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Overall intonation (especially at C) and note clarity; needs energy and dynamic contrast

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Tuning and Balance
Coming in together on small eighth note runs
Not playing like 💩 at times

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Dynamic contrast
Attacks in general
Coming in at V together
Articulation in 16th note runs
Softer during first solo

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Having bass only play on 1 & 3 and everyone matching up to work on timing and cohesion as a small ensemble

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For example at measure 3, come in on the and of 1!!! Not 2

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Still intonation problems. Louds need to be louder. Entrances are hesitant and unclear. Articulation disagreement especially with the accents

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Need to attack the same length and tuning at the end. Holding notes and giving them the correct value.

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I guess I’m technically my own section here
More staccato at 17
Need to work on articulation a lot
That ending tho 😩❤️💕 yeah I need to git gud
Learn 2 noodle
FAVORITE BIG BAND and soul music on your lemon scented record player

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We need to work on timing and instead of trying to match the speed of each other we should be trying to pull back to the original tempo.

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Focus on hitting articulations every time
Especially accents
Crescendo at 25

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Balance gets weird at times. Entrances after the drums aren’t very precise

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Working on having piano and bass line up in their part and anchoring their tempo by drums. Rhythmic accuracy in the parts as well.

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Matching articulation and note length. Having a little more dynamic contrast.

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Saxes have to get as good as this https://youtu.be/Yw9YGVM_YK4

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Saxes have to get as good as this https://youtu.be/Yw9YGVM_YK4

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Jetpacksophone - Goldfish® Flavour Blasted® Xtreme Cheddar

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40, second note is long when it needs to be short
102 timing seems weird
More emphasis on the repetitive phrase at 109 (Cresendo)
Tuning specifically at 109
At 61 timing
106 we need to focus on playing together

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For fills in the middle of phrases, stay on snare and hi hat, stay away from weird 16th note offbeat fills on the hi hat

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Tuning
PLAYING EIGHTH NOTES THE SAME LENGTH!
Matching articulation length
Nailing measures 99-102

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Balance is really bad at times, a lot of it being part of intonation issues throughout. Downbeats at 49 and 110 are unclear. Backgrounds need work

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Consistent volume of sound throughout the section. 69 rushing. Build at 58.

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96-106 needs to blend better
Overall comping
Intro sync between bass and kick drum
Bass right hand muting
57-60 and 118- 122 for guitar

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FIGURE OUT THE RHYTHMS AND STOP PLAYING STUPID

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Focus on lining up attacks on 13 to 36. Rythms from 86 to 89. Building in volume when we play the same part over again. Specifically at 37-48 and 74-81. Focus on general articulations throughout the song.

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Playing together

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Staying together during the solo section and listening to each other to be able keep time

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More accents on the and of 4. Bigger dynamic contrast among the same phrases (37-49