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The folk tale that my group did was the story of the Sun Moon Lake. As this topic was about puppetry, we decided to make the puppet the main character of the story because it would be easier to focus on three things: breath, weight, and focus. First, we read the story in the Google slides to understand it, and then, based on what we understood, we changed the story around. In the story, there were two main characters, but we decided to put the two roles together as the puppet as we felt like it would be better, and we simplified the story a bit to make it easier to understand. The script at first, was just a few lines of the brief summary of the story, but we slowly added all the roles and more lines for each person until it turned into a complete story. The practice itself didn't take that much time, so we spent more time on getting the script done, and how to make the story more creative and interesting for the audience's eye.

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I decided to use this scene from the whole performance because I thought that this scene specifically showed how we decided to use the puppet, and some of its characteristics.

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When we were selecting the roles, we chose based on 2 main things: how well certain people collaborated, and what each person wanted to do themselves. We ended up choosing Kaden and Winnie as the puppet controllers, Dylan as the dragon and the old lady, and me as the narrator. We decided to do this because Winnie and Kaden are friends, so they collaborated easily together, Dylan was someone who didn't want a lot of lines, so we assigned him as the dragon and the old lady, and I was the narrator because I liked speaking, and I was able to speak loudly and clearly.

Easily, the problem we had to solve was the main part of the performance and we all agreed on that, so in that specific scene we decided that we were going to focus on that more because we wanted that scene to be the best out of all. So, we decided to implement the spray bottle as a "creative" prop to make the performance more entertaining.

At first, the puppet controlling wasn't the best, sometimes it might start floating mid-performance, but the more we practiced the more it got better. We tried multiple ways how to control the puppet, such as one person controlling the upper part of the body, and the other controlling the lower part, and another way was for one person to control one arm and one leg, and the other person to control the other arm and leg. But we ended up deciding to do the first option, as it allowed the whole performance to go a lot smoother.

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I think our group was pretty good at collaborating even though we weren't that close. For some scenes, when one person wanted to try another role, we would let them try, but when putting the whole performance script together, we tried to give everyone and equal amount of lines so we wouldn't have one person doing all of the speaking and the other only having one or two lines. We worked together on the narration of the whole story, and for the other roles, we let the characters themselves write it but we would all support eachother when needed.

The feedback received was 50% accurate, as one person stated how when the puppet was speaking, it sounded as if it was having a conversation with another person that wasn't actually clear, but that wasn't true, because when we were planning the performance we agreed on having some sort of interactive thing for the performance, so sometimes it would sound as if the puppet was talking to someone else, but it was really for the audience to understand the performance better. Most people also brought up the fact about where we were standing and I think that was one of the main problems of the performance. For example, near the end of the story, the problem was happening on the right side of the stage, but the narrator was still standing on the left, so next time maybe we could plan out where we should be standing, where and when we should be moving.

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I think we were able to communicate with the audience pretty well, because for the performance, the narration was simple yet detailed, and the puppet was breathing like a normal person. We also included some sort of interactive aspect with the audience which was kind of like the bonus.