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The fundamental issue that I am concerned about is the one-way of writing, telling, and confiding with audiences in the one-way communication process , and I hope to use letters as a carrier to express the sustainability of emotions. For publications, it seems to be facing a more severe challenge-to resonate with the audience. This shows that the previous experiment does not work perfectly because emotions can carry too much, and it has particularity, uniqueness, and this feeling (or experience) is only belonging to the author so during this process,the audience might be confused.

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尽管你有了新的知识，你仍然能够“记住”场景，继续感觉非常像一个真实的记忆。这是一个你不再相信发生在你身上的事件的记忆。

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尽管你有了新的知识，你仍然能够“记住”场景，继续感觉非常像一个真实的记忆。这是一个你不再相信发生在你身上的事件的记忆。

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NO NECESSARY TO BE EXPORT

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The third category involved contradictory evidence (7%). For example, 1 participant could not find any reference to a film she remembered seeing but that no one else remembered

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The second subcategory comprised instances in which someone else (e.g., parent, sibling, friend) indicated that the event never happened (52%).

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The second subcategory comprised instances in which someone else (e.g., parent, sibling, friend) indicated that the event never happened (52%).

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The first and larg est category (56%) involved someone else telling the partici pant that the memory was incorrect

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Research on the nature of episodic memory organization has suggested that the dominant organizing principle among episodic memories is either conceptual organization, where memories cluster around the same content (e.g., memories about the people), or a type of temporal organization known as general events, where memories cluster around extended events (e.g., a holiday in London), repeated events (e.g., Sunday walks in the park), or causally related events (i.e., where one event leads to another). Because these opposing conclusions have been derived separately from involuntary or voluntary measures of autobiographical memory, Mace, Clevinger, and Martin (2010) hypothesized that involuntary retrieval processes and voluntary retrieval processes may be accessing episodic memories differentially, such that one produces high frequencies of conceptually clustered memories, whereas the other produces high frequencies of general event clustered memories. This study failed to find support for this hypothesis. In 2 experiments, 3 different types of voluntary retrieval tasks found that conceptually clustered memories were substantially more frequent than general event clustered memories. We argue that these results support the view that episodic memories are organized mainly conceptually.

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Poetry gives more imagination to varying degrees
I classified my poems into 5 themes,
The keywords are

Moment-------the most characteristic subconscious, about mood

Eyes-------------develop moments in the interviewee’s eyes from their own eyes

Self---------------assessment-think about the problem from a physical perspective

Seasons--------Subjective consideration of the interviewee’s relationship with nature

Morning--------Recalling a certain day, or a day that does not exist in memory (fantasy)

这种格式化的探索模式会在相同的问题中找到不同的答案，
This formatted exploration mode will find different answers in the same question,

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a narrative poem with the style of a comic strip

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a narrative poem with the style of a comic strip

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The plan to steal the memory of others

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if we understand that memory is subjective, what would it mean to ask 10 people to recall the same experience and try to capture their similarities and differences to reveal this?

If we understand that our memories are re-constructed each time we recall them, what would it mean to try to remember the same moment for 30 days straight?

If we understand that memory is flawed, what would it mean to try to recall this exact day one year ago?

If we understand that memory is multisensory, what would it mean to attempt to reconstruct a memory using all the senses?

This specificity would help create points of access for the audience, rather than trying to encompass memory and everyday life in general through the work.

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these uncertainties create a degree of beautiful fragmentation and fantasy. 

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these uncertainties create a degree of beautiful fragmentation and fantasy. 

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Prior research examining how negative feelings influence aesthetic preferences
mood-congruent preferences significantly increase when people experience interpersonal (vs. noninterpersonal) distress, independent of emotional intensity, emotion type (sadness and frustration/anger), and normative issues (experiments 1–3).

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I‘m trying to capture ideas of how memory is affected by the passage of time. There is a long or short story in every picture I have taken. There is only what the viewers find within it for themselves. I am more interested in exploring time and multiple possibilities that exist in reality.

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painting

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Poetry

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humansDetails of daily life-memory fragments

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humansDetails of daily life-memory fragments

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psychology
sociology
Memory is subjective, sampling different groups of people to capture their similarities and differences
The audience needs me to provide an access window

Can self-experience and experience influence others? In what way?

How is the audience experience expressed? What kind of object or method is used to describe memory?

Are positive or negative memories related to psychological stress?

Can memories be concretized in the bystander?

How to record memories from different perspectives? image? Text? What is broken in common? (Object-mirror, banana, slide. Incident-injury, happiness, sun exposure)

To a certain extent, memory is a sound that transcends two dimensions, so is it possible to find a way to visualize the sound?

Self-knowledge, people and people, memory fragments, four seasons, social reflection, politics, history, daily

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awareness
memory
Tell the story

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Memory is important to human beings. A person’s life is made up of countless “today” and each individual’s day is 24 hours. It is so small that you can easily ignore it. However, it is great. At a certain moment, it can make you hopeful for tomorrow. It may only represent the rising and falling of the sun, or a smile between you and a stranger, a very short period of time, but it is indeed the basis of our memory.