# data[].attributes.body
The link between the musician and song is inherently dictated by the core emotion of the song. According to Ratliff, the instruments, arrangements, pace and other aural objects are merely physical manifestations of the musician’s core. In chapter 18 Ratliff mentions Donald Lawerence's "Spiritual" as an example of linking. He justifies this example by commenting on how the momentum of the song mirrors the feeling of overwhelming, religious fervour. It builds and builds until that final "hallelujah." One unlikely example of "linking" can be heard in Iceage's "Against the Moon." This danish post-punk band took the lead singer's hopelessness and regret and scored it with a drunken ballad that limps its way to a crescendo.

# data[].attributes.body
"It is a song of the sea, and carries within it something about waves and tide, a quality of time and movement." - (Ratliff, pg. 212)

# data[].attributes.body
"I think about music like this as linking music. Rather than settling within its prescribed parameters, it seems to move inexorably forward and outward, unfolding and enfolding, according to the logic that suits it best." - (Ratliff, pg. 209)

# data[].attributes.headline
A Tribe Called Quest - Electric Relaxation

# data[].attributes.subject
A Tribe Called Quest - Electric Relaxation

# data[].attributes.attachment_link.title
Donald Lawrence - Spiritual (Lyric Video)

# data[].attributes.attachment_link.description
Against the Moon, a song by iceage on Spotify