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Two Oak Stacks, 2000. Installation of oak wood.

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Officer of the Hussars, 2007. Oil on canvas.

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Image of the Savior Not Made by Hand, c. 1658, oil painting

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Mask of the Red Queen, 672. Jadeite, malachite, obsidian, limestone.

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Berlin Wall, 2020. Concrete & spray paint.

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American Flag, 1954-55, oil painting

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From Advice to the Ascetic, c. 1370-1507. Persian miniature. Ink on paper.

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Baskets, from "Ruth Asawa," 2018-19. Wire.

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Running Fence, 1972-76, nylon and steel cables

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Congress, 2003. Ink & acrylic on canvas.

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The Scream, 1893, oil painting

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Modified Seed Jar, c. 1980s, micaceous clay

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From Persepolis, 2000. Graphic Novel.

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Campbell's Soup Cans, 1962. Silkscreen printing.

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Self Portrait, 2019, ink & collage

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Farmhouse in Upper Austria, 1911. Oil painting.

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Light and Space, 2008, fluorescent light installation

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Cotton Bowl, 2011. Digital photography

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Ram's Head, White Hollyhock-Hills, 1935. Oil painting.

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All the Eternal Love I Have for Pumpkins, 2019. Installation: mirrors, lighting, acrylic yellow gourds.

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Sudden Shower at Shōno, from the series Fifty-three Stations of the Tōkaidō, 1834-5. Multilayer woodblock print.

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Film still from The Enclave, 2014, infrared film photography

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Richard Mosse's powerful video installation The Enclave (2013) premiered at the 2013 Venice Biennale in the Irish Pavilion. The Enclave was produced using a recently discontinued military film technology originally designed in World War II to reveal camouflaged installations hidden ... Continued

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Untitled, 2004, painting

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 United Society of Believers in Christ’s Second Appearing (“Shakers”), Mount Lebanon, New York 

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 United Society of Believers in Christ’s Second Appearing (“Shakers”), Mount Lebanon, New York 

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Rocking Chair, 1820-50. Wood and cane.

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Bible Quilt, 1886. Cotton plain weave, pieced, appliquéd & embroidered.

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Tilted Arc, 1981. COR-TEN steel.

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A Girl with a Watering Can, 1876. Oil painting.

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The Fountain, 1917. Porcelain urinal.

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Cedar Bentwood Box, 1860, cedar wood & pigment

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Walks in the Dark, 2011, digital photography