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FROM 04. Jul 2022. Modern acts.

FROM 26. Mar TO 01. Aug 2022. Adriana Varejão: Sutures, fissures, ruins.

FROM 24. Sep TO 28. Feb 2023. Jonathas de Andrade.

FROM 02. Apr TO 22. Aug 2022. Ayrson Heráclito: Yorùbáiano.

FROM 17. Sep TO 16. Jan 2023.

FROM 26. Feb TO 15. Aug 2022.

FROM 08. Oct TO 10. Apr 2023.

FROM 14. May TO 12. Sep 2022

OF 08. Oct. On January 30, 2023, Dalton Paula

FROM AUG 27 TO JAN 30, 2023, OUT THE STREETS: MODERN LIFE AND DIVERSITY IN US ART (1893-1976)

FROM 22. Jan TO 31 December 2022, MODERNISM.

COLLECTION HIGHLIGHTS FROM 19. Jun TO 16 May 2023, A WORK

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Pinacoteca is a visual arts museum focusing on Brazilian production from the 19th century to the present day. It belongs to the Minister of Culture of the State of São Paulo. Founded in 1905 by the government of the state of São Paulo, it is the oldest art museum in the city. It was installed in the former building of the Academy of Arts and Crafts, designed by the architect Ramos de Azevedo at the end of the 19th century. In the 1990s, it underwent extensive renovations designed by the architect Paulo Mendes da Rocha. The Pinacoteca hosts around 30 exhibitions and receives around 450,000 visitors a year. The museum's main focus is to provide the public with a better visual arts experience through its collections, construction and historical relevance. Next to the Pinacoteca is the Parque da Luz, also known as Jardim da Luz, created in 1798 as a botanical garden and opened to the public in 1825, becoming the first leisure space for the population of São Paulo. In 1981, the park was listed as a historical heritage site and today it houses around 30 sculptures that are part of the Pina Kotka Collection in São Paulo. Participating artists include Victor Brechere, Amilka de Castro, Maria Martins, Ligia Reinach and more. In 2004, continuing the integration process, the Pinacoteca de São Paulo incorporated the Largo General Osório building, which was originally the warehouse and offices of Estrada de Ferro Sorocabana. Renovated by architect Haron Cohen, the place was renamed Pina Estação and received part of the Pinacoteca's temporary exhibition program. building that is also the headquarters of the São Paulo State Secretariat for Political and Social Order (Deops/SP), 1940 between 1983 and 1983. The agency works to preserve the memory of republican resistance and political repression in Brazil. Its achievements include permanent exhibitions and temporary exhibition programs. Pina Luz, with three floors and exhibition halls, is the only museum in São Paulo with 700 works and more than 2,000 square meters of art history in Brazil from colonial times to the 1970s, but it has been on the market since 1981. The garden covers an area of ​​82,000 square meters, with several Brazilian sculptures on the lawn, two reflecting pools and two lakes.

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The Modern Art Week was an artistic and cultural event that took place from February 13 to 18, 1922 at the Municipal Theater of São Paulo. The event brings together various dances, music, poetry readings and exhibitions of works (paintings, sculptures and lectures). The participating artists propose a new artistic vision based on an innovative aesthetic inspired by European avant-garde art. Together they pursued a social and artistic renaissance in the country, as evidenced by the "Week of 22". The event shocked some members of the public and brought new perspectives on the artistic process and the presentation of a "more Brazilian" art. There were advances in academic art that contributed to aesthetic changes and to the modernist movement in Brazil. Mário de Andrade is a central figure and one of the main organizers of the 22-year-old Modern Art Week. It was joined by other organizers: the writer Oswald de Andrade and the plastic artist Di Cavalcanti.

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For Di Cavalcante, Semana de Arte: "It will be a week of literary and artistic scandals, putting stirrups in the belly of the São Paulo bourgeoisie." This is how the three-day artistic, political and cultural event (February 13, 15 and 17) brings together irreverent and controversial young artists. The event began with a presentation by the author Graça Aranha: "Aesthetic Sensitivity in Modern Art"; followed by a musical performance and an art exhibition. Full of activity, it was a relatively quiet night. On the second day, there was a musical performance, a lecture by the writer and artist Menotti del Picchia and the reading of the poem "Os Sapos" by Manuel Bandera. Ronald de Carvalho did the reading because Bandera was in the midst of a tuberculosis crisis. In this poem, the criticism of Panasis' poetry is harsh, causing public outrage, many boos, barks and whistles. That day, the musician took the stage wearing a coat, shoes on one foot and flip-flops on the other. The audience booed, thinking it was outrageous, but later explained that the artist had a callus on his foot.

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Details about the activity of the Pinacoteca:

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Details about the activity of the Pinacoteca:

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The Pinacoteca celebrates the 100th anniversary of the Modern Art Week with a new exhibition. To celebrate the 100th anniversary of the Modern Art Week, the Pinacoteca de São Paulo will present the exhibition "Modernism. Highlights of the Collection" until December 31, 2022. , at least 134 are related to modernism, including the historical painting Amigos, by Di Cavalcanti, now in 1922. Semana de Arte Moderna de São Paulo. Works related to modernism can be identified by stamps. In this program, works also stand out: Antropofagia, Tarsila do Amaral; Self-portrait, Victor Brechere; Bananal, Lasalle Segali; Lovers on the Varanda, Cícero Dias; Two Brothers, Ismail Neri; Perfume Carrier by Victor Brecheret; Portrait Gofredo Silva Telles, Lasar Segall and São Paulo, Tarsila do Amaral. The exhibition is also part of Agenda Tarsila, an initiative of the Minister of Culture and Creative Economy of the State of São Paulo that combines commemorative events, unpublished content with information, history, curiosities and interviews about the 1922 Modern Art Week, considered one of the most important landmarks of Brazilian culture.

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Importance of Art Week and its contribution:

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Importance of Art Week and its contribution:

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That week, the new language marked the construction of creative freedom, but the situation was not conducive to transformation. In the middle of the Old Republic, conservatism was used in the oldest European model of aesthetics, and the movement was marked by innovative ideas that abolished the aesthetic perfection celebrated in the 19th century. Among the modernist artists, Oswald de Andrade stood out in literature, Víctor Brecheret in sculpture and Anita Malfati (Anita Malfatti, responsible for the first exhibition of Brazilian modernism in 1917, stood out in painting. Her work was influenced by Cubism, Expressionism and Futurism , and there was an uproar in the society of the time. As the target of much criticism, the Modern Art Week only gained importance over the years, and its main legacy is to separate Brazilian art from the reproduction of European standards and begin to build a culture fundamental national.

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01. Károly Pilcher, Oração, 1970. 02. Maria Martins, Searching for Light, 1940. 03. Victor Brecheret, La porteuse de parfum [The perfume carrier], 1923 / 1924. 04. Nuno Ramos , Craca, 1995. 05. Nobuo Mitsunashi, The Twinkling Forest, 1991. 06. Lasar Segall, Three Young People, 1939, 2000 Foundry. 07. Yutaka Toyota, Space-Vibration (Homage to Bardi), 2000 08. Ivens Machado, Untitled, 2000. 09. Artur Lescher, Untitled, 2000. 10. Odette Haidar Eid, Rosebud, sheep, swan, round flower, poppy, imaginary bird and tulip, between 1983 and 2002. 11. José Resende, Untitled, 2000. 12. Elisa Bracher, Untitled, 1999. 13. Lygia Reinach, Colar, 2000. 14. Ascânio MMM, Piramidal 34, 1999. 15. Vlavianos, Man Bird, 1985. 16. Sônia Ebling, Luiza, 2000. 17. Marcelo Silveira, Untitled, 1999. 18. Nair Kremer, Pietá, 1984. 19. Arcangelo Ianelli, Encontro e disencontro, 2002. 20. Amilcar de Castro, Untitled, 2000. 21. Amilcar de Castro, Untitled (Usi-sac 41), 2001. 22. Sonia von Brüskym, Fóssil, 2000. 23. Unidentified author, Garça, undated. 24. Macaparana, Untitled, 2001. 25. Franz Weissmann, Fita, 1985. 26. Caciporé Torres, OC, 1998. 27. Carlito Carvalhosa, Malacara, 2000. 28. Marcello Nitsche, Three-dimensional brush strokes, 2000. 29. Liuba Wolf , Heraldic Figure, 1976. 30. Liuba Wolf, Flight of a Bird, 1971