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One of Leo's many flying machine designs

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One of Leo's many flying machine designs

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Leonardo da Vinci was left-handed when left-handedness was considered the work of the devil. He also had 17 half siblings.

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Gain insight into the mind of a genius and the fundamental scientific and artistic principles he discovered.

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Artist Andrea del Verrocchio trained him in sculpting and painting when he was 15. He experienced the same education as other children, but he became very intrigued by various subjects as an adult. He studied many things, including anatomy, machinery, and the flight of birds.

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The Met's Heilbrunn Timeline of Art History

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Leonardo da Vinci (1452-1519) | Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art

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"Leonardo's curiosity and insatiable hunger for knowledge never left him. He was constantly observing, experimenting, and inventing, and drawing was, for him, a tool for recording his investigation of nature."

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He was born Leonardo di ser Piero da Vinci, meaning Leonardo of Ser Piero (his father) from Vinci.

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Who Was Leonardo da Vinci?

Leonardo da Vinci (April 15, 1452 to May 2, 1519) was a painter, sculptor, architect, inventor, military engineer and draftsman - the epitome of a "Renaissance man." With a curious mind and keen intellect, da Vinci studied the laws of science and nature, which greatly informed his work. His ideas and body of work have influenced countless artists and made da Vinci a leading light of the Italian Renaissance.

Leonardo da Vinci's Paintings and Artwork

Although da Vinci is known for his artistic abilities, fewer than two-dozen paintings attributed to him exist. One reason is that his interests were so varied that he wasn't a prolific painter. Leonardo da Vinci's most famous works include the "Vitruvian Man," "The Last Supper" and the " Mona Lisa."

'Vitruvian Man'

Art and science intersected perfectly in da Vinci's sketch of "Vitruvian Man," drawn in 1490, which depicted a male figure in two superimposed positions with his arms and legs apart inside both a square and a circle. The sketch represents Leonardo's study of proportion as well as his desire to relate man to nature.

'The Last Supper'

Around 1495, Ludovico Sforza, then the Duke of Milan, commissioned da Vinci to paint "The Last Supper" on the back wall of the dining hall inside the monastery of Milan's Santa Maria delle Grazie. The masterpiece, which took approximately three years to complete, captures the drama of the moment when Jesus informs the Twelve Apostles gathered for Passover dinner that one of them would soon betray him. The range of facial expressions and the body language of the figures around the table bring the masterful composition to life.

The decision by da Vinci to paint with tempera and oil on dried plaster instead of painting a fresco on fresh plaster led to the quick deterioration and flaking of "The Last Supper." Although an improper restoration caused further damage to the mural, it has now been stabilized using modern conservation techniques.

'Mona Lisa'

In 1503, da Vinci started working on what would become his most well known painting - and arguably the most famous painting in the world -the "Mona Lisa." The privately commissioned work is characterized by the enigmatic smile of the woman in the half-portrait, which derives from da Vinci's sfumato technique.

Adding to the allure of the "Mona Lisa" is the mystery surrounding the identity of the subject. Princess Isabella of Naples, an unnamed courtesan and da Vinci's own mother have all been put forth as potential sitters for the masterpiece. It has even been speculated that the subject wasn't a female at all but da Vinci's longtime apprentice Salai dressed in women's clothing. Based on accounts from an early biographer, however, the "Mona Lisa" is a picture of Lisa del Giocondo, the wife of a wealthy Florentine silk merchant. The painting's original Italian name - "La Gioconda" - supports the theory, but it's far from certain. Some art historians believe the merchant commissioned the portrait to celebrate the pending birth of the couple's next child, which means the subject could have been pregnant at the time of the painting.

If the Giocondo family did indeed commission the painting, they never received it. For da Vinci, the "Mona Lisa" was forever a work in progress, as it was his attempt at perfection, and he never parted with the painting. Today, the "Mona Lisa" hangs in the Louvre Museum in Paris, France, secured behind bulletproof glass and regarded as a priceless national treasure seen by millions of visitors each year.

'Battle of Anghiari'

In 1503, da Vinci also started work on the "Battle of Anghiari," a mural commissioned for the council hall in the Palazzo Vecchio that was to be twice as large as "The Last Supper." He abandoned the project after two years when the mural began to deteriorate before he had a chance to finish it.

Sculptures

Ludovico Sforza also tasked da Vinci with sculpting a 16-foot-tall bronze equestrian statue of his father and founder of the family dynasty, Francesco Sforza. With the help of apprentices and students in his workshop, da Vinci worked on the project on and off for more than a dozen years. Leonardo sculpted a life-size clay model of the statue, but the project was put on hold when war with France required bronze to be used for casting cannons, not sculptures. After French forces overran Milan in 1499 - and shot the clay model to pieces - da Vinci fled the city along with the duke and the Sforza family.

Ironically, Gian Giacomo Trivulzio, who led the French forces that conquered Ludovico in 1499, followed in his foe's footsteps and commissioned da Vinci to sculpt a grand equestrian statue, one that could be mounted on his tomb. After years of work and numerous sketches by da Vinci, Trivulzio decided to scale back the size of the statue, which was ultimately never finished.

Painting Techniques

Leonardo da Vinci is well known for his pioneering use of two painting techniques:

Chiaroscuro: a stark contrast between darkness and light that gave a three-dimensionality to da Vinci's figures.

Sfumato: a technique in which subtle gradations, rather than strict borders, infuse paintings with a softer, smoky aura.

His painting "Virgin of the Rocks," begun in 1483, is a classic example of both of these techniques.

Inventions: The Flying Machine

A man ahead of his time, da Vinci appeared to prophesy the future with his sketches of machines resembling a bicycle and a helicopter. Perhaps his most well-known "invention" is a "flying machine," which is based on the physiology of a bat.

When and Where Was da Vinci Born?

Leonardo da Vinci was born on April 15, 1452, in a farmhouse nestled amid the undulating hills of Tuscany outside the village of Anchiano, in present-day Italy.

Family, Education and Early Life

Born out of wedlock to respected Florentine notary Ser Piero and a young peasant woman named Caterina, Leonardo da Vinci was raised by his father and his stepmother. At the age of five, he moved to his father's family estate in nearby Vinci, the Tuscan town from which the surname associated with Leonardo derives, and lived with his uncle and grandparents.

Young Leonardo received little formal education beyond basic reading, writing and mathematics instruction, but his artistic talents were evident from an early age. Around the age of 14, da Vinci began a lengthy apprenticeship with the noted artist Andrea del Verrocchio in Florence. He learned a wide breadth of technical skills including metalworking, leather arts, carpentry, drawing, painting and sculpting. His earliest known dated work - a pen-and-ink drawing of a landscape in the Arno valley - was sketched in 1473.

At the age of 20, da Vinci qualified for membership as a master artist in Florence's Guild of Saint Luke and established his own workshop. However, he continued to collaborate with his teacher for an additional five years. It is thought that del Verrocchio completed his "Baptism of Christ" around 1475 with the help of his student, who painted part of the background and the young angel holding the robe of Jesus. According to Lives of the Most Excellent Painters, Sculptors and Architects, written around 1550 by artist Giorgio Vasari, Verrocchio was so humbled by the superior talent of his pupil that he never picked up a paintbrush again. Most scholars, however, dismiss Vasari's account as apocryphal.

In 1478, after leaving Verrocchio's studio, da Vinci received his first independent commission for an altarpiece to reside in a chapel inside Florence's Palazzo Vecchio. Three years later the Augustinian monks of Florence's San Donato a Scopeto tasked him to paint "Adoration of the Magi." The young artist, however, would leave the city and abandon both commissions without ever completing them.

Da Vinci the Engineer

In 1482, Florentine ruler Lorenzo de' Medici commissioned da Vinci to create a silver lyre and bring it as a peace gesture to Ludovico Sforza. After doing so, da Vinci lobbied Ludovico for a job and sent the future Duke of Milan a letter that barely mentioned his considerable talents as an artist and instead touted his more marketable skills as a military engineer. Using his inventive mind, da Vinci sketched war machines such as a war chariot with scythe blades mounted on the sides, an armored tank propelled by two men cranking a shaft and even an enormous crossbow that required a small army of men to operate. The letter worked, and Ludovico brought da Vinci to Milan for a tenure that would last 17 years. During his time in Milan, Leonardo was commissioned to work on numerous artistic projects as well, including "The Last Supper."

Leonardo's ability to be employed by the Sforza clan as an architecture and military engineering advisor as well as a painter and sculptor spoke to da Vinci's keen intellect and curiosity about a wide variety of subjects. Like many leaders of Renaissance humanism, da Vinci did not see a divide between science and art. He viewed the two as intertwined disciplines rather than separate ones. He believed studying science made him a better artist.

In 1502 and 1503, da Vinci also briefly worked in Florence as a military engineer for Cesare Borgia, the illegitimate son of Pope Alexander VI and commander of the papal army. He traveled outside of Florence to survey military construction projects and sketch city plans and topographical maps. He designed plans, possibly with noted diplomat Niccolò Machiavelli, to divert the Arno River away from rival Pisa in order to deny its wartime enemy access to the sea.

Da Vinci's Study of Anatomy and Science

Leonardo da Vinci thought sight was humankind's most important sense and eyes the most important organ, and he stressed the importance of saper vedere, or "knowing how to see." He believed in the accumulation of direct knowledge and facts through observation.

"A good painter has two chief objects to paint - man and the intention of his soul," da Vinci wrote. "The former is easy, the latter hard, for it must be expressed by gestures and the movement of the limbs."

To more accurately depict those gestures and movements, da Vinci began to study anatomy seriously and dissect human and animal bodies during the 1480s. His drawings of a fetus in utero, the heart and vascular system, sex organs and other bone and muscular structures are some of the first on human record.

In addition to his anatomical investigations, da Vinci studied botany, geology, zoology, hydraulics, aeronautics and physics. He sketched his observations on loose sheets of papers and pads that he tucked inside his belt. He placed the papers in notebooks and arranged them around four broad themes-painting, architecture, mechanics and human anatomy. He filled dozens of notebooks with finely drawn illustrations and scientific observations. His ideas were mainly theoretical explanations, laid out in exacting detail, but they were rarely experimental.

Book and Movie

Although much has been written about da Vinci over the years, Walter Isaacson explored new territory with an acclaimed 2017 biography, Leonardo da Vinci, which offers up details on what drove the artist's creations and inventions.

The buzz surrounding the book carried into 2018, with the announcement that it had been optioned for a big-screen adaptation starring Leonardo DiCaprio.

Was Leonardo da Vinci Gay?

Florentine court records show that in 1476 da Vinci and four other young men were charged with sodomy, a crime punishable by exile or even death. After da Vinci was acquitted, his whereabouts went entirely undocumented for the following two years.

Final Years

Leonardo returned to Milan in 1506 to work for the very French rulers who had overtaken the city seven years earlier and forced him to flee. Among the students who joined his studio was young Milanese aristocrat Francesco Melzi, who would become da Vinci's closest companion for the rest of his life. He did little painting during his second stint in Milan, however, and most of his time was instead dedicated to scientific studies.

Amid political strife and the temporary expulsion of the French from Milan, da Vinci left the city and moved to Rome in 1513 along with Salai, Melzi and two studio assistants. Giuliano de' Medici, brother of newly installed Pope Leo X and son of his former patron, gave da Vinci a monthly stipend along with a suite of rooms at his residence inside the Vatican. His new patron, however, also gave da Vinci little work. Lacking large commissions, he devoted most of his time in Rome to mathematical studies and scientific exploration.

After being present at a 1515 meeting between France's King Francis I and Pope Leo X in Bologna, the new French monarch offered da Vinci the title "Premier Painter and Engineer and Architect to the King." Along with Melzi, da Vinci departed for France, never to return. He lived in the Chateau de Cloux (now Clos Luce) near the king's summer palace along the Loire River in Amboise. As in Rome, da Vinci did little painting during his time in France. One of his last commissioned works was a mechanical lion that could walk and open its chest to reveal a bouquet of lilies.

Leonardo Da Vinci's Death

Leonardo da Vinci died on May 2, 1519, at the age of 67. He continued work on his scientific studies until his death; his assistant, Melzi, became the principal heir and executor of his estate. The "Mona Lisa" was bequeathed to Salai.

For centuries after his death, thousands of pages from his private journals with notes, drawings, observations and scientific theories have surfaced and provided a fuller measure of a true "Renaissance man."

Auction Sale of 'Salvator Mundi'

In November 2017, the art world was sent buzzing with the news that the da Vinci painting "Salvator Mundi" had been sold at a Christie's auction to an undisclosed buyer for a whopping $450.3 million. That amount dwarfed the previous record for an art work sold at an auction, the $179.4 million paid for Picasso's "Women of Algiers" in 2015.

The sales figure was stunning in part because of the damaged condition of the oil-on-panel, which features Christ with his right hand raised in blessing and his left holding a crystal orb, and because not all experts believe it was rendered by da Vinci. However, Christie's had launched what one dealer called a "brilliant marketing campaign," which promoted the work as "the holy grail of our business" and "the last da Vinci." Prior to the sale, it was the only known painting by the old master still in a private collection.

In early December, the mystery buyer was said to be Prince Bader bin Abdullah bin Mohammed bin Farhan al-Saud of Saudi Arabia, a friend of the country's crown prince, Mohammed bin Salman. However, the Saudi Embassy in Washington soon clarified matters, saying Prince Bader had acted as an agent for the ministry of culture of Abu Dhabi, in the United Arab Emirates. Around that time, the newly opened Louvre Abu Dhabi announced that the record-breaking art work would be exhibited in its collection.

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Leonardo DiCaprio optioned Walter Isaacson's new biography on Leonardo Da Vinci, and the film has just secured a screenwriter: John Logan, who wrote 'Skyfall' and 'Spectre.' The film, produced by Paramount and Appian Way, will star DiCaprio in the title role.

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He was born in Vinci, Italy, just outside of Florence. He also worked in Milan.

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Leonardo da Vinci, (Italian: "Leonardo from Vinci") (born April 15, 1452, Anchiano, near Vinci, Republic of Florence [Italy]-died May 2, 1519, Cloux [now Clos-Lucé], France), Italian painter, draftsman, sculptor, architect, and engineer whose skill and intelligence, perhaps more than that of any other figure, epitomized the Renaissance humanist ideal. His Last Supper (1495-98) and (c. 1503-19) are among the most widely popular and influential paintings of the Renaissance. His notebooks reveal a spirit of scientific inquiry and a mechanical inventiveness that were centuries ahead of their time.

What is Leonardo da Vinci best known for?

How many Leonardo da Vinci paintings are there?

What was Leonardo da Vinci's personality like?

What was Leonardo da Vinci's family like?

Who was Leonardo apprenticed to?

The unique fame that Leonardo enjoyed in his lifetime and that, filtered by historical criticism, has remained undimmed to the present day rests largely on his unlimited desire for knowledge, which guided all his thinking and behaviour. An artist by disposition and endowment, he considered his eyes to be his main avenue to knowledge; to Leonardo, sight was man's highest sense because it alone conveyed the facts of experience immediately, correctly, and with certainty. Hence, every phenomenon perceived became an object of knowledge, and saper vedere ("knowing how to see") became the great theme of his studies. He applied his creativity to every realm in which graphic representation is used: he was a painter, sculptor, architect, and engineer. But he went even beyond that. He used his superb intellect, unusual powers of observation, and mastery of the art of drawing to study nature itself, a line of inquiry that allowed his dual pursuits of art and science to flourish.

Life and works

Early period: Florence

Leonardo's parents were unmarried at the time of his birth. His father, Ser Piero, was a Florentine notary and landlord, and his mother, Caterina, was a young peasant woman who shortly thereafter married an artisan. Leonardo grew up on his father's family's estate, where he was treated as a "legitimate" son and received the usual elementary education of that day: reading, writing, and arithmetic. Leonardo did not seriously study Latin, the key language of traditional learning, until much later, when he acquired a working knowledge of it on his own. He also did not apply himself to higher mathematics-advanced geometry and arithmetic-until he was 30 years old, when he began to study it with diligent tenacity.

Leonardo's artistic inclinations must have appeared early. When he was about 15, his father, who enjoyed a high reputation in the Florence community, apprenticed him to artist Andrea del Verrocchio. In Verrocchio's renowned workshop Leonardo received a multifaceted training that included painting and sculpture as well as the technical-mechanical arts. He also worked in the next-door workshop of artist Antonio Pollaiuolo. In 1472 Leonardo was accepted into the painters' guild of Florence, but he remained in his teacher's workshop for five more years, after which time he worked independently in Florence until 1481. There are a great many superb extant pen and pencil drawings from this period, including many technical sketches-for example, pumps, military weapons, mechanical apparatus-that offer evidence of Leonardo's interest in and knowledge of technical matters even at the outset of his career.

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First Milanese period (1482-99)

In 1482 Leonardo moved to Milan to work in the service of the city's duke-a surprising step when one realizes that the 30-year-old artist had just received his first substantial commissions from his native city of Florence: the unfinished panel painting Adoration of the Magi for the monastery of San Donato a Scopeto and an altar painting for the St. Bernard Chapel in the Palazzo della Signoria, which was never begun. That he gave up both projects seems to indicate that he had deeper reasons for leaving Florence. It may have been that the rather sophisticated spirit of Neoplatonism prevailing in the Florence of the Medici went against the grain of Leonardo's experience-oriented mind and that the more strict, academic atmosphere of Milan attracted him. Moreover, he was no doubt enticed by Duke Ludovico Sforza 's brilliant court and the meaningful projects awaiting him there.

Leonardo spent 17 years in Milan, until Ludovico's fall from power in 1499. He was listed in the register of the royal household as pictor et ingeniarius ducalis ("painter and engineer of the duke"). Leonardo's gracious but reserved personality and elegant bearing were well-received in court circles. Highly esteemed, he was constantly kept busy as a painter and sculptor and as a designer of court festivals. He was also frequently consulted as a technical adviser in the fields of architecture, fortifications, and military matters, and he served as a hydraulic and mechanical engineer. As he would throughout his life, Leonardo set boundless goals for himself; if one traces the outlines of his work for this period, or for his life as a whole, one is tempted to call it a grandiose "unfinished symphony."

As a painter, Leonardo completed six works in the 17 years in Milan. (According to contemporary sources, Leonardo was commissioned to create three more pictures, but these works have since disappeared or were never done.) From about 1483 to 1486, he worked on the altar painting The Virgin of the Rocks, a project that led to 10 years of litigation between the Confraternity of the Immaculate Conception, which commissioned it, and Leonardo; for uncertain purposes, this legal dispute led Leonardo to create another version of the work in about 1508. During this first Milanese period he also made one of his most famous works, the monumental wall painting Last Supper (1495-98) in the refectory of the monastery of Santa Maria delle Grazie (for more analysis of this work, see below Last Supper). Also of note is the decorative ceiling painting (1498) he made for the Sala delle Asse in the Milan Castello Sforzesco.

During this period Leonardo worked on a grandiose sculptural project that seems to have been the real reason he was invited to Milan: a monumental equestrian statue in bronze to be erected in honour of Francesco Sforza, the founder of the Sforza dynasty. Leonardo devoted 12 years-with interruptions-to this task. In 1493 the clay model of the horse was put on public display on the occasion of the marriage of Emperor Maximilian to Bianca Maria Sforza, and preparations were made to cast the colossal figure, which was to be 16 feet (5 metres) high. But, because of the imminent danger of war, the metal, ready to be poured, was used to make cannons instead, causing the project to come to a halt. Ludovico's fall in 1499 sealed the fate of this abortive undertaking, which was perhaps the grandest concept of a monument in the 15th century. The ensuing war left the clay model a heap of ruins.

As a master artist, Leonardo maintained an extensive workshop in Milan, employing apprentices and students. Among Leonardo's pupils at this time were Giovanni Antonio Boltraffio, Ambrogio de Predis, Bernardino de' Conti, Francesco Napoletano, Andrea Solari, Marco d'Oggiono, and Salai. The role of most of these associates is unclear, leading to the question of Leonardo's so-called apocryphal works, on which the master collaborated with his assistants. Scholars have been unable to agree in their attributions of these works.

born

April 15, 1452
Vinci, Italy

died

May 2, 1519 (aged 67)
Clos-Lucé, France

notable works

movement / style

subjects of study

did you know?

Leonardo da Vinci wrote from right to left in "mirrored writing", so his work was only legible when held up to a mirror.

Bill Gates purchased one of Leonardo da Vinci's manuscripts for $30.8 million.

Leonardo da Vinci designed a flying machine over 400 years before the Wright brothers achieved the first sustained flight.

In 2017 "Salvator Mundi", a painting attributed to Leonardo, sold at auction for $450.3 million.

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Leonardo da Vinci | Biography, Art, Paintings, Mona Lisa, Drawings, Inventions, Achievements, & Facts

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Leonardo da Vinci, Italian painter, draftsman, sculptor, architect, and engineer whose skill and intelligence epitomized the Renaissance humanist ideal. His Last Supper (1495-98) and Mona Lisa (c. 1503-19) are among the most influential paintings of the Renaissance. Read more about Leonardo's life and career.

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Da Vinci passed away on May 2, 1519 in France at the age of 67. Legend says he died in the arms of King Francis.

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Gain insight into the mind of a genius and the fundamental scientific and artistic principles he discovered.

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Da Vinci's most well-known paintings are The Last Supper and Mona Lisa.

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A debatable topic, many scholars believe the Mona Lisa may have been a portrait of Lisa Gherardini del Giocondo, a wealthy silk merchant's wife. Other theories show the possible inspiration to be Leo's mother, Catarina, or Princess Isabella of Naples.

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Da Vinci was a writer, mathematician, inventor, scientist, engineer, architect, and an artist.

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Who Was Leonardo da Vinci?

Leonardo da Vinci was a Renaissance painter, sculptor, architect, inventor, military engineer and draftsman - the epitome of a true Renaissance man. Gifted with a curious mind and a brilliant intellect, da Vinci studied the laws of science and nature, which greatly informed his work. His drawings, paintings and other works have influenced countless artists and engineers over the centuries.

Early Life

Da Vinci was born in a farmhouse outside the village of Anchiano in Tuscany, Italy (about 18 miles west of Florence) on April 15, 1452.

Born out of wedlock to respected Florentine notary Ser Piero and a young peasant woman named Caterina, da Vinci was raised by his father and his stepmother.

At the age of five, he moved to his father's estate in nearby Vinci (the town from which his surname derives), where he lived with his uncle and grandparents.

Education

Young da Vinci received little formal education beyond basic reading, writing and mathematics instruction, but his artistic talents were evident from an early age.

Around the age of 14, da Vinci began a lengthy apprenticeship with the noted artist Andrea del Verrocchio in Florence. He learned a wide breadth of technical skills including metalworking, leather arts, carpentry, drawing, painting and sculpting.

His earliest known dated work - a pen-and-ink drawing of a landscape in the Arno valley - was sketched in 1473.

Early Works

At the age of 20, da Vinci qualified for membership as a master artist in Florence's Guild of Saint Luke and established his own workshop. However, he continued to collaborate with del Verrocchio for an additional five years.

It is thought that del Verrocchio completed his "Baptism of Christ" around 1475 with the help of his student, who painted part of the background and the young angel holding the robe of Jesus.

According to Lives of the Most Excellent Painters, Sculptors and Architects, written around 1550 by artist Giorgio Vasari, del Verrocchio was so humbled by the superior talent of his pupil that he never picked up a paintbrush again. (Most scholars, however, dismiss Vasari's account as apocryphal.)

In 1478, after leaving del Verrocchio's studio, da Vinci received his first independent commission for an altarpiece to reside in a chapel inside Florence's Palazzo Vecchio.

Three years later the Augustinian monks of Florence's San Donato a Scopeto tasked him to paint "Adoration of the Magi." The young artist, however, would leave the city and abandon both commissions without ever completing them.

Was Leonardo da Vinci Gay?

Many historians believe that da Vinci was a homosexual: Florentine court records from 1476 show that da Vinci and four other young men were charged with sodomy, a crime punishable by exile or death.

After no witnesses showed up to testify against 24-year-old da Vinci, the charges were dropped, but his whereabouts went entirely undocumented for the following two years.

Several other famous Florentine artists were also known to have been homosexual, including Michelangelo, Donatello and Sandro Botticelli. Indeed, homosexuality was such a fact of artistic life in Renaissance Florence that the word "florenzer" became German slang for "gay."

Leonardo da Vinci: Paintings

Although da Vinci is known for his artistic abilities, fewer than two dozen paintings attributed to him exist. One reason is that his interests were so varied that he wasn't a prolific painter. Da Vinci's most famous works include the "Vitruvian Man," "The Last Supper" and the " Mona Lisa."

Vitruvian Man

Art and science intersected perfectly in da Vinci's sketch of "Vitruvian Man," drawn in 1490, which depicted a nude male figure in two superimposed positions with his arms and legs apart inside both a square and a circle.

The now-famous sketch represents da Vinci's study of proportion and symmetry, as well as his desire to relate man to the natural world.

The Last Supper

Around 1495, Ludovico Sforza, then the Duke of Milan, commissioned da Vinci to paint "The Last Supper" on the back wall of the dining hall inside the monastery of Milan's Santa Maria delle Grazie.

The masterpiece, which took approximately three years to complete, captures the drama of the moment when Jesus informs the Twelve Apostles gathered for Passover dinner that one of them would soon betray him. The range of facial expressions and the body language of the figures around the table bring the masterful composition to life.

The decision by da Vinci to paint with tempera and oil on dried plaster instead of painting a fresco on fresh plaster led to the quick deterioration and flaking of "The Last Supper." Although an improper restoration caused further damage to the mural, it has now been stabilized using modern conservation techniques.

Mona Lisa

In 1503, da Vinci started working on what would become his most well-known painting - and arguably the most famous painting in the world -the "Mona Lisa." The privately commissioned work is characterized by the enigmatic smile of the woman in the half-portrait, which derives from da Vinci's sfumato technique.

Adding to the allure of the "Mona Lisa" is the mystery surrounding the identity of the subject. Princess Isabella of Naples, an unnamed courtesan and da Vinci's own mother have all been put forth as potential sitters for the masterpiece. It has even been speculated that the subject wasn't a female at all but da Vinci's longtime apprentice Salai dressed in women's clothing.

Based on accounts from an early biographer, however, the "Mona Lisa" is a picture of Lisa del Giocondo, the wife of a wealthy Florentine silk merchant. The painting's original Italian name - "La Gioconda" - supports the theory, but it's far from certain. Some art historians believe the merchant commissioned the portrait to celebrate the pending birth of the couple's next child, which means the subject could have been pregnant at the time of the painting.

If the Giocondo family did indeed commission the painting, they never received it. For da Vinci, the "Mona Lisa" was forever a work in progress, as it was his attempt at perfection, and he never parted with the painting. Today, the "Mona Lisa" hangs in the Louvre Museum in Paris, France, secured behind bulletproof glass and regarded as a priceless national treasure seen by millions of visitors each year.

Battle of Anghiari

In 1503, da Vinci also started work on the "Battle of Anghiari," a mural commissioned for the council hall in the Palazzo Vecchio that was to be twice as large as "The Last Supper."

He abandoned the "Battle of Anghiari" project after two years when the mural began to deteriorate before he had a chance to finish it.

Inventions

In 1482, Florentine ruler Lorenzo de' Medici commissioned da Vinci to create a silver lyre and bring it as a peace gesture to Ludovico Sforza. After doing so, da Vinci lobbied Ludovico for a job and sent the future Duke of Milan a letter that barely mentioned his considerable talents as an artist and instead touted his more marketable skills as a military engineer.

Using his inventive mind, da Vinci sketched war machines such as a war chariot with scythe blades mounted on the sides, an armored tank propelled by two men cranking a shaft and even an enormous crossbow that required a small army of men to operate.

The letter worked, and Ludovico brought da Vinci to Milan for a tenure that would last 17 years. During his time in Milan, da Vinci was commissioned to work on numerous artistic projects as well, including "The Last Supper."

Da Vinci's ability to be employed by the Sforza clan as an architecture and military engineering advisor as well as a painter and sculptor spoke to da Vinci's keen intellect and curiosity about a wide variety of subjects.

Flying Machine

Always a man ahead of his time, da Vinci appeared to prophesy the future with his sketches of devices that resemble a modern-day bicycle and a type of helicopter.

Perhaps his most well-known invention is a flying machine, which is based on the physiology of a bat. These and other explorations into the mechanics of flight are found in da Vinci's Codex on the Flight of Birds, a study of avian aeronautics, which he began in 1505.

Like many leaders of Renaissance humanism, da Vinci did not see a divide between science and art. He viewed the two as intertwined disciplines rather than separate ones. He believed studying science made him a better artist.

In 1502 and 1503, da Vinci also briefly worked in Florence as a military engineer for Cesare Borgia, the illegitimate son of Pope Alexander VI and commander of the papal army. He traveled outside of Florence to survey military construction projects and sketch city plans and topographical maps.

He designed plans, possibly with noted diplomat Niccolò Machiavelli, to divert the Arno River away from rival Pisa in order to deny its wartime enemy access to the sea.

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Da Vinci's Study of Anatomy and Science

Da Vinci thought sight was humankind's most important sense and eyes the most important organ, and he stressed the importance of saper vedere, or "knowing how to see." He believed in the accumulation of direct knowledge and facts through observation.

"A good painter has two chief objects to paint - man and the intention of his soul," da Vinci wrote. "The former is easy, the latter hard, for it must be expressed by gestures and the movement of the limbs."

To more accurately depict those gestures and movements, da Vinci began to study anatomy seriously and dissect human and animal bodies during the 1480s. His drawings of a fetus in utero, the heart and vascular system, sex organs and other bone and muscular structures are some of the first on human record.

In addition to his anatomical investigations, da Vinci studied botany, geology, zoology, hydraulics, aeronautics and physics. He sketched his observations on loose sheets of papers and pads that he tucked inside his belt.

Da Vinci placed the papers in notebooks and arranged them around four broad themes-painting, architecture, mechanics and human anatomy. He filled dozens of notebooks with finely drawn illustrations and scientific observations.

Sculptures

Ludovico Sforza also tasked da Vinci with sculpting a 16-foot-tall bronze equestrian statue of his father and founder of the family dynasty, Francesco Sforza. With the help of apprentices and students in his workshop, da Vinci worked on the project on and off for more than a dozen years.

Da Vinci sculpted a life-size clay model of the statue, but the project was put on hold when war with France required bronze to be used for casting cannons, not sculptures. After French forces overran Milan in 1499 - and shot the clay model to pieces - da Vinci fled the city along with the duke and the Sforza family.

Ironically, Gian Giacomo Trivulzio, who led the French forces that conquered Ludovico in 1499, followed in his foe's footsteps and commissioned da Vinci to sculpt a grand equestrian statue, one that could be mounted on his tomb. After years of work and numerous sketches by da Vinci, Trivulzio decided to scale back the size of the statue, which was ultimately never finished.

Final Years

Da Vinci returned to Milan in 1506 to work for the very French rulers who had overtaken the city seven years earlier and forced him to flee.

Among the students who joined his studio was young Milanese aristocrat Francesco Melzi, who would become da Vinci's closest companion for the rest of his life. He did little painting during his second stint in Milan, however, and most of his time was instead dedicated to scientific studies.

Amid political strife and the temporary expulsion of the French from Milan, da Vinci left the city and moved to Rome in 1513 along with Salai, Melzi and two studio assistants. Giuliano de' Medici, brother of newly installed Pope Leo X and son of his former patron, gave da Vinci a monthly stipend along with a suite of rooms at his residence inside the Vatican.

His new patron, however, also gave da Vinci little work. Lacking large commissions, he devoted most of his time in Rome to mathematical studies and scientific exploration.

After being present at a 1515 meeting between France's King Francis I and Pope Leo X in Bologna, the new French monarch offered da Vinci the title "Premier Painter and Engineer and Architect to the King."

Along with Melzi, da Vinci departed for France, never to return. He lived in the Chateau de Cloux (now Clos Luce) near the king's summer palace along the Loire River in Amboise. As in Rome, da Vinci did little painting during his time in France. One of his last commissioned works was a mechanical lion that could walk and open its chest to reveal a bouquet of lilies.

How Did Leonardo da Vinci Die?

Da Vinci died of a probable stroke on May 2, 1519, at the age of 67. He continued work on his scientific studies until his death; his assistant, Melzi, became the principal heir and executor of his estate. The "Mona Lisa" was bequeathed to Salai.

For centuries after his death, thousands of pages from his private journals with notes, drawings, observations and scientific theories have surfaced and provided a fuller measure of the true "Renaissance man."

Book and Movie

Although much has been written about da Vinci over the years, Walter Isaacson explored new territory with an acclaimed 2017 biography, Leonardo da Vinci, which offers up details on what drove the artist's creations and inventions.

The buzz surrounding the book carried into 2018, with the announcement that it had been optioned for a big-screen adaptation starring Leonardo DiCaprio.

Salvator Mundi

In 2017, the art world was sent buzzing with the news that the da Vinci painting "Salvator Mundi" had been sold at a Christie's auction to an undisclosed buyer for a whopping $450.3 million. That amount dwarfed the previous record for an art work sold at an auction, the $179.4 million paid for "Women of Algiers" by Pablo Picasso in 2015.

The sales figure was stunning in part because of the damaged condition of the oil-on-panel, which features Jesus Christ with his right hand raised in blessing and his left holding a crystal orb, and because not all experts believe it was rendered by da Vinci.

However, Christie's had launched what one dealer called a "brilliant marketing campaign," which promoted the work as "the holy grail of our business" and "the last da Vinci." Prior to the sale, it was the only known painting by the old master still in a private collection.

The Saudi Embassy stated that Prince Bader bin Abdullah bin Mohammed bin Farhan al-Saud of Saudi Arabia had acted as an agent for the ministry of culture of Abu Dhabi, in the United Arab Emirates. Around that time, the newly-opened Louvre Abu Dhabi announced that the record-breaking artwork would be exhibited in its collection.

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Leonardo da Vinci was a Renaissance painter, sculptor, architect, inventor, military engineer and draftsman - the epitome of a true Renaissance man. Gifted with a curious mind and a brilliant intellect, da Vinci studied the laws of science and nature, which greatly informed his work.

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Leonardo was born on April 15, 1452 to a Florentine landlord named Ser Piero and a young peasant woman named Caterina.

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Leonardo da Vinci, (Italian: "Leonardo from Vinci") (born April 15, 1452, Anchiano, near Vinci, Republic of Florence [Italy]-died May 2, 1519, Cloux [now Clos-Lucé], France), Italian painter, draftsman, sculptor, architect, and engineer whose skill and intelligence, perhaps more than that of any other figure, epitomized the Renaissance humanist ideal. His Last Supper (1495-98) and (c. 1503-19) are among the most widely popular and influential paintings of the Renaissance. His notebooks reveal a spirit of scientific inquiry and a mechanical inventiveness that were centuries ahead of their time.

What is Leonardo da Vinci best known for?

How many Leonardo da Vinci paintings are there?

What was Leonardo da Vinci's personality like?

What was Leonardo da Vinci's family like?

Who was Leonardo apprenticed to?

The unique fame that Leonardo enjoyed in his lifetime and that, filtered by historical criticism, has remained undimmed to the present day rests largely on his unlimited desire for knowledge, which guided all his thinking and behaviour. An artist by disposition and endowment, he considered his eyes to be his main avenue to knowledge; to Leonardo, sight was man's highest sense because it alone conveyed the facts of experience immediately, correctly, and with certainty. Hence, every phenomenon perceived became an object of knowledge, and saper vedere ("knowing how to see") became the great theme of his studies. He applied his creativity to every realm in which graphic representation is used: he was a painter, sculptor, architect, and engineer. But he went even beyond that. He used his superb intellect, unusual powers of observation, and mastery of the art of drawing to study nature itself, a line of inquiry that allowed his dual pursuits of art and science to flourish.

Life and works

Early period: Florence

Leonardo's parents were unmarried at the time of his birth. His father, Ser Piero, was a Florentine notary and landlord, and his mother, Caterina, was a young peasant woman who shortly thereafter married an artisan. Leonardo grew up on his father's family's estate, where he was treated as a "legitimate" son and received the usual elementary education of that day: reading, writing, and arithmetic. Leonardo did not seriously study Latin, the key language of traditional learning, until much later, when he acquired a working knowledge of it on his own. He also did not apply himself to higher mathematics-advanced geometry and arithmetic-until he was 30 years old, when he began to study it with diligent tenacity.

Leonardo's artistic inclinations must have appeared early. When he was about 15, his father, who enjoyed a high reputation in the Florence community, apprenticed him to artist Andrea del Verrocchio. In Verrocchio's renowned workshop Leonardo received a multifaceted training that included painting and sculpture as well as the technical-mechanical arts. He also worked in the next-door workshop of artist Antonio Pollaiuolo. In 1472 Leonardo was accepted into the painters' guild of Florence, but he remained in his teacher's workshop for five more years, after which time he worked independently in Florence until 1481. There are a great many superb extant pen and pencil drawings from this period, including many technical sketches-for example, pumps, military weapons, mechanical apparatus-that offer evidence of Leonardo's interest in and knowledge of technical matters even at the outset of his career.

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First Milanese period (1482-99)

In 1482 Leonardo moved to Milan to work in the service of the city's duke-a surprising step when one realizes that the 30-year-old artist had just received his first substantial commissions from his native city of Florence: the unfinished panel painting Adoration of the Magi for the monastery of San Donato a Scopeto and an altar painting for the St. Bernard Chapel in the Palazzo della Signoria, which was never begun. That he gave up both projects seems to indicate that he had deeper reasons for leaving Florence. It may have been that the rather sophisticated spirit of Neoplatonism prevailing in the Florence of the Medici went against the grain of Leonardo's experience-oriented mind and that the more strict, academic atmosphere of Milan attracted him. Moreover, he was no doubt enticed by Duke Ludovico Sforza 's brilliant court and the meaningful projects awaiting him there.

Leonardo spent 17 years in Milan, until Ludovico's fall from power in 1499. He was listed in the register of the royal household as pictor et ingeniarius ducalis ("painter and engineer of the duke"). Leonardo's gracious but reserved personality and elegant bearing were well-received in court circles. Highly esteemed, he was constantly kept busy as a painter and sculptor and as a designer of court festivals. He was also frequently consulted as a technical adviser in the fields of architecture, fortifications, and military matters, and he served as a hydraulic and mechanical engineer. As he would throughout his life, Leonardo set boundless goals for himself; if one traces the outlines of his work for this period, or for his life as a whole, one is tempted to call it a grandiose "unfinished symphony."

As a painter, Leonardo completed six works in the 17 years in Milan. (According to contemporary sources, Leonardo was commissioned to create three more pictures, but these works have since disappeared or were never done.) From about 1483 to 1486, he worked on the altar painting The Virgin of the Rocks, a project that led to 10 years of litigation between the Confraternity of the Immaculate Conception, which commissioned it, and Leonardo; for uncertain purposes, this legal dispute led Leonardo to create another version of the work in about 1508. During this first Milanese period he also made one of his most famous works, the monumental wall painting Last Supper (1495-98) in the refectory of the monastery of Santa Maria delle Grazie (for more analysis of this work, see below Last Supper). Also of note is the decorative ceiling painting (1498) he made for the Sala delle Asse in the Milan Castello Sforzesco.

During this period Leonardo worked on a grandiose sculptural project that seems to have been the real reason he was invited to Milan: a monumental equestrian statue in bronze to be erected in honour of Francesco Sforza, the founder of the Sforza dynasty. Leonardo devoted 12 years-with interruptions-to this task. In 1493 the clay model of the horse was put on public display on the occasion of the marriage of Emperor Maximilian to Bianca Maria Sforza, and preparations were made to cast the colossal figure, which was to be 16 feet (5 metres) high. But, because of the imminent danger of war, the metal, ready to be poured, was used to make cannons instead, causing the project to come to a halt. Ludovico's fall in 1499 sealed the fate of this abortive undertaking, which was perhaps the grandest concept of a monument in the 15th century. The ensuing war left the clay model a heap of ruins.

As a master artist, Leonardo maintained an extensive workshop in Milan, employing apprentices and students. Among Leonardo's pupils at this time were Giovanni Antonio Boltraffio, Ambrogio de Predis, Bernardino de' Conti, Francesco Napoletano, Andrea Solari, Marco d'Oggiono, and Salai. The role of most of these associates is unclear, leading to the question of Leonardo's so-called apocryphal works, on which the master collaborated with his assistants. Scholars have been unable to agree in their attributions of these works.

born

April 15, 1452
Vinci, Italy

died

May 2, 1519 (aged 67)
Clos-Lucé, France

notable works

movement / style

subjects of study

did you know?

Leonardo da Vinci wrote from right to left in "mirrored writing", so his work was only legible when held up to a mirror.

Bill Gates purchased one of Leonardo da Vinci's manuscripts for $30.8 million.

Leonardo da Vinci designed a flying machine over 400 years before the Wright brothers achieved the first sustained flight.

In 2017 "Salvator Mundi", a painting attributed to Leonardo, sold at auction for $450.3 million.

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Leonardo da Vinci | Biography, Art, Paintings, Mona Lisa, Drawings, Inventions, Achievements, & Facts

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Leonardo da Vinci, Italian painter, draftsman, sculptor, architect, and engineer whose skill and intelligence epitomized the Renaissance humanist ideal. His Last Supper (1495-98) and Mona Lisa (c. 1503-19) are among the most influential paintings of the Renaissance. Read more about Leonardo's life and career.