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Photographer not identified therefore there is no bias from him.
This photograph was taken during the Vietnam war and the hippies were a group of people opposing the war and would promote “love not war”. The picture is probably from the Woodstock concert. the people at the concert were firm promoters of love and wanted the war to end and the soldiers to come back home. this photograph is powerful because it shows strength and unity. the strong colors symbolize peace and love. this photograph portrays a reality which shows the people protesting to the war, so its not contrary to our believe cause people were against the war. it is not shocking

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Photographer in this photo is also not identified. During this time period love, peace, and self respect between this new generation was valued. Later on these people were known as hippies using their platform to really express there thoughts on self love and being against the war. This picture may also be from Woodstock.

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Photographer is not depicted or stated. During the 1960s racial integration was a factor holding America back from being the nation we knew we could be. During this time often blacks were fairly mistreated, picked on, and targeted. It was believed during this time period that whites were superior to all other races. So i believe the photographer is trying to portray the equalness between all races.

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Photographer is not identified therefore there is no bias from him. President Kennedy debating whether we should get involved in the Vietnam  War and if we should send troops to help them in this time of need. Many people of America thought we shouldn't get any more involved into the war already. Many people think this because already the war is a stalemate and all we are doing when we send more troops over there it doesn't help our position in the war.

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photographer not identified, therefore there is no bias from him. during this time period, the civil rights movement was on the rise. there was a demand to void the Jim crow laws and give the black people there rights. among the few leaders of the movement were MLK and Malcolm X. this photograph is shocking because it shows the impact the movement had on the population and the amount of people that turned out to join the movement. it does not portray a reality that is contrary to our popular understandings because it was a fact that a lot of people opposed the Jim Crow laws and supported the movement. it challenged cultural norms because it went against the Jim Crow laws and protested for the rights of African Americans.

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In 1964, Dr. Martin Luther Jr. delivered the opening address to the Berlin Jazz Festival.

"Jazz speaks for life," King said. "The blues tell the story of life's difficulties - and, if you think for a moment, you realize that they take the hardest realities of life and put them into music, only to come out with some new hope or sense of triumph. This is triumphant music."

King was born in 1929. Thirty-six years later, in 1965, he led a march from Selma to Montgomery, Ala., a march that was instrumental in the passing of the Voting Rights Act five months later. This year, on Jan. 20 - one day after the national observance of King's 80th birthday - we witness the inauguration of the first African-American president of the United States.

What follows are jazz and jazz/blues versions of some of the songs that sustained the civil-rights movement in the 1960s (and beyond) through the setbacks, the hardships, the failures and the many hard-won successes that have moved America ever closer to racial equality. If you feel inspired to sing along, you certainly won't be alone.
This story originally ran Jan. 19, 2009. For more entries in the Take Five series, click here. And don't forget to subscribe to the Jazz Notes newsletter.

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Martin Luther King Jr. opened the 1964 Berlin Jazz Festival with these words: "Jazz speaks for life." The 1960s civil-rights movement inspired blues and jazz songs about the setbacks, hardships and hard-won victories that moved (and that continue to move) America closer to racial equality.

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Photographer is not identified therefore there is no bias from him. The college students of Howard University started to notice women taking higher roles other than being a housewife and etc. This picture is very impactful because at the time many people only thought women to be helpful when they are at home taking care of the house or the kids. women now are taking the chance to make a better name for themsleves.

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This very impactful photograph was captured by the renowned photographer Bruce Davidson. Bruce Davidson is an American photographer and filmmaker  who was born September 5, 1933, Oak Park, Illinois, U.S, and attended the Rochester (New York) Institute of Technology (1951–54) and the School of Design of Yale University (1955) in New Haven, Connecticut.   His  photographs often convey the loneliness and isolation of the subjects and this picture above is the epitome of the aforementioned. The 1960s was a era of major reform especially with the Civil Rights movement. Many African-Americans around the United States engaged in peaceful protests in order to attain equality between white Americans and Americans of color. Some of the most important protests were the Freedom Rides, which were protests when civil rights activists rode interstate buses into the segregated southern United States, during the 1960s in order to see if the ruling by United States Supreme Court, which stated that segregated public buses were unconstitutional, would be enforced. On May 25, 1961 Bruce Davidson joined a group of Freedom Riders traveling from Alabama to Mississippi, and took many moving photographs capturing moments during  a period of major civil unrest in American history. This photograph features an African-American man being dragged by two white police officers. Many atrocities were committed against the black population during the 1960s. This photo really exemplifies the aforementioned police brutality and invokes a feeling of pity.