# data[].attributes.headline
Act I, Scene II, lines 26-28 "Shipwracking storms and direful thunders break, so from that spring whence comfort seemed to come discomfort swells." 

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Act I, Scene II, lines 26-28 "Shipwracking storms and direful thunders break, so from that spring whence comfort seemed to come discomfort swells." 

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The captain is describing the journey back to Forres from the war.

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Act I, Scene VI, lines 4-9 "The temple-haunting martlet, does approve by his loved mansionry that the heaven's breath smells wooingly here. No jutty, frieze, buttress, nor coign of vantage, but this bird hath made his pendent bed and procreant candle. Where they most breed and haunt, I have observed the air is delicate."

# data[].attributes.subject
Act I, Scene VI, lines 4-9 "The temple-haunting martlet, does approve by his loved mansionry that the heaven's breath smells wooingly here. No jutty, frieze, buttress, nor coign of vantage, but this bird hath made his pendent bed and procreant candle. Where they most breed and haunt, I have observed the air is delicate."

# data[].attributes.body
Banquo is describing the sight and smell of MacBeth's castle as the king arrives and admires it.

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Act II, Scene III, lines 1-2 "Here's a knocking indeed! If a man were porter of hell gate, he should have old turning the key."

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Act II, Scene III, lines 1-2 "Here's a knocking indeed! If a man were porter of hell gate, he should have old turning the key."

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Porter is talking about how if a man were to be the porter of Hell, he would struggle to open the gate.

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Act II, Scene IV, lines 5-9 "Thou seest the heavens, as troubled with man's act, threatens his bloody stage. By th' clock 'tis day, and yet dark night struggles the traveling lamp: Is 't night's predominance, or the day's shame, that darkness does the face of earth entomb, when living light should kiss it?"

# data[].attributes.subject
Act II, Scene IV, lines 5-9 "Thou seest the heavens, as troubled with man's act, threatens his bloody stage. By th' clock 'tis day, and yet dark night struggles the traveling lamp: Is 't night's predominance, or the day's shame, that darkness does the face of earth entomb, when living light should kiss it?"

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Ross talks to the old man about how the darkness of the night shines over the castle after the bloody act of the night.

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Act IV, Scene I, lines 12-19 "Fillet of a fenny snake, in the caldron boil and bake; Eye of newt and toe of frog, Wool of bat and tongue of dog, Adder's fork and blindworm's sting, Lizard's leg and howlet's wing, For a charm of pow'rful trouble, Like a hell-broth boil and bubble."

# data[].attributes.subject
Act IV, Scene I, lines 12-19 "Fillet of a fenny snake, in the caldron boil and bake; Eye of newt and toe of frog, Wool of bat and tongue of dog, Adder's fork and blindworm's sting, Lizard's leg and howlet's wing, For a charm of pow'rful trouble, Like a hell-broth boil and bubble."

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The witches are using multiple animal body parts and stirring them into a cauldron to make a potion.

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Act V, Scene I, lines 4-8 "Since his Majesty went into the field. I have seen her rise from her bed, throw her nightgown upon her, unlock her closet, take forth paper, fold it, write upon 't, read it, afterwards seal it, and again return to bed; yet all this while in a most fast sleep."

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Act V, Scene I, lines 4-8 "Since his Majesty went into the field. I have seen her rise from her bed, throw her nightgown upon her, unlock her closet, take forth paper, fold it, write upon 't, read it, afterwards seal it, and again return to bed; yet all this while in a most fast sleep."

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The gentlewoman is describing the sight of seeing Lady MacBeth sleep-walk through the night of Duncan's murder.

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Act V, Scene V, lines 32-34 "As I did stand my watch upon the hill, I looked toward Birnam, and anon, methought, the wood began to move."

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Act V, Scene V, lines 32-34 "As I did stand my watch upon the hill, I looked toward Birnam, and anon, methought, the wood began to move."

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The messenger is describing the sight of seeing the woods of Birnam quite literally move towards the castle.

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Act IV, Scene II, lines 30-35 "Sirrah, your father's dead; And what will you do now? How will you live? As birds do, mother. What, with worms and flies? With what I get, I mean; and so do they. Poor bird! thou'dst never fear the net nor lime, The pitfall nor the gin."

# data[].attributes.subject
Act IV, Scene II, lines 30-35 "Sirrah, your father's dead; And what will you do now? How will you live? As birds do, mother. What, with worms and flies? With what I get, I mean; and so do they. Poor bird! thou'dst never fear the net nor lime, The pitfall nor the gin."

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The son is saying that if his father is dead he will fly like a bird and run

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Act III, scene I, lines 92-94                " Ay, in the catalogue ye go for men; As hounds and greyhounds, mongrels, spaniels, curs, shoughs, water-rugs and demi-wolves, are clept."

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Act III, scene I, lines 92-94                " Ay, in the catalogue ye go for men; As hounds and greyhounds, mongrels, spaniels, curs, shoughs, water-rugs and demi-wolves, are clept."

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men symbolized as these animals because they're strong

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Act III, Scene II, lines 13-15 "We have scotched the snake, not killed it: She'll close and be herself, whilst our poor malice Remains in danger of her former tooth.

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Act III, Scene II, lines 13-15 "We have scotched the snake, not killed it: She'll close and be herself, whilst our poor malice Remains in danger of her former tooth.

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They are comparing there problems to a snake and how they have only barely solved them.