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A category of artistic composition, as in music or literature, characterized by similarities in form, style, or subject matter.

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35mm film is a film gauge used in filmmaking, and the film standard.

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A twin-lens reflex camera is a type of camera with two objective lenses of the same focal length. One of the lenses is the photographic objective or "taking lens", while the other is used for the viewfinder system, which is usually viewed from above at waist level.

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Large format refers to any imaging format of 9×12 cm or larger.

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The gelatin silver process is the most commonly used chemical process in black-and-white photography, and is the fundamental chemical process for modern analog color photography.

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A keeper or custodian of a museum or other collection.

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A public display of works of art or items of interest, held in an art gallery or museum or at a trade fair.

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The act of providing something with a frame.

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A room or building for the display or sale of works of art.

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The exclusive legal right, given to an originator or an assignee to print, publish, perform, film, or record literary, artistic, or musical material, and to authorize others to do the same.

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A mark or stroke long in proportion to its breadth, made with a pen, pencil, tool, etc.

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The external form, contours, or outline of someone or something.

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The property possessed by an object of producing different sensations on the eye as a result of the way the object reflects or emits light.

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The visible shape or configuration of something.

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The feel, appearance, or consistency of a surface or substance.

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How light or dark a given color or hue can be.

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A continuous area or expanse which is free, available, or unoccupied.

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The distribution of the visual weight of objects, colors, texture, and space.

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The use of several elements of design to hold the viewer’s attention and to guide the viewer’s eye through and around the work of art.

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The repeating of an object or symbol all over the work of art.

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The feeling of unity created when all parts (sizes, amounts, or number) relate well with each other.

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The path the viewer’s eye takes through the work of art, often to focal areas.

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The feeling of harmony between all parts of the work of art, which creates a sense of completeness.

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The part of the design that catches the viewer’s attention.

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Symmetry around a central axis, as in a starfish or a tulip flower.

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Made up of exactly similar parts facing each other or around an axis; showing symmetry.

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Having parts that fail to correspond to one another in shape, size, or arrangement; lacking symmetry.

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The fact of two things being seen or placed close together with contrasting effect.

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Containing or using only one color.

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Green, blue, and purple, and variations of those three colors.

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Red, orange, and yellow, and variations of those three colors.

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Most clearly defined as hues that appear to be without color, and that don't typically appear on the color wheel.

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A color that combined with a given color makes white or black.

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Comprised of three colors evenly spaced on the color wheel.

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The rule of thirds is a type of composition in which an image is divided evenly into thirds, both horizontally and vertically, and the subject of the image is placed at the intersection of those dividing lines, or along one of the lines itself.

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Lines that appear in a photograph that have been framed and positioned by the photographer to draw the viewer's eye towards a specific point of interest.

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Leads the viewer through the entire photo.

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The subject or areas of interest in an artwork, such as a person's face or figure in a portrait, the objects in a still life painting, or the trees in a landscape painting.

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The background or the area that surrounds the subject of the work.

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The process of illuminating the subject from the back.

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Light that is evenly distributed.

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Any form of light that the photographer did not add to their image.

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The treatment of light and shade in drawing and painting.

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The dark shape and outline of someone or something visible against a lighter background, especially in dim light.

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Anything objective sticks to the facts, but anything subjective has feelings.

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The process of offering valid and well-reasoned opinions about the work of others, usually involving both positive and negative comments, in a friendly manner rather than an oppositional one.

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The practice of taking someone else's work or ideas and passing them off as one's own.

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A symbol, word, or words legally registered or established by use as representing a company or product.

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Ethical is moral principles that govern peoples' behavior and life conduct. Unethical is the immoral principles of people.

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Two images combined into a single frame or presented together.

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A set of three associated artistic, literary, or musical works intended to be appreciated together.

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A minute area of illumination on a display screen, one of many from which an image is composed.

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The period of daytime shortly after sunrise or before sunset, during which daylight is redder and softer than when the Sun is higher in the sky.

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When the Sun is at a significant depth below the horizon and residual, indirect sunlight takes on a predominantly blue shade.

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Defines the structure and type of data stored in a file.

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A standard image format for containing lossy and compressed image data.

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A collection of unprocessed data.

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For storing raster graphics images, popular among graphic artists, the publishing industry, and photographers.

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An image file created by Adobe Photoshop.

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A dark area or shape produced by a body coming between rays of light and a surface.

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All luminance values that are not considered dark or light.

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A bright or reflective area in a painting, picture, or design.

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A reddish-brown color associated particularly with monochrome photographs of the 19th and early 20th centuries.

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Editing the data captured by camera while taking the photo to enhance the image.

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When the camera chooses the optimum shutter speed, aperture, ISO and flash settings for your shot.

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The camera chooses your aperture and shutter speed for you.

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The user can choose their aperture and the camera sets the rest.

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Allows the photographer to choose the shutter speed while the camera automatically chooses the rest.

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The user can customize all settings.

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An arbitrary rating of film speed; that is, the sensitivity of the film to light.

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The sensitivity—the signal gain—of the camera's sensor

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Random optical texture of processed photographic film due to the presence of small particles of a metallic silver, or dye clouds, developed from silver halide that have received enough photons.

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The commonly-used term to describe visual distortion.

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A sensor that detects and conveys information used to make an image.

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The length of time when the film or digital sensor inside the camera is exposed to light, also when a camera's shutter is open when taking a photograph.

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A momentary-action mode that holds shutters open for as long as a photographer depresses the shutter-release button.

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The apparent streaking of moving objects in a photograph or a sequence of frames, such as a film or animation.

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A term used to define the act of accidentally shaking a camera during shooting due to unsteady hands, which results in blurry images.

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A three-legged stand for supporting a camera or other apparatus.

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A space through which light passes in an optical or photographic instrument, especially the variable opening by which light enters a camera.

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The visual quality of the out-of-focus areas of a photographic image, especially as rendered by a particular lens.

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A shallow depth of field refers to a small area in focus. A wide depth of field captures a larger area in focus, often keeping everything in the image sharp and clear.

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The focal length of the lens is the distance between the lens and the image sensor when the subject is in focus, usually stated in millimetres.

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A prime lens is one that has a fixed focal length; there is no zoom ring on the lens so the focal length always remains the same. A telephoto lens has a select number of ways to zoom.

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Involves using a long-duration shutter speed to sharply capture the stationary elements of images while blurring, smearing, or obscuring the moving elements.

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A technique in which the frequency at which film frames are captured is much more spread out than the frequency that is used to view the sequence.

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An image that is created by capturing a long exposure of a dark scene that contains a moving light source.

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Swiveling a still or video camera horizontally from a fixed position.

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The size of the digital image the camera produces, and is usually expressed in terms of "megapixels" or how many million pixels it can record in a single image.