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Überblick: Epochenübersicht – Klassik

Einführung in die Klassik

Zeitraum: ca. 1770–1830

Merkmale: Harmonie, Vernunft, Ausgewogenheit

Historischer Kontext: Einfluss der Aufklärung und der Französischen Revolution

Wichtige Vertreter der Klassik

Literatur: Johann Wolfgang von Goethe, Friedrich Schiller

Musik: Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven

Philosophie: Einfluss von Immanuel Kant und der Aufklärung

Zentrale Themen in der Literatur

Freiheit und Humanität

Moral und das Streben nach Idealen

Formen der klassischen Tragödie und Lyrik

Musik der Klassik

Merkmale: klare Strukturen, Melodik, Sonatenhauptsatzform

Wichtige Musikformen: Sinfonie, Streichquartett, Konzert

Komponisten: Haydn, Mozart, Beethoven

Gesellschaftlicher Kontext

Politische Veränderungen: Französische Revolution, Napoleonische Kriege

Einfluss der Aufklärung und Übergang zur Romantik

Wichtige Werke und ihre Bedeutung

Literatur: „Faust“ (Goethe), „Wilhelm Tell“ (Schiller)

Musik: Beethovens 5. Sinfonie, Mozarts „Eine kleine Nachtmusik“

Zitate und Auszüge aus bekannten Werken

Visuelle Elemente

Bilder von Persönlichkeiten der Klassik

Musikbeispiele und -aufnahmen

Zusammenfassung und Reflexion

Bedeutung der Klassik heute

Diskussionsfragen: „Welche Werte der Klassik sind heute noch relevant?“

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Um einen Einblick zu bekommen, hört euch doch verschiedene Musik aus dieser Epoche an. Was gefällt euch am besten? Welches Stück hat euch nicht so gut gefallen?

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Schaut euch zum Einstieg dieses kurze Video an.

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Wolfgang Amadeus Mozart (1756–1791)

Geburtsdatum: 27. Januar 1756, Salzburg

Wichtige Werke: „Die Zauberflöte“, „Eine kleine Nachtmusik“, „Requiem“, „Sinfonie Nr. 40 in g-Moll“

Musikalische Bedeutung: Mozart gilt als einer der bedeutendsten Komponisten der Klassik. Er beherrschte alle musikalischen Gattungen und zeichnete sich durch seine außergewöhnliche Fähigkeit aus, komplexe musikalische Strukturen mit klarer, melodischer Schönheit zu verbinden. Seine Werke zeichnen sich durch Eleganz, Ausgewogenheit und tiefgehende emotionale Ausdruckskraft aus.

Besondere Merkmale: Mozart vereinigte in seinen Werken höchste Formvollendung und menschliche Ausdruckskraft. Besonders bekannt ist er für seine Opern, in denen er sowohl Musik als auch Theater meisterhaft miteinander verband.

Lebensende: Mozart starb am 5. Dezember 1791 in Wien, verarmt und unvollständig anerkannt.

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Ludwig van Beethoven (1770–1827)

Geburtsdatum: 17. Dezember 1770, Bonn

Wichtige Werke: „Sinfonie Nr. 5“, „Ode an die Freude“ (Sinfonie Nr. 9), „Mondscheinsonate“, „Für Elise“

Musikalische Bedeutung: Beethoven wird als Brücke zwischen der Klassik und der Romantik angesehen. Seine Musik zeichnete sich durch eine dramatische Intensität und eine tiefe emotionale Ausdruckskraft aus. Besonders seine Sinfonien und Klaviersonaten revolutionierten die westliche Musiktradition.

Besondere Merkmale: Beethoven war ein Wegbereiter neuer musikalischer Ausdrucksformen und erweiterte die traditionelle Formensprache der Klassik. Er kämpfte während seiner späten Jahre mit zunehmender Taubheit, was seine Werke noch eindrucksvoller machte.

Lebensende: Beethoven starb am 26. März 1827 in Wien, zu Lebzeiten jedoch bereits als einer der größten Komponisten der Musikgeschichte anerkannt.

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Joseph Haydn (1732–1809)

Geburtsdatum: 31. März 1732, Rohrau, Österreich

Wichtige Werke: „Die Schöpfung“, „Sinfonie Nr. 94“ („Mit dem Paukenschlag“), „Streichquartett op. 33“

Musikalische Bedeutung: Haydn gilt als einer der Begründer der klassischen Sinfonie und des Streichquartetts. Er entwickelte diese Gattungen weiter und setzte Maßstäbe für die Musikwelt. Er wurde als „Vater der Sinfonie“ und „Vater des Streichquartetts“ bezeichnet.

Besondere Merkmale: Haydns Musik ist von humorvollen, oft überraschenden Elementen geprägt und verbindet Leichtigkeit mit tiefem Ausdruck. Er war ein Meister der Form und Struktur und nutzte die klassischen Formen auf innovative Weise.

Lebensende: Haydn starb am 31. Mai 1809 in Wien, im hohen Alter und nach einem erfolgreichen Leben als Komponist und Dirigent.

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Franz Schubert  - Übergang in die Romantik

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Franz Schubert  - Übergang in die Romantik

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Franz Schubert (1797–1828)

Geburtsdatum: 31. Januar 1797, Wien

Wichtige Werke: „Die Winterreise“, „Ave Maria“, „Symphonie Nr. 8“ („Unvollendete“), „Streichquintett“

Musikalische Bedeutung: Schubert gilt als einer der bedeutendsten Komponisten der frühen Romantik, dessen Musik die emotionale Tiefe und Melancholie verkörpert. Trotz seiner kurzen Lebensspanne hinterließ er eine Vielzahl an Liedern, Sinfonien und Kammermusikwerken.

Besondere Merkmale: Schuberts Musik ist für ihre Melodik und emotionale Ausdruckskraft bekannt. Besonders seine Liederzyklus, in denen Musik und Text zu einer Einheit verschmelzen, machen ihn einzigartig.

Lebensende: Schubert starb am 19. November 1828 in Wien, im Alter von nur 31 Jahren.

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Eines der Wohl bekanntesten Stücke der Musikgeschichte - und hier könnt ihr einen Blick in die Partitur werfen.

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Symphony No.5, Op.67 (Beethoven, Ludwig van) - IMSLP

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1 Performances 1.1 Recordings 1.1.1 Complete
1.1.2 Selections 1.1.2.1 For Recorder Ensemble, Abridged (Papalin) 1.1.3 Allegro con brio (No.1) 1.1.3.1 For Horn, 2 Trumpets, Trombone and Tuba (Schnurrenberger) 1.2 Naxos
1.3 Synthesized/MIDI 1.3.1 For Strings (Karaca)
1.3.2 For 2 Pianos 4 Hands (Isida) 2 Sheet Music 2.1 Full Scores
2.2 Parts 2.2.1 Complete
2.2.2 Selections
2.2.3 Allegro (No.4) 2.3 Arrangements and Transcriptions 2.3.1 Complete 2.3.1.1 For Theatre Orchestra (Winter)
2.3.1.2 For Strings (Choe)
2.3.1.3 For Flute, Violin, Cello and Piano (Hummel)
2.3.1.4 For Violin, Cello and Piano 4 Hands (Burchard)
2.3.1.5 For 2 Pianos 8 Hands (Burchard)
2.3.1.6 For 2 Pianos 8 Hands (Kirchner)
2.3.1.7 For 2 Pianos (Isida)
2.3.1.8 For Violin and Piano (Sitt)
2.3.1.9 For Piano 4 Hands (Czerny)
2.3.1.10 For Piano 4 Hands (Meves)
2.3.1.11 For Piano 4 Hands (Scharwenka)
2.3.1.12 For Piano 4 Hands (Schneider)
2.3.1.13 For Piano 4 Hands (Ulrich)
2.3.1.14 For Piano (Goetschius)
2.3.1.15 For Piano (Liszt)
2.3.1.16 For Piano (Marshall)
2.3.1.17 For Piano (Pauer)
2.3.1.18 For Piano (Pozzoli)
2.3.1.19 For Piano (Singer) 2.3.2 Selections 2.3.2.1 For Military Band (Godfrey)
2.3.2.2 For 2 Clarinets (Grisez) 2.3.3 Allegro con brio (No.1) 2.3.3.1 For Wind Band (Saganski)
2.3.3.2 For Strings (Karaca)
2.3.3.3 For 15 Saxophones and Percussion (Larocque)
2.3.3.4 For Horn, 2 Trumpets, Trombone and Tuba (Schnurrenberger)
2.3.3.5 For Guitar, Lute and 2 Bandurrias (López Villanueva)
2.3.3.6 For Horn, Trumpet and Euphonium (Messerschmidt)
2.3.3.7 For Piano and Harmonium (Reinhard) 2.3.4 Andante con moto (No.2) 2.3.4.1 For Violin, Cello and Piano (Vilbac, Schulz, Plock)
2.3.4.2 For Cello (or Violin), Harmonium and Piano (Reinhard)
2.3.4.3 For Organ (André)
2.3.4.4 For Organ (Best)
2.3.4.5 For Piano (Maylath) 2.3.5 Allegro (No.4) 2.3.5.1 For Theater Orchestra (Woodhouse) 2.4 Other
2.5 Braille Scores 3 Free Recordings 3.1 Orchestra
3.2 Piano (arr. Liszt) 4 General Information
5 Navigation etc. Performances [show] Sheet Music Full Scores Publisher. Info. Holograph manuscript, 1807. Copyright Public Domain Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms.autogr. Beethoven, L. v., Mendelssohn-Stiftung 8 Editor First edition (later print) Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.[1826]. Plate 4302. Copyright Public Domain Misc. Notes Bayerische Staatsbibliothek, Munich (D-Mbs): 4 Mus.pr. 325 Purchase Printed copy of this file (UK & EU) Publisher. Info. Ludwig van Beethovens Werke, Serie 1, Nr.5 Leipzig: Breitkopf und Härtel, n.d.[1862]. Plate B.5. Copyright Public Domain Purchase Printed copy of this file (UK & EU) Editor Henry Charles Litolff (1818–1891) Publisher. Info. Braunschweig: Henry Litolff’s Verlag, No.2769, n.d.(ca.1880). Reprinted Mineola: Dover Publications, 1989. Copyright Public Domain Purchase Printed copy of this file (UK & EU) Editor Max Unger (1883–1959) Publisher. Info. Leipzig: Ernst Eulenburg, No.402, n.d.[1938]. Plate E.E. 3602. Reprinted Fourth and Fifth Symphonies in Full Score (pp.125-260) New York: Dover Publications, 1976. Copyright Public Domain Editor Elliot Forbes (1917–2006) Publisher. Info. Norton Critical Scores, No.3New York: W.W. Norton & Co., 1971. URTEXT EDITION [more...]
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work’s first publication in order to determine the work’s copyright status, especially for the United States, as the copyright on the original work may not have expired. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. Copyright Public Domain - See notes on copyright status for urtext editions Editor Clive Brown (b. 1947) Publisher. Info. Breitkopf & Härtels Partitur-Bibliothek, No.5235Wiesbaden: Breitkopf & Härtel, 1995. Plate Wb. 2312. URTEXT EDITION [more...]
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work’s first publication in order to determine the work’s copyright status, especially for the United States, as the copyright on the original work may not have expired. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. Copyright Public Domain - See notes on copyright status for urtext editions Editor Jonathan Del Mar (b. 1951) Publisher. Info. Kassel: Bärenreiter, 1999. Plate BA 9005. URTEXT EDITION [more...]
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work’s first publication in order to determine the work’s copyright status, especially for the United States, as the copyright on the original work may not have expired. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. Copyright Public Domain - See notes on copyright status for urtext editions Editor CCARH Team Publisher. Info. Palo Alto: CCARH, 2008. Copyright Creative Commons Attribution Non-commercial 3.0 Misc. Notes MuseData page Editor Brandon Amaro Publisher. Info. Brandon Amaro, 2022. Copyright Public Domain (dedicated) Parts Complete
⇒ 9 more: Horn 2 (E♭, C) • Trumpet 1 (C) • Trumpet 2 (C) • Trombone 1 • Trombone 2 • Trombone 3 • Timpani • Violins I • Violas Editor First edition Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.[1809]. Plate 1329. Copyright Public Domain Misc. Notes Incomplete set of parts. Purchase Printed copy of this file (UK & EU) ⇒ 11 more: Oboe 1 • Clarinet 1, 2 (B♭, C) • Bassoon 1, 2 • Horn 1, 2 (E♭) • Trumpet 1, 2 (C) • Trombone 1, 2, 3 • Timpani • Violins I • Violins II • Violas • Cellos/Basses Publisher. Info. Paris: Richault, n.d. Plate 2662 R. Copyright Public Domain Misc. Notes Incomplete set of parts. Oboe 2 part missing. Purchase Printed copy of this file (UK & EU) ⇒ 11 more: Oboe 1, 2 • Clarinet 1, 2 (B♭, C) • Bassoon 1, 2, Contrabassoon • Horn 1, 2 (E♭, C), 1, 2 (F transposed) • Trumpet 1, 2 (C), 1, 2 (B♭ transposed) • Trombone 1, 2, 3 (Alto, Tenor, Bass) / Trombone 1, 2 (bass clef, alternate parts) • Timpani • Violins I • Violins II • Violas • Cellos/Basses Publisher. Info. Leipzig: Breitkopf & Härtel, n.d. Plate Orch.-B. 10. Reprinted New York: E.F. Kalmus, n.d.(1933–70). Copyright Public Domain Misc. Notes These files are part of the Orchestra Parts Project.Because the original instrumentation calls for alto trombone, optional changes have been made to the parts for Trumpets and Trombones 1, 2. Purchase Printed copy of this file (UK & EU) ⇒ 12 more: Oboe 1, 2 • Clarinet 1, 2 (B♭, C) • Bassoon 1, 2, Contrabassoon • Horn 1, 2 (E♭, C) • Trumpet 1, 2 (C) • Trombone 1, 2, 3 • Timpani • Violins I • Violins II • Violas • Cellos • Basses Editor Clive Brown (b. 1947) Publisher. Info. Breitkopf & Härtels Orchester-Bibliothek, No.5235Wiesbaden: Breitkopf & Härtel, 1995. Plate Wb. 2312. URTEXT EDITION [more...]
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work’s first publication in order to determine the work’s copyright status, especially for the United States, as the copyright on the original work may not have expired. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. Copyright Public Domain - See notes on copyright status for urtext editions ⇒ 22 more: Flute 1 • Flute 2 • Oboe 1 • Oboe 2 • Clarinet 1 (B♭, C) • Clarinet 2 (B♭, C) • Bassoon 1 • Bassoon 2 • Contrabassoon • Horn 1 (E♭, C) • Horn 2 (E♭, C) • Trumpet 1 (C) • Trumpet 2 (C) • Trombone 1 • Trombone 2 • Trombone 3 • Timpani • Violins I • Violins II • Violas • Cellos • Basses Editor Jonathan Del Mar (b. 1951) Publisher. Info. Kassel: Bärenreiter, 1999. Plate BA 9005. URTEXT EDITION [more...]
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work’s first publication in order to determine the work’s copyright status, especially for the United States, as the copyright on the original work may not have expired. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. Copyright Public Domain - See notes on copyright status for urtext editions Selections Editor Orfeo Mandozzi Publisher. Info. Vienna: Orfeo Mandozzi, 2015. Copyright Creative Commons Attribution-NonCommercial-ShareAlike 4.0 Allegro (No.4) Editor noqu Publisher. Info. noqu Copyright Creative Commons Attribution 3.0 Misc. Notes Retypeset based on Breitkopf & Härtel edition. Editor Yanko Sheiretov Publisher. Info. Yanko Sheiretov, 2019. Copyright Creative Commons Zero 1.0 Misc. Notes Clarinet parts from Movement 4 (Allegro) transposed for Bb. Arrangements and Transcriptions Complete For Theatre Orchestra (Winter)
⇒ 13 more: Oboe 1/2 • Clarinet 1, 2 (B♭, A) • Bassoon 1/2 • Horn 1/2 (E♭, C) • Trumpet 1, 2 (B♭, A) • Trombone 1/2, Bass Trombone • Timpani • Organ • Violins I • Violins II • Violas • Cellos • Basses Arranger Aubrey Winter (1870–1955) Publisher. Info. New York: Boosey & Son, 1924. Plate H. & S. 6177. Copyright Public Domain - Non-PD EU For Strings (Choe)
⇒ 5 more: Violins I • Violins II • Violas • Cellos • Basses Arranger Joshua Choe Publisher. Info. Joshua Choe, 2022. Copyright Creative Commons Attribution-NonCommercial-ShareAlike 4.0 Misc. Notes Partly based on Liszt’s transcription below. YouTube playlist For Flute, Violin, Cello and Piano (Hummel)
⇒ 4 more: Piano • Flute • Violin • Cello Arranger Johann Nepomuk Hummel (1778-1837) Publisher. Info. Mainz: les fils de B. Schott, n.d.[1827]. Plate 2625. Copyright Public Domain Misc. Notes Publication noted in the Bibliographie de la France , 1e série, 16e année (30e de la collection), Nº 64, 11 August 1827, p.672, r.260. Purchase Printed copy of this file (UK & EU) For Violin, Cello and Piano 4 Hands (Burchard) Arranger Carl Burchard (1818–1896) Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.[1897]. Plate V.A. 1613. Copyright Public Domain Misc. Notes This file is part of the Sibley Mirroring Project. Volksaugsgabe reprint of Monatsbericht (1867), p.157, it seems? Purchase ScoresRosewood (reprint)Printed copy of this file (UK & EU) For 2 Pianos 8 Hands (Burchard) Arranger Carl Burchard (1818–1896) Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.[1890]. Plate V.A. 265/266. Copyright Public Domain Misc. Notes This file is part of the Sibley Mirroring Project. V.A. reprint of Monatsbericht (1870), p.31, possibly. (“V.A” tends to imply 1876-1913.) Purchase Printed copy of this file (UK & EU) For 2 Pianos 8 Hands (Kirchner) Arranger Theodor Kirchner (1823–1903) Publisher. Info. Leipzig: C.F. Peters, No.2230e, n.d.(ca.1886?). Plate 6926a,b. Copyright Public Domain Misc. Notes This file is part of the Sibley Mirroring Project. Purchase Printed copy of this file (UK & EU) For 2 Pianos (Isida) Arranger Kazue Rockzaemon Isida Publisher. Info. Tokyo: 露久左庵音楽出版 Rockza Music Edition Copyright Creative Commons Attribution Share Alike 3.0 Misc. Notes YouTube For Violin and Piano (Sitt) Arranger Hans Sitt (1850–1922) Publisher. Info. Symphonien für Pianoforte und ViolineLeipzig: C.F. Peters, n.d.[1886]. Plate 6914. Copyright Public Domain Purchase Printed copy of this file (UK & EU) For Piano 4 Hands (Czerny) Arranger Carl Czerny (1791–1857) Publisher. Info. Leipzig: H.A. Probst, n.d. Plate 356. Copyright Public Domain Purchase Printed copy of this file (UK & EU) For Piano 4 Hands (Meves) Arranger Wilhelm Meves (1808–1871) Publisher. Info. Braunschweig: Henry Litolff’s Verlag, n.d.(ca.1890). Plate 12328. Copyright Public Domain Purchase Printed copy of this file (UK & EU) For Piano 4 Hands (Scharwenka) Arranger Xaver Scharwenka (1850–1924) Publisher. Info. Vienna: Universal Edition, n.d.(ca.1905). Plate U.E. 970. Copyright Public Domain Purchase Printed copy of this file (UK & EU) For Piano 4 Hands (Schneider) Arranger Franz Schneider (1737–1812) Publisher. Info. Leipzig: Breitkopf & Härtel, n.d. Plate V.A. 41. Copyright Public Domain Misc. Notes This file is part of the Sibley Mirroring Project. Purchase Printed copy of this file (UK & EU) For Piano 4 Hands (Ulrich) Arranger Hugo Ulrich (1827–1872) Publisher. Info. New York: G. Schirmer, 1894. Plate 10836. Copyright Public Domain Misc. Notes This file is part of the Sibley Mirroring Project. Seems to be identical to symphony 5 from Symphonien für Pianoforte zu vier Händen (the Ulrich arrangement published by Peters) except for the plate. Purchase Printed copy of this file (UK & EU) For Piano (Goetschius) Arranger Percy Goetschius (1853–1943) Publisher. Info. Analytic Symphony SeriesBoston: Oliver Ditson Co., 1927. Plate 75224. Copyright Public Domain Purchase Printed copy of this file (UK & EU) For Piano (Liszt) Arranger Franz Liszt (1811–1886) Editor First edition (reprint) Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(1865). Plates 10668–10672. Reprinted Beethoven Symphonies Transcribed for Solo Piano, Vol.1 (Nos.1–5)Mineola: Dover Publications, n.d. Plate 1998. Copyright Public Domain Purchase ScoresDover vol. (reprint)Printed copy of this file (UK & EU) Arranger Franz Liszt (1811–1886) Editor José Vianna da Motta (1868–1948) Publisher. Info. Musikalische Werke. Serie IV, Band 2-3 (pp.164-204)Leipzig: Breitkopf & Härtel, 1922. Plate F.L. I-IX B. Copyright Public Domain Misc. Notes Originally scanned at about 160pi, converted to 600dpi monochrome. Arranger Franz Liszt (1811–1886) Editor Imre Mező (b. 1932)Imre Sulyok (1912–2008) Publisher. Info. Neue Liszt-Ausgabe, Serie 2, Band 18 Budapest: Editio Musica, 1991. Plate Z.13 355. URTEXT EDITION [more...]
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You may need to check the publication date and details of the work’s first publication in order to determine the work’s copyright status, especially for the United States, as the copyright on the original work may not have expired. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. Copyright Public Domain - See notes on copyright status for urtext editions Misc. Notes scan: score scanned at 600dpi (High Quality Scanning) For Piano (Marshall) Arranger J. P. Marshall Publisher. Info. Boston: C.W. Homeyer, 1900. Plate C.W.H. 133. Copyright Public Domain Misc. Notes This file is part of the Sibley Mirroring Project. Purchase Printed copy of this file (UK & EU) For Piano (Pauer) Arranger Ernst Pauer (1826–1905) Publisher. Info. Mainz: B. Schott’s Söhne, n.d.(ca.1905). Plate 08481/85. Copyright Public Domain Misc. Notes Almost identical to Augener Ed.8006A, n.d.(ca.1900), plate 7953. Purchase Printed copy of this file (UK & EU) For Piano (Pozzoli) Arranger Ettore Pozzoli (1873–1957) Publisher. Info. Milan: Ricordi, n.d. Plate 13181. Copyright Public Domain - Non-PD EU For Piano (Singer) Arranger Otto Singer II (1865–1931) Publisher. Info. Symphonien für Klavier zu 2 Händen, Vol.1Leipzig: Edition Peters, n.d.(1906). Plate 9008. Copyright Public Domain Purchase Printed copy of this file (UK & EU) Selections For Military Band (Godfrey) Arranger Daniel Eyres Godfrey (1868–1939) Publisher. Info. London: Chappell & Co. Ltd., 1921. Plate 612. Copyright Public Domain Misc. Notes Movements 1-2 Purchase Printed copy of this file (UK & EU) For 2 Clarinets (Grisez) Arranger Léon Grisez (1841–1913) Publisher. Info. Paris: Alphonse Leduc, 1899. Plate A.L. 10131. Copyright Public Domain Misc. Notes Allegro and Finale (with final part of mvt.3) Purchase Printed copy of this file (UK & EU) Allegro con brio (No.1) For Wind Band (Saganski) Arranger P.G. Saganski Publisher. Info. P.G. Saganski Copyright Creative Commons Attribution 4.0 For Strings (Karaca)
⇒ 5 more: Violins I • Violins II • Violas • Cellos • Basses Arranger Tolga Karaca Publisher. Info. Tolga Karaca Copyright Creative Commons Attribution Share Alike 3.0 For 15 Saxophones and Percussion (Larocque)
⇒ 6 more: Soprano 1, 2 • Alto 1 (a-b), 2 (a-b), 3 (a-b) • Tenor 1, 2, 3 • Baritone 1, 2, 3 • Bass • Percussion (Timpani) Arranger Jacques Larocque Publisher. Info. Saint-Maurice, QC: Productions du Moliantegok, 2006. Moli 245005. Copyright Creative Commons Attribution Non-commercial 3.0 Misc. Notes Those files are part of Moliantegok Catalogue for saxophone For Horn, 2 Trumpets, Trombone and Tuba (Schnurrenberger) Arranger Peter Schnurrenberger Publisher. Info. Peter Schnurrenberger Copyright Creative Commons Attribution 4.0 For Guitar, Lute and 2 Bandurrias (López Villanueva) Arranger Antonio López Villanueva (1863–1934) Publisher. Info. Manuscript, n.d. Copyright Public Domain For Horn, Trumpet and Euphonium (Messerschmidt) Arranger Hans Jorgen Messerschmidt (b. 1944) Publisher. Info. Hans Jorgen Messerschmidt, 2013. Copyright Creative Commons Attribution 4.0 Misc. Notes exposition only (up to m.~60) Arranger Hans Jorgen Messerschmidt (b. 1944) Publisher. Info. Hans Jorgen Messerschmidt, 2016. Copyright Creative Commons Attribution 4.0 For Piano and Harmonium (Reinhard) Arranger August Reinhard (1831–1912) Publisher. Info. Berlin: Carl Simon, n.d.(ca.1900). Plate C.S. 2908. Copyright Public Domain Misc. Notes Copies, scanned at 600dpi grayscale, converted to monochrome. Purchase Printed copy of this file (UK & EU) Andante con moto (No.2) For Violin, Cello and Piano (Vilbac, Schulz, Plock) Arranger Renaud de Vilbac (1829–1884)August Schulz (1837–1909)Heinrich Plock (1829–1891) Publisher. Info. Les trios symphoniquesBraunschweig: Henry Litolff’s Verlag, No.891, n.d.[1879]. Plate 10732. Copyright Public Domain Misc. Notes This file is part of the Sibley Mirroring Project. Purchase Printed copy of this file (UK & EU) For Cello (or Violin), Harmonium and Piano (Reinhard) See: Concertirende Trios (No.4) For Organ (André) Arranger Julius André (1808–1880) Publisher. Info. Offenbach: Johann André, n.d.[1884]. Plate 9123 E.I-III.Reissue - Boston: Arthur P. Schmidt, n.d. Copyright Public Domain Purchase Printed copy of this file (UK & EU) For Organ (Best) Arranger William Thomas Best (1826–1897) Publisher. Info. Arrangements from the Scores of the Great Masters, Vol.1 (pp.23-30)London: Novello, Ewer & Co., n.d. Plate 2229. Copyright Public Domain Purchase Printed copy of this file (UK & EU) For Piano (Maylath) Arranger Henry Maylath (1827–1883) Publisher. Info. New York: William A. Pond & Co., 1882. Plate 10337. Copyright Public Domain Purchase Printed copy of this file (UK & EU) Allegro (No.4) For Theater Orchestra (Woodhouse)
⇒ 16 more: Flute • Oboe • Clarinet 1, 2 (B♭) • Saxophone 1, 2 (E♭, B♭) • Bassoon • Horns 1/2 (F), 1/2 (E♭ tranposed) • Trumpet 1, 2 (B♭) • Trombone • Timpani • Piano (Condensed Score) • Violins I • Violins II • Violins III (alternative to Viola) • Violas • Cellos • Basses Arranger Charles Woodhouse (1879–1939) Publisher. Info. London: Hawkes & Sons, 1937. Plate B. & H. 7866. Copyright Public Domain - Non-PD US Purchase Printed copy of this file (UK & EU) Other Publisher. Info. Manuscript, n.d. Copyright Public Domain Misc. Notes A partial engraver’s model with Beethoven’s handwritten entries and corrections, once owned by Breitkopf & Härtel for the first publication of the Fifth Symphony in 1808. In the 1930s, photographs were taken of 116 pages (out of a total of 182 of the manuscript), serving as the only surviving record of this manuscript, which was lost in 1943 during World War II. Braille Scores Editor Hu Haipeng (b. 1984) Publisher. Info. Hu Haipeng, 2024. Copyright Creative Commons Attribution-ShareAlike 4.0 Misc. Notes Braille score in bar-over-bar format, 40 cells per line, not paginated (optimized for refreshable braille displays).See here for additional information on Braille scores.

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Piano Sonata No. 12 in F Major, K. 332: II. Adagio

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Piano Sonata No. 12 in F Major, K. 332: II. Adagio

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Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato (Cadenza by Britten)

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Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato (Cadenza by Britten)

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4 Impromptus, D. 899 (Op. 90): No. 3 in G-Flat Major. Andante

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4 Impromptus, D. 899 (Op. 90): No. 3 in G-Flat Major. Andante

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Klarheit, Ausgewogenheit, Ordnung

Betonung der Melodie-Harmonie-Struktur

Kontraste durch Dynamik, Tonartenwechsel und Themengegensätze

Musikalischer Ausdruck steht im Dienst der Form (nicht umgekehrt)

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Sonatenhauptsatzform als zentrale Form (Exposition – Durchführung – Reprise)

Häufige Verwendung symmetrischer Viervierteltakte und periodischer Phrasen (z. B. 8-Takter: Vordersatz – Nachsatz)

Klare Formgliederung: Einleitung, Hauptteil, Schluss

Thematische Arbeit: Motiventwicklung, Variationstechniken

Homophonie dominiert (melodieführende Stimme mit Begleitung)

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Sinfonie, Streichquartett, Konzert, Klaviersonate, Oper

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Musik soll natürlich, verständlich und emotional kontrolliert wirken – ein musikalisches Abbild der aufklärerischen Ideale von Vernunft und Maß.