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Both pieces are taking a look at darker subject matters. The are both menacing and ominous.

Both pieces have a figure onto of another object.

Both paintings have  demonic looking houses starring at the figure on top of the object.

oil paintings.

Differences.

the Nightmare uses dark, warm colors.

There is a lady passed out in the paining while in Untitled the figure is standing and awake.

In untitled art's colors are cooler side.

Untitled is set in nature and it is set outside while

The Nightmare is set indoors.

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Artist	Edouard Duval-Carrié, Haitian, born 1954Title	UntitledDate	1980Medium	oil on boardDimensions	Framed: 69 1/4 × 49 3/8 × 2 1/2 inches (175.9 × 125.4 × 6.4 cm)Credit Line	Gift of the artistAccession Number	1984.51Department	African American ArtOn View	African American N234, Level 2 (see map)

# data[].attributes.subject
Artist	Edouard Duval-Carrié, Haitian, born 1954Title	UntitledDate	1980Medium	oil on boardDimensions	Framed: 69 1/4 × 49 3/8 × 2 1/2 inches (175.9 × 125.4 × 6.4 cm)Credit Line	Gift of the artistAccession Number	1984.51Department	African American ArtOn View	African American N234, Level 2 (see map)

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Untitled, 1980

oil on board

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Henry Fuseli The Nightmare, 1781 oil on canvas

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Henry Fuseli The Nightmare, 1781 oil on canvas

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Being in the grips of a nightmare is a common occurrence that we can all relate to, but we may never experience one exactly as a particular artist depicts it. Here Fuseli conjures up a terrifying image filled with mystery and panic, yet with a vague and disturbing familiarity. It suggests the way the woman feels in the grip of a demonic nightmare, not what she sees. The Nightmare was reproduced as an engraving; a copy hung in Sigmund Freud's apartment in Vienna in the 1920s.

# data[].attributes.subject
Being in the grips of a nightmare is a common occurrence that we can all relate to, but we may never experience one exactly as a particular artist depicts it. Here Fuseli conjures up a terrifying image filled with mystery and panic, yet with a vague and disturbing familiarity. It suggests the way the woman feels in the grip of a demonic nightmare, not what she sees. The Nightmare was reproduced as an engraving; a copy hung in Sigmund Freud's apartment in Vienna in the 1920s.