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The creation of Adam is a fresco painting by the Italian artist Michelangelo. It was painted in 1508-1512 and it is a part of the Sistine Chapel's ceiling. It illustrates the Biblical creation from the Book of Genesis in which God gives life to the first man, Adam. God is captured on the right inside a floating nebulous form that is said to be like a human brain. Adam is pictured on the left. The form is supported with angels who fly without wings. The finger of God slightily touches Adam's finger, so he gives life to him. Therefore, it is the birth of the whole human race. The painting shows the unique relationship between God and the human being and the huge love of God to his creature.
Panagiota

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The Creation of Adam, was created by Michelangelo and is part of the ceiling of the Sistine Chapel. It represents the biblical cosmogenic narrative from the Book of Genesis, according to which God gives life to Adam, the first man.
I find the specific painting to be quite tricky, as it represents one of the most beautiful myths in history, but at the same time gives

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The Vitruvian Man originally known as Le proporzioni del corpo umano secondo Vitruvio, lit. 'The proportions of the human body according to Vitruvius') is a drawing made by the Italian polymath Leonardo da Vinci in about 1490. It is accompanied by notes based on the work of the Roman architect Vitruvius. The drawing, which is in ink on paper, depicts a man in two superimposed positions with his arms and legs apart and inscribed in a circle and square.

The drawing represents da Vinci's concept of the ideal human body proportions. Its inscription in a square and a circle comes from a description by the ancient Roman architect Vitruvius in Book III of his treatise De architectura. Yet, as it has been demonstrated, Leonardo did not represent Vitruvius's proportions of the limbs but rather included those he found himself after measuring male models in Milan.While the drawing is named after Vitruvius, some scholars today question the appropriateness of such a title, given that it was first used in the 1940s.

First published in reproduction in 1810, the drawing did not attain its present fame until further reproduced in the later 19th century, and it is not clear that it influenced artistic practice in Leonardo's day or later. It is kept in the Gabinetto dei disegni e delle stampe of the Gallerie dell'Accademia, in Venice, Italy, under reference 228. Like most works on paper, it is displayed to the public only occasionally, so it is not part of the normal exhibition of the museum. The work was recently on display at the Louvre's exhibit of Da Vinci's work, from 24 October 2019 to 24 February 2020 as part of an agreement between France and Italy.
Mike

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Leonardo da Vinci-The Virgin and Child with St Anne

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Leonardo da Vinci-The Virgin and Child with St Anne

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From my point of view this painting  is one of the most beautiful  creations of Leonardo da Vinci. This image evokes many emotions. The colors he has chosen, the posture of the bodies and their expression suggest a lot about their characters. Τhe Virgin shows how much love and cure her son, Jesus. She want to protect him like every mother. St Anne seems so calm and serene in retation to the Virgin. Ιn addition to it is also a very tender image because the Virdin sits at the feet of St Anne and Jesus at the feet of his mother,Virgin. Τhis picture makes me feel happy because we see a lovely family. Τhis painting calm me down and make me realize that motherly love wins everything!!!

Δροσάκη Μαριδήμητρα

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Sacred and Profane Love is an oil painting by Titian, probably painted in 1514, early in his career. The painting is presumed to have been commissioned by Niccolò Aurelio, a secretary to the Venetian Council of Ten whose coat of arm appears on the sarcophagus or fountain, to celebrate his marriage to a young widow, Laura Bagarotto. It perhaps depicts a figure representing the bride dressed in white, sitting beside Cupip and accompanied by the goddess Venus.
Fay

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in this painting of Botticelli s we see the birth of Venus. The colors are so peaceful that calms everyone that sees it.Also the fact that its related with mythology brings a feeling of wonder!

Sofia Tsouki

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Sandro Botticelli’s painting has become a landmark of Italian Renaissance. The delicate beauty, elegant grace, and unique charm of his frequently melancholic figures make his work the epitome of Florentine painting in the Golden Age of Medici rule under Lorenzo the Magnificent. Initially trained as a goldsmith and then apprenticed to Fra Filippo Lippi, Sandro Botticelli soon ranked among the most successful painters in Florence in the second half of the quattrocento next to Verrocchio, Ghirlandaio, and the Pollaiuolo brothers. From 1470 on, he received prestigious public commissions and established himself as a painter of large altarpieces. Throughout his life, Botticelli was in the ruling Medici family’s and their supporters’ good graces. Fulfilling their wishes for innovative decorative paintings, the master could not only rely on his personal knowledge of Florentine traditions and of ancient art, but also on definite suggestions and concepts from the circle of humanists gathered around Lorenzo de’ Medici. Held in equally high esteem as both a panel and a fresco painter, Botticelli enjoyed a high standing beyond his native Florence and was thus one of the artists summoned to decorate the walls of the Sistine Chapel in Rome by Pope Sixtus IV in 1481. It was particularly his much-discussed late work that brought out the characteristic features of his original style in an extreme manner.
Guided by the art of drawing, Botticelli followed his penchant for presenting his figures with sharp contours, strong movements, and abundant gestures, grounding his compositions on textures of lines and surfaces rather than on spaces and volumes.

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(Giovanni Bellini)
General Facts: St. Jerome in the Desert or St. Jerome Reading in the Desert is a 1480 oil on panel painting by Giovanni Bellini, now in the Uffizi Gallery in Florence as part of the Contini Bonacossi collection.
Characteristics: The Florence work shows a crucifix on a tall stick, which he used as a prayer aid. His usual lion is shown, as are some birds, a lizard, a squirrel on a branch and one deer chasing another, all of which probably had symbolic meanings. At the top is a rural background with a fortress and a walled city full of guard towers and bell towers, along with other buildings based on famous buildings in Romagna and Venetia which Bellini had seen on his journey to Romagna and the Marche. The central building resembles the Basilica of San Vitale in Ravenna.
Emotions/Feelings: An amazing painting that captures the life of a holly and proud man, with loads of symbolic components, such as the stick and the usual lion. What is more, this painting may be off colour, however it consists of deeper meanings and understandings making it so special. A whole legend is risen through the majestic work made by the Italian painter.
Tsapogas Stylianos

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In this painting,God is depicted as an elderly white-bearded  man wrapped in a swirling cloak while Adam, on the lower left, is completely naked. God's right arm is outstretched as he gives a spark of life to Adam. I feel deeply connected to this painting as it signifies the beginning of all mankind. Its colours and the way it has been painted evoke feelings of peace and tranquillity in me.

Eleanna Kritsepi

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The emotions that are created by the image of Botticeli are similar to those created in everyone when the coming of spring is approaching, that is, excitement, peaceful thoughts and the feeling of impatience for the summer!
Λαμπρινή Τρυφωνίδου

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Leonardo da Vinci-The Virgin and child with Saint Anne

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Leonardo da Vinci-The Virgin and child with Saint Anne

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The Virgin and child with Saint Anne is the painting I prefer because it shows Virgins Mary affection and care to Jesus.

Tsalkitzidou Vasiliki

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The Creation of Adam is a painting by Italian artist Michelangelo.It illustrates the Biblical creation narrative from the Book of Genesis in which God gives life to Adam,the first man.God is depicted as an elderly white-bearded Caucasian man wrapped in a swirling cloak while Adam,on the lower left,is completely naked.God's right arm is outstretched to impart the spark of life from his own finger into that of Adam,whose left arm is extended in a pose mirroring God's , a reminder that man is created   in the image and likeness of God.This painting causes me a feeling of admiration,and awe.Also,the colors of the painting are blurry enough and at low intensity which makes the painting to acquire a three-dimensional form.
Chatziioannidis Savvas

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Painted in 1511, it stands one among the four main frescos on the walls of Apostolic Palace in the Vatican. The four frescos symbolize Philosophy, Poetry, Theology, and Law. The painting symbolizes philosophy because it is said the painting is a representation of the finest period of Greek Philosophy as one can find Aristotle and Plato in the center of the painting. This painting has perfectly captured the classical spirit of the Renaissance.
George Papadopoulos

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Madonna with Saint John the Baptist and Donatus 

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Madonna with Saint John the Baptist and Donatus 

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The painting that impressed me the most is '' Madonna with Saint John the Baptist and Donatus '' from Verrocchio , because I find the colors used very suitable for the magnificence and elegance it exudes. I believe that this particular painting is very characteristic for Renaissance and it is different from the usual ecclesiastical pictures , although it maintains its godliness and dignity towards the depicted figures. It evokes me emotions like awe , delight and tranquility.

Amalia Symeonidou