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Partnerships

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This is beautifully organized!

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You have a good start here. I think you could tighten up the statement considerably which would allow you more space for talking about the ideas the show is meant to present.

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Just wonderful. I really love the reworking of the poem, the focus. Very well done.

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Johannes Vermeer, 1672

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“All the Vermeers,” is a work of ekphrasis. Ekphrasis is more personal than academic writing usually is—although there are works of scholarship with magnificent ekphrastic passages in them. The full poem is attached here.

Prompt for written response: "What do you know if anything about Vermeer? Select your favorite painting among those shown below. How does the poem positively or negatively affect your response to that painting?

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Italian (1817-55)
Pietro Calvi, 1833-84

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2 different pieces/poems from different points of view
(2nd piece wip)

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Gorgeous. And very moving. It's fascinating that the second version is a sort of essential, bare-bones reiteration. My inclination is to suggest that you apply some of those refinements and simplifications to the first version. Made some comments. They are only my thoughts for you to use--or ignore--as you wish.

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Prompt: What is an "allegory" in art? Do you think it is reasonable and fair to use an art work from a distant time and place to comment on contemporary social, political or cultural situations?

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Anthony D. Romero: This is what democracy looks like

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In a quest to make sense of the political environment in the United States in 2017, lawyer and ACLU executive director Anthony D. Romero turned to a surprising place -- a 14th-century fresco by Italian Renaissance master Ambrogio Lorenzetti. What could a 700-year-old painting possibly teach us about life today?

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The Artist Project and Critical Response

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The Artist Project and Critical Response

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Assignment: Watch at least three of the following videos (each is about three minutes long). Post a response on your wall based on the following prompt: “Identify the three videos you watched. Since the artist is learning from the work of art, it is a matter of an artist (you) learning from an artist (the speaker) learning from an artist (the creator of the work of art).  What do you think when you listen to a successful visual artist talk about an artist or a work of art?
The list of videos is attached here.

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Collect images for your exhibition on your wall. Each image you post should be identified by:

artist's name, birth and death dates

artist's nationality

title and date

medium(s)

collection/owner (if known)

You will need a minimum of five (5) images for your exhibition. You may wish to assemble more than that before you make your final selection.

Suppose my exhibition is titled "Our Better Angels: Images of Saint Matthew." I might include the attached work of art and put these facts on the label.
Nicolas Poussin (1594-1665)
French
Landscape with St. Matthew and Angel, 1645
oil on canvas
Gemaldegalerie, Berlin, Germany

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poussin_1645_landsc w st matthew and angel_berlin

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Attached is a document that provides some guidance in the content and format of an extended object label.

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You are the curator : organize and interpret an exhibition "installed" in Powerpoint. The full assignment is attached here.

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Wonderful Vermeer response! Very well written and to the point.

Both drafts of the Othello piece are lovely and emotional. This approach is especially effective as I consider Shakespeare's dramatic style of writing!

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grades on each assignment as it is due

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Not the least bit mediocre! Definitely historical. Looking good.