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80s to the present we see a more of a tough and gangster due to the drug out break it gave rappers something to talk about in their music due to either living that life style or to fit in to match the tough rapper mojo in some cases it hurts the rappers and people in the community because it often glorify a kind of life style that never usually leads down a good road but now of days music is more of a feeling that the music gives your or the flow or vibe that you pick up not much that's put out now speaks on world problems or things to help better the black community.

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80s to the present we see a more of a tough and gangster due to the drug out break it gave rappers something to talk about in their music due to either living that life style or to fit in to match the tough rapper mojo in some cases it hurts the rappers and people in the community because it often glorify a kind of life style that never usually leads down a good road but now of days music is more of a feeling that the music gives your or the flow or vibe that you pick up not much that's put out now speaks on world problems or things to help better the black community.

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During the black conscious era we saw different types of music that ranged from disco jazz and rock and roll a lot of this music did different things for the black community and  the world as a whole this music often talked about fighting against higher power or racism and oppression.

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During the black conscious era we saw different types of music that ranged from disco jazz and rock and roll a lot of this music did different things for the black community and  the world as a whole this music often talked about fighting against higher power or racism and oppression.

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Sam Cooke - A change is gonna come - 1963

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The civil rights movement depended upon commitment from small groups of people in situations that were filled with tension and frequently with violence. Drawing on the experience of the labor struggles of the 1930s, music became a way to maintain the spirits and sense of community of the participants. Because the church was the center of the black community in the South and frequently the force behind the civil rights movement, religious songs were often adapted for the situation. 

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The civil rights movement depended upon commitment from small groups of people in situations that were filled with tension and frequently with violence. Drawing on the experience of the labor struggles of the 1930s, music became a way to maintain the spirits and sense of community of the participants. Because the church was the center of the black community in the South and frequently the force behind the civil rights movement, religious songs were often adapted for the situation. 

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Oh Freedom! - The Golden Gospel Singers (Lyrics in Description)

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The Harlem Renaissance marked nearly two decades, from roughly 1918 to 1937, when African American culture flourished in the Harlem neighborhood of New York City Many notable Harlem Renaissance personalities were part of the first generation of African Americans to have been born free, outside of the institution of slavery. Their creative expression blended African culture, the culture of the South, and American perspectives in a bustling environment supported by money from both white and Black patrons who enjoyed new approaches to art, especially the uniquely American musical genre of jazz.

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The Harlem Renaissance marked nearly two decades, from roughly 1918 to 1937, when African American culture flourished in the Harlem neighborhood of New York City Many notable Harlem Renaissance personalities were part of the first generation of African Americans to have been born free, outside of the institution of slavery. Their creative expression blended African culture, the culture of the South, and American perspectives in a bustling environment supported by money from both white and Black patrons who enjoyed new approaches to art, especially the uniquely American musical genre of jazz.

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The Fisk Jubilee Singers are vocal artists and students at Fisk University in Nashville, TN., who sing and travel worldwide.The original Fisk Jubilee Singers introduced ‘slave songs’ to the world in 1871 and were instrumental in preserving this unique American musical tradition known today as Negro spirituals.

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The Fisk Jubilee Singers are vocal artists and students at Fisk University in Nashville, TN., who sing and travel worldwide.The original Fisk Jubilee Singers introduced ‘slave songs’ to the world in 1871 and were instrumental in preserving this unique American musical tradition known today as Negro spirituals.

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Swing Low Sweet Chariot - Fisk Jubilee Singers (1909)

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During slavery music was all apart of their lives it helped them get pass the stresses of slavery they did a lot of singing about being free one day or at lest changing their lives in the future they were called spirituals and they were the songs that the slaves sung when working 

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During slavery music was all apart of their lives it helped them get pass the stresses of slavery they did a lot of singing about being free one day or at lest changing their lives in the future they were called spirituals and they were the songs that the slaves sung when working 

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12 years a slave - choir song - ''roll jordan roll'' 2013

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Observations have proved that music in Africa particularly East Africa is influenced by Arabic music, music of India and Indonesia. Music in eastern region includes the music of Uganda, Kenya, Rwanda, Tanzania, Malawi, Mauritius, Zimbabwe, Madagascar Music was often used to celebrate or share stories 

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Observations have proved that music in Africa particularly East Africa is influenced by Arabic music, music of India and Indonesia. Music in eastern region includes the music of Uganda, Kenya, Rwanda, Tanzania, Malawi, Mauritius, Zimbabwe, Madagascar Music was often used to celebrate or share stories 