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Here is my eyeball finger mug thing in all it's glory. I wanted it to seem more like a creature than something that you could drink out of, so the fingers are slightly different sizes, and posed a little differently. The tiny handle doesn't look particularly useful but I think it contributes to the overall look of an overgrown teacup.

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I used the edge of the pin, and pressed it against the clay to refine the indents and folds of the knuckles.

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Here is the eeny weeny handle attached to the mug. I also used the paint brush again to smooth out the connection.

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I made a tiny, cute, not-super-useful, little handle. I figured that since nothing else about this mug is very practical, why should the handle be any different.

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I used the rolling method to make the handle.

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I used a paint brush and my fingers to smooth out the connection between the eye and the mug.

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I used a pin to make the iris and pupil detail in the eye. I slipped and scored the back of the eye, and the mug, to attached them .

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To make the eyeball I started with a little oval ball of clay and I cut it in half. For the eyelids I took and thin slab and cut part of it in a circular motion. I did that for both the top and bottom lids, and then I connected them at the corners of the eye.

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I did this same technique of adding clay to every part of the mug where the fingers and the mug attached. I also used a paint brush to make it more smooth, and to add more water to specific areas.

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Again, I used my fingers to press on the clay and squish it together so that it blended seamlessly.

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To make it look less like a mug with fingers, and more like a creature of its own, I added little chunks of clay to where the fingers and the mug connect.

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I mostly used my fingers to blend together the clay fingers and the mug. I just smushed it around until it looked like there wasn't a divide between the finger and the mug.

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To attach the fingers I would first stick a bunch of clay to the area where I wanted to attach it because the opening of the finger was flat, but the edge of the mug was not. I slipped and scored the circular clay ridge on the edge of the mug, and the end of each finger, and then smushed them together.

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After I put the cup part of the mug together I started to attach the fingers. I had tried to create a bit of shape with the mug, but because I had to handle it so much to attach the fingers, that shape got a bit distorted initially.

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Then I made another slab and cut out the side of my mug. I cut it as a half circle to get it to be smaller at the bottom and larger at the top.

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When I started on the cup portion of the mug, I make a slab and cut out a circle.

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I made three fat little fingers in total. To make them look more like fingers I added clay to certain segments on the bottoms-- where the pads of the fingers would be.

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I used a needle to make the fingernail and the ridges on the joints.

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I pinched the tube at the closed end to make a finger tip, and I molded the tube into a basic finger-like shape.

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To make the fingers, I started with a roll of clay and I used the paintbrush rolling method to hollow it out.

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Initially, I had planned for the horse head to stick out slightly, with the front of his face parallel to the slab. But I thought it would look a lot more striking if it was jutting out completely, almost like it's reaching out towards you with it's head.

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I make it so those root-like carvings come out of the rounded shapes around the horse head, almost like a river or a root system.

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On the bottom of the background I carved in these little rivulets with the more angular carving tool.

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This is a view from the top after I attached all the round pieces on the background.

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At the start of the background I still wasn't entirely sure what I wanted it to be. I cut out these large, rounded shapes to represent clouds, hills or flower petals maybe.

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After I attached the head and the ears, it didn't completely blend evenly with the slab-- there were some gaps. So I took tiny pieces of clay, rolled them, and stuck them all around where I attached the head and ears to make it blend with the slab, with out showing a seem from where I attached them. This was really effective so I ended up using it for everything that I attached to the slab.

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This is me attaching the ears after I attached the horse head to the slab. I did a lot of slipping and scoring.

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This is the creation of the forelock, and I rolled a bunch of pieces of clay to make these luscious locks of hair. I adjusted them, and cleaned them up until it started to look how I wanted.

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After I put the head back together, I started on the eye to try and make it look more like an actual horse eye. I added a ring of clay around the eye with two little indents on the sides to create a bit of an eye socket.

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My tools couldn't reach all the way to the nose from the opening I made so to  hollow out the nose part I ended up just cutting it off and then hollowing it out like that.

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I started hollowing out the head from the bottom of the main sphere, which was solid.

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This is from the time-lapse I did when I worked a lot on the nose, and the cheek bones.

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This is when I combined the hollowed out cylinder with the solid sphere and started making the shape of the horse head.

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I started with a solid sphere and a hollowed-out cylinder. I made a bunch of different ones until I got one that fit the proportions of a horse head.