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The 53rd Northeast Modern Language Association Convention - March 2022

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The 53rd Northeast Modern Language Association Convention - March 2022

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Please submit your Session Proposals by April 29, 2021, here.

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Call for Papers, Black 1968 Project at Washington University in St. Louis

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Call for Papers, Black 1968 Project at Washington University in St. Louis

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Discussion published by Andre McClerklin Jr. on Tuesday, November 10, 2020

My name is Andre McClerklin Jr . My colleague Olivia and I are the Editorial Assistants for the Black 1968 book project.

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Call for Papers, Black 1968 Project at Washington University in St. Louis

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Discussion published by Andre McClerklin Jr. on Tuesday, November 10, 2020 My name is Andre McClerklin Jr . My colleague Olivia and I are the Editorial Assistants for the Black 1968 book project.

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CFP: American Quarterly 2022: From Anarchy to Chaos Generations of Empire 

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CFP: American Quarterly 2022: From Anarchy to Chaos Generations of Empire 

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Deadline: Rolling
Guest Editors include:
Melani McAlister, George Washington University

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Available Now: Our 2020 Special Issue, "Energy Pasts and Futures in American Studies". Make sure to visit the Beyond the Page section for supplementary content.

This special issue goes to press in the midst of the COVID-19 pandemic. Confronted with a global health, social, and economic crisis unprecedented in our lifetime, we are made painfully aware of the tight interconnections of the Anthropocene and reminded of the need to always consider nature, medicine, data, and economics in conjunction with history, politics, affect, and ethics. While we never imagined that we would be living in such a scenario when we began working on this special issue, it has turned to be eerily apropos for our time.

The three guest editors-Natasha Zaretsky, Michael Ziser, and Julie Sze-have compiled this brilliant and forceful collection on energy. Their introduction, "Perpetual Motion: Energy and American Studies", outlines the trajectories of the sciences and humanities that animate energy studies, its intersections with American studies, and the stakes of such inquiries. The eleven essays featured in the issue make bold interventions in our understanding of energy in dialogue with scholarship in such areas as settler colonialism, indigenous studies, labor and racial capitalism, nationalism and security state, petroculture, media studies, and gender studies.

American Quarterly June 2020, Volume 72, Issue 2.

This issue includes Scott Kurashige's presidential address, "'Unruly Subjects': American Studies from Antidiscipline to Revolutionary Praxis," which traces the emergence of the ASA as home for those from outside the institutional history of the field, points to the crisis of liberal capitalism and ruptures it has created, and illustrates examples of scholar-activist work seeking to build the revolution toward a new social order, such as the work of Detroit-based Grace Lee Boggs. We have asked two such scholar-activists to respond to Kurashige's address: Curtis Marez and Noura Erakat.

This issue also features six essays that coalesce and speak well with one another around several themes: species, environment, and settler colonialism; racialization and othering in nation and empire building; race, solidarity, and anti-imperialism.

Finally, in the review section, Julie Sze discusses recent works on race, animality, and animal studies, while Chloe Hunt examines books on speculative approaches to time and space in Black critical theory.

A merican Quarterly March 2020, Volume 72, Issue 1.

The first three essays in this issue examine the complex workings of history, memory, storytelling, and literary arts in the context of slavery and settler colonialism, and ask the questions: Who owns and controls narratives? Whose voice do we hear and read? The next three essays explore modernity, race, and the city through sonic, visual, and spatial modes of meaning making. In a digital project review, Melissa Dollman discusses a digital companion to the biography Becoming Richard Pryor. In event reviews, Harrod Suarez examines the exhibit Ohio Artists for Freedoms, Karín Aguilar-San Juan assesses the Minneapolis-based exhibit Prince from Minneapolis, and Ngahiraka Mason reviews the 2019 Honolulu Biennial. The three book reviews discuss new works in disability studies, history of black women, and social and cultural study of robots, respectively.

Empire, war, and colonialism; race, gender, and class; discourse, performance, and subjectivity: these are the issues that the four essays featured here examine through diverse approaches and foci. The forum, "Protesting, Refusing, and Rethinking Borders: A Transnational Perspective," convened by Sunaina Maira, showcase six essays by scholars and activists engaged in a transnational discussion about border violence and border protests in different locations of the globe. In the Event Review, Wendy Cheng and Juan De Lara discuss Desert X, a contemporary art exhibition in the California desert, to critique its failure to challenge the logics of white supremacy, racism, and capitalism. Finally, we have three book reviews: Keith Feldman discusses five recent books on anti-Muslim racism, Axel González reviews four works from the fast-growing field of racial capitalism, and three works on Christian missions in diverse contexts are discussed by Hillary Kaell.

September 2019, Volume 71, Issue 3. Make sure to visit the Beyond the Page section for supplementary content.

This Special Issue of American Quarterly focuses on life within slavery, racial capitalism, and settler colonialism in the region of what is now North America. It critically engages the history of the biopolitical in the period before 1900 and reframes early American studies toward a new appreciation of the history of tactics of governance in this region.

We are proud to announce that American Quarterly September 2015 special issue, "Pacific Currents," guest edited by Paul Lyons and Ty

Kāwika Tengan, is the winner of the 2016 Council of Editors of Learned Journals (CELJ) Award for Best Special Issue. Thank you to Paul and Ty for their vision and leadership and to all the contributors to the special issue!

The September 2012 issue of American Quarterly (Volume 64, Issue 3) was recognized as the co-winner of Best Special Issue by The Council of Editors of Learned Journals (CELJ).

The journal has updated its Author Guidelines to introduce an online submission system.

Join the Conversation

American Quarterly is dedicated to being a forum for intellectual exchange among American studies scholars. Good scholarship is only worthwhile if it is shared. Interdisciplinary scholarship in American studies hinges on communication between its scholars, and as the foremost journal of its kind, American Quarterly is at the center of this dialogue.

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Available Now: Our 2020 Special Issue, "Energy Pasts and Futures in American Studies". Make sure to visit the Beyond the Page section for supplementary content. This special issue goes to press in the midst of the COVID-19 pandemic.

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Deadline: Rolling

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Feminist Essay Project is a unique blog that talks about intersectional feminism through personal essays. We believe storytelling is grassroots form of activism

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CFP: Call for submissions – Greater Atlanta: African American Satire since Obama

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CFP: Call for submissions – Greater Atlanta: African American Satire since Obama

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Deadline: June 20, 2021

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contact info : Derek C. Maus ( mausdc@potsdam.edu) or James J. Donahue ( donahujj@potsdam.edu

Collection of new essays centering on Donald Glover's TV show "Atlanta"

Recent years have witnessed an explosion in both the volume and scope of scholarship on satirical work produced by African American artists in various media. After something of a lull in the wake of three groundbreaking studies - Darryl Dickson-Carr's African American Satire: The Sacredly Profane Novel (Missouri, 2001), Bambi Haggins's Laughing Mad: The Black Comic Persona in Post-Soul America (Rutgers, 2007), and Glenda Carpio's Laughing Fit to Kill: Black Humor in the Fictions of Slavery (Oxford, 2008) - the last seven years have not only featured dozens of dissertations, scholarly articles, book chapters, and conference presentations that examine black satirical expression, but also a wave of book-length publication on the topic, including:

Derek C. Maus and James J. Donahue's edited collection Post-Soul Satire: Black Identity after Civil Rights (Mississippi, 2014)

Darryl Dickson Carr's Spoofing the Modern: Satire in the Harlem Renaissance (South Carolina, 2015)

Terrence T. Tucker's Furiously Funny: Comic Rage from Ralph Ellison to Chris Rock (Florida, 2018)

Jiří Šalamoun's The Satire of Ishmael Reed: From Non-standard Sexuality to Argumentation (Masaryk, 2019)

Derek C. Maus's Jesting in Earnest: Percival Everett and Menippean Satire (South Carolina, 2019)

Lisa A. Guerrero's Crazy Funny: Popular Black Satire and the Method of Madness (Routledge, 2019)

Danielle Fuentes Morgan's Laughing to Keep from Dying: African American Satire in the Twenty-first Century (Illinois, 2020).

Although each of these studies fills one or more notable gaps in the extant scholarship on African American satire, only the books by Guerrero ( Key & Peele) and Morgan ( Get Out and Atlanta) substantively discuss primary sources whose appearance post-dates the killing of Trayvon Martin in February 2012 and the subsequent rise of the Black Lives Matter movement.

The tumultuous cultural politics in the United States during these years have largely overturned the even the most tempered optimism that Barack Obama's two terms as president signaled a sea-change in the national attitudes about race, much less that the much-derided notion of a "post-racial" country had become a reality. Larry Wilmore referred to the abrupt cancellation of his Nightly Show on the Comedy Central network in 2016 as a part of "the Unblackening" taking place in American culture as the end of Obama's presidency drew near.

Perhaps ironically, the phenomenon that Wilmore observed was accompanied by an unprecedented level of visibility and acclaim for black satirical art and artists. Paul Beatty's 2015 novel The Sellout won the 2016 Man Booker Prize, Jordan Peele's 2017 film Get Out received multiple Academy Award nominations, Kenya Barris's television show Black-ish has run for six seasons (2014-present) on the ABC network and garnered numerous Emmy nominations during that time, and Issa Rae's HBO serial Insecure (2016-present) has vastly extended the audience for what began as her influential web-series The Mis-Adventures of Awkward Black Girl.

We are soliciting contributions for a volume of new scholarly essays - already under contract for publication in 2022 by the University Press of Mississippi - that surveys the landscape of African American satire since the start of 2014, the " annus horribilis" that Clare Malone contends was the turning point of the American zeitgeist ( https://fivethirtyeight.com/features/ from-where-i-sit-the-trump-era-began-in-2014/).

We are proposing to use Donald Glover's acclaimed FX network series Atlanta (2016-present) as the focal text for the collection as a whole. Although our argument is not that Atlanta is necessarily the best or most representative black satirical text of this period, the show's thematic breadth and structural/narrative experimentation make it eminently worthy both of close examination in its own right and of comparative examination alongside other contemporary African American satirical works in a range of media, including television, film, fiction, drama, graphic novels, web-series, music, social media, podcasts, and the visual arts.

The initial section of the book will feature essays focusing specifically on Atlanta, and examining its two (possibly three, depending if the next season - scheduled for early 2021 - airs on time after production delays engendered by the COVID-19 pandemic) highly-regarded seasons from a variety of standpoints including (but not limited to) its depiction of and/or commentary on blackness, whiteness, ethnicity, race, national identity, gender, sexuality, economic class, familial relationships, the music business, the (New) South, hip hop, mental illness, popular culture, fame/celebrity, the Internet, the criminal justice system, absurdism, academia, and Afropessimism.

A second section of the book will use Atlanta as a touchstone for critical comparisons, preferably with other contemporary (i.e., since 2014) expressions of black satire including (but not limited to):

films such as Janicza Bravo's Lemon and Zola; Tina Gordon Chism's Little; Spike Lee's Chi-raq and Black KKKlansman; Jordan Peele's Get Out and Us; Boots Riley's Sorry to Bother You; Justin Simien's Dear White People;

television shows such as Key & Peele, Dear White People, Insecure, Black-ish, #BlackAF, Boomerang, Twenties, The Last O.G.;

web-series such as Ask a Slave, Dark Justice, and Black Lady Goddess;

visual artists such as Laylah Ali, Ellen Gallagher, Mickalene Thomas, Kara Walker, Kehinde Wiley, and Hank Thomas Willis;

satirical literature by such authors as Nana Kwame Adjei-Brenyah, Paul Beatty, Danielle Evans, Kaitlyn Greenidge, James Hannaham, Samantha Irby, Branden Jacobs-Jennings, Mat Johnson, T. Geronimo Johnson, Victor LaValle, James McBride, Lynn Nottage, Kiley Reid, Maurice Carlos Ruffin, Rian Amilcar Scott, Danzy Senna, Chris L. Terry, Nafissa Thompson-Spires, and Colson Whitehead.

We are seeking fifteen to eighteen essays - divided equally between the two sections - of between 4,000 and 6,000 words each that will collectively represent a wide range of critical approaches and methodologies; the only absolute requirement is that all of the essays in the collection should substantively engage with one or more episodes of Atlanta.

In the hope that at least one additional season of Atlanta will air early in 2021 (and thus provide additional primary texts for interpretive consideration), we are setting a fairly distant date - June 1, 2021 - as the deadline for submission of completed essays. However, the editors enthusiastically welcome proposals of roughly 500 words and/or completed essays for consideration at any point prior to that date and are happy to offer feedback on such early submissions. All correspondence should be directed to Derek C. Maus ( mausdc@potsdam.edu) or James J. Donahue ( donahujj@potsdam.edu

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Call for submissions - Greater Atlanta: African American Satire since Obama

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contact info : Derek C. Maus ( mausdc@potsdam.edu) or James J. Donahue ( donahujj@potsdam.edu Recent years have witnessed an explosion in both the volume and scope of scholarship on satirical work produced by African American artists in various media.

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Deadline: Rolling
Special Issue Deadline: August 1, 2021

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Available Now: Our 2020 Special Issue, "Energy Pasts and Futures in American Studies". Make sure to visit the Beyond the Page section for supplementary content.

This special issue goes to press in the midst of the COVID-19 pandemic. Confronted with a global health, social, and economic crisis unprecedented in our lifetime, we are made painfully aware of the tight interconnections of the Anthropocene and reminded of the need to always consider nature, medicine, data, and economics in conjunction with history, politics, affect, and ethics. While we never imagined that we would be living in such a scenario when we began working on this special issue, it has turned to be eerily apropos for our time.

The three guest editors-Natasha Zaretsky, Michael Ziser, and Julie Sze-have compiled this brilliant and forceful collection on energy. Their introduction, "Perpetual Motion: Energy and American Studies", outlines the trajectories of the sciences and humanities that animate energy studies, its intersections with American studies, and the stakes of such inquiries. The eleven essays featured in the issue make bold interventions in our understanding of energy in dialogue with scholarship in such areas as settler colonialism, indigenous studies, labor and racial capitalism, nationalism and security state, petroculture, media studies, and gender studies.

American Quarterly June 2020, Volume 72, Issue 2.

This issue includes Scott Kurashige's presidential address, "'Unruly Subjects': American Studies from Antidiscipline to Revolutionary Praxis," which traces the emergence of the ASA as home for those from outside the institutional history of the field, points to the crisis of liberal capitalism and ruptures it has created, and illustrates examples of scholar-activist work seeking to build the revolution toward a new social order, such as the work of Detroit-based Grace Lee Boggs. We have asked two such scholar-activists to respond to Kurashige's address: Curtis Marez and Noura Erakat.

This issue also features six essays that coalesce and speak well with one another around several themes: species, environment, and settler colonialism; racialization and othering in nation and empire building; race, solidarity, and anti-imperialism.

Finally, in the review section, Julie Sze discusses recent works on race, animality, and animal studies, while Chloe Hunt examines books on speculative approaches to time and space in Black critical theory.

A merican Quarterly March 2020, Volume 72, Issue 1.

The first three essays in this issue examine the complex workings of history, memory, storytelling, and literary arts in the context of slavery and settler colonialism, and ask the questions: Who owns and controls narratives? Whose voice do we hear and read? The next three essays explore modernity, race, and the city through sonic, visual, and spatial modes of meaning making. In a digital project review, Melissa Dollman discusses a digital companion to the biography Becoming Richard Pryor. In event reviews, Harrod Suarez examines the exhibit Ohio Artists for Freedoms, Karín Aguilar-San Juan assesses the Minneapolis-based exhibit Prince from Minneapolis, and Ngahiraka Mason reviews the 2019 Honolulu Biennial. The three book reviews discuss new works in disability studies, history of black women, and social and cultural study of robots, respectively.

Empire, war, and colonialism; race, gender, and class; discourse, performance, and subjectivity: these are the issues that the four essays featured here examine through diverse approaches and foci. The forum, "Protesting, Refusing, and Rethinking Borders: A Transnational Perspective," convened by Sunaina Maira, showcase six essays by scholars and activists engaged in a transnational discussion about border violence and border protests in different locations of the globe. In the Event Review, Wendy Cheng and Juan De Lara discuss Desert X, a contemporary art exhibition in the California desert, to critique its failure to challenge the logics of white supremacy, racism, and capitalism. Finally, we have three book reviews: Keith Feldman discusses five recent books on anti-Muslim racism, Axel González reviews four works from the fast-growing field of racial capitalism, and three works on Christian missions in diverse contexts are discussed by Hillary Kaell.

September 2019, Volume 71, Issue 3. Make sure to visit the Beyond the Page section for supplementary content.

This Special Issue of American Quarterly focuses on life within slavery, racial capitalism, and settler colonialism in the region of what is now North America. It critically engages the history of the biopolitical in the period before 1900 and reframes early American studies toward a new appreciation of the history of tactics of governance in this region.

We are proud to announce that American Quarterly September 2015 special issue, "Pacific Currents," guest edited by Paul Lyons and Ty

Kāwika Tengan, is the winner of the 2016 Council of Editors of Learned Journals (CELJ) Award for Best Special Issue. Thank you to Paul and Ty for their vision and leadership and to all the contributors to the special issue!

The September 2012 issue of American Quarterly (Volume 64, Issue 3) was recognized as the co-winner of Best Special Issue by The Council of Editors of Learned Journals (CELJ).

The journal has updated its Author Guidelines to introduce an online submission system.

Join the Conversation

American Quarterly is dedicated to being a forum for intellectual exchange among American studies scholars. Good scholarship is only worthwhile if it is shared. Interdisciplinary scholarship in American studies hinges on communication between its scholars, and as the foremost journal of its kind, American Quarterly is at the center of this dialogue.

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Available Now: Our 2020 Special Issue, "Energy Pasts and Futures in American Studies". Make sure to visit the Beyond the Page section for supplementary content. This special issue goes to press in the midst of the COVID-19 pandemic.

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CFP: American Quarterly 2022 Special Issue

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CFP: American Quarterly 2022 Special Issue

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Deadline: Aug 1, 2021

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Special Issues

American Quarterly publishes one special issue per year each September. Special issues are edited by the guest editors in collaboration with the AQ editors and the AQ Managing Board. They are comprised of a combination of essays that are solicited by the editors and essays that are submitted to a call for papers. Proposals are reviewed by the AQ Board, and the submission process is subject to a peer-review process. For more information on special issues and a look back at past special issues, please visit the Special Issues page.

2022 Special Issue: From Anarchy to Chaos: Generation(s) of Empire
Edited by Christopher Lee (University of British Columbia) and Melani McAlister (George Washington University)
In the twenty-first century, American studies scholars have generated a rich body of work that has debated and analyzed the militarized expansion of the US state, as well as the problems of Indigenous dispossession, anti-Blackness, racial capitalism, militarized borders, attacks on migrant rights, climate change, and neoliberal sexual politics. The multiple crises of the current conjuncture-from Black Lives Matter and the eruption of protests in response to the killing of George Floyd to the global politics of COVID-19, and the outpouring of resistance from the Nigerian Delta to Standing Rock-highlight the ongoing significance of empire, settler colonialism, racial capitalism, globalization, and the Anthropocene to American studies. In this time of uncertainty and anger, but also reassessment and opportunity, this special issue reconsiders the work of empire, asking both how the category has been generative for American studies and what its limits might be as a framework adequate to the contemporary moment.

If the Trump era has taught us nothing else, it is that we need to consider the politics of disorder as integral to (but perhaps also ultimately a sign of the transformation of) a US-dominated global order. Accordingly, this special issue asks what tools we have-and need-to understand the ways that state power, transnational forces, global flows, and energized social movements relate to each other. This is a question for our moment, but we also invite consideration of what our present moment can teach us about the past.

These questions are not intended to argue that US empire has reached an unprecedented crisis; indeed, it recognizes that the very discourse of "crisis" has long enabled the expansion and consolidation of forms of empire. Almost twenty years ago, in Anarchy of Empire, Amy Kaplan characterized US imperialism as "a network of power relations that changes over space and time and is riddled with instability, ambiguity, and disorder, rather than [a] monolithic system of domination." Writing at the height of the War on Terror, Kaplan mobilized the multiple meanings of anarchy to describe the violence unleashed by US militarism and imperialism in the nineteenth and twentieth centuries, as well as the material and discursive impact of empire on constructs of domesticity and national culture. The disastrous contradictions of the Trump period, marked by an embrace of isolationism and white nationalism, on the one hand, and a continuing investment in global capitalism and militarism, on the other, may well represent a shift from anarchy to chaos, as ongoing realignments of global politics unsettle the power of Pax Americana.

The guiding questions for this special issue are therefore methodological as well as political. What approaches, for example, can allow us to best analyze the disastrous US response to the COVID-19 pandemic? Is empire adequate as a framing for a world under threat of warming temperatures and rising seas? What forms of analysis can expose structures of US empire as they emerge, consolidate, and unravel in relationship to other global realities? Mindful of the ongoing need to rethink exceptionalist or US-centric approaches, this issue invites scholars to consider how US empire compares and interacts with other imperial formations or, remembering Kaplan's forceful critique of the binary opposition between foreign and domestic, to explore modalities of power and domination that have been deployed across the spatial divisions of borders and nation-states. In light of the urgency of decolonizing American studies, this issue aims to explore the structural logic as well as unruliness of empire in its various spatial and temporal forms; examine dominant and alternative genealogies of complicity and resistance that imagine different futures; and highlight the role of critical scholarship, especially across generations of American studies practitioners, in diagnosing and responding to these challenges.

Submissions may consider, among other topics:

● Pandemic politics

● Black Lives Matter and global struggles against anti-Blackness

● Transnational or border-crossing social movements

● Crises of asylum and refuge

● The politics of religion as imperial and anti-imperial force

● The Anthropocene, climate change, and ecological catastrophe

● Biopower and the politics of global health

● Technologies of the imperial imagination

● The sites and practices of the US military and militarism

● The Asia Pacific as a site of competing empires

● Specters of the Cold War

● The global impact of the War on Terror

● Racial capitalism in a time of chaos

● The internet as/after empire

● Genealogies of anticolonial thought in American studies

● Trade wars and other configurations of global capital

● Financialization and debt as technologies of empire

Essays of up to ten thousand words are due August 1, 2021. Authors must address the guest editors and clearly indicate in a cover letter that the submission is intended for the 2022 special issue. Information about American Quarterly and submission guidelines can be found at www.americanquarterly.org.

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American Quarterly publishes one special issue per year each September. Special issues are edited by the guest editors in collaboration with the AQ editors and the AQ Managing Board. They are comprised of a combination of essays that are solicited by the editors and essays that are submitted to a call for papers.

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2021 Tobin Siebers Prize for Disability Studies in the Humanities

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2021 Tobin Siebers Prize for Disability Studies in the Humanities

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Deadline: August 1, 2021

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Submissions are now open for the 2021 Tobin Siebers Prize for Disability Studies in the Humanities. The prize is awarded in memory of disability studies pioneer , Professor of English at the University of Michigan and author of many influential books and articles in the field of Disability Studies. The prize is awarded yearly for the best book-length Tobin Siebers manuscript on a topic of pressing urgency in the field (with the exception of 2020, due to the challenges presented by COVID-19). Reflecting on the work of the scholar the prize commemorates, the competition invites submissions on a wide range of topics, from literary and cultural studies, to trans-historical research, to contributions to disability theory such as work in crip/queer studies. The deadline is August 1, 2021. The winner will be announced in January 2022. Winners receive a cash prize of $1500, and a book contract from the University of Michigan Press to be published in the Corporealities: Discourses of Disability series.
Previous winners:
2019 Kateřina Kolářová, Rehabilitative Post-Socialism: Disability, Race, Gender, and Sexuality and the Limits of National Belonging

2018 Stephen Knadler, Vitality Politics: Health, Debility, and the Limits of Black Emancipation

2017 Elizabeth B. Bearden, Monstrous Kinds: Body, Space, and Narrative in Renaissance Representations of Disability

2016 Shelley L. Tremain, Foucault and Feminist Philosophy of Disability

2015 Anne McGuire, War on Autism: On the Cultural Logic of Normative Violence
Guidelines for Submissions
Eligible submissions include complete book-length scholarly manuscripts not under consideration by another publisher. Unrevised dissertations, fiction, poetry, and memoirs will not be considered. Manuscripts and supporting documents should be in digital format and must be sent via email to siebers.prize@umich.edu no later than August 1, 2021.

In addition to a complete book-length manuscript, please send the following materials:

A description of the manuscript

A brief statement regarding its relative contribution to the field of Disability Studies

The word count and illustration count

A current curriculum vitae

For assistance with the submission process, please contact siebers.prize@umich.edu .

Tagged as: disability studies, Tobin Siebers, tobin siebers prize

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Call for Submissions: 2021 Tobin Siebers Prize for Disability Studies in the Humanities - University of Michigan Press Blog

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Submissions are now open for the 2021 Tobin Siebers Prize for Disability Studies in the Humanities. The prize is awarded in memory of disability studies pioneer Tobin Siebers, Professor of English at the University of Michigan and author of many influential books and articles in the field of Disability Studies.

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Smithsonian Center for Folklore and Cultural Heritage Call for Interviews 

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Smithsonian Center for Folklore and Cultural Heritage Call for Interviews 

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Deadline: ASAP
Email: KwonG@si.edu