design policies that incentivize post-consumer waste to flow back into the supply chain," he continued.

"And consumers must adapt their behaviour so that eventually no product ends up in landfill. None of these are simple measures and none of them will have their impact seen overnight but we are committed to this."

EC president announces "new European Bauhaus" to help Europe move to a circular economy

Last year Dharan Kirupanantham, an eco-innovation programme leader at Adidas, told Dezeen that the circular economy "is the solution" for brands looking to achieve business success while protecting the planet.

"We don't see it any other way," said Kirupanantham at the annual summit of circular-economy advocate the Ellen MacArthur Foundation, where he presented the Futurecraft Loop concept.

"This is not just good for the planet; this is good for business," he said.

Adidas' has previously collaborated with Parley for the Oceans to incorporate recycled plastic into its products. These collaborations include creating trainers from recycled plastic and swimwear from upcycled fishing nets.

Pandemic an opportunity to "accelerate the shift" towards circular economy says IKEA head of circular design

The sportswear brand is one of a growing number of companies striving towards circularity.

These include furniture company IKEA, which is aiming to become a circular business by 2030. In a recent interview, the company's head of circular design said that the current coronavirus pandemic was an opportunity to "accelerate the shift" towards a circular economy.

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Adidas begins mass trial of circular economy trainer

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Adidas has started a public trial of its endlessly recyclable UltraBOOST DNA LOOP trainer, created as part of the sportswear company's drive to conform to the principles of the circular economy. The UltraBOOST DNA LOOP trainers have been designed by Adidas so that they can be recycled at the end of their life and remade into new trainers.

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A pop-up restaurant that is built from recycled food packaging and that composts all of its leftovers has been set up at the WantedDesign Manhattan fair.

Commissioned by the Finnish Cultural Institute in New York, Zero Waste Bistro is open for four days to coincide with the NYCxDesign festival.

The temporary eatery builds on the concept created by Helsinki's Restaurant Nolla, billed as the "first zero-waste restaurant in the Nordic region".

Among its aims are to use foods that would typically be discarded, and to reject packaging from supplier, while working with designers, engineers and architects to rethink waste management and water efficiency.

"Our dishes at Zero Waste Bistro in New York will be comprised of local and organic ingredients as well as commonly overlooked byproducts of our food system," said chef Luka Balac in a statement.

"With a strong focus on sustainability, our menu has emerged from creative thinking and the desire to produce something delicious and authentic out of local ingredients that are often ignored."

The team are serving these dishes at the installation, which is co-curated by Finnish designers Harri Koskinen and Linda Bergroth.

Bergroth is also responsible for the design of the space, for which she looked to her country's design heritage and its current innovations.

"Finland is really known for its classic design; consumer products, furniture," Bergroth told Dezeen. "But lately it's been more about material innovations. Sustainable food packaging... biodegradable solutions."

To build the restaurant, she chose panels made from recycled Tetra Pak - a packaging material commonly used for milk cartons.

The panels are fabricated in batches by ReWall in Iowa, and take their colour from whichever products are processed at the time.

In this case, the surfaces have a mottled silver-blue tone from afar, while the text and barcodes from the packaging are visible when looked at up close.

Plastic furniture made from old toys introduces kids to the circular economy

The structure forms a long, narrow space, with arches over the table that runs down the middle. "Because it's a four-day event, I wanted to do something that's visual, fun," said Bergroth. "This tunnel space creates a nice intimate dining experience, and nice acoustics."

She also created a set of speckled trays using Durat - a solid-surface material from a Finnish company of the same name, which is made from recycled plastics and is itself fully recyclable.

Bergorth's collection, which is debuting at WantedDesign, is being used to serve the food and decorate the table for the four-day event.

The Finnish Design Shop provided furniture and lighting from some of the country's best-known brands: the dining stools are by Artek and the pendant lamps above the table are from Iittala.

These were chosen to demonstrate the importance of buying products that will last for many years, rather than items that will break or be tossed after a short time.

The concept as a whole provides an example of a circular economy, in which resources are kept and reused for as long as possible, compared to a linear economy where materials and products are made, used and then thrown away.

"It's time to rethink the way we live, the way we eat and the materials we use," said Kaarina Gould, executive director of the Finnish Cultural Institute. "With Zero Waste Bistro, we're proposing a future that reduces waste and helps to regenerate our natural environment, making it liveable for generations to come; a future that's already here if we make the right choices."

Zero Waste Bistro has been serving five-course meals to groups of 30 at a time since WantedDesign Manhattan opened on 19 May 2018. The exhibition at Terminal Stores in Chelsea runs until 22 May 2018.

WantedDesign is also hosting a showcase at Brooklyn's Industry City, where artist Camille Walala has covered a building in colourful Memphis-style graphics, until 21 May 2018. Both exhibitions form part of NYCxDesign, which runs from 11 to 23 May 2018.

Photography is by Nicholas Calcott.

"It makes you a bad designer if you make something that can't be recycled" says Cupclub founder

Project credits:
Commissioned by: The Finnish Cultural Institute in New York
Curators: Harri Koskinen and Linda Bergroth
Design: Linda Bergroth
Food concept: Restaurant Nolla, Helsinki

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Zero Waste Bistro installation provides circular-economy model at WantedDesign

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A pop-up restaurant that is built from recycled food packaging and that composts all of its leftovers has been set up at the WantedDesign Manhattan fair. Commissioned by the Finnish Cultural Institute in New York, Zero Waste Bistro is open for four days to coincide with the NYCxDesign festival.

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"Circular cellulose"

Cellulose is the most abundant organic polymer in the world. It is what makes up the cell walls of most plants and trees. The purest cellulose found in nature is cotton.

Circulose® is a branded dissolving pulp that Renewcell makes from 100% textile waste with high cellulose content, such as worn-out cotton jeans and cotton production scraps.

Dissolving pulp cellulose is used to make viscose, lyocell, modal, acetate other types of regenerated fibers (also called man-made cellulosic fibers). These fibers are then spun into yarns, woven or knitted into fabrics and finally cut and sewn into new high-quality textile products.

The only difference with Circulose® is that they are made from textile waste instead of new cotton, oil or wood.

A circular ingredient brand

The Circulose® brand is a registered trademark owned by Renewcell. It functions as an 'ingredient brand' that helps people find virgin-quality textile products made from recycled textiles. Using the Circulose® trademark is an effective way of sharing the circular story behind clothes that you could never tell are recycled.

We offer brands and partners the use of the Circulose® trademark and branded visual assets on products made with the material under a conditional royalty-free license.

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Renewcell is an award-winning textile-to-textile recycling company based in Sweden.

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A four-metre-tall column of disparate geometric forms, ' Power tower' was constructed as a stainless-steel framework, incorporating triangular panels of plywood and handblown, coloured glass in an intuitive, yet symmetric, manner. Light bulbs mounted at intervals along the length of the column illuminate it from within, casting variegated, angular shadows around the surrounding space. The geometric forms that make up the work were arrived at intuitively through playing with a children's toy, known as Zometools, a construction set that consists of struts and nodes that allow great flexibility in creating geometric forms.⁠

While the panels of plywood indicate the faces of the polyhedrons, the panes of coloured glass are embedded within the structure, sketching out a multicoloured core. The tones progress from purple at the floor through the major colours of the visible spectrum - red, orange, yellow, green, cyan, and blue at the apex.⁠
⁠
Image: 'Power tower', 2005/2023; previously shown in 'The curious desert', in National Museum of Qatar, Doha, Qatar, 2023 (photo: Anders Sune Berg).⁠

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Official website of Olafur Eliasson and his studio: Studio Olafur Eliasson

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Studio Olafur Eliasson GmbH
Christinenstrasse 18/19, Haus 2
10119 Berlin

Director
Olafur Eliasson

Contact
studio@olafureliasson.net
+49 30 2000 391 50

VAT ID: DE 247257125
Tax No.: 37/415/21533
Commercial registry: HRB 99366
Registration office: Amtsgericht Charlottenburg

The copyright for published objects developed by Studio Olafur Eliasson GmbH itself remains only with Studio Olafur Eliasson GmbH. The use or sharing of such images, audio features, video sequences, and texts in other electronic or printed publications is permitted for all non-commercial purposes.

Studio Olafur Eliasson GmbH explicitly reserves the right to alter, supplement, or delete parts or the whole of the website's content, or to temporarily or completely discontinue publication without further notice.

Studio Olafur Eliasson GmbH has no influence whatsoever on content offered through direct or indirect links to other web providers and pages and does not endorse any of this content - with the exception of the content on social media profiles administered by Studio Olafur Eliasson GmbH.

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Studio Olafur Eliasson GmbH Christinenstrasse 18/19, Haus 2 10119 Berlin Director Olafur Eliasson Contact studio@olafureliasson.net +49 30 2000 391 50 VAT ID: DE 247257125 Tax No.: 37/415/21533 Commercial registry: HRB 99366 Registration office: Amtsgericht Charlottenburg The copyright for published objects developed by Studio Olafur Eliasson GmbH itself remains only with Studio Olafur Eliasson GmbH.

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Investigación etnográfica

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Future Archeology is Paula Zuccotti’s first documentary feature film based on her book “Every Thing We Touch”. Can our objects tell the story of our lives? The film challenges us to imagine how future generations would make sense of our physical footprint from the objects we touch. 

For this, Zuccotti embarked on a quest to create a time capsule of our lives by photographing in a single-shot all the objects that people come in contact with over a 24 hour period. 

From a cowboy in Arizona to a nun in Madrid, from a one month old baby in London to a 71 years old puppeteer in Shanghai, she travelled the world exploring our interaction with everyday objects, treating them as clues that reveal insights into how we live our daily lives. As an industrial designer, ethnographer, trend forecaster and artist, Zuccotti’s story blends the fields of design, society, technology, anthropology and art. Camera in hand, her film is a visual feast of objects, people and culture unveiling her learnings and the experiences of those who participated.


Directed and produced by Paula Zuccotti
Camera: Tom Underwood, Josh Wasserman, Paula Zuccotti
Editors: Tom Underwood, Josh Wasserman, Paula Zuccotti
Writer: Paula Zuccotti
Executive producer: Paula Zuccotti
Photography: Paula Zuccotti
Film poster, logo and typography: Jake Noakes

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IDEO U From Ideas To Action. Taste of the Learning Experience. PillPack

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Get a little taste of the IDEO U learning experience inside our "From Ideas to Action" Course. Here you'll see an activity called Show me your prototype. And you'll learn a little bit more about how prototypes helped us communicate about the innovative PillPack healthcare experience.

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IDEO partner Brendan Boyle shows you how a team at IDEO prototyped a traditional football, and used early failures to get to a big breakthrough.

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Prototyping a service is easier than you think

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IDEO partner Melanie Bell-Mayeda walks through one quick way to prototype a service (even one that has digital components) with a little ingenuity, a few people, and NOT a lot of money. Role-playing a service is a great way to test out new ideas. Watch to learn more.

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Moradas Infantis Canuanã - Fundação Bradesco

Moradia para 540 crianças e adolescentes na Escola-fazendade Canuanã noTocantins. O projeto recebeu diversos prêmios, entre eles o RIBA (Royal Institute of British Architects) em 2018.

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Moradia para 540 crianças e adolescentes na Escola-fazendade Canuanã noTocantins. O projeto recebeu diversos prêmios, entre eles o RIBA (Royal Institute of British Architects) em 2018.

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Cuando te encuentres de camino a Ítaca,
desea que sea largo el camino,
lleno de aventuras, lleno de conocimientos.
A los lestrigones y a los cíclopes,
al enojado Poseidón no temas,
tales en tu camino nunca encontrarás,
si mantienes tu pensamiento elevado, y selecta
emoción tu espíritu y tu cuerpo tienta.
A los lestrigones y a los cíclopes,
al fiero Poseidón no encontrarás,
si no los llevas dentro de tu alma,
si tu alma no los coloca ante ti.

Desea que sea largo el camino.
Que sean muchas las mañanas estivales
en que con qué alegría, con qué gozo
arribes a puertos nunca antes vistos,
detente en los emporios fenicios,
y adquiere mercancías preciosas,
nácares y corales, ámbar y ébano,
y perfumes sensuales de todo tipo,
cuántos más perfumes sensuales puedas,
ve a ciudades de Egipto, a muchas,
aprende y aprende de los instruidos.

Ten siempre en tu mente a Ítaca.
La llegada allí es tu destino.
Pero no apresures tu viaje en absoluto.
Mejor que dure muchos años,
y ya anciano recales en la isla,
rico con cuanto ganaste en el camino,
sin esperar que te dé riquezas Ítaca.

Ítaca te dio el bello viaje.
Sin ella no habrías emprendido el camino.
Pero no tiene más que darte.

Y si pobre la encuentras, Ítaca no te engañó.
Así sabio como te hiciste, con tanta experiencia,
comprenderás ya qué significan las Ítacas.

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Ítaca. Constantino Cavafis

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Duración: 2m 35s

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For over 40 years, we have partnered with organizations to design and build what's next; build creative capabilities; and develop and implement strategies that drive businesses forward.

Whatever challenge your organization might face, you don't have to solve it alone. Let's talk about the future you're here to make-and then let's make it.

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IDEO | Global Design & Innovation Company

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Leading Global Design & Innovation Firm Transforming Businesses. IDEO's Mission: to Create a Sustainable, Equitable & Prosperous Future.

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"story of stuff" "annie leonard" "environmental nonprofit" "plastic pollution" consumerism "environmental activist"

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The Story of Stuff Project is a nonprofit organization working to transform the way we make, use, and throw away Stuff so that it is better for people and the planet.