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About Condenser Microphones. Condenser microphones are most commonly found in studios. They have a much greater frequency response and transient response, which is the ability to reproduce the "speed" of an instrument or voice. They also generally have a louder output but are much more sensitive to loud sounds.

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The Singer. ...

Rode NT1-A Complete Vocal Recording Solution. ...

SE Electronics Magneto Microphone and Reflexion Filter-X Bundle. ...

The Acoustic Guitarist. ...

SE Electronics X1 T Large Diaphragm Tube Condenser Microphone. ...

The Drummer. ...

SE Electronics X1D Kick Drum Condenser Microphone. ...

The Voiceover Artist.

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About Condenser Microphones. Condenser microphones are most commonly found in studios. They have a much greater frequency response and transient response, which is the ability to reproduce the "speed" of an instrument or voice. They also generally have a louder output but are much more sensitive to loud sounds.

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The chart is usually over the 20Hz to 20kHz range, which is the range of human hearing. So, how do you read it? The horizontal numbers in a microphone frequency response chart represent frequencies (again, usually over the 20 Hz to 20 kHz range) and the vertical numbers represents relative responses in dB

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converts acoustic energy into electrical energy, resulting in an audio signal.

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In the case of a dynamic microphone, a very thin diaphragm of mylar or other material is attached to a coil of hair-thin copper wire. The coil is suspended in a magnetic field and, when sound vibrates the diaphragm, the coil moves up and down, creating a very small electrical current.

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Ribbon mics are found most often in the controlled environments of recording studios. They're well suited for speech, guitar amps, brass, woodwinds and secondarily, vocals and drum overheads. These are the traditional applications for ribbon mics, but you'll find them on stage as well.

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A shaped response is designed to enhance or detract certain applications. For example, a microphone may have a peak around 5 KHz to increase the presence of a vocal

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Directional Pattern: Figure Eight. The „natural“ directional pattern of a ribbon microphone is figure eight, i.e. bidirectional. ...

Strong Proximity Effect. ...

Phase Relationship. ...

Low Output. ...

Ribbons Are Fragile.

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With 20 mm path length it is 20/0.625 = 32 mm, which is equivalent to 10.7 kHz. Thus, we can define, that the ribbon microphone with the length of sound path of 20 mm will have the frequency response up to 10.7 kHz before -3 db output signal drop.

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In particular, they can handle extremely high soundlevels: it is almost impossible to overload a dynamic microphone. In addition, dynamic microphones are relatively unaffected by extremes of temperature or humidity. Dynamics are the type most widely used in general sound reinforcement.

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A ribbon microphone is actually a type of dynamic microphone. It uses a thin conductive “ribbon” placed between the poles of a magnet to generate voltages by electromagnetic induction. A ribbon mic is usually bi-directional; it picks up sound from both sides of the microphone.