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The cruiskin

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P. B. BELLINZANI

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P. B. BELLINZANI

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F. Chopin

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G. Fauré

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V. Monti

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F. Mendelssohn

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Fin de second cycle

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Méditation extraite de "Thaïs" de J. MASSENET

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Méditation extraite de "Thaïs" de J. MASSENET

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Valse extraite de "La Belle au bois dormant" de P. I. TCHAIKOVSKY

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Valse extraite de "La Belle au bois dormant" de P. I. TCHAIKOVSKY

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pour ceux qui veulent travailler dans l'aigu et pour la lecture de la troisième octave

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Pour ceux qui travaillent TK

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F. von Flotow
Lien avec piano

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Tune of the Day: Ach! so fromm, ach! so traut

Aria from Flotow's opera "Martha"

Martha, oder Der Markt zu Richmond ( Martha, or The Market at Richmond) is a "romantic comic" opera in four acts by German composer Friedrich von Flotow. It was first performed in Vienna in 1847.

The opera is set in 18th-century England, during the reign of Queen Anne, and the story is that of a beauty of high rank, Lady Harriet, who disguises herself as a peasant, calls herself Martha, and, with her maid Nancy, similarly disguised, joins a crowd of girls going to the hiring fair at Richmond. Two young farmers, Plunkett and Lyonel, engage Martha and her companion for twelve months. The two ladies however do not like their situation, and escape the same night. The two farmers, on the other hand, had fallen desperately in love with the girls.

The aria "Ach! so fromm" is taken from Act three, where Lyonel sees "Martha" again with the ladies-in-waiting for Queen Anne. He is struck again by her beauty, and grieves that he will probably never be with her again.

Despite being the most famous original aria from the opera, this aria was not originally written for Martha, but for Flotow's L'âme en peine. It was first interpolated into Martha in 1865, at the first Paris production. It is also often sung in its Italian translation "M'appari tutt'amor" ("She appeared to me full of love").

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Ach! so fromm, ach! so traut from Martha (F. von Flotow) - Free Flute Sheet Music

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Aria from Flotow's opera "Martha" Martha, oder Der Markt zu Richmond ( Martha, or The Market at Richmond) is a "romantic comic" opera in four acts by German composer Friedrich von Flotow. It was first performed in Vienna in 1847.

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A. Sullivan
Je mets le lien pour avoir l'accompagnement piano

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Tune of the Day: A Man Who Would Woo a Fair Maid

from "The Yeoman of the Guard", arranged for Flute and Piano

Here is another arrangement for flute and piano from Gilbert and Sullivan's 1888 opera The Yeoman of the Guard. This trio was originally sung in Act II by Colonel Fairfax (who sings the lower part at the beginning), Elsie and Phoebe.

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A Man Who Would Woo a Fair Maid from The Yeoman of the Guard (A. Sullivan) - Free Flute Sheet Music

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from "The Yeoman of the Guard", arranged for Flute and Piano Here is another arrangement for flute and piano from Gilbert and Sullivan's 1888 opera The Yeoman of the Guard. This trio was originally sung in Act II by Colonel Fairfax (who sings the lower part at the beginning), Elsie and Phoebe.

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P. B. Bellinzani

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trad. Irlandais

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(Duo Facile)

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F. Mendelssohn

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the-herald-angels-sing (Facile flute et piano)

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(Facile)

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trad. Gallois

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G. Holst
(Facile)

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M. Leontovych
(Trio Facile)

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W.J. Kirkpatrick
(Facile)

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Chanson du berceau (Facile flute et piano)

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J.R. Murray
(Facile)

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Loin dans une crèche (Facile flute et piano)

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trad. Espagnol
(Facile)

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(Trio facile)

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Les anges dans nos campagnes (facile Trio)

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(facile)

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Anges des royaumes de la gloire (facile)

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(facile)

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(trad. Espagnol)

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(fin de cycle 1)

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(Baptiste)

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Sonate pour 2 flûtes n.1, 2ème mouvement, de W.F. Bach
Pour l’écriture canonique

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(Romane et Maman)

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Pour travailler do# grave

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The Lamentation of Aughrim (Trad. Irlandais)

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The Lamentation of Aughrim (Trad. Irlandais)

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Thompson now at moonlights fairy hour (1C4)

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Thompson now at moonlights fairy hour (1C4)

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(1C2)