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I think its a Medieval piece because it used satire, Medieval had more satirical pieces compared to Renaissance wherein their pieces were mostly about love.

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I believe it is a Renaissance piece because of it showing characteristics of a madrigal wherein there are several solo voices set to a short poem. Apart from that, it also has a theme of love where Lucia says " I am not in love any longer", because of these evidences I believe Chi chi li chi is a Renaissance piece.

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I believe that it was a Medieval piece as they were only performing a vocal performance. Since there was an exclusion of instruments and the performers only relied on their vocals, then I think it was a Medieval piece.

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I think it is a Medieval piece, since the subject of the piece is about love. Medieval pieces usually have subjects that are related to heroic legends, love stories, and satirical observations.

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I think it is a Renaissance piece, because of the careful harmonizing of the singers and the steady beat of the song.

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I think it was a Medieval piece because of the story that it followed which was about heroism and satirical. You could also see that they did not use any instrument and only expressed the song through their voices.

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I think it is a Medieval Piece because the performance mostly focused on the vocal aspect. The theme of the song was also more likely to be a medieval piece.

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I think it's a song from the Renaissance period because the song was mostly buoyant (sometimes cheerful) and had a group of people singing in harmony and unison.

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I think it's a medieval piece since they were mostly all about the vocals. And the story followed more on heroism, on the other hand renaissance music focuses mostly on love.

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Since the Medieval era usually writes about love and is accapella, in my opinion this is a medieval piece. The harmony, layout. and the arrangements says it all

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I think this is a Medieval piece because they are more focused on the vocals. There was also an exclusion of instruments making the performance focus more on vocals. The theme of the song also focuses more on heroism unlike a Renaissance piece that focuses more on love.

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I think that it is a Medieval piece since it focused more on the vocals rather than the instruments. The theme of the song is mostly about heroism and satire, which is from the medieval times.

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I think that it is a Medieval piece since the song was performed with the vocals as the focus or the piece rather than the instrumentals. I think that it focused on how the lyrics and vocal performance would impact the audience rather than the instrumental aspect.

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I think that this is a medieval piece because it was mostly sung vocally and that the song in the performance was talking about heroism.

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The song sown to us was a Renaissance performance as it sounded similar to a madrigal. Several solo singers all performed and made the most of their performance by utilizing homophonic and polyphonic textures unlike the lone soloist or large choirs used for church performances back in the Medieval period.
They were able to distinctly were able to layer their voices to produce a diverse set of sounds and harmonies not commonly seen in Medival performances. When they sang the yet comedic love song, they filled it with many placement sounds such as that of mimicking an instrument (satirically) to add something to in the gaps of the song which is mostly seen in Renaissance performances.

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I think that it is a Medieval piece because of the vocals and how there were no accompanying instruments for the performance so it was just relying on the singers' vocals. I think the theme also falls into the medieval side more since it was satire.

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I think that this piece was a medieval performance practice because the tone of the song was a bit soft and the vocals really shined in this performance. There were no background sounds coming from instruments in this song.

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I believe that it is a medieval piece 'fore they focused on the aspect of vocalization and expression.

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I think that it is a Medieval piece since it was sung without any instruments just a blending of voices. It was a performance that was focused on vocalization rather than playing instruments. Looking back at the lyrics, it was about heroism and tragedies which was a famous topic for pieces during Medieval times. (during the renaissance period, they mostly talked about love)

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I think the piece is from the Medieval time because it focused more on the vocalization and lyrics of the song and not the. musical instruments being played. Instead of playing instruments (like the bagpipe), they imitated how the bagpipe sounds like and sung it, while telling the story as well.

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I think that it was a Medieval piece since it focused more on vocals and was performed by a group where they alternated singing without instrumental accompaniment.

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I think it's a Renaissance piece since in the medieval, this kind of singing is only for church but this song definitely doesn't associate with God or the church and instead, the lyrics looks like an argument. Showing more freedom in the lyrics with how they are presented.

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I believe that the piece was Medieval, as it had used chant performances that varied between the two groups involved. It had also exhibited the use of the topic of love, which was a common topic used in Medieval performances.

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I think it's a Renaissance piece because the performance was about a couple fighting/bickering, which I would assume falls under the category of songs about love and life.

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For me, it was Renaissance piece because the harmonization was well-organized and that it had a steady beat.

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I think it's a Medieval piece because the performance was entirely vocal. (They even used their voice to make the bagpipe noises.) The theme of the song and the lyrics are satirical.

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I think that the song is a Renaissance piece because of the freedom the song has. It's melody isn't simple and the lyrics are also not 'sacred'.

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I think the song was a Medieval piece since it focused more on vocals. Rennaissance music usually has both vocals and instruments and this piece only has vocals. The song also talks about love which is a common topic in Medieval songs.

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I believe that this is a Medieval piece due to the vocals with no instruments involved. While it sounds like something of a church song, the lyrics have no connection to God and some of the used words are satire or demeaning.

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I think it was a Medieval piece since it was a vocal piece with no instrumental accompaniment. It was also about love and Medieval pieces were usually about love.

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For me i would say it is a renaissance piece since the people were harmonizing and alos how diverse the sound is. Also the lyrics in what they were singing, it wasn't related to God nor the church

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I think that it is a medieval piece since I noticed that they used chant performances. They alternated from a lone soloist to a large choir. The performance was also focused mainly on the vocals.

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I believe it is a renaissance piece, due to the fact that this piece was accompanied and is mostly sang for entertainment and not as a song of praise, unlike the musical pieces back in the medieval period that were used solely for God and accompanied music was only practiced at a later time.

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I believe that the piece would be from the Medieval period because they were only doing a vocal performance, since there was an exclusion of musical instruments, then I believe that it is from the Medieval period. It also showed the use of the topic of love, which was a very common topic used in Medieval period performances.

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I believe that this piece was a Medieval piece since it's mainly focused on it's vocalization and harmonization it was well-organized and it stayed on it's rhythm.

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I believe it was a medieval piece since it focused on vocals and was sung and played by a group.

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I think that it's a Renaissance piece as it has more freedom and range, compared to medieval music that is more sacred and restricted.

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I think this piece was from the renaissance period. This piece was accompanied by harmonies as well as style. It is not from the medieval period because non-instrumental music was for the Church.

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I think that it was a Medieval piece because from the beginning, it was centered with the use of vocals together with harmonizing together as a group.

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I believe that this is a Medieval piece because it was mainly focused on the vocals and no instruments accompanying the piece.  I interpreted the song as a love story which were one of the medieval practices.

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I think that the piece presented is a Medieval piece because the performance was focused on vocals and the lyrics and meaning of the song was satirical.

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I believe the piece to be one stemming from the Medieval times period because it was mainly focused around the vocals. The themes also point to it being medieval as the lyrics were almost like a couple fighting (love life) and mimicking the sounds of instruments (satirical).

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I personally think that it is a Medieval piece since it is composed of a fully vocal performance. The performers showed unison singing, allowing different voices harmonize into one. It's topic also about love and during the medieval times, these were one of the most prominent topics the songs were about.

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For me personally, I would think that it's a Renaissance piece since it has a more freelanced type of song and lyrics. and because a medieval song is usually used for church prayers

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For me, I think it was a medieval piece since it talked about their disagreements with something and we can also notice that it was loud which can fall into the haut category of Accompanied Vocal Performances.

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I think it is part of Medieval music because aside from it being a vocal-based piece, it was also not revolving around praising God since it talked about love and how a couple was fighting.

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I believe that it is a Renaissance piece because just by listening to the choirs, they have more freedom in the tone and the lyrics of the piece doesn't really fit the sacred and liturgical aura.

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I believe that piece would fall under Medieval Performance Practices. It was focused mainly on vocals, evident with fully-developed polyphony and harmonies, and had a satirical and love story them to it (since it kind of depicted a couple's quarrel).

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In my perspective, it is Medieval because there are other voices added from one vocal turning into a choir, and they alternate between loud and gentle sounds to complement the main voice.

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I think that it is a medieval piece because the subject of the song was about love, which was common within the medieval period. It was also mostly focused entirely on the harmony between the voices (a small choir).

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I believe it is a Medieval piece since the singers take priority over the instruments, and there are additional sounds added when one vocal becomes a choir.

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I would consider the piece a medieval piece since no instruments were used in the piece. The mostly relied on their vocals and the story the song followed was satirical and about love.

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The song is a Renaissance performance since it sounds like a madrigal. Unlike a soloist or massive choruses employed, several solo singers all performed and made the most of their performance by integrating harmonically and combinatorial soundscapes.

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I think this song is Renaissance because the lyrics and meanings are less serious and more playful like something sung to pass time.

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I think that it is from the Renaissance period. The piece showcased diverse, homophonic, and polyphonic textures while also possessing similar characteristics with madrigals-- it utilized unusual harmonies and word painting. Other than that, the piece was performed in a very creative and playful manner.

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I think that the song is a Medieval piece because there was a lot of vocal part in the song. There were instruments accompanying it. It was also really satire.

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I believe that the peice falls under the Renaissance category, especially since the music focused more on vocal aspects, and involved blending rather than contrasting sounds.

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I believe that it is a Medieval Piece because it was focused more on the vocals. The theme/story of the song sounded like it was about heroism whereas if it was a piece from the Renaissance it would focus more on love.

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I believe that it's a Renaissance piece because there was a harmonic effect added to the music and since they said in the beginning, "Let's go back to 1581.", that indicates that the song belongs to the Renaissance period.

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I think it's a Renaissance piece, since the piece was mostly focused on vocal aspects and also how the song gives the singers the freedom to express themselves in any way they want and are not related to religion or the church. The piece was more focus on love.

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I think it is a Medieval piece since it wasn't accompanied by any instrument which is one of the characteristics of a Medieval vocal performance. It is also about a love story which is the usual theme in a secular Medieval piece.

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I think it is a Renaissance piece because the song focus on blending vocals and creating harmony. The theme is also expression or freedom.

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I believe that the piece was a medieval piece because of its vocal attributes.

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I think that this is a medieval piece because the performance was mostly focused on the vocals and aside from that, No instruments were used in the performance.

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I think that the song was medieval because of the evident vocals present throughout

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I believe that the performance is a renaissance piece due to the polyphony used in the harmonies. The message of the song also portrays themes that were very evident in the renaissance era.

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I believe that the song presented is a Medieval piece because the performance mainly consists of vocals and a few instruments.

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I think that the song was a Renaissance musical piece since it was composed of the vocals of the singers and there were no musical instruments used to accompany the vocalists in singing the song.

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I believe it's a renaissance piece. Everything blended well and the music was eyeing the vocal parts of the song.

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I think it is a Medieval piece because it was predominantly plainchant and was exclusively vocal.

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I think it's a song from the Renaissance period because the song was generally cheerful and had a number of people singing in melody and unity.

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The song was a Renaissance musical piece for it was about 2 people arguing. It was about love so I believe it was from the Renaissance period.

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From my observation, I would say that the piece was from the Renaissance era because it's message primarily revolved around a secular topic and sounded more cheery and expressive rather than smooth and flowy. Moreover, there were a lot voices that harmonized each other, which is also one of the characteristics of Renaissance music.

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I believe that it is a renaissance piece as it was cheerful and it focused more on the vocals of the singers.

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In my viewpoint, the song is a renaissance piece for it primarily focused on the vocals and harmonies. Also, no musical accompaniment was present. Lastly, the song's precepts portrayed experiences existent in the renaissance era.

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I think this piece is from the Renaissance because their voices were more prominent than the other components in the performance.

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I believe the piece is a renaissance piece because it was centered on the vocals more instead of the instruments.

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I believe that the song was a Renaissance piece because it was predominantly focused on the vocals than the instruments.

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I believe that this is a Medieval piece since it focuses more on vocalization and doesn't have any instrumental accompaniment.

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This composition, I believe, fits in the Renaissance genre as it has nothing to do with the clergy and bears no reference to God. It was also considerably more vocal, with almost little instrumental accompaniment to the performers' voices.

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The piece is most likely a Renaissance composition since it had a storyline that did not revolve around God and Christianity.

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The song Chi chi li chi by  Orlando di Lasso is more likely to be a Renaissance composition  rather than a Medieval composition because the song had no involvement of religion or Christianity in its lyrics and the composition of it focuses on blending the sounds which is something not done in the Medieval Times.

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I believe that the piece was from the Renaissance period, because it was concentrated on promoting vocal music. The lyrics also clearly illustrated occurrences in the time of the Renaissance.

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I believe that it is a Renaissance piece mainly becase in the beggining it should the year 1581 which is in the Renaissance period and the theme of the lyics did not seem Medieval to me since it is mostly sacred themes in the Medieval times.

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The piece falls under the Renaissance period, as the title of the piece "Let's go back to 1581," is also an indicator of the time this piece was made in, which was the Renaissance. The piece had also been heavily reliant on the vocals of the singers, with no instrumental accompaniment at all.

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I believe that the piece is from Renaissance mainly because at the start of the video it says "Let's go back to 1851" which we all know was the Renaissance period. The piece was also sung and didn't have the need to use instruments and the lyrics didn't really fit in the Medieval times.

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In my opinion, I think that it's a Renaissance piece as the title, "Let's go back to 1581," indicates the when the piece was made, specifically in the Renaissance. The piece included vocals and the lyrics also didn't include anything about religion or had a sacred theme as well.

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In my opinion, I believe that the song is a Renaissance piece. They focus on their vocal music which is one notable characteristic of the Renaissance piece. They focus on harmonization, clarity, and balance.

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I believe that this piece falls under the performances created in the Renaissance period. During this time, music other than the purpose of praising God was explored as it built around the concept of beautiful freedom of expression through music. The performance told a story and followed a specific plot. Just like the other performance practices in the Renaissance, the song is a vocal one and had recurring themes on love. Not to mention, women singers also had vital parts in this piece which is contrasting to the times of the Medieval where women weren't really given a big platform to perform songs in general.

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Despite the clue given such that the year 1581 was mentioned, I would rather classify this piece as influenced by the Medieval era. The performance began with a soloist to which was followed by the rest of the group into achieving one pitch. The subject of the performance was revolving around an argument of a couple to which was resolved by love, medieval performances often pertain to love stories. In addition, the overall performance was rather just vocal and did not involve any instruments as the Renaissance period would emphasize.

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After listening to this piece, I think that this would fit in the Renaissance composition rather than the Medieval composition because of how it didn't involve God and Christianity in the storyline.

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I personally would believe that the piece is from the Renaissance period due to the fact that it revolved around the story of a lover's quarrel which wouldn't be a popular story in the olden times evident in the way Medieval times would typically focus on typical love stories and was probably only allowed due to the renaissance's period's freedom when it comes to the composition of music. Female singers also had a vital role in this piece which would indicate that the composer would have had the freedom to include more ranges where women could have an easier time to reach than men, eradicating the fact that the piece could be from the medieval period since women were excluded in those times.