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Thesis statement:  la casa embrujada se presenta como una figura materna que refleja no solo la psique de la protagonista, sino que

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- por su enfoque en la emoción de la protagonista, su acercamiento hacia "lo otro" ( que nunca es especificado), la idea de la casa embrujada, la figura de la dama inocente, la exploración de las relaciones femeninas y los miedos específicos se puede considerar que Hill House pertenece al género del gótico

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-¿Qué tipo de narrativa es ?
novela
-¿ qué tipo de narrador tiene?
3ra persona omnipresente
-¿Cómo se gestan las acciones a través del tiempo?
-¿Pertenece a un género explícito o dialoga con alguno?
se considerada una novela gótica , juega con el género del horror psicológico y female gothic.

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“During the whole underside of her life, ever since her first memory, Eleanor had been waiting for something like Hill House. Caring for her mother, lifting a cross old lady from her chair to her bed, setting out endless little trays of soup and oatmeal, steeling herself to the filthy laundry, Eleanor had held fast to the belief that someday something would happen.”

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1. espacio en la novela gótica

2. tradición gótica literaria

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•	“No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.” 

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" This house, which seemed somehow to have formed itself, flying together into its own powerful pattern under the hands of its builders, fitting itself into its own construction of lines and angles, reared its great head back against the sky without concession to humanity. It was a house without kindness, never meant to be lived in, not a fit place for people or for love or for hope. Exorcism cannot alter the countenance of a house; Hill House would stay as it was until it was destroyed” (24).

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"When I am afraid, I can see perfectly the sensible, beautiful not-afraid side of the world, I can see chairs and tables and windows staying the same, not affected in the least, and I can see things like the careful woven texture of the carpet, not even moving. But when I am afraid, I no longer exist in any relation to these things. I suppose because things are not afraid."

"I think we are only afraid of ourselves," the doctor said slowly.

"No," Luke said. "Of seeing ourselves clearly and without disguise."

"Of knowing what we really want," Theodora said. She pressed her cheek against Eleanor's hand and Eleanor, hating the touch of her, took her hand away quickly.

"I am always afraid of being alone," Eleanor said,” (117)

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“No human eye can isolate the unhappy coincidence of line and place which suggests evil in the face of a house, and yet somehow a maniac juxtaposition, a badly turned angle, some chance meeting of roof and sky, turned Hill House into a place of despair, more frightening because the face of Hill House seemed awake, with a watchfulness from the blank windows and a touch of glee in the eyebrow of a cornice. Almost any house, caught unexpectedly or at an odd angle, can turn a deeply humorous look on a watching person; even a mischievous little chimney, or a dormer like a dimple, can catch up a beholder with a sense of fellowship; but a house arrogant and hating, never off guard, can only be evil. "

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1. https://servicioar.pbidi.unam.mx/cgi-bin/ezpmysqlssl.cgi?url=https://www.jstor.org/stable/441187

2. https://servicioar.pbidi.unam.mx/cgi-bin/ezpmysqlssl.cgi?url=https://www.jstor.org/stable/464139

3. https://servicioar.pbidi.unam.mx/cgi-bin/ezpmysqlssl.cgi?url=https://www.jstor.org/stable/43151007

4. https://servicioar.pbidi.unam.mx/cgi-bin/ezpmysqlssl.cgi?url=https://www.jstor.org/stable/43653367

5. https://servicioar.pbidi.unam.mx/cgi-bin/ezpmysqlssl.cgi?url=https://www.jstor.org/stable/23595549

6. https://servicioar.pbidi.unam.mx/cgi-bin/ezpmysqlssl.cgi?url=https://www.jstor.org/stable/25112603

7. https://servicioar.pbidi.unam.mx/cgi-bin/ezpmysqlssl.cgi?url=https://www.jstor.org/stable/23740372

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1. http://web.a.ebscohost.com.pbidi.unam.mx:8080/ehost/detail/detail?vid=2&sid=b813115d-9048-40f1-a158-75911a9794a0%40sdc-v-sessmgr03&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=2019393669&db=mzh

2. http://web.a.ebscohost.com.pbidi.unam.mx:8080/ehost/detail/detail?vid=7&sid=b813115d-9048-40f1-a158-75911a9794a0%40sdc-v-sessmgr03&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=2016391647&db=mzh

3. http://web.a.ebscohost.com.pbidi.unam.mx:8080/ehost/detail/detail?vid=15&sid=b813115d-9048-40f1-a158-75911a9794a0%40sdc-v-sessmgr03&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=2012030396&db=mzh

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“When she stood still in the middle of the room the pressing silence of Hill House came back all around her. I am like a small creature swallowed whole by a monster, she thought, and the monster feels my tiny little movements inside. "

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Citas