# data[].attributes.body
I am concerned about covid and the risk to public health over the winter / I am worried about meeting my project deadline

# data[].attributes.body
https://www.blackpoolgazette.co.uk/education/boundary-primary-school-celebrates-british-values-with-election-day-3406578

# data[].attributes.attachment_link.readable_text
Youngsters at Boundary Primary School in Dinmore Avenue, Grange Park, learned about democracy and fairness as pupils in each class put themselves forward to be elected onto the school council.

Candidates wrote their own manifestos in a bid to win the votes of their peers, for a chance to meet with staff twice each half term and have their say on how the school is run.

Teacher Catherine Farley said: "The children had ballot papers and voted for their school councillors, just as we would during election time.

Cleo Keenan, five. Pic: Daniel Martino for JPI Media

"The pupils who wanted to be a councillor for their class wrote their own manifestos, which aligned with our characteristics we teach in the school.

"Being a good listener, being honest, being respectful - these are some of the values we teach which were linked with the manifestos they wrote.

"The pupils elected will meet twice every half term, and they have to be able to voice their thoughts and opinions and have a say in how the school is run."

Emily Carter, five. Pic: Daniel Martino for JPI Media

The school also had a "Great British Lunch" on the day, as well as Union Jack cupcakes and lessons about traditional British values.

Pupils at Boundary Primary School in Grange Park held school elections to learn more about democracy and British values. Pic: Daniel Martino for JPI Media

"Democracy is obviously a British value," Ms Farley continued.

"So the day helped to really raise the profile of elections, voting and fairness in the country."

# data[].attributes.attachment_link.title
Boundary Primary School celebrates British values with election day

# data[].attributes.attachment_link.description
Youngsters at Boundary Primary School in Dinmore Avenue, Grange Park, learned about democracy and fairness as pupils in each class put themselves forward to be elected onto the school council. Candidates wrote their own manifestos in a bid to win the votes of their peers, for a chance to meet with staff twice each half term and have their say on how the school is run.

# data[].attributes.body
Your target grade is a merit and you are currently working at merit level, well done!

# data[].attributes.body
I have just seen Halloween Kills and LOVED IT. Brutal but great cinematography! (Include images)

# data[].attributes.attachment_link.readable_text
Halloween Kills (2021)

Rated R for strong bloody violence throughout, grisly images, language and some drug use.

106 minutes

Cast

Director

Writer (based on characters created by)

Writer

Writer

Cinematographer

Editor

Composer

# data[].attributes.attachment_link.title
Halloween Kills movie review & film summary (2021) | Roger Ebert

# data[].attributes.attachment_link.description
Rated R for strong bloody violence throughout, grisly images, language and some drug use. 106 minutes Cast Director Writer (based on characters created by) Writer Writer Cinematographer Editor Composer

# data[].attributes.body
I would like to progress to the second year / I would like to pursue work in the sector

# data[].attributes.body
I would like to improve my editing / I would like to make sure I meet my hand-in date for my current project / I need to work on my personal organisation to make my bus in time

# data[].attributes.body
I would like to improve my editing skills

# data[].attributes.body
I would like to progress to the second year

# data[].attributes.body
I went to see this movie in the cinema a few weeks ago and loved it !

# data[].attributes.attachment_link.readable_text
Jungle Cruise is a 2021 American fantasy adventure film directed by Jaume Collet-Serra from a screenplay written by Glenn Ficarra, John Requa, and Michael Green. It is based on Walt Disney's eponymous theme park attraction. Produced by Walt Disney Pictures, the film stars Dwayne Johnson, Emily Blunt, Édgar Ramírez, Jack Whitehall, Jesse Plemons, and Paul Giamatti, and follows the captain of a small riverboat who takes a scientist and her brother through a jungle in search of the Tree of Life.

Plans for a feature film based on the Jungle Cruise ride began in 2004, the project lay dormant until 2011, then that version fell through and Johnson joined in 2015. Blunt and the rest of the cast joined in 2018 in a revamped version, with filming taking place in Hawaii and Atlanta, Georgia, from May through September that year. One of the most expensive films ever made, the film had a budget of $200 million. Following a year of post-production and further a year delay due to the COVID-19 pandemic, Jungle Cruise was released in the United States on July 30, 2021, simultaneously in theaters and digitally through Disney+ with Premier Access, with music composed by James Newton Howard.

The film has grossed over $217 million worldwide with a budget of $200 million. It received mixed reviews from critics, who praised the entertainment values but criticized the screenplay. A sequel is in development with Johnson and Blunt set to reprise their roles.

In 1556, Don Aguirre leads Spanish conquistadors to South America to search for the Lágrimas de Cristal Tree, whose flowers cure illness, heal injuries, and lift curses. After most conquistadors die, the Puka Michuna tribe heals the survivors with the Tree's flowers. When the tribal chief refuses to reveal the Tree's location, Aguirre stabs him and burns the village. The dying chief casts a curse, making them immortal and unable to leave the proximity of the Amazon River; the jungle recaptures anyone attempting to escape.

In 1916 London, Dr. Lily Houghton's brother McGregor, presents her Tears of the Moon research to the Royal Society, claiming the Tree's flowers could revolutionize medicine and aid the British war effort. The Houghtons request access to a recently acquired arrowhead artifact. Lily believes it, and an old Amazon map, are the key to finding the Tree. The request is denied, as the Tree is believed to be a myth and female scientists are considered inferior. Lily steals the arrowhead, and narrowly evades Prince Joachim, an ambitious German also seeking the Tree.

Arriving in Brazil, Lily and MacGregor need a boat and a guide to navigate the Amazon. They hire skipper Frank Wolff, who offers cut-rate jungle cruises embellished with faked dangers and corny puns. He initially declines, citing the dangers, but reconsiders upon seeing the arrowhead. Frank steals back his repossessed boat engine, and the trio departs after escaping Joachim, who pursues them in a U-boat.

In Frank's cabin, Lily finds photos and sketches of modern inventions, as well as maps, drawings, and research on the Tears of the Moon. She accuses him of seeking the Tree, but he insists he gave up long ago. The Puka Michuna tribe, disguised as cannibals, captures them as Frank was unable to cancel the faux danger in time. Lily is angry and doubts Frank's honesty. The tribal chief translates the arrowhead's symbols, revealing the Tree's location and that it only blooms under a blood moon.

Meanwhile, Prince Joachim locates the conquistadors petrified inside a cave. He frees them by diverting river water on a conditional offer to lift their curse if they retrieve the arrowhead for him; the Spaniards attack the tribe and fatally stab Frank. Lily escapes with the arrowhead. As she crosses the curse's boundary, vines capture the pursuing Spaniards, dragging them back into the jungle.

To the Houghtons' shock, a fully revived Frank is found the next morning. He is one of the cursed conquistadors on Aguirre's expedition to save his gravely ill daughter. When the conquistadors attacked the village, Frank defended the tribe and, after years of fighting, he trapped the other conquistadors away from the river, turning them to stone. After living life the best he could, Frank spent the next three centuries searching for the Tree until he gave up. The artifact would later be kept in a London museum for Dr. Albert Falls.

Lily and Frank continue to La Luna Rota Waterfall and uncover a submerged temple. Meanwhile, Joachim captures MacGregor and forces him to reveal Lily's location. Frank, Lily, MacGregor, the Germans, and the Spaniards all converge in the temple of the Tree.

It is discovered the arrowhead is actually a heart-shaped locket containing a gemstone; placing the gem and locket into the trunk, the dormant tree blooms under the blood moon. As a fight ensues, Lily recovers one flower. The Germans drown, Joachim is crushed to death, and Frank crashes his boat to block the river, petrifying him and the Spaniards. Lily, realizing her true feelings for Frank, sacrifices the flower to lift his curse and restore his mortality. He decides he will continue living to be with Lily. The moon's last beam blooms a single flower, allowing Lily's research to proceed.

Upon their successful return to Britain, Lily becomes a full professor at the University of Cambridge. When the Royal Society offers her full membership, she rejects it, and guides Frank around London.

Dwayne Johnson as Frank Wolff / Francisco Lopez de Heredia:
A shrewd, cynical but ultimately noble steamboat skipper who reluctantly agrees to guide two explorers on their quest for the mythical Tree. He eventually reveals his true name and identity as the adopted brother of Aguirre and as one of the cursed conquistadors, forever trapped by the Amazon river. He is a trained cartographer who has spent centuries searching for the Tree to break the curse that made him immortal so he can die peacefully. Meanwhile, he has built a town, and a boat he christened "La Quila" for his business under "Jungle Navigation Company". He has had a number of tamed exotic cats as a pet, each one named "Proxima".

Emily Blunt as Dr. Lily Houghton:
An eccentric, adventurous and virtuous botanist working in a male-dominated field. She embarks on a quest to find the Tree, hoping to harness its power for modern medicine. Possessing an ancient arrowhead and one of Frank's old maps of the Amazon, she proves she is resourceful and capable in martial arts and lock picking skills, though she cannot swim. She wants to prove herself equal to her chauvinistic peers but gains some notoriety for wearing trousers.

Édgar Ramírez as Aguirre:
A Spanish conquistador who once sought the Tree's power to save his ill daughter, only to be cursed with immortality for his cruelty towards its guardians. Temporarily freed by German explorers, he sets out to take revenge on his adopted brother, Francisco, who sided against him to defend the tribe. His body is now composed with snakes.

Jack Whitehall as MacGregor Houghton:
Lily's younger brother who works as her assistant. He confesses to Frank that when his family nearly disowned him after he refused to marry, as his interest lies "elsewhere"(he is implied to be gay), Lily hired him so he could support himself. A somewhat foppish snob who adheres to proper etiquette and prefers wearing three-piece suits, he seems ill-suited to jungle life, but gradually develops into a more confident, rugged man by the end of the expedition.

Jesse Plemons as Prince Joachim:
A deranged and ambitious German royal, who finances and leads a military expedition with mercenaries to claim the Tree of Life, both to aid Germany's war effort and achieve immortality. He gets aid by the cursed conquistadors after he frees them for his own interest, and he can talk to the bees and snakes.

Paul Giamatti as Nilo Nemolato:
The harbormaster at Nilo's River Adventure, Porto Velho, where Frank moors his boat. He is also a business rival, and confiscates Frank's boat engine when Frank is unable to repay him his loan. This leads Frank to wreck Nilo's prize boats in return. He owns a Moluccan cockatoo he named "Rosita".

Additionally, a jaguar named Proxima appears in the film, motion captured on set by stunt actor Ben Jenkin. Veronica Falcón portrays Trader Sam, chief of the Puka Michuna tribe in 1916, a tribe in the Amazon which guards the Tree. Dani Rovira, Quim Gutiérrez, and Dan Dargan Carter portray Aguirre's fellow conquistadors: Sancho, who has honeycombs and honeybees all over his body, Melchor, who is covered in mud with poison dart frogs, and Gonzalo, who is made out of tree roots and tree branches. Andy Nyman portrays Sir James Hobbs-Coddington, the Royal Society's artifact handler who briefly helps Prince Joachim; while Raphael Alejandro portrays Zaqueu, Frank's young assistant.

Frank's puns are inspired from the skipper's lines on the original theme park ride, and Lily's personality is inspired by the titular character of the Indiana Jones franchise. The boat is named after Mama Killa; while character name of the cockatoo, originally named "Lover Girl", is inspired by the singing bird "Rosita" at Disneyland. The film has several elements referencing towards Dr. Albert Falls, a fictional character at Disneyland who has discovered Schweitzer Falls and has founded Jungle Navigation Company.

In December 2004, it was announced that Jungle Cruise would be developed for Mandeville Films, with a script by Josh Goldstein and John Norville. Following the success of Pirates of the Caribbean, the film was announced to take place within the twentieth century, and was loosely inspired by the theme park attraction of the same name which featured prominently in Disneyland's grand opening in 1955. In 2006, Alfred Gough and Miles Millar were in talks to write the film. In February 2011, it was announced that Tom Hanks and Tim Allen, who had previously worked together in the Toy Story franchise, would star in the long-gestating film, with a script to be written by Roger S. H. Schulman.

In August 2015, it was announced that Walt Disney Pictures was revamping the film adaptation, to star Dwayne Johnson. The previous script originally written by Goldstein and Norville would be rewritten by John Requa and Glenn Ficarra with the intention to harken back to its period roots; John Davis and John Fox signed in as producers. Johnson, who did a lot of research before getting into the role, announced in April 2017 that he would co-produce the film under his Seven Bucks Productions, and expressed his interest in having Patty Jenkins helm the project, but in July 2017, Jaume Collet-Serra was announced as the director of the film. In January 2018, Michael Green was reported to have rewritten the script, previously worked on by Patrick McKay and J.D. Payne; also Emily Blunt signed in, as Johnson wanted her to be his co-star.

In March 2018, an open casting call was made for the other characters in the film, including men and women of all ethnicities, between ages 17 to 90, and children of 6-14 years old. In the same month, Jack Whitehall was cast as the brother of Blunt's character. Six months later, it was reported that he would have a coming out scene in the film with Johnson; this would be the second incidence of a gay character in a live-action Disney film, the first being Le Fou, portrayed by Josh Gad, in the 2017 adaptation of Beauty and the Beast. There was some backlash over the report, with some online expressing anger over a straight man being cast as a "camp" gay character.

In April 2018, Édgar Ramírez and Jesse Plemons were added to the cast as villains with the former being "a man with a conquistador background". In May, Paul Giamatti was cast to portray a "crusty harbormaster." In June, Quim Gutiérrez joined the cast to portray one of the villains. In July, it was announced that Veronica Falcón, Dani Rovira and Andy Nyman had joined the cast. Before Falcón was cast as the Trader Sam, a role inspired by a character at the theme park who is originally a male, it was being discussed whether the role would be portrayed by a male or a female in the film.

The first span of the shoot began on May 16, 2018, in Hawaii, where a port town was set up at Kapaia Reservoir, Kauai, near Wailua Falls. The set took one month to scout, two months to design and four months to build, dress and landscape, while being challenged by the floody rains. Other shoot locations include the town of Lihue, the Kauai Plantation Railway and Huleia Stream. After seven weeks, the shoot then moved for a major course at Blackhall Studios, Atlanta, where a pool was set up in a large tank as the river, as well as the jungle in it. Some scenes were also filmed at Oxford College of Emory University.

Two boats of length "39 feet" were built for easy logistics in filming at both the locations, revealed production designer, Jean-Vincent Puzos. Paco Delgado said that while some of the suits are original from the twentieth century, the costumes for the main characters and the tribals were especially made for the film, for which he researched the cultures of different tribes in the Amazon. He said that Amelia Earhart was the inspiration for Blunt's costume. Joel Harlow did make-up for 400 background characters to detail their appearance whether with a sunburn or an insect bite, also he made tattoo designs for 65 tribal characters. Tanoai Reed and Myles Humphus were Johnson's stunt doubles while Lauren Shaw was Blunt's.

The film cinematographer Flavio Martínez Labiano revealed that the blue screen technology was used. Magenta tinted lights were used for a sequence of the tree. He also wanted to show colorful "London in the summer" unlike many other films which depict London in winter when "it's foggy and it's blue". Arri Alexa SXT Plus cameras were used, with specially designed C Series Anamorphic Prime Lenses by Panavision. To shoot the underwater sequence, a puzzle set was built in the second tank and then it was filled with water. Ian Seabrookand, an underwater cinematographer, said that it about took two weeks to shoot simultaneously while the main cast was also busy shooting in the first tank, so the stunt doubles had to be present there too. He said that while Johnson was a strong swimmer, Blunt showed no fear despite being a novice in acting underwater. (In any case, the water tank had emergency exits for her to the right and the left of the camera.) The set had to be pulled out of water by a crane so he handheld the camera throughout.

Filming wrapped on September 14, with about 95 days of principal photography. A few re-shoots took place before June 2019, which took three weeks in Atlanta. Johnson shared that the film pays homage to The African Queen, Romancing the Stone, and Indiana Jones.

Ethan Van der Ryn and Erik Aadahl served as the sound designers, while Joel Negron served as the film editor; with DNEG, Industrial Light & Magic, Rodeo FX, Rising Sun Pictures, and Weta Digital providing the visual effects, along with The Third Floor. It took about a year in the post-production stage, but was shut down in March 2020 due to the pandemic, however, it resumed in the summer and completed in September 2020.

The colour of the Amazon river is very distinctive. The water had to appear brown, but not dirty to reflect its organic nature. We also produced more than 200 varieties of trees and distributed them in a procedural way across the landscape in a manner consistent with how they occur in real life. Our widest shot includes more than 10 million trees, bushes and other species.

~ Malte Sarnes, VFX supervisor at RSP

After filming and before the post-production phase, the teams were sent to Amazon rainforest, Brazil, and Costa Rica forest, where they recorded the actual surroundings, including "pristine wildlife and hundreds of species of exotic birds", so the background effects library can be created for the film, using different types of microphones, including ambisonic and parabolic. Two Alexa Minis, a drone and several cameras were used for the reference photography and footages, which took about three weeks.

The port town, the water and the jungle, all were built on a limited scale and were extended through CGI to create backgrounds. Plate shots were also captured at the Colorado River; these were used to animate the turbulent and aerated water, so the boat can be animated running at 200 kmph on the river as its journey is seen in the film. The 3D team made such effects like "light reflecting off the water, bugs flying around and dew glistening on leaves", so the film weather looks humid summer. The submarine was also digitally extended, after it was shot in a tank. To visualize the explosions by torpedo, rubber and wooden structures were used.

The big trick with that was the art direct-ability of the boat, the speed of which you went through the rapids and what kind of splashes it made. I think with a sequence like that, it's so heavily buried in physics. And if you start to try and cheat those physics, which is what happens a lot of the time, then the simulation stuff all goes right out the window, and it breaks everything.

~ Luke Millar, VFX supervisor at Weta Digital

To portray the character of Proxima, a stunt actor in jaguar morphsuit as well as a stuffed toy were on set. To animate it for the film, a collection of plates from big cats was used with most references taken from a female jaguar in San Diego Zoo, before its 3D modelling and sculpting, with details like a mark on her forehead, a folded over ear, and the muscle and skin system. Other animals were also observed to create its reaction on interactions. A pet cat also made an appearance as baby Proxima. In sequences of the pink river dolphins, each one was animated separately to build its own character, while the piranhas were also created with CGI.

To animate the conquistadors, each character was built with different body parts to make it not completely human. Materials were gathered to study the actual movements of the snakes for the animation, and the character was made serpentine; with sounds of snake recorded from pressurized air releases. The frogs were recorded from Costa Rica forest for the mud guy, while honeycomb dripping sound was used for the beehive guy. The sounds of wood stress were used for the tree guy; whose character was completely animated except some of his only facial expressions. Initially, there were ideas to explore more of the conquistadors with different characteristics, but these were settled on four only.

The scene for the Tree of Life was animated after taking inspirations from " Banyan trees, Baobabs, Angkor Wat and native South American trees" to give it an ancient look. The branches were made in higher resolution "to keep the Tree very organic and verging on gnarled". The tree growth and petal variations were observed, and lighting balance was considered, in order to animate the exposing and reverting luminosity of the petals after merging different shots; the sequence also contains fully-digital characters.

Most of the environmental surroundings and water elements were built and animated on Houdini, while the greenery was developed on SpeedTree.

In January 2019, it was announced that James Newton Howard joined the production as the film score composer. By August 2020, it was revealed that Metallica collaborated with Howard on an instrumental version of the song " Nothing Else Matters", for the film. According to the band's drummer Lars Ulrich, Metallica worked on the film after Walt Disney Pictures president Sean Bailey, felt like Jungle Cruise was "the right fit" for a collaboration between Disney and Metallica. Bailey had been "always looking for the right match where there was a way that Metallica could contribute to some Disney project". The band members recorded their parts from their individual studios, due to the COVID-19 pandemic.

The score was recorded in February 2020 by a 99-person orchestra, with vocals provided by 40 members from the Los Angeles Master Chorale. In order to add a "regional flavor", Howard incorporated panpipes and Brazilian percussion instruments. Frequent Metallica collaborator Greg Fidelman served as associate producer and engineer. The soundtrack album was released on July 30, 2021.

Jungle Cruise had its world premiere at Disneyland Resort in Anaheim, California on July 24, 2021. It was released in the United States on July 30, 2021, in RealD 3D, 4DX and IMAX simultaneously in theaters and on Disney+ with Premier Access for US$29.99. It had a special screening on July 29, 2021, by D23 at El Capitan Theatre.

Initially, it was slated for October 11, 2019, before being moved to July 24, 2020, and was postponed due to the COVID-19 pandemic. In May 2021, Disney announced that the film would be released simultaneously in theaters and on Disney+ with Premier Access, due to the continued closure of theaters in markets like Brazil and Europe as the SARS-CoV-2 Delta variant surged. This is the last Disney+ Premier Access release to date, the following releases will have a 45-day exclusive theatrical window before coming to stream, including .

It also released in India on September 24, and is set to release in China on November 12, 2021.

Jungle Cruise had a digital release on August 31 and it was released via 4K, Blu-ray, and DVD on November 16; this includes 16 minutes of 11 deleted scenes, and 6 bonus featurettes.

In its opening weekend, Disney reported the film made $30 million from worldwide Disney+ Premier sales, with Samba TV saying $23.3 million of it came from 770,000 U.S. households. Through its first 10 days of release, Samba reported the film had been streamed in 1.5 million households for a running domestic Premier Access gross of $44.98 million.

As of November 17, 2021, Jungle Cruise has grossed $117 million in the United States and Canada, and $100.1 million in other territories, for a worldwide total of $217.1 million. With an estimated combined production and promotional cost of $362 million, the film needed to gross around $500 million worldwide in order to break-even.

In the United States and Canada, Jungle Cruise was released alongside Stillwater and The Green Knight, and was projected to gross around $25 million from 4,310 theaters. The film made $13.4 million on its first day, including $2.7 million from Thursday night previews. It went on to slightly over-perform, debuting to $35 million to top the box office. The opening was met with a polarized response from industry insiders, with some noting the film managed to finish above projections while others blamed the pandemic and simultaneous digital release for eating into possible grosses, with one financial insider telling Deadline Hollywood that "the model diminishes the aggregate streaming revenue as well as cuts into a movie's theatrical gross." In its second weekend, the film fell 55% to $15.7 million, finishing second behind newcomer The Suicide Squad. The film made $9 million in its third weekend, $6.2 million in its fourth, and $5 million in its fifth.

In other territories, the film debuted to $27.6 million from 47 markets, below its $40 million projections. Its largest markets were the UK ($3.2 million), France ($1.6 million), and South Korea ($1.2 million). In its second weekend, the film made $15.1 million from 49 markets, with the top running-totals being the UK ($8.5 million), Russia ($5.9 million), France ($4.2 million), Japan ($4 million), and Saudi Arabia ($2.7 million). In China it earned $3.3 million during its debut weekend, which was considered a disappointing opening by media outlets.

On the review aggregator website Rotten Tomatoes, 62% of 331 reviews are positive, with an average rating of 6.00/10. The site's critics consensus reads, "Its craft isn't quite as sturdy as some of the classic adventures it's indebted to, but Jungle Cruise remains a fun, family-friendly voyage." On Metacritic, the film has a weighted average score of 50 out of 100, based on 52 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A-" on an A+ to F scale, while PostTrak reported 80% of audience members gave it a positive score, with 60% saying they would definitely recommend it.

Writing for , Owen Gleiberman praised Johnson and Blunt's chemistry and said that the film is "a little good old-fashioned" and it "pelts the audience with entertainment in such a lively yet bumptious way that at times you may wish you were wearing protective gear." Korey Coleman and Martin Thomas of Double Toasted both gave it a relatively positive review; even going so far as to predict that other critics would negatively critique it simply because of its premise. However, they were both split on the portrayal of Jack Whitehall's character; while Thomas found it as a positive step forward for characters, Coleman found it somewhat campy and unnecessary.

Rolling Stone reviewer David Fear gave the film 2.5/5 stars and called it an "attempt to sell the Magic Kingdom's vintage" boat ride as "the next big endless-summer-movie thing", adding that "Blunt's tart apple crisp of a comic performance pairs nicely with Johnson's beefcake served with a side of ham." In The New York Times, Jeannette Catsoulis wrote a negative review that the film is a "soggy mess" with "mostly unintelligible" plot, adding that it "exhibits a blatantly faux exoticism that feels as flat as the forced frisson between its two leads". Writing for ABC News, reviewer Peter Travers commented that "made up of spare parts from better movies and at over two-hours in length", the film will be "tough on short attention spans"; however, he added that it is "better than Haunted Mansion and Tomorrowland", other Disney rides based films.

After the release weekend of Jungle Cruise, Dwayne Johnson announced that discussions were underway with Walt Disney Pictures for a sequel, which could answer many questions left behind in the film. On August 30, 2021, it was reported that Johnson and Blunt were set to reprise their roles in a screenplay. Michael Green is developing the script, with Jaume Collet-Serra expected to return as director while John Davis, John Fox, Beau Flynn, Johnson, Dany Garcia and Hiram Garcia return to produce with Scott Sheldon returning as executive producer. Johnson later confirmed a sequel was in development on August 31 via a video posted on his official Instagram account. Garcia shared that Johnson and Blunt both have many ideas to explore more of their characters in the sequel.

# data[].attributes.attachment_link.description
Jungle Cruise is a 2021 American fantasy adventure film directed by Jaume Collet-Serra from a screenplay written by Glenn Ficarra, John Requa, and Michael Green. It is based on Walt Disney's eponymous theme park attraction.

# data[].attributes.attachment_link.readable_text
Posted on April 7th, 2021
In the fifth of a series of blogs around the theme of safeguarding, ETF Associate Selina Stewart considers how British values are relevant to us in an era when Covid-19 has placed limitations on the freedoms we normally enjoy.
As teachers, trainers or lecturers we still have the requirement to explore British values in our teaching even in the era of Covid-19. In some ways, this has given us even more opportunities to explore what British values means.

We all know the British values: Democracy, individual liberty, rule of law and mutual respect for those of other faiths and beliefs as well as a commitment to promote the Equality duty.

Democracy

In some ways, democracy may appear to have taken a back seat, with local elections and mayoral elections cancelled last year because of the COVID-19 outbreak. Although we may not have voted last year, more and more people are contacting MPs and campaigning about issues that concern them through social media. We have seen the Black Lives Matter movement take off through demonstrations on the streets, but also through social media posts. There is no doubt that this has had a significant impact on politicians and institutions in the short term; what impact it has in the long term is yet to be seen. Sadly, we have also seen an increase in trolling and racist and sexist abuse online. This is an area where we in education have a moral responsibility to train learners in the appropriate use of social media.

Individual liberty

Individual liberty is a clear topic for discussion as we all cope with lockdown and social distancing. This is an area where we can really see that at times our liberty declines for good reason, to save lives. We often refer to the balance between liberty and restrictions on our lives; over the last year, we have seen far greater national or local restrictions on our lives than ever before. We cannot have friends or relatives in our homes, in the first lockdown we couldn't even meet one person in the park; and in the lockdown that ended recently, we could only meet one person.

There is also space to discuss the minority who ignore the lockdown and continue to socialise and even party. Young people are often blamed for this, and some are undoubtedly breaking lockdown rules, but most young people have kept to the rules. Many are very worried about family members at home so wouldn't risk bringing the virus home - so in their own lives they balance individual liberty and responsibility.

Rule of Law

Again, the last 12 months have seen a rapid increase in laws that we should be obeying in relation to Covid-19. In many ways, this is the reverse of individual liberty. By January 2021, 32,000 penalties had been imposed for breaching Covid laws, most of those in the second half of the year as police decided that people should now be aware of the laws. In the early stages policing was mainly letting people know that they should not be socialising, but the approach has toughened up since the autumn.

Mutual respect and the Equality duty

Generally, we combine these into one area. Clearly, since January 2020 there has been an increase in racial and religious abuse. There was a 300% increase in attacks on Chinese and South-East Asian people since the pandemic was publicised in January 2020. Sadly, there has also been an increase in online, verbal and physical attacks on other people from minority ethnic and religious groups including Muslims and Jews. In the Summer the Black Lives Matter movement grew enormously and started to impact institutions across the country that recognised that change was needed. These ranged from the National Trust to the NHS. With our learners, we continue to have responsibilities in this area, to challenge racism and to create a positive environment for all our learners where every one of them can succeed.

All aspects of British values have been at the forefront of our experience over the last year and all of them can be explored with learners. Covid-19 and the Covid-19 vaccinations give us a wealth of opportunities to really understand British values and how they relate to all of us.

# data[].attributes.attachment_link.title
How are British values relevant to us in the era of Covid-19? - The Education and Training Foundation

# data[].attributes.attachment_link.description
Posted on April 7th, 2021 In the fifth of a series of blogs around the theme of safeguarding, ETF Associate Selina Stewart considers how British values are relevant to us in an era when Covid-19 has placed limitations on the freedoms we normally enjoy.

# data[].attributes.body
I am feeling fine and excited to learn more this week and develop !

# data[].attributes.body
I would like to improve my editing skills more but also meet some deadlines of homework.

# data[].attributes.headline
I would still like to progress on to the second year

# data[].attributes.subject
I would still like to progress on to the second year

# data[].attributes.body
I watched this film recently and it is one of my favourites !

# data[].attributes.body
I am feeling fine and feeling motivated to meet some deadlines.

# data[].attributes.body
I would like to continue meeting deadlines.

# data[].attributes.body
I would like to progress onto the second year and peruse a job in this industry.

# data[].attributes.body
I watched this movie last night and loved it . I can't wait for the next one !

# data[].attributes.body
I am feeling fine but also a little anxious about covid etc.