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Reflection: High-key photos were taken in an environment with bright lighting, high exposure makes the contrast lower and softer, focusing on the subject itself and is suitable for objective photography. Low-key photos within the weak light and shadow form a vivid contrast.  Dark space of shadow in the background is more likely to bring out the overall atmosphere and are suitable for Subjective photography.

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Reflection:
In the same photographic scene, the subject of the photograph switches in and out of focus. The viewer's attention follows the shift in focus, and in certain scenes the shift in focus can be suggestive.

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Reflection: The Blurred parts of a photograph can highlight a sense of uncertainty and unpredictability, that can reflects and emphasize impression and expression  of the photograph. Another circumstance that if background and the subject are both blurred, it reflects a certain subjective awareness that the photographer himself wants to convey.

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https://www.sarahvanrij.com/

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Henri states that the second of the shoot is a creative moment, constructing and expressing what life itself offers you,  intuitively judging when to press the shutter. The moment of pressing the shutter is the photographer's creation. This definition of 'documentary' complements his photographs. There is no cropping or use of flash, as he believes in not interfering with the scene's light. He insists to a certain extent that 'seeing is believing, so most people see in his photographs specific events, cities and people in the present, in the past.

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The same techniques in 2 pictures below are the excellent use of shadows, the changing relationship between light and shade, and shadow areas that allow us to see two scenes within the same image. The picture is shaped by light and shade to create two scenes, with people running in the shadowed area, in contrast to the tranquil surroundings. It allows the message of the photograph to be better understood.
The second photograph makes use of the repetition of a similar theme. The lines of the child's body, thin and bony from hunger, are repeated with the strong lines of the mother's hand bones and the wheel spokes, giving the image a more subtle effect.

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Japanese photographer Nobuyoshi Araki insists on photograph of his favorites and the most intimated things. He has recorded surroundings and things close to the eyes taking pictures of people, further presents the focal length should be on the feeling or mood at the time, the thing at the time, evokes the story sense from the subject itself. Inspired me that the approachable nature of photography，maximum preserving their personality traits instead of techniques. The expression of the child's at the right side seems exert and reveals a strong characterisation, containing life.

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German artist Albert Renger-Patzsch，he often captured close-ups showing the laws of nature, believing that the laws of nature were so stable that human beings could not rationally express and understand nature with data.He has separated these plants from the whole, highlighting the surface details of the plant and portraying its surface structure precisely and faithfully, thus achieving a dazzling visual effect.

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Children are a recurring element in Levitt's photographs, although she says she doesn't like them, it's just that "they happened to be there" at the time of the shoot.

*It is possible to follow the behaviour of the children and observe the rural landscape, while at the same time documenting how the children fit into their surroundings from a third party perspective. （1st sequence)

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Alessandra Sanguinetti "The Adventures of Guille and Belinda and the Enigmatic Meaning of Their Dreams" 

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Alessandra Sanguinetti "The Adventures of Guille and Belinda and the Enigmatic Meaning of Their Dreams" 

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In this series Sanguinetti does not take a traditional documentary photography stance, but focuses more on the inner changes of the girls as they grow up，highlihgts the passage of time is one of the most obvious tensions in these photographs.

*The light and shadow and the eye contact between the subjects conveyed the subjectivity to the viewers.

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Miselas goes about capturing portraits of the girls in an unplanned situation, revealing her subjects' initial sense of femininity and the innocence that has metamorphosed in parallel. She photographs them with a gentle familiarity, capturing the subtle effects of the girls' social interactions and their close bonding.

*Although children living in the countryside seem more carefree and less pressured to learn than their urban counterparts (juxtaposition between the little boy and his elder brother in sequence 1) , there are inevitably some negative effects of the high viscosity of contact between children and rural adults as they grow up ("gambling" in 2nd sequence).

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Daido moriyama + William Klein exhibition 2012 

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Daido moriyama + William Klein exhibition 2012 

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both artists showing a profound interest in the gaze of the detached onlooker. The stance of the photographer in Moriyama’s works is most often that of detachment and observation,   Moriyama that comes through in the photographs is more the sort of person who is stuck on the side rather than in the thick of it.

*Reacting to and engaging in kids surroundings of rural life on a constant day by day, hour by hour basis. Using of Are-Bure-Boke，Out-of-focus, blurred，underexposed photographs emphasize the real environment of rural life.

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By selecting related or even unrelated prints of images from different places, wolfgang has been able to link and assemble seemingly contradictory content into a new system in a "montage".
The works vary in size and are scattered all over the wall in irregular space， the weight of the picture itself dictates the placement.