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An "Action Match" is a cut which splices two different views of the same action together at the same moment in the movement, making it seem to continue uninterrupted.
(https://filmanalysis.coursepress.yale.edu/editing/) Section: Action Match,

Match cuts comprise the majority of cuts editors make. Why? Because they push the story forward seamlessly, maintaining the continuity - physical relationships (characters, geography, props, etc) and narrative flow - of the action. When you make smooth match cuts, viewers won't notice them. This "invisible" editing, as it's called, leaves your audience engrossed in the story and its players -precisely your intention!  (Book: Cut by Cut, page:152 "Last word on match cuts")

Example: https://www.youtube.com/watch?v=NBjSjD1Bi_E

https://www.youtube.com/watch?v=5qq9vGSOr5Y

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Match cutting is the film editing technique where the director cuts from one shot to a different shot with the same object, but the object moves or is placed the same way as the previous shot so that the two shots seems seamless  (Robertson, M. R. 2012)  Framing match branches of from this by applying the same priceable but with matching angles of shot, medium shots, ect (Chandler. G, 2009)

Chandler. G. (2009 ) Film editing Retrieved September 26 2017

Robertson, M. R. (2012, November 28). Match Cut Editing - Definition, Examples, & Tips. Retrieved September 26, 2017, from http://tubularinsights.com/match-cut/

Examples:
https://www.youtube.com/watch?v=DCmwPeEGjtE

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An example of a "match cut," in which two shots with similar compositional elements are joined (in this case, obviously, the bone and the space station). These types of cuts are often used for simply aesthetic reasons, or, as in this case, to suggest a metaphorical or thematic connection.

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"When two characters (or objects) are interacting especially in dialogues scenes, the editor will often match angles, especially as the scene reaches it's climax".
Source: 'Film Editing', Gael Chandler, 2009.
Our definition: Used to give a good orientation of height or position of characters in the scene and will match the different cuts of the scene to maintain continuity. This can create a particular mood, emotional response ie. tension, fear, intimacy, interrogation etc.  Some examples of this is from the movie, 'Closer' in both Alice & Dan's break up scene and the jealousy fuelled break up scene and also from the death scenes in 'Scream'.
https://www.youtube.com/watch?v=Vv57gssfuBU
https://www.youtube.com/watch?v=dHkteemj3RI&t=41s
https://www.youtube.com/watch?v=fKhxqap27Sc

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- Recall the three forms of literary voice: first person, second person, and third person. In first person storytelling(whether in a short story, novel, or in film) , a character in the story is describing the events. For example, Imagine we are watching some people arguing from 20 feet away. In case we are just watching those people over there and we can see them arguing there is not much motivation for us to get deeply involved physically or emotionally. [Brown, B. (2011). Cinematography: theory and practice. Retrieved from http://ebookcentral.proquest.com]

Example of POV
https://www.youtube.com/watch?v=96EChBYVFhU

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The alternation of a shot showing a person looking offscreen with a shot of what that person is looking at. Or more generally, the precise directing of a character's gaze so that it corresponds to the spatial lay-out of characters and objects established in earlier shots.
https://www.youtube.com/watch?v=mtQDncQHOXs
MIT, Film Lexicon

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A close up of a specific aspect that appeared further away in the preceding shot.

https://youtu.be/J63BChHL2oA?t=2m22s

In the above clip, the assassin is shown from the waist up before a cuts in towards a dagger that is hidden within his sleeve.

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http://library.saeaustralia.edu.au/downloads/apa_sae.pdf

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Magic Of Movie Editing Subtitulado al español

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The cutting Edge The Magic of Movie Editing (Full Documentary)

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Using Powerful Camera Angles and Shots for Filmmaking

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This is a tutorial for beginner filmmakers. We cover the most common types of shots and camera angles and how to use them. We cover dolly shots, jibs and camera movement as well.

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An instantaneous change from one shot to the next. The last full frame of picture for a clip is immediately followed by the first full frame of picture for the next clip.

Bowen, C. J., & Thompson, R. (2013). Grammar of the Edit. London: Focal Press.

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A transitional effect where the first (outgoing) shot disappears as the second (incoming) shot appears.

Chandler, G. (2009). Film editing: great cuts every filmmaker and movie lover must know. Studio City, CA: Michael Wiese Productions.

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A gradual merging of the end of one shot into the beginning of the next, produced by the superimposition of a fade-out onto a fade-in of equal length.

Dancyger, Ken. The Technique of Film and Video Editing: History, Theory, and Practice (p. 437).

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Handles are extra video before the In and after the Out. This is the overlap - the grey blocks below, where both are on screen at the same time.https://larryjordan.com/articles/a-matter-of-handles/

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FADE-IN A gradual change from a solid color-filled screen [typically black] into a fully visible image (aka, fade from black or fade-in).
FADE-OUT A gradual change from a fully visible image into a solid color-filled screen [typically black] (aka, fade to black or fade-out).

Bowen, C. J., & Thompson, R. (2013). Grammar of the Edit. London: Focal Press.

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A transition from one shot to another in which a line appears to travel across the screen, removing one shot and revealing another.

Dancyger, Ken. (2017) The Technique of Film and Video Editing: History, Theory, and Practice. Focal Press.

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Used interchangeably to describe a cut to a small, significant detail of a scene.

Chandler, G. (2009). Film editing. Studio City, CA: M. Wiese Productions.

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Shot/reverse shot is movie grammar developed during the classical Hollywood studio system. In a two-character scene, the camera is on one person, with the second shot from the back. The reverse angle is when the person shot from the back in the first shot is now on camera, the on-camera person in the first shot is now seen from a rear view. The result is a dimension view that one could see in life. Cutting back and forth with these shots while a dialogue sequence is underway connects the characters back, this allows the editor to play lines from this character that are not synched sound but chosen from other takes or rerecorded during the ADR process.

LoBrutto, V.
(2012) The art of Motion Picture Editing. p32.

Shot/reverse shot is when the camera is on one character (called shot) then shift to another character/object (reverse shot) used to evoke particular feelings and emotions within the audience.

https://www.youtube.com/watch?v=h0xiCIMIwLY

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A reaction shot is when the camera is on the listener. Reaction shots connect the speaker to the listener and give a visual insight into the character's relationship

LoBrutto, V.
(2012). The art of Motion Picture Editing
New York, N.Y.: Allworth P.