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1.I specifically learned that light painting is required with slow shutter speed because it takes time to capture all your movments.

2.I enjoyed when I got to make my creative thing and how it came out on the picture.

3.Im still unclear about how the slow shutter can capture all your movment with barley and=y blur on with the light painting.

4. What I would do differntly is having more lights and more movemnts because it can show lots of detail.

5.I was proud of how the pictures came out because it shows lots of detail and different lights in the photograph.

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1. What specifically I learned about light painting is that a self timer has to be set up while having a slow shutter speed.

2. I enjoyed coming out with creative ideas to create unique photographs and seeing the results of the pictures.

3. I am still unclear of how the camera captures these photographs and how it makes the light stand out.

4. what I would do differently is having more idea to create a variety of different photographs.

5. What I am most proud of is how the pictures turned out and the creativeness made these pictures be successful in detail.

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ISO 200, aperture f/3.8, shutter speed of 8.0 seconds. So right here I took a picture of Amara while Eliaja is using her iPhone flash and drawing over here

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ISO 220, aperture f/3.5, shutter speed of 8.0 seconds. So right here I took a picture of Amara and Elaija while Mrs. Moncure held the gel light with a flashlight as Amara and Elaija stood still they both went opposite was and left a ghostly shadow next to them.

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Iso of 220, aperture of f/3.8, and shutter speed of 8 seconds. In this photograph Amara was highlighting brandy with a large glow stick. The continuation of trying to created flames around Brandy.

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1. I specifically learned that light painting photography required a really slow shutter speed.

2. I enjoyed outlining the models with the lights and seeing how it turned out the photograph.

3. I'm still unclear about how light painting actual works. How does the camera create the illusion if the light is always moving.

4. Before taking the pictures I want to make sure we have a lot of different ideas for different photographs.

5. I was the most proud of how the pictures came out. I like the combination of different lights in a photograph.

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ISO 200, aperture of f3.5, shutter speed of 8.0 seconds. Elaija is making circle while Amara is in the back tracing her with a big light stick that changes colors like a rainbow.

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ISO of 220, aperture of f/3.8, shutter speed of 8 seconds. Brandy starting doing a motion of circle from top to bottom with a large glowsstick keeping it the color pink thought the whole picture.

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ISO 200, aperture f/5.6, shutter speed 8 seconds I angled the camera down toward Elaija's shoes and zoomed in a little bit. Elaija used her iPhone flashlight around her shoes.

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1. Light painting is a fun way to create illusions in photography.

2. I enjoyed the creativity part of it. Deciding what colors and shapes to create was very fun.

3. Im still a little unclear of the technical side of it and how the camera was able to take an 8 second long picture.

4. I would like to be more prepared with lights we use. I would've liked to bring in more different lights and have an idea of the photographs we would take.

5. I was the most proud of how the pictures came out. How our creativity was brought to life through the photographs.

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ISO 200, aperture of f/4.2, shutter sped of 8 seconds. Mrs.Moncure turned on a super bright light while Brandy started of doing big circles to small circles with a big glow in a dark stick.

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He started by drawing some real simple shapes in the confines of my bedroom in total darkness. It’s like you have a blank canvas, but of course limited by the frame of your picture. In fact setting up the boundaries of your frame is the most important pre-photo work that one needs to do before everything else. Clicking in dark is akin to walking in dark. Hence set up your frame with lights on and with some reference boundary or a space between two objects so that you know the size of your canvas.

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ISO 220, aperture f/3.5, shutter speed 8 seconds Elaija outlined Maria body with the large light stick while Maria posed.

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ISO 220, f/3.8 aperture, 8 second shutter speed. Maria outlined Amaras body with a flashlight as she posed.

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Using light as a medium in long exposure photography. The photographer took this photo by using I shoot with a D800 and my main lens used for all of my light paining is the AF NIKKOR 14mm 2.8 D. You do not need this lens to get good shots, really any lens will work, and he just prefer this one.

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ISO 220, f/3.5 aperture, 8 second shutter speed. Ms. Moncure held the gel light with a flashlight as Amara moved two steps.

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ISO 220, f/3.5 aperture, second shutter speed. Maria outlined Amaras body with a large light stick.

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Light painting, also known as light drawing or light graffiti, is a photography technique in which exposures are usually made at night or in a darkened room. This momentary approach to art and expression uses the movement of light to create incredible images and is created on the streets, in nature, and in studios by artists whose creative impulses transcend traditional media.

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ISO 200, aperture f/5, shutter speed 8 seconds Maria outlined Elaija's body with her iPhone flashlight and Elaija was shaking the large light stick. The camera was on manual focus.

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If you’re not used to taking pictures with a manual shutter setting, it’s a good idea to get used to it before you start making super intricate masterpieces. You will want to set the camera up on the tripod facing your backdrop, or dark area you plan on using. Set the camera to the manual shutter. This will mean that when you hold down the button to take a picture, you’ll need to hold it down for the entire time people are creating their image.

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it’s pretty amazing what steel wool, wire whisks, 9-volt batteries, cameras on tripods, and some friends can do. And frankly, if you’ve already shelled out the cash for the camera and tripod this becomes cheap fun with pals. It’s best paired with dark nights, bonfires, and any libation of your choice.

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Out for a Spin: Light Painting with Steel Wool – Greg Molyneux Photography

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This picture of Light painting is a technique using long exposures in photography and tools such as sparklers, steel wool or other light generators. Because of the long exposure, a person can move in and around the photographed area, shining a light, while not being captured in the photograph themselves.

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An LED flashlight with a blue gel filter was used to light paint the waterfall on the left. The image on the right is the same scene without the light painting.

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Camera settings that you should use for light painting photography are simple. Use RAW file format, preset your white balance setting since otherwise your camera will correct itself and your external light source will lose its meaning. Use camera’s focus button since at night focusing is an issue for the camera. Always use manual or bulb mode for exposure setting. For ISO settings use the lowest ISO possible. This is the only way to minimize the noise in the scene.

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For this image this person used a flashlight, rope, tied the end flashlight, tripod to get the ball of light. It's necessary to attach the flashlight rope end. Then with a rope and flashlight he starts to build a circle motion. He used a cannon 500D camera Aperture is F7.1 shutter speed was 30 and ISO:3200.

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In other words, photography is “painting with light”.  Without light in pure darkness photography actually isn’t possible, but add any light to anything, and you can record what that light does on a specific medium or surface.

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Primarily performed at night and outdoors, such night captures can make scenes look more dramatic than they would under normal conditions.Light painting technique involves two methods: moving a light around in the frame during a long exposure, similar to writing with a sparkler, or using a controlled light source, such as a flashlight or speedlight, on or off camera, to light a particular part of a scene.

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This is a location shot. You find a location with some ambient light. Find an object that is less “hit” by that light. now you can use the ambient light to capture the background, while painting the object with light. You will get a nice effect – with some surreal foreground and a “normal” background. Also the white balance will be different on ambient and painted – another cool side affect.

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The idea of having a subject in a totally dark room and the camera on a tripod with the shutter open and painting the subject with light from a torch/flashlight is not new but the opportunities with digital to check your results immediately and make changes to exposure and/or the light painting process to correct problems makes it much more simple than working with film.

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the main focus is to have a fully dark rom with out any light coming in the room. A main factor is to remember to have the camera set up in a tripod because the shutter spa has to be 1/15 of a second. Also to set up the self f timer in the camera. To create tho picture you will haver to haver a lot of bright light wi6th many colors and being abled to do it at a fast sped to capture all the details.

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Your light source needs to be switched off after completing the first continuous curved line before you switch it on again for the next curved line. If this is not done, you will have unnecessary lines of light interfering with your main drawing. In this photo Then switched it on again and drew the lower curves before reaching the side from where I started.As a matter of fact I completed this photo within 15 seconds exposure bettering my previous time record of 20 seconds. This is a photo of ''DNA''.

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Light painting photography typically requires a darkened environment as well as a fairly long shutter speed.  Typically there is hand-held light source being moved about, either in our outside of the frame. The light source can be moved around strategically in order to illuminate a subject, or it can be the subject itself.Typically, a shutter speed of at least 30 seconds is required.