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Who- Kodak

What- The brownie

Why- Public access for more money.

When- 1900

Where- USA

How- Mass Distribution ($1.00 each) to the public in stores.

What did it do? Liberated would be photographers from the dark room and captured people together who were separated by distance.

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Who- Kodak

What- Cheap ways to send photographs to friends and family

When- 1908

Where- USA

How- Koda provides printing on a strong paper base for sending with space on the back to write a message.

What did it do? Fulfilled the function of newspaper photographs to family and friends, covered family events etc. to people not in the community. Paved the way for photo montage.

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Magazine photography- Henry Cartier Bresson

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Magazine photography- Henry Cartier Bresson

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Who: Henri Cartier-Bresson is held by some to be the father of modern photojournalism, although this appellation has been applied to various other photographers, such as Erich Salomon, whose candid pictures of political figures were novel in the 1930s.

What: Magazine photographers are photojournalists who use artistic ability and technological skills to create photos to accompany magazine articles.

Why: Images grab attention, If you include an image in a media release, article in a magazine, or blog post it will grab the reader's attention better than a block of text.

When: 1925

Where: Started in germany

How:  Magazine photography is used by telling news stories with pictures to transform the way people see the world.

What did it do: Created Photojournalists so they can work as freelance photographers, or can be employed by photo agencies, magazines or local newspapers

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Who: The British photographer Philip Delamotte (1821-89), who was among the first artists to use photography as a means of recording important events

What: Documentary photography usually refers to a popular form of photography used to chronicle events or environments both significant and relevant to history and historical events as well as everyday life.

Why: Documentary photographers provide a window into the lives of people and places most people would never have access to.

When: 1861

Where: America

How: To chronicle events or environments both significant and relevant to history and historical events as well as everyday life.

What did it do: Create a style of photographs that presents straightforward records of events, people and places, often recording important historical or political moments.

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Who: American Alfred Stieglitz, who began as an amateur but quickly made the promotion of pictorialism his profession and obsession.

What: Pictorialism is an international style and aesthetic movement

Why: A photograph, like a painting, drawing or engraving, was a way of projecting an emotional intent into the viewer's realm of imagination.

When: 1860

Where: London

How: The photographer tries to emulate a work of art, mostly paintings, in a photograph

What did it do: An approach to photography that emphasizes beauty of subject matter, tonality, and composition rather than the documentation of reality.

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Who: Eadweard Muybridge is best known for his photographic studies of motion of humans and animals

What: Motion photography is about showing movement.

Why: Motion Studies Photography is to tell a modern way to tell stories with movement in pictures

When: 1800

Where: Pennsylvania

How: Panning is used to capture blur not just from contexts, but also from the subject, while also focusing on one subject.

What did it do: opened up an entirely new way of thinking about photography, human and animal movement, and even the concept of time.

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Who: Jacob Riis and Lewis Hine

What: The medium of photography to bring evidence of their claims to these viewers.

Why: Social reform photography may best be called "social reform," for each photographer who used the medium to effect social change.

When: 1906

Where: USA

How: to  use photography to win support for social causes: poverty and homelessness, AIDS, the farm crisis, the environment.

What did it do: This helped effect social change.

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Who: Paul Strand

What: Used to show social, political and aesthetic potential,

Why: It works by putting products, goods or services in front of an audience, and then convincing them to be interested.

When: 1920

Where: America

How:Photographers created sharply focused images, with emphasis on formal qualities, exploiting, rather than obscuring the camera as an essentially mechanical and technological tool.

What did it do: Create High-quality and eye-catching images so that the brand's message is delivered through customers engaging with the advert.

10. Propaganda Photography

Who: Roger Fenton- hired by Thomas Agnew to go to the war and bring back photos that he could sell to the upper-class history buffs.

What: Propaganda is communication that is used primarily to influence an audience and further an agenda

Why:photographs were used as a means of controlling both subjects and audiences.

When: 1855

Where: During WWII

How:Throughout World War Two, photographs were used as a means of controlling both subjects and audiences. People have a natural tendency to believe whatever is evident in an image, which makes photography the perfect foundation for propaganda.

What did it do: Official war photographers became tools of propaganda, offering civilians at home a view at the war, while protecting them from the horrors of death.

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Who: Roger Fenton- hired by Thomas Agnew to go to the war and bring back photos that he could sell to the upper-class history buffs.

What: Propaganda is communication that is used primarily to influence an audience and further an agenda

Why:photographs were used as a means of controlling both subjects and audiences.

When: 1855

Where: During WWII

How:Throughout World War Two, photographs were used as a means of controlling both subjects and audiences. People have a natural tendency to believe whatever is evident in an image, which makes photography the perfect foundation for propaganda.

What did it do: Official war photographers became tools of propaganda, offering civilians at home a view at the war, while protecting them from the horrors of death.

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Who: Emile Gauvreau

What: Tabloid journalism, a type of popular, largely sensationalistic journalism that takes its name from the format of a small newspaper.

Why: To put emphasis on such topics as sensational crime stories, astrology, celebrity gossip and television.

When: 1770

Where: Started in london.

How: Used to censor stories damaging to the paper's allies, Known as "catch and kill", tabloid newspapers may pay someone for the exclusive rights to a story, then choose not to run it.

What did it do: The 'red tops' report on politics and international news but tend to include more celebrity gossip and scandal.

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Who: Félix Nadar

What: Photographers who shoot candid photos of celebrities with or without their consent, in the hope of capturing an exclusive image.

Why: for the purpose of capturing an exclusive image.

When: 1825

Where: Started in france

How: Photographers may be assigned portrait sessions with celebrities, shot on location or in a photo studio

What did it do: A celebrity photographer is a professional who earns their living by taking pictures of public figures.including performers in the field of entertainment, well-known business professionals, athletes, public servants, politicians, and other newsworthy individuals.

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Murry Becker and the speed graphic camera

Murray Becker was one of the key photographers of the Hindenburg disaster, the crash of a Nazi dirigible at Lakehurst, NJ on May 6, 1937. The Murray Becker collection consists predominantly of sixteen silver gelatin prints of the Hindenburg disaster

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The photographer Arthur Fellig, more commonly known by his

nickname "Weegee," became famous for his grisly, exciting photos of murders on the streets of New York City.

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Henry Luce

Henry Robinson Luce (April 3, 1898 – February 28, 1967) was an American magazine magnate who was called "the most influential private citizen in the America of his day".[1] He launched and closely supervised a stable of magazines that transformed journalism and the reading habits of millions of Americans.

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Dorothea Lange

Migrant Mother" by Dorothea Lange have become icons by which later generations have been able to sense what the Depression must have felt like living through it. Lange  took many photographs of poverty-stricken families in squatter camps.

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Gordon Parks

Parks was one of the most groundbreaking figures in 20th century photography. His photojournalism during the 1940s to the 1970s reveals important aspects of American culture, and he became known for focusing on issues of civil rights, poverty, race relations and urban life.

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The development of the National Parks

The Zone System

Photographer Ansel Adams is among the great names associated with the national parks and conservation in America. His work with the National Park Service and the Sierra Club greatly influenced his artistry images. zone-system of Ansel Adams divides the photo into eleven zones; nine shades of gray, together with pure black and pure white.

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Photographers were there every step of the way to capture the heroic triumphs and devastating losses.

Great Britain, the Soviet Union, China, and France

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Richard Avedon was the most influential fashion photographer of the post-war era. His enduring images helped to define America's image of style, beauty and culture for the second half of the twentieth century.

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An ambitious exhibition, which brought together hundreds of images by photographers working around the world, was a forthright declaration of global solidarity in the decade following World War II.

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Robert Frank

Started working as a commercial photographer in Switzerland from 1941 until 1947 when he traveled to the United States, he worked as a fashion photographer. He started his career in Harper's Bazaar and New York became his new home.

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The Emmett Till Generation

The publication of the searing image of Emmett till photographed by David Jackson and first published in Jet magazine, with a stoic Mamie gazing at her murdered child’s ravaged body, that forced the world to reckon with the brutality of American racism.

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Civil Rights Photography Danny Lyon , Birmingham race riots 1960

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Civil Rights Photography Danny Lyon , Birmingham race riots 1960

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Mr. Lyon had taken a picture in 1963 in Birmingham, That looked very much like four officers standing in front of a police car with rifles and helmets, in a city where highly publicized clashes between protesters and the police helped turn the tide of public opinion toward the civil rights movement.

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Vietnam War The big 4 photographs and the pulitzer prize winning photographers that  shot these images and changed the course of the war

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Vietnam War The big 4 photographs and the pulitzer prize winning photographers that  shot these images and changed the course of the war

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On June 8, 1972 Nick Ut took just such a picture, a photograph that stopped the war. The photograph is said to be one of the most memorable photographs of the 20th Century.

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Life Magazine One Weeks Dead  Results of public publication of the war.

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Life Magazine One Weeks Dead  Results of public publication of the war.

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In June 1969, LIFE magazine published a feature that remains as moving and, in some quarters, as controversial as it was when it intensified a nation’s soul-searching 45 years ago. On the cover was the image of a young man and 11 stark words: “The Faces of the American Dead in Vietnam: One Week’s Toll.” Inside, across 10 funereal pages, LIFE published picture after picture and name after name of 242 young men killed in seven days halfway around the world “in connection with the conflict in Vietnam.”

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 Whole Earth Magazine that started the Environmental movement

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 Whole Earth Magazine that started the Environmental movement

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50 Years Ago, the Whole Earth Catalog Launched and Reinvented the Environmental Movement. In the fall of 1968 a Stanford-trained biologist, organizer of the legendary Trips Festival and Merry Prankster named Stewart Brand published the first Whole Earth Catalog.

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Taken aboard Apollo 8 by Bill Anders, this iconic picture shows Earth peeking out from beyond the lunar surface as the first crewed spacecraft circumnavigated the Moon, with astronauts Anders, Frank Borman, and Jim Lovell aboard.

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Evidence Crime Scene Photography  new careers in this field and photography as evidence

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Evidence Crime Scene Photography  new careers in this field and photography as evidence

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Crime scene photography is an important part of the collection of evidence at the crime scene, as it documents the appearance and location of victims, shell casings, footprints, bloodstain patterns, and other physical evidence and produces a permanent, visual record.

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The Photo Op Political Photography and its propaganda and why do some still use film

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The Photo Op Political Photography and its propaganda and why do some still use film

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Candidates try to exert tighter control over images and their meanings, the pictures end up being more predictable. photographs were used as a means of controlling both subjects and audiences. People have a natural tendency to believe whatever is evident in an image, which makes photography the perfect foundation for propaganda.

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The Gulf War David Turnley and his winning photograph

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The Gulf War David Turnley and his winning photograph

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While being evacuated to a hospital by helicopter, wounded US Sgt. Ken Kozakiewicz grieves as he learns that the body bag is next to the wounded Cpl. Michael Tsangarakis contains the remains of his friend Andy Alaniz.

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The digital age Have you seen me photo escalation of the age of missing children

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The digital age Have you seen me photo escalation of the age of missing children

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Missing children appeared on pizza boxes, grocery bags, and junk mail envelopes alongside the question, “Have you seen me?” The milk carton campaign was probably the most visible aspect of the movement—by 1985, 700 of the nation’s 1,800 independent dairies had adopted the practice.

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Photography  art Pictorials morphed into fine art, pop art etc... The artist / photographers that did this

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Photography  art Pictorials morphed into fine art, pop art etc... The artist / photographers that did this

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Pop Art's refreshing reintroduction of identifiable imagery, drawn from media and popular culture, was a major shift for the direction of modernism. With roots in Neo-Dada and other movements that questioned the very definition of “art” itself, Pop was birthed in the United Kingdom in the 1950s amidst a postwar socio-political climate where artists turned toward celebrating commonplace objects and elevating the everyday to the level of fine art.

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How we remember History through photographs

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How we remember History through photographs

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Concentrating while choosing a shot requires attention which in turn aids memory. And looking at photos later helps us remember more about the context and the events behind the photo.

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How photographs link us together as a human society and as people

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How photographs link us together as a human society and as people

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Millions of people share their personal, passionate, and sometimes quirky take on the world around them. In other words, our images can share our lives with strangers and communicate.