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Michael Landy made an inventory of every single thing he owned: every item of furniture, every book, every work of art, every article of clothing and one Saab car. Cataloguing all his possessions took a year to complete and the final list comprised 7,227 items.

A specially constructed facility modelled on a material reclamation factory was installed and opened to the public in an empty department store on Oxford Street. Landy then set about systematically destroying all his possessions with the help of a team of operatives and a dedicated car mechanic.

Classified into ten categories - Artworks, Clothing, Equipment, Furniture, Kitchen, Leisure, Motor Vehicle, Perishables, Reading Material and Studio Material - the stuff of Landy's life circulated on a system of roller conveyors moving like a large Scalextric track around the empty store. Each individual possession was then systematically taken apart, broken down, pulped and granulated. After two weeks every single thing that Landy had once owned was no more. He was a man without possessions.

In an earlier work, Landy had plastered 'Everything Must Go' over the walls of a London gallery. In Break Down, 'Everything Did Go'. It proved to be Michael Landy's most ambitious - and most extreme - project to date.

I see this as the ultimate consumer choice. Once Break Down has finished, a more personal 'break down' will commence, life without my self-defining belongings... One way or other I'm trying to get rid of myself, so it's kind of the ultimate way without actually dispensing of me. - Michael Landy

This video documenting the intricate and laborious destruction of Michael Landy's possessions in a factory line is also available to watch on Vimeo and YouTube.

Image: Michael Landy's team of operatives at work meticulousy destroying items on the factory line of Michael Landy's Break Down (2001).

Playlist: Imagine No Possessions

A selection of the records, CDs and cassette tapes destroyed by Michael Landy and his team. Spotify users can listen to most of the tracks from this playlist here.

The Specials: Man at C&A
David Bowie: Breaking Glass
Echo and the Bunnymen: The Cutter
Queen and David Bowie: Under Pressure
Stranglers: Strange Little Girl
Diana Ross: Upside Down
Marc Bolan: You Scare Me to Death
Tom Tom Club: Tom Tom Club
John Martyn: Solid Air
Iggy Pop: Lust for Life
John Lennon: Imagine
Talking Heads: Little Creatures
The Associates: Sulk
Bauhaus: Ziggy Stardust
Heaven 17: Fascist Groove Thang
Grace Jones: Warm Leatherette
Cocteau Twins: Peppermint Pig
Joy Division: Love Will Tear Us Apart
Birthday Party: Nick the Stripper
The Police: Message in a Bottle
The Damned: I Just Can't Be Happy Today
The Crusaders: Street Life
The Jam: Beat Surrender
Chaka Khan: I Feel For You
Secret Affair: Time For Action
UK Subs: Tomorrow's Girls
Eurythmics: Who's That Girl
Madonna: Lucky Star
Rolling Stones: Start Me Up
Joyce Sims: All and All
Candi Statton: Young Hearts
Bill Lovelady: Reggae For it Now
Culture Club: Time (Clock of the Heart)
Phil Collins: In the Air Tonight
Dalis Car: The Judgement is the Mirror
Kiki Dee and Elton John: Don't Go Breaking My Heart
OMD: Swing Shift
The Flying Lizards: Money
Style Council: Money Go Round
Funeral Directors: Corpsegrinder
Fun Boy Three: Summertime
Gymslips: 48 Crash
Softcell: Bedsitter
Total Contrast: What You Gonna Do About It
Adam & the Ants: Deutsche Girls
The Creatures: Drive in Saturday
Hi Fi: Don't Break the Spell
Frankie Goes to Hollywood: Relax
Siouxsie and the Banshees: Melt!
Japan: Quiet Life
Blur: The Debt Collector
Jim Reeves: Old Tige
The Verve: Lucky Man
Paul Weller: You Do Something to Me
Radiohead: Nice Dream
Orbital: Halcyon and On and On (Live)
Happy Mondays: Lovechild
Nirvana: In Bloom
Garbage: I Think I'm Paranoid
Squeeze: Cool for Cats
The Cure: A Forest
B52s: Rock Lobster
Cameo: Single Life
The Clash: London Calling
Lou Reed: Satellite of Love
The Human League: Being Boiled
Level 42: Something About You
Gary Numan: Cars
Manic Street Preachers: The Everlasting
Fleetwood Mac: Go Your Own Way
The Outcasts: Angel Face
Air: All I Need
Michael Nyman: Drowning by Numbers
The Wolfe Tones: Let the People Sing
Bronski Beat: Smalltown Boy
The Hues Corporation: Rock the Boat

Image: An operative uses a hammer to destroy a videotape included in Michael Landy's inventory during Break Down (2001). Photograph: Parisa Taghizadeh

The Inventory

Before Michael Landy destroyed his possessions, he spent a year making a list of them. The full inventory contained 7,227 entries, split into the following ten categories:

A - Artworks
C - Clothing
E - Electrical
F - Furniture
K - Kitchen
L - Leisure
P - Perishables
R - Reading
S - Studio
V - Vehicle
See the complete inventory

Video: Interview with Michael Landy

I had my own place to live, I had my own furniture, I had some money in my bank account. And then I sort of thought: How am I going to screw this all up? [...] Then it just came to me, I wanted to destroy all my personal belongings. - Michael Landy

Michael Landy reflects on Break Down, discussing his meticulous delicate drawings as well as the ideas and personal concerns that underpinned the formation of this work.

This video is also available to watch on Vimeo and YouTube. Excerpt courtesy of Illuminations.

Image: Inventory items including L790, a stuffed toy bear, placed into one of the yellow boxes in preparation to be destroyed on the factory line during Break Down (2001).

Michael Landy in conversation with James Lingwood

On 10 February 2021, Michael Landy was joined live on YouTube by Artangel Co-Director James Lingwood to discuss Break Down. Two decades on, the talk marked the twentieth anniversary of the project whilst reconvening the artist with its commissioner for an opportunity to reflect on the project's many themes.

The artist answered questions throughout from the live audience on YouTube and those posted across social media on the hashtag #20YearsSinceBreakDown.

Also available to watch on Vimeo and YouTube.

Image: Items on the factory line during Michael Landy's Break Down (2001). Photograph: Hugo Glendinning

Selected Press

Artists have been known to destroy their own work and even to kill themselves, but usually it is in a fit of despair or rage. Landy's art is quintessentially modern because it is so ruthlessly efficient, so mechanised. This work took him two years to organise. At first glance the scene inside C&A looks like a factory hard at work making things. Only up close do you see that a process of destruction is taking place which is as complex as the process of creation. - Richard Dorment, The Daily Telegraph, 14 February 2001.

Break Down, Landy's strongest work to date, embodied more than a social commentary on shopping. His gesture of publicly stripping himself of his worldly goods had a spiritual dimension. He behaved as a shaman might, enacting a purge for communal ends. - Judith E. Stein, Art in America, June 2001.

Break Down was a real event, the first Brit Art gesture I have seen that transcended the new-establishment, new-elite, bad-boy banalities of Landy's contemporaries. He's a thinker, and a tough-minded one at that. Is it art? I don't know, but for once, thanks to the carefully reasoned rigour and impersonality of the project, I think so. - Bryan Appleyard, The Sunday Times, 11 March 2001.

Michael Landy

Michael Landy's first experience working with Artangel was on the construction of Rachel Whiteread's House in 1993. He was then selected as part of the 1999 Open call for proposals and created Break Down in 2001.

Known as one of the most thought provoking artists of the 'Sensation Generation', Landy's work was first shown in the legendary Freeze exhibition of 1988. Through the 1990s, Landy's work explored contemporary consumerism in a sequence of major projects stretching from Market and Closing Down Sale early in that decade, to the sprawling shredded landscape of Scrapheap Services.

In the year following Break Down, Landy worked on a series of painstakingly detailed etchings of weeds, rendered in the traditional style of botanical draughtsmanship. In 2004, he created Semi-detached, a full scale model of the front and back facades of his parents' house, shown at Tate Britain. In more recent times he has created drawings in charcoal, oilstick, glue and ink that reference Homage to New York, Jean Tinguely's self-destructing machine which, for 27 minutes in 1960, spasmed, shook, and burst into flames but failed to fully self-destruct.

Images: Photographs of Michael Landy that were destroyed as part of Break Down, inventory items (left) L865 and (above) L577 (2001). Photographs: Parisa Taghizadeh

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Michael Landy made an inventory of every single thing he owned: every item of furniture, every book, every work of art, every article of clothing and one Saab car. Cataloguing all his possessions took a year to complete and the final list comprised 7,227 items. A specially constructed facility modelled on a material reclamation factory was installed and opened to the public in an empty department store on Oxford Street.

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Game of Thrones Season 5: Episode #3 - Arya's Service with the Faceless Men (HBO)

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