# data[].attributes.body
·         No more art “capitals”

·         Interactive art

·         Installations

·         Art as political statement

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·         Issues of taste, kitsch, low art vs. fine art

·         Art as an object to be bought and sold, art that is not “made” by the artist

·         Idea of fragility of life

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·         Anti-elitist

·         Taking art to the masses

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·         A return to emotion after the detachment of Minimalism

·         A return to seeking influence from the past

·         A return to expressing contemporary issues

·         For many Germans, a time of confronting and coming to terms with the Nazi past (Baselitz, Kiefer, Richter)

·         For many, a reaction to corporate, capitalist culture (Polke, Longo)

·         Pluralism of styles vs. a logical order (Richter)

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Art that emerges after the Modernist movement that dominated the first half of the century, and in many ways opposite to the ideals of Modernism; characterized by:

·         Post-structuralism (the denial of fixed rules in forms or structures)

·         A return to ornament and embellishment

·         A reintroduction of historical references (beginning in architecture)

·         An interest in sense of place and local interests (vs. international style)

·         Appropriation as a deconstruction of the modernist myth of genius and of authoritarian control

·         Irony and skepticism

·         Emphasis on multiculturalism

·         Pluralism of styles vs. a logical order

·         Emphasis on collaboration vs. individual genius

·         A denial of fixed truths

·         Extension of Modernism, since it continues to question rules of the past

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Post-Minimalist Painting, Photorealism, and Pattern & Decoration

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Post-Minimalist Painting, Photorealism, and Pattern & Decoration

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·         Representational art re-emerges, but often with an emphasis on formal qualities and lack of narrative (Diebenkorn, Katz, Celmins)

·         Photorealism emerges as an extreme response to non-objective and Minimalist art; also as a response to photography

·         Re-emergence of symbolism (Flack)

·         Pattern & Decoration emerges as both a response to Minimalism and its lack of embellishment and as a homage to women’s art mediums of the past

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Yayoi Kusama, A Dream I Dreamed, 2014

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Jaune Quick-To-See Smith, Trade (Gifts for Trading Land with White People), 1992

# data[].attributes.attachment_link.title
Jaune Quick-To-See Smith, Trade (Gifts for Trading Land with White People), 1992

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Pepon Osorio, La Cama (The Bed), 1987

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El Anatsui. Dzesi II. 2006

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Damien Hirst, The Physical Impossibility of Death in the Mind of Someone Living, 1991/2006

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Damien Hirst, The Physical Impossibility of Death in the Mind of Someone Living, 1991

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Jeff Koons

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Jeff Koons, Michael Jackson and Bubbles, 1988

# data[].attributes.attachment_link.title
Jeff Koons, Michael Jackson and Bubbles, 1988

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Jean-Michel Basquiat, Horn Players, 1983

# data[].attributes.attachment_link.title
Jean-Michel Basquiat, Horn Players, 1983

# data[].attributes.body
Keith Haring, One-Man Show, 1982

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Elizabeth Murray, Art Part, 1981

# data[].attributes.body
Robert Longo, Untitled (Men in the Cities Series), 1981

# data[].attributes.attachment_link.title
Robert Longo, Untitled (Men in the Cities Series), 1981

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Julian Schnabel, The Sea, 1981

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Sigmar Polke, Watchtower, 1984

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Ai Weiwei, Kui Hua Zi (Sunflower Seeds), 2010

# data[].attributes.attachment_link.title
Ai Weiwei, Kui Hua Zi (Sunflower Seeds), 2010

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Gerhard Richter, Betty, 1988

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Anselm Kiefer, Shulamite, 1983

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Georg Baselitz, The Brücke Choir, 1983

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Sandro Chia, The Idleness of Sisyphus, 1981

# data[].attributes.attachment_link.title
Sandro Chia, The Idleness of Sisyphus, 1981

# data[].attributes.body
Cindy Sherman, Untitled Film Still #35, 1979 (or any other work from this series)

# data[].attributes.attachment_link.title
Cindy Sherman, Untitled Film Still #35, 1979 (or any other work from this series)

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Allan McCollum, 20 Plaster Surrogates, 1982-85

# data[].attributes.attachment_link.title
Allan McCollum, 20 Plaster Surrogates, 1982-85

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Barbara Kruger. Untitled (We Won’t Play Nature to Your Culture). 1983

# data[].attributes.attachment_link.title
Barbara Kruger. Untitled (We Won’t Play Nature to Your Culture). 1983

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Barbara Kruger, Untitled (Your Gaze Hits the Side of My Face), 1981 (Appropriation)

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Barbara Kruger, Untitled (Your Gaze Hits the Side of My Face), 1981 (Appropriation)

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Sherrie Levine, After Piet Mondrian, 1983 (Appropriation)

# data[].attributes.attachment_link.title
Sherrie Levine, After Piet Mondrian, 1983 (Appropriation)

# data[].attributes.body
Michael Graves, Public Services Building, Portland, Oregon. 1980-82

# data[].attributes.attachment_link.title
Michael Graves, Public Services Building, Portland, Oregon. 1980-82

# data[].attributes.body
Philip Johnson and John Burgee, AT&T Headquarters Building, NYC. 1978-83

# data[].attributes.attachment_link.title
Philip Johnson and John Burgee, AT&T Headquarters Building, NYC. 1978-83

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Miriam Shapiro, Black Bolero, 1980

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Duane Hanson, Tourists, 1970

# data[].attributes.body
Vija Celmins, Untitled (Big Sea #2), 1969

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Vija Celmins, Untitled (Big Sea #2), 1969

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Audrey Flack, Wheel of Fortune, 1977-78

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Chuck Close, Linda, 1975-76

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Jennifer Bartlett, Rhapsody, 1975-76

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Alex Katz, The Red Band, 1978

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Fairfield Porter, Under the Elms, 1971-72

# data[].attributes.attachment_link.title
Fairfield Porter, Under the Elms, 1971-72

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Alice Neel, Dana Gordon, 1972

# data[].attributes.body
Richard Diebenkorn, Man and Woman in Large Room, 1957

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Richard Diebenkorn, Man and Woman in Large Room, 1957

# data[].attributes.body
Ellsworth Kelly.

Red Blue Green

. 1963

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Ellsworth Kelly,

Orange and Green

, 1966

# data[].attributes.body
Frank Stella.

Empress of India

. 1965

# data[].attributes.body
Frank Stella,

Jasper’s Dilemma,

1962-63

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Morris Louis, Kaf, 1959-60

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Helen Frankenthaler,

Interior Landscape, 1964

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Helen Frankenthaler, Interior Landscape, 1964

# data[].attributes.body
Sister Corita Kent,

Enriched Bread, 1965

# data[].attributes.attachment_link.title
Sister Corita Kent, Enriched Bread, 1965

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David Hockney,

A Bigger Splash, 1967

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Wayne Thiebaud, Pie Counter, 1963

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Robert Indiana, LOVE, 1972

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James Rosenquist,

Portion of F-111, 1965

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James Rosenquist, Portion of F-111, 1965

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Andy Warhol, Gold Marilyn Monroe,1962

# data[].attributes.body
Andy Warhol. Campbell’s Soup Cans. 1961–64

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Andy Warhol. Campbell’s Soup Cans. 1961–64

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Roy Lichtenstein,

Drowning Girl. 1963

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Roy Lichtenstein, Whaam!, 1963

# data[].attributes.body
Claes Oldenburg, Soft Toilet, 1966

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Claes Oldenburg, Floor Cake (Giant Piece of Cake), 1962

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Claes Oldenburg, Floor Cake (Giant Piece of Cake), 1962

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George Segal. The Gas Station 1963

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Jasper Johns, Target with Plaster Casts, 1955

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Jasper Johns, Target with Plaster Casts, 1955

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Jasper Johns. Three Flags. 1958

# data[].attributes.body
Robert Rauschenberg.

Odalisk. 1955–58

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Robert Rauschenberg,

Bed, 1955

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Diego Rivera, Calla Lilly Vendor, 1942

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Frida Kahlo, The Two Fridas, 1939

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Frida Kahlo, Frieda and Diego Rivera, 1931

# data[].attributes.attachment_link.title
Frida Kahlo, Frieda and Diego Rivera, 1931

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Norman Rockwell, Rosie the Riveter, 1943

# data[].attributes.attachment_link.title
Norman Rockwell, Rosie the Riveter, 1943

# data[].attributes.body
Dorothea Lange,

Migrant Mother, California. 1936

# data[].attributes.attachment_link.title
Dorothea Lange, Migrant Mother, California. 1936

# data[].attributes.body
Edward Hopper,

Early Sunday Morning

, 1930

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Edward Hopper, Early Sunday Morning, 1930

# data[].attributes.body
Jacob Lawrence,

Migration

of the Negro

series, 1940-41

# data[].attributes.attachment_link.title
Jacob Lawrence, Migration of the Negro series, 1940-41

# data[].attributes.body
Aaron Douglas,

Aspiration

, 1936

# data[].attributes.body
Thomas Hart Benton,

City Building

, from the mural series

America Today

, 1930

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Thomas Hart Benton, City Building, from the mural series America Today, 1930

# data[].attributes.body
Alexander Calder.

Lobster Trap and Fish Tail. 1939

# data[].attributes.attachment_link.title
Alexander Calder. Lobster Trap and Fish Tail. 1939

# data[].attributes.body
Stuart Davis,

Hot Still-Scape for Six Colors - 7th Avenue Style

. 1940

# data[].attributes.attachment_link.title
Stuart Davis, Hot Still-Scape for Six Colors - 7th Avenue Style. 1940

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Georgia O’Keeffe,

Radiator Building—Night, New York, 1927

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Georgia O’Keeffe, Radiator Building—Night, New York, 1927

# data[].attributes.body
Alfred Stieglitz,

The Steerage

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Marsden Hartley,

Portrait of a German Officer, 1914

# data[].attributes.attachment_link.title
Marsden Hartley, Portrait of a German Officer, 1914

# data[].attributes.body
Charles Demuth,

I Saw the Figure 5 in Gold

, 1928

# data[].attributes.attachment_link.title
Charles Demuth, I Saw the Figure 5 in Gold, 1928

# data[].attributes.body
Charles Demuth,

My Egypt, 1927

# data[].attributes.body
Henry Ossawa Tanner,

Angels Appearing Before the Shepherds

, c. 1910

# data[].attributes.attachment_link.title
Henry Ossawa Tanner, Angels Appearing Before the Shepherds, c. 1910

# data[].attributes.body
George Bellows,

Pennsylvania

Station Excavation

, 1908

# data[].attributes.attachment_link.title
George Bellows, Pennsylvania Station Excavation, 1908

# data[].attributes.body
Key Ideas: Surrealism

Exploration of the subconscious mind

Dream images

Randomness related to dream states

Juxtaposition of unrelated objects

Stream of consciousness

Chance, irrationality

The collective unconscious

Reactions to war

Both naturalistic and non-objective forms

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the assemblage of found materials intended to create a new form of "disagreeable" beauty, is another genre in which Calder demonstrated tremendous ingenuity and from which he ultimately derived the idea for the mobile.

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the performance of actions without conscious thought or intention.

"diabetic patients who commit crimes while hypoglycemic may be able to plead automatism"

an action performed unconsciously or involuntarily.

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Biomorphic forms or images are ones that while abstract nevertheless refer to, or evoke, living forms such as plants and the human body

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the process of transferring designs from prepared paper on to glass or porcelain.

a technique used by some surrealist artists which involves pressing paint between sheets of paper.

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Pablo Picasso. Guernica. 1937

# data[].attributes.body
Pablo Picasso,

Girl Before a Mirror

, 1932

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Pablo Picasso, Girl Before a Mirror, 1932

# data[].attributes.body
Leonora Carrington,

Self-Portrait (The White Horse Inn),

1936-37

# data[].attributes.attachment_link.title
Leonora Carrington, Self-Portrait (The White Horse Inn), 1936-37

# data[].attributes.body
Dorothea Tanning,

Some Roses and Their Phantoms, 1952

# data[].attributes.attachment_link.title
Dorothea Tanning, Some Roses and Their Phantoms, 1952

# data[].attributes.body
Meret Oppenheim.

Object (Luncheon in Fur)

. 1936

# data[].attributes.attachment_link.title
Meret Oppenheim. Object (Luncheon in Fur). 1936

# data[].attributes.body
René Magritte,

The Human Condition, 1933

# data[].attributes.attachment_link.title
René Magritte, The Human Condition, 1933

# data[].attributes.body
René Magritte,

The False Mirror, 1928

# data[].attributes.body
René Magritte,

The Treachery of Images, 1928-29

# data[].attributes.attachment_link.title
René Magritte, The Treachery of Images, 1928-29

# data[].attributes.body
Salvador Dalí,

Soft Construction with Boiled Beans, 1936

# data[].attributes.attachment_link.title
Salvador Dalí, Soft Construction with Boiled Beans, 1936

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Salvador Dalí. The Persistence of Memory. 1931

# data[].attributes.attachment_link.title
Salvador Dalí. The Persistence of Memory. 1931

# data[].attributes.body
Salvador Dalí,

Accommodations of Desire, 1929

# data[].attributes.attachment_link.title
Salvador Dalí, Accommodations of Desire, 1929

# data[].attributes.body
Yves Tanguy,

Mama, Papa is Wounded

, 1927

# data[].attributes.attachment_link.title
Yves Tanguy, Mama, Papa is Wounded, 1927

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Andre Masson, Pasiphaë, 1943