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Loplop Introduces Members of the Surrealist Group (1931) by Max Ernst

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Loplop Introduces Members of the Surrealist Group (1931) by Max Ernst

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Ernst shows his skill with collages in this piece and the fluidity of the medium. He uses many different cut out pieces and pictures that may not have typically been put together, to create a story and interest.

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The figures are the most obviously fluid of this piece, making it dramatic and almost violently dance-like. This specific Picador piece by Pablo Picasso is not only fluid itself but also, with knowledge of his history, shows the fluidity of his career.

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Untitled from Eve (2006) by Wangechi Mutu

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Untitled from Eve (2006) by Wangechi Mutu

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Wangechi Mutu’s collection Eve uses the results of an internet search of the biblical figure Eve to create vastly different images. These differences are greatly apparent when looking at the collection all together but shows the fluidity of not only the figure, Eve, but also the usage of female archetypes in ways to represent a certain image. I picked this specific piece because of the ranging shapes and shades seen on it and also for the varying interpretations it can have.

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Sketch for World Map (1972) by Oyvind Fahlstrom 

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Sketch for World Map (1972) by Oyvind Fahlstrom 

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Fahltrom’s World Map looks very cluttered and overwhelming at first glance because of his ability to connect everything together. At a closer look we can see how his work is assembled in a fluid, yet individual, way that expresses his political concerns in each area.

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This specific piece isn’t specifically fluid but is picked for this curation more for the concept of using classic paintings. Like the Eve collection, its fluidity is in the figure and usage of it for an image. In this case this poster is advertising the circus and using a classic figure to attract eyes.

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The only really visible fluid piece of this painting is the large drapery structure in the main view. I picked this one because of that fluid piece but more so for the cascading string of questions it brings up.

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Prototype for La Chaise (1948) by Charles and Ray Eames

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Prototype for La Chaise (1948) by Charles and Ray Eames

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This prototype for La Chaise is the first furniture of this curation. The piece by Charles and Ray Eames is described as expressive and is fluid as it does not confine users to sit a specific way as well as overall looking like a sort of cirrus cloud, combining flowing elements of nature with our everyday lives.

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Arp's Classic Sculpture is visually flowing and in its name, takes a stab at the meaning of classic sculpture. It shows fluidity of what it means to be classic and the different forms of classical sculptures.

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Mom's Foot Blue and Orange (1997) by Sue Williams 

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Mom's Foot Blue and Orange (1997) by Sue Williams 

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Williams work, her rendition on feet, is made in many strokes that all seem to blend together in a very fluid and almost cartoonish way.

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Though not fully a fleshed out image, we can tell in this piece that there is two subjects, a human and a horse. This shows Miro’s ability to bring to life images of things through unusual, more fluid shapes.

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The second piece of furniture in this curation also shows the fluid opportunities of typical pieces of furniture. It redefines what it means to play the game of chess and can combine the game into everyday lives when used dually as a coffee table. Noguchi was inspired by Surrealist vocabulary as well as Chinese calligraphy.