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Showrunners get the wonderful choice of picking their main cast and who they get to portray their art. They also get to feel the pressure and fear of casting a representative cast, and then it failing. Walking the tightrope of representation is a hard task.

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Having a hit show that knocks it out of the park is wonderful! But it also sets a standard for your work and what you do. So as a showrunner you gotta focus and think about what your next idea is going to be and what it is going to be next. So you don't just get defined by one thing, but defined as a great showrunner as a whole. No one hit wonders here!

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Sometimes a showrunner's taste isn't the same as viewer's taste. Of course, it is depressing to put your heart into a show and then it fail, but you also get to get the experience and pick yourself back up. You can't take it to heart.
You fail every thing you don't pitch anyway, so pitch away.

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The internet is a great way to get reviews and seeing what everyone thinks of your show and ideas. However, you've gotta remember not to take everything at face value. Sometimes people don't know what they actually want until they see it on the screen.

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Show Runners have to sell themselves. They have to have a brand and a good image and be able to sell themselves and their ideas. Branding online is a super good look, so they're not just faceless.

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A lot of showrunner's step up and direct their own pilots. It makes sense since they've been writing it. So, it's good to be a double threat!

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If you're a showrunner/ a writer, you've got to remember that your idea is great, but an actor is the face of your brand and idea. So, you have to be careful who you work with and work for. A main character face isn't very easily replaceable.

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Ratings sell your show. Networks invest in your stories because of how many eyeballs get to see it and want to see it. Shows get cancelled if they're not watchable, so go into it expecting the worst. Gotta crack some eggs!

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Being a showrunner/ writer isn't good enough to just have a good idea. You've got so many networks of people to work with. The writer family, the executives, the voice actors, the animators. There's so much grind in the build up and so many people involved.

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Cable television screenwriters get significantly less money than network television writers, but they get much more freedom than network writers. Executives get more involved and more into the pilot for the network than cable. It's something to just consider when applying for jobs.

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Comparing them to try and figure out which is better isn't the way to go. Writers usually like to write what they like to watch. Like life is procedualized, but some writers love to escape to procedualized type of writing. Though as long as it's read well and great, it can be a good mix of both or either or.

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Speaking out against executives just for the sake of being stubborn will get you not very far, you've gotta try your best to be a company man in a group production like a television show.

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No matter if you want it to or not, the life you live will always seep into the kind of writing that you do.

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Each episode you write gets harder and harder because that's one less story you can tell because you've already told it.

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It feels like no matter how many blocks you overcome, the next block you get to always feels like the worst one yet.

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Having five seasons pre-written in a year by yourself is just as bad as having a single great pilot with no idea for the future.

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It's good to focus on the fact that your name won't be on every script, and that your idea is being put into a family of writers, who are also each going to put a piece of their heart into it. It's good to be able to change and mold.

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You can't look at a show individually and try to make every single episode the best episode ever. You'll be exhausted and disappointed. It's good to look at the show as a whole and see the overall seasons with the ups and downs of the whole thing.

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Tv shows don't get whole treatments like films do. They get pilot episodes which are 10-30 minute instances that set the pacing and characters of the show.