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1. SDcard 125GB
2. reflector
3. pocket2 recording lapel clip ball holster (police prop)
4. camera and two lenses (fully charged) in case you have to bring your own camera too
5. flash and colored gel (with 5A batteries)
6. Photography studio, Green screen/white backdrop

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Telephone √
Telephone lines √
Beveled Wine glasses with hot glue to create a broken look with red paint and glitter
Glass shards
fake rose petals √
Projector
Walkie-talkie
White/yellow/brown/black foundation
Buy four bottles of water and two bottles of coffee

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Purple is better than red

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lighting- bright downside and faded

The overall picture should be simple and focused
Size of figures: Xu < Gao < Zhu < Lu

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左下角人物放大

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Puppeteer
Shrouded in shadow except for the face, the hands, the telephone, and the victim.

Size 1：1

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Lu is a passerby who has seen justice
Use the flash, the beer bottle should be bright
Light hits from the top left king right down

Or a gradient from left to right/white to black
Or colour contrasting white and black

Roses on the ground

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＃Stand together
＃Ido
＃NoPerfectVictims
＃MeToo

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BE HER FIST
BUILD HER SAFETY

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A 2014 survey by the Australia Institute found that one-quarter of women (25%) had been threatened after rejecting the sexual advances of a stranger.

pp4

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＃MeToo
＃NoMeansNo
＃YesAllWomen

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WE SAID "NO!"
NO MEANS NO
REJECTION MEANS A LOT
"SHOULD WE SAY MORE NO?
NO"
NO IS EVERYTHING

HOW MANY NO WE SHOULD SAY TO STOP ABUSE

NO SEEMS NOTHING
BUT
NO  IS EVERYTHING

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4 skin color
bright/normal lighting - white

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In this poster, I combine word search puzzles and fonts.

Because violence is generally carried out with fists, so I used “hands” to create some fonts.

Four skin tones, each more than eight words, NO using PhotoShop with a purple light, the base of the poster can be black or white

Leave more edge in the shot to get a more square shot

Photo size 1:1

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Ideal:
Dark (cold) environment outside the hand, light (warm) environment inside the hand. The contrast between warm and cold
Realistic:
To achieve this perspective, the characters had to stand closer than I expected, and the purple light completely covered everyone, making it impossible to add a warm light to the victim

Ideal:
Use a projector to project roses onto the body
Choose a fuller (more saturated) one like the soul of the flower
Because it's in the center of the picture it has to look bright
Realistic:
The projector was borrowed, but as the victim was mainly in the picture with her upper body, it was a bit much to put the pattern on her face again

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Focus on the person, use a small aperture, and make the hands look sharp and clear so that I can use Photoshop easily.

Use purple light on the figures to create a purple atmosphere

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Spare photo material for editing:
close-up of eye, mouth, fist
reference to some sketches.

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Description:
I wanna change the skin tones of the hands. （I did put foundation on the hands of three males, but it wasn't obvious under violet light）but the skin tones were barely noticeable under the violet light.

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The main color I choose is purple. Became purple associated with the strength of women for many years, the color is meant to be a symbol of peace, courage, survival, honor, and dedication to ending violence.

I will add some red to the shadows in order to add layers of color to set the mood.

To make the figures in the picture more aesthetically pleasing, a little blue is added to the highlights

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Worldwide, one in three women has experienced physical or sexual violence by an intimate partner or non-partner and reports suggest as many as 50 percent of women feel unsafe walking alone at night.

Given the stigmatized nature of gender-based
violence, it is very likely that these statistics
significantly understate the problem.
---HeForShe Alliance Impact Report 2022 PP6

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almost one-third (30%) of men believed that domestic violence is acceptable in some circumstances.

one in five men would not call the police even when they knew someone was being mistreated by their partner.

more people (74%) would report a person for kicking or mistreating their dog than for kicking or mistreating their partner (53%).

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A 2014 survey by the Australia Institute found that one-quarter of women (25%) had been threatened after rejecting the sexual advances of a stranger.

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How do men respond to women's rejections of them, including sexual rejections? While most respond in appropriate ways, some respond with hostility and abuse, and this is shaped by common norms of masculinity and male sexuality.

There was substantial media attention in mid-March to the reactions of right-wing media personality Piers Morgan to member of the British royal family and former actress Megan Markle. I was approached to give media commentary, and put together the following notes.

I first comment on Pier Morgan's response to Megan Markle and the common gender dynamics of men's responses to women it represents. I then comment on men's hostile and abusive responses to women's sexual rejection e.g. in dating and their patriarchal foundations.

The gender dynamics of men's responses to rejection

Morgan's reactions are a perfect example of three common gender dynamics. The first is that some men feel entitled to women's attention and affection and respond with rage when this is not offered or withdrawn. Some men feel entitled to have their needs met by women and believe that their needs or desires take precedence over women's.

That sense of entitlement is visible in the widespread belief that women *owe men* - a smile, an explanation, kindness, love, time, a hug. At its most extreme, this sense of entitlement is played out in lethal violence against women by men aggrieved by what they think women have kept or taken from them, such as mass killer Elliot Rodger .

Morgan's reactions also typify a second common gender dynamic: attacks by men on visible or powerful women. Women who take up public space, whether as journalists or or celebrities, often face misogynist abuse and threats. Women who challenge or question men in any way, especially publicly, or who set any kind of boundary, may then find themselves under attack.

The third gender dynamic is portraying women as malicious liars. There is a long history in Western cultures of women being portrayed as hostile, vindictive liars, and this plays out today in community willingness to believe the myth that false allegations of rape and domestic violence are common.

Hostile and abusive responses by men to sexual rejection

The most well documented examples of men's hostile reactions to women's rejections come from dating. It is likely that most men respond neutrally to women's rejections of their expressions of sexual interest. At the same time, studies find that for women, receiving abuse and threats from men after ignoring or rejecting their sexual advances is a common experience. A 2014 survey by the Australia Institute found that one-quarter of women (25%) had been threatened after rejecting the sexual advances of a stranger.

Aggressive and abusive responses to sexual rejection are common enough that a popular Instagram page, , is dedicated to them, as is a Tumblr page, When Women Refuse. Analysis of men's abusive and hostile responses finds that they involve attempts to shame women for their bodies and sexualities and to assert men's power and domination over women (Thompson, 2018).

In PhD research in Queensland, some young women described the misogynist abuse they received after ignoring men's messages. Some received multiple messages threatening rape in excruciating detail, were called "sluts" or lesbians, or suffered other intrusive responses (Gillett, 2019, pp. 70-71).

And a US study analysed over 50 cases in news reports in which women were attacked, even murdered, for turning a man down, whether in response to casual sex, a marriage proposal, or even a refusal to acknowledge an advance at all (Thacker, 2019).

As Jessica Valenti writes, "Hell hath no fury like a man rejected. [...] "Whether it's the guy who follows you for ten blocks because you refuse to "smile," the bar-dweller who calls you a bitch after you won't give him your phone number, or the ex-boyfriend who leaves threatening voicemails post-break-up-most women have experienced the unpleasant aftermath of a man who's been refused.

"Anger from rejected men is such a regular part of women's lives that many of us have strategies to preempt any nastiness: We invent boyfriends, wear fake engagement rings or give out fake phone numbers. We smile and act flattered, are polite when we don't want to be, and leave relationships saying that it's all our fault-anything to prevent a potential swell of rage.

"Because we know that rejected men are dangerous men. Maybe he'll release revenge porn after a break-up, or engage in workplace retaliation after denying unwanted advances. Or maybe the worst will happen."

Men's hostile responses to women can be lethal. For women living with a man's domestic violence, the most dangerous time is when she tries to leave him, with some men responding with fatal violence. Men left by women also may also respond with stalking and other abusive behaviour.

The threat of hostile and violent responses by men involves a cost for women and girls in general. It means that women do not actively resist unwanted sexual advances from men or opt for more passive efforts to avoid them. They put up with abusive and derogatory behaviour, as the potential cost of calling it out may be far too high.

Hostile responses to sexual rejection are more common among men than women. In a US study, both men and women felt feelings of rejection, but only men responded with hostility (Andrighetto, Riva, & Gabbiadini, 2019).

The sources of hostile responses among men

These behaviours are the entirely unsurprising result of how many boys and men are socialised.

Many men have been taught that their needs, interests, and views come before women's. Some men are deeply invested in traditional notions of masculine honour: men should be in control, given power and respect, and any challenge to or questioning of this must be met with aggressive retribution.

When it comes to sexuality, men still often are socialised to believe that they deserve sexual gratification from women. They are entitled to sex, to sexual access to women. In sex and relationships, men often are socialised to disregard women's boundaries or wear them down. To see women as goals to pursue, as prizes to be won rather than human beings with their own desires and needs.

Media also contribute to norms of male sexual entitlement. Popular films and TV show romanticised portrayals of men pursuing women, with men's so-called 'romantic gestures', stalking, and harassment 'winning' the woman'.

Research on men's responses to romantic and sexual rejection finds that some men are more likely than others to respond aggressively.

In two US studies, men who believed in traditional ideas of masculine honour also believed that a man would, and should, respond aggressively when his romantic advances have been rejected (Stratmoen, Greer, Martens, & Saucier, 2018).

In another US study, hostile views of women, such as desire for sexual dominance over women, were a key influence on men's aggressive reactions to sexual rejection (Woerner, Abbey, Helmers, Pegram, & Jilani, 2018).

Andrighetto, L., Riva, P., & Gabbiadini, A. (2019). Lonely hearts and angry minds: Online dating rejection increases male (but not female) hostility. Aggressive Behavior, 45(5), 571-581.

Gillett, R. (2019). Everyday violence: Women's experiences of intimate intrusions on Tinder. (PhD). Queensland University of Technology, Brisbane. Retrieved from https://eprints.qut.edu.au/131121/

Stratmoen, E., Greer, M. M., Martens, A. L., & Saucier, D. A. (2018). What, I′ m not good enough for you? Individual differences in masculine honor beliefs and the endorsement of aggressive responses to romantic rejection. Personality and Individual Differences, 123, 151-162.

Thacker, L. K. (2019). The danger of 'no': Rejection violence, toxic masculinity and violence against women. (Masters). Eastern Kentucky University,

Thompson, L. (2018). "I can be your Tinder nightmare": Harassment and misogyny in the online sexual marketplace. Feminism & Psychology, 28(1), 69-89.

Woerner, J., Abbey, A., Helmers, B. R., Pegram, S. E., & Jilani, Z. (2018). Predicting men's immediate reactions to a simulated date's sexual rejection: The effects of hostile masculinity, impersonal sex, and hostile perceptions of the woman. Psychology of Violence, 8(3), 349.

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How do men respond to women's rejections of them, including sexual rejections? While most respond in appropriate ways, some respond with hostility and abuse, and this is shaped by common norms of masculinity and male sexuality. There was substantial media attention in mid-March to the reactions of right-wing media personality Piers Morgan to member of the British royal family and former actress Megan Markle.

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Wenxuan Xu： Bloodstained white T-shirt
Zhengliang Lu： White clothing(Pure white set, basic models, such as white T, light-coloured jeans or light-coloured casual trousers, board shoes, the whole set of colours as clean as possible, clothing as far as possible without fancy patterns, clothing control within two colours, no more than three colours.)
Jiakai Gao： White clothing
Tianyao Zhu：Black clothing

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Wenxuan Xu： Victims
Zhengliang Lu： Passerby who called the police
Tianyao Zhu： Abuser
Jiakai Gao： Passerby who called the police

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Director/Photography: Yuxin Chen
Model: Wenxuan Xu
Model: Zhengliang Lu
Model: Tianyao Zhu
Model: Jiakai Gao

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Pro:
A collage of photographic elements can be combined to create interesting and fantastical effects.

Problems:
It is best to shoot in a studio so that it can be processed in photoshop later.

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Pro:
Better at showing a sense of storytelling, looks more texturally weighty and facilitates a deep theme. Use some symbolic elements to add creativity to the image

Problems:
Need to set up the appropriate scenes, lighting, and write the script in advance

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Using object to symbolise gender inquality

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Using object relationships to symbolise character relationships

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The tone and atmosphere was the feeling I was looking for. The cinematic feel, the storytelling, the horror elements, these could be combined with my theme.

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Pros:
The interactions are designed to give the audience a sense of engagement and to reflect the importance of action.

Cons:
It may come out more like an installation or product, and it's important to think about how it will end up in poster form(balancing 3D and 2D).

Problems:
It takes materials, it takes time, and combined with the number of posters required, it may be too late to make three

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Or make a mechanism like a pop-up book, so that the viewer can reveal the second picture without destroying the top poster, and so that it can be used again and again