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Hands are dirty, pockets deep. Promises made, but none to keep. End corruption—no more deceit.

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╱|、 Pangilinan, Jared Reine

(˚ˎ 。7 Azanza, Ehra Gabrielle

|、˜〵 Cervantes, Reign Micaella

じしˍ,)ノ Dela Cruz, Matt Joeffrey

Noguera, Matthieu

Talusig, Hannahrose Pauline

# data[].attributes.body
Group Members

BUGNA, Nico Angelo

DEL MUNDO, Jaira Moira

ESCAÑO, Jovel Mae

GARCIA, Julianne Lois

PANGILINAN, Jared Reine

TALUSIG, Hannahrose Paulin

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PTASK #4 ACADEMIC FIELDTRIP PLANNING.pdf

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Members:

BUGNA, Nico Angelo

DEL MUNDO, Jaira Moira

ESCAÑO, Jovel Mae

GARCIA, Julianne Lois

PANGILINAN, Jared Reine

TALUSIG, Hannahrose Pauline

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⋆✮ MEMBERS ✮⋆

BUGNA, Nico Angelo

DEL MUNDO, Jaira Moira

ESCAÑO, Jovel Mae

GARCIA, Julianne Lois

PANGILINAN, Jared Reine

TALUSIG, Hannahrose Pauline

# data[].attributes.body
Members:

Caña, Shekinah

Dela Cruz, Matt

Joguilon, Lemuel

Mateo, Kirsten

Moya, Jaimee

Tamundong, Xania

# data[].attributes.body
MEMBERS

Caña, Shekinah

Dela Cruz, Matt

Joguilon, Lemuel

Mateo, Kirsten

Moya, Jaimee

Tamundong, Xania

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The effect of social media on body image

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Caña, Shekinah

Dela Cruz, Matt

Joguilon, Lemuel

Mateo, Kirsten

Moya, Jaimee

Tamundong, Xania

# data[].attributes.body
**.° Members

Bugna, Nico Angelo

Del Mundo, Jaira Moira

Escaño, Jovel Mae

Garcia, Julianne Lois

Pangilinan, Jared Reine

Talusig, Hannahrose Pauline

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Members: 

Bugna Nico Angelo I.

Del Mundo, Jaira Moira

Escaño, Jovel Mae

Garcia, Julianne Lois

Pangilinan, Jared Reine

Talusig, Hannah Rose

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Sources:

https://time.graphics/period/630194

https://www.britannica.com/topic/papyrus-writing-material#:~:text=The%20ancient%20Egyptians%20used%20the,extensively%20in%20the%20Roman%20Empire.

https://www.britannica.com/place/Chauvet-Pont-dArc

https://www.history.com/topics/ancient-middle-east/hammurabi

https://geology.com/articles/petroglyphs.shtml#google_vignette

https://www.britannica.com/topic/radio

https://www.merriam-webster.com/dictionary/telephone

https://dictionary.cambridge.org/us/dictionary/english/film

https://www.collinsdictionary.com/dictionary/english/television

https://www.merriam-webster.com/dictionary/typewriter

https://www.wired.com/gallery/best-kindle/

https://www.techradar.com/best/best-cloud-document-storage

https://bitcoin.org/en/faq#:~:text=What%20is%20Bitcoin%3F,like%20cash%20for%20the%20Internet.

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Members:

Nico Angelo I. Bugna

Julianne Lois Garcia

Jaira Moira Del Mundo

Jovel Mae C. Escaño

Jared Reine Pangilinan

Hannah Rose Paulin Talusig

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✶⋆.˚ Members ꩜ .ᐟ

Bugna, Nico Angelo

Del Mundo, Jaira Moira

Escaño, Jovel Mae

Garcia, Julianne Lois

Pangilinan, Jared Reine

Talusig, Hannahrose Pauline

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MEMBERS

Caña, Shekinah

Dela Cruz, Matt

Joguilon, Lemuel

Mateo, Kirsten

Moya, Jaimee

Tamundong, Xania

# data[].attributes.body
Members:

AZANZA, Ehra Gabrielle

LABAYNO, Ashley

LUCAS, Kim Angelo

MENDIOLA, Blessed Oliver

PIO, Stephanie Nicole

# data[].attributes.body
╱|、 Pangilinan, Jared Reine

(˚ˎ 。7 Azanza, Ehra Gabrielleb

|、˜〵 Cervantes, Reign Micaella

じしˍ,)ノ Dela Cruz, Matt Joeffrey

Noguera, Matthieu

Talusig, Hannahrose Pauline

# data[].attributes.body
╱|、 Pangilinan, Jared Reine

(˚ˎ 。7 Azanza, Ehra Gabrielleb

|、˜〵 Cervantes, Reign Micaella

じしˍ,)ノ Dela Cruz, Matt Joeffrey

Noguera, Matthieu

Talusig, Hannahrose Pauline

SOUND DESIGN ELEMENTS

1. Dialogue

In the “Junk Shop Boy” commercial, the dialogue is crafted in a relatable, conversational tone that tells the story of the character and his everyday life in the junk shop. This narration not only informs listeners about the product but also creates an emotional connection by embedding the product’s benefits within a personal story. The clear, expressive dialogue ensures that even without visual cues, the audience can easily follow the storyline and feel engaged with the character’s journey.

2. Sound Effects

Complementing the dialogue, sound effects are strategically used to create a vivid sense of place and atmosphere. For instance, ambient noises—such as the clatter of metal, the murmur of a busy junk shop, or even distinctive cues that mark a transition—help to immerse listeners in the setting. These effects enhance the realism of the story, evoke sensory details that paint a picture of the character’s environment, and punctuate key moments in the narrative, thereby reinforcing the message that Nestlé Bear Brand Powdered Milk Drink is part of a genuine, everyday experience.

SOUND DESIGN PRINCIPLES

1. Emotional Appeal

The ad evokes emotions by portraying a hardworking boy striving for a better future, making the message more impactful and relatable.

2. Call to Action

The ad encourages listeners to choose Bear Brand for its nutritional benefits, reinforcing the brand's role in promoting strength and resilience.

GUIDE QUESTIONS

1. Bear Brand effectively uses catchy jingles like "Tibay Araw-Araw", combined with strong voiceovers and slogans to emphasize daily nutrition. Their commercials feature motivational music, sound effects, and real-life storytelling, making the message engaging and relatable. They especially created this commercial with everyday people in mind, growing and becoming stronger because of the Bear Brand milk. They also implied that Bear Brand helps with intelligence.

2. The Bear Brand Powdered Milk commercial effectively used sound effects and background music to reinforce its intended message. Music sets the tone, creating a sense of progress and determination. The included sounded effects add realism and highlight key moments. Together, these elements support the commercial’s theme of resilience and growth.

3. Bear Brand strategically incorporates a distinctive sound effect at the end of its advertisements to enhance brand recall and distinction. This recurring sound effect helps people remember the advertisement and its message more easily. By consistently using this unique auditory cue, Bear Brand reinforces its brand identity, improves recognition, and distinguishes itself from competing advertisements.

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Caña, Shekinah

Dela Cruz, Matt

Joguilon, Lemuel

Mateo, Kirsten

Moya, Jaimee

Tamundong, Xania

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PERFORMANCE TASK #3

⋆✮ MEMBERS ✮⋆

BUGNA, Nico Angelo

DEL MUNDO, Jaira Moira

ESCAÑO, Jovel Mae

GARCIA, Julianne Lois

PANGILINAN, Jared Reine

TALUSIG, Hannahrose Pauline

# data[].attributes.body
Bugna, Nico Angelo I.

Del Mundo, Jaira Moira L.

Escano, Jovel Mae C.

Garcia, Julianne Lois D.

Pangilinan, Jared Reine F.

Talusig, Hannahrose Pauline S.

# data[].attributes.body
MEMBERS

Caña, Shekinah

Dela Cruz, Matt

Joguilon, Lemuel

Mateo, Kirsten

Moya, Jaimee

Tamundong, Xania

# data[].attributes.body
⟡ ݁₊ . Members

Alcordo, Bianca

Caña, Shekinah

Cartera, Venice

Escaño, Jovel

Labayno, Ashley

Mateo, Kirsten

# data[].attributes.body
MEMBERS

Azanza, Ehra Gabrielle

Labayno, Ashley

Lucas, Kim Angelo

Mendiola, Blessed Oliver

Pio, Stephanie Nicole

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Group 2 Members:

Caña, Shekinah (Absent)

Dela Cruz, Matt

Joguilon, Lemuel

Mateo, Kirsten

Moya, Jaimee

Tamundong, Xania

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🎵 Symphony of Media and Information Literacy: Digital Portfolio of Section MORE 🎵"

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🎵 Symphony of Media and Information Literacy: Digital Portfolio of Section MORE 🎵"

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Welcome to our digital portfolio!🎨 A harmonious collection of insights, projects, and reflections crafted by the students of section MORE 🐬🐬🐬 Like a symphony 🎶, this space resonates with the interplay of creativity, critical thinking, and collaboration, showcasing our journey in mastering Media and Information Literacy 🌍✨

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MEMBERS

Azanza, Ehra Gabrielle

Labayno, Ashley

Lucas, Kim Angelo

Mendiola, Blessed Oliver

Pio, Stephanie Nicole

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MEMBERS:

AZANZA, Ehra Gabrielle

LABAYNO, Ashley

LUCAS, Kim Angelo

MENDIOLA, Blessed Oliver

PIO, Stephanie Nicole

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Beige and Orange Professional Corporate Comparison Chart Table Graph (1)

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MEMBERS

Azanza, Ehra Gabrielle

Labayno, Ashley

Lucas, Kim Angelo

Mendiola, Blessed Oliver

Pio, Stephanie Nicole

# data[].attributes.body
Brondo, Bryan (Import)

Caña, Shekinah (Absent)

Dela Cruz, Matt

Joguilon, Lemuel (Absent)

Mateo, Kirsten

Moya, Jaimee

Tamundong, Xania

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Group 3 - Media Literacy

Azanza, Ehra Gabrielle

Labayno, Ashley

Lucas, Kim Angelo

Mendiola, Blessed Oliver

Pio, Stephanie Nicole

# data[].attributes.body
Group 4 - Information

Alcordo, Bianca (absent)

Bragado, Celine

Esplanada, John Patrick

Nonato, Japhet

Pondang, Princess Lorraine

# data[].attributes.body
MEMBERS:

Advincula, Vienna Li Calderon

De Onon, Kenji Lois Galvez

Divina, Jimrex Ragoro

Noguera, Matthieu Achay

Villaruz, Marielle Lamsen (absent)

ft. Cartera, Venice Anne Cordero (Group 6)

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LESSON 1 - Introduction to Media and Information Literacy

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LESSON 1 - Introduction to Media and Information Literacy

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MODULE1_LESSON 1-Introduction to Media and Information Literacy

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Members:

Alcordo, Bianca

Bragado, Celine

Esplanada, John Patrick

Nonato, Japhet

Pondang, Princess Lorraine

# data[].attributes.body
MEMBERS:

Advincula, Vienna Li Calderon

De Onon, Kenji Lois Galvez

Divina, Jimrex Ragoro

Noguera, Matthieu Achay

Villaruz, Marielle Lamsen (absent)

# data[].attributes.body
Members:

Brondo, Bryan

Cartera, Venice

Cervantes, Reign

Fragata, Raine

Lastimado, Charles

# data[].attributes.body
Alcordo, Bianca

Bragado, Celine

Esplanada, John Patrick

Nonato, Japhet

Pondang, Princess Lorraine

# data[].attributes.body
MEMBERS:

Advincula, Vienna Li Calderon

De Onon, Kenji Lois Galvez

Divina, Jimrex Ragoro

Noguera, Matthieu Achay

Villaruz, Marielle Lamsen

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GROUP 3 MEMBERS:

Azanza, Ehra Gabrielle

Labayno, Ashley

Lucas, Kim Angelo

Mendiola, Blessed Oliver

Pio, Stephanie Nicole

# data[].attributes.body
Alcordo, Bianca

Bragado, Celine

Esplanada, John Patrick

Nonato, Japhet

Pondang, Princess Lorraine

# data[].attributes.body
MEMBERS:

Advincula, Vienna Li Calderon

De Onon, Kenji Lois Galvez

Divina, Jimrex Ragoro

Noguera, Matthieu Achay

Villaruz, Marielle Lamsen

# data[].attributes.body
Members:

Brondo, Bryan

Cartera, Venice

Cervantes, Reign

Fragata, Raine

Lastimado, Charles

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The Evolution of Pre-Industrial Age Sangaku (Mathematical Tablet) Sangaku consists of votive wooden tablets from the Edo period, featuring a unique design with a horse painted on it. These tablets served to illustrate mathematical problems and were dedicated at shrines and

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Members:

Brondo, Bryan

Cartera, Venice

Cervantes, Reign

Fragata, Raine

Lastimado, Charles

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LESSON 3 - Types of Media and Information

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LESSON 3 - Types of Media and Information

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LESSON 3 - Types of Media and Information

# data[].attributes.body
Alcordo, Bianca

Bragado, Celine

Esplanada, John Patrick

Nonato, Japhet

Pondang, Princess Lorraine

# data[].attributes.body
MEMBERS:

Advincula, Vienna Li Calderon

De Onon, Kenji Lois Galvez

Divina, Jimrex Ragoro

Noguera, Matthieu Achay

Villaruz, Marielle Lamsen

# data[].attributes.body
Members

Brondo, Bryan

Cartera, Venice Anne

Cervantes, Reign Michaella

Fragata, Raine Julianne

Lastimado, Charles Glenn

# data[].attributes.body
Members:

Bragado, Celine

Joguilon, Lemuel

Moya, Jaimee

Nonato, Japhet

Pio, Stephanie

# data[].attributes.body
MEMBERS

Caña, Shekinah

Dela Cruz, Matt

Joguilon, Lemuel

Mateo, Kirsten

Moya, Jaimee

Tamundong, Xania

# data[].attributes.body
MEMBERS

Azanza, Ehra Gabrielle

Labayno, Ashley

Lucas, Kim Angelo

Mendiola, Blessed Oliver

Pio, Stephanie Nicole

# data[].attributes.body
Alcordo, Bianca

Bragado, Celine

Esplanada, John Patrick

Nonato, Japhet

Pondang, Princess Lorraine

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PERFORMANCE TASK 3: MEDIA CODES IN ADVERTISEMENTS 

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MEMBERS:

Advincula, Vienna Li Calderon

De Onon, Kenji Lois Galvez

Divina, Jimrex Ragoro

Noguera, Matthieu Achay

Villaruz, Marielle Lamsen

# data[].attributes.body
Members:

Brondo, Bryan

Cartera, Venice

Cervantes, Reign

Fragata, Raine

Lastimado, Charles

# data[].attributes.body
MEMBERS

Azanza, Ehra Gabrielle

Labayno, Ashley

Lucas, Kim Angelo

Mendiola, Blessed Oliver

Pio, Stephanie Nicole

# data[].attributes.body
Alcordo, Bianca

Bragado, Celine

Esplanada, John Patrick

Nonato, Japhet

Pondang, Princess Lorraine

# data[].attributes.body
Members ⋆.ೃ࿔*:･

Alcordo, Bianca

Caña, Shekinah

Cartera, Venice Anne

Escaño, Jovel

Labayno, Ashley

Mateo, Kirsten

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WRITTEN WORK 4: MEDIA LITERACY DURING DISASTERS 

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MEMBERS:

Advincula, Vienna Li Calderon

De Onon, Kenji Lois Galvez

Divina, Jimrex Ragoro

Noguera, Matthieu Achay

Villaruz, Marielle Lamsen

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LESSON 6 - Implications of Media and Information

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LESSON 6 - Implications of Media and Information

# data[].attributes.body
Alcordo, Bianca

Bragado, Celine

Esplanada, John Patrick

Nonato, Japhet

Pondang, Princess Lorraine

# data[].attributes.attachment_caption
PERFORMANCE TASK 04: ACADEMIC FIELD TRIP PLANNING 

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MEMBERS:

Advincula, Vienna Li Calderon

De Onon, Kenji Lois Galvez

Divina, Jimrex Ragoro

Noguera, Matthieu Achay

Villaruz, Marielle Lamsen

# data[].attributes.body
Members:

Brondo, Bryan

Cartera, Venice Anne

Cervantes, Reign Micaella

Fragata, Raine Julianne

Lastimado, Charles Glenn

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LESSON 7 - Opportunities, Challenges, and Threats in Media

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LESSON 7 - Opportunities, Challenges, and Threats in Media

# data[].attributes.body
Members:

Caña, Shekinah

Dela Cruz, Matt

Joguilon, Lemuel

Mateo, Kirsten

Moya, Jaimee

Tamundong, Xania

# data[].attributes.body
MEMBERS

Azanza, Ehra Gabrielle

Labayno, Ashley

Lucas, Kim Angelo

Mendiola, Blessed Oliver

Pio, Stephanie Nicole

# data[].attributes.body
Members:

Bianca Alcordo

Celine Bragado

John Patrick Esplanada

Japhet Nonato

Princess Pondang

# data[].attributes.body
Members:

Brondo, Bryan

Cartera, Venice

Cervantes, Reign

Fragata, Raine

Lastimado, Charles

# data[].attributes.body
Members:

Brondo, Bryan

Cartera, Venice

Cervantes, Reign

Fragata, Raine

Lastimado, Charles

# data[].attributes.body
MEMBERS:

Advincula, Vienna Li Calderon

De Onon, Kenji Lois Galvez

Divina, Jimrex Ragoro

Noguera, Matthieu Achay

Villaruz, Marielle Lamsen

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PERFORMANCE TASK 1 - TYPOGRAPHY POSTER

Submit a digital copy only, you may use any editing software to create your poster.

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Lesson 10 - Visual Media and Information

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Lesson 10 - Visual Media and Information

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Performance Task Deadline: March 6, 2025 until 5:00 pm

File name format: SECTION-GROUP#-Surname1_Surname2_Surname3_Surname4_Surname5_Surname6

Submit your video files in 4K resolution and MP4 file format through this link:

https://drive.google.com/drive/folders/1eTXW1MjEgYg1D4chHAcB1nSaimZyrCKR

Note:

• I will check your outputs as part our performance task and select qualified videos to be submitted as an entry.

• I will be in charge of submitting and registering your entries for the said contest.

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🐶Animal Rights😺

Leader:

-Julianne Lois Garcia

Members:

-Kenji Lois De Onon

-Kim Angelo Lucas

-Marielle Villaruz

-Blessed Oliver Mendiola

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📌Leader:

Fragata, Raine Julianne L.

📌Members:

Advincula, Vienna Li

Del Mundo, Jaira Moira

Divina, Jim Rex

Pondang, Princess

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Group Members:

Nico Angelo I. Bugna

Xania B. Tamundong

Charles Glenn Lastimado

Bryan B. Brondo

John Patrick Esplanada

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Watch the assigned audio advertisement to your group and collaborate with your group members online to accomplish the worksheet.

Submit your work within the day (March 3, 2025)

Make sure to include your group number and members when posting.

GROUP 1 - [BEARBRAND] https://www.youtube.com/watch?v=yxaUkVUp7M8

GROUP 2 - [EVER READY] https://www.youtube.com/watch?v=x0T66vptIJQ

GROUP 3 - [CHARMEE] https://www.youtube.com/watch?v=avLzaZAbm1A

GROUP 4 - [DOWNY] https://www.youtube.com/watch?v=r4Y0LUXEdGc

GROUP 5 - [VIVO] https://www.youtube.com/watch?v=zM2lt6264Vs

GROUP 6 - [FOOD PANDA] https://www.youtube.com/watch?v=a7SaDZSbV1k

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Members

Alcordo, Bianca

Caña, Shekinah

Cartera, Venice

Escaño, Jovel

Labayno, Ashley

Mateo, Kirsten

# data[].attributes.body
Members:

Bragado, Celine

Joguilon, Lemuel

Moya, Jaimee

Nonato, Japhet

Pio, Stephanie

# data[].attributes.body
Members:

Bragado, Celine

Joguilon, Lemuel

Moya, Jaimee

Nonato, Japhet

Pio, Stephanie

# data[].attributes.body
Members:

-Julianne Lois Garcia

-Kenji Lois De Onon

-Kim Angelo Lucas

-Marielle Villaruz

-Blessed Oliver Mendiola

# data[].attributes.body
Watch the assigned short film to your group and collaborate with your group members online to accomplish the worksheet.

Submit your work within the day (March 7, 2025)
Make sure to include your group number and members when posting.

GROUP 1 - https://youtu.be/-W7c8fUZN6o?si=esxoT_sQ9BNMuSlt
GROUP 2 - https://youtu.be/IncnLebc854?si=05J1rexJzfGYOGAr
GROUP 3 - https://youtu.be/q05aEY02l4M?si=ieI48lf1Onlu_hra
GROUP 4 - https://youtu.be/okvlmZcErOI?si=Tk52dtlkm093blov
GROUP 5 - https://youtu.be/09I1ueM7hio?si=T-3kjXfgsL8DXYcO
GROUP 6 - https://youtu.be/P9QqgSWZWNg?si=gtlwaMpTxD1ZOTGc

# data[].attributes.body
Members:

Advincula, Vienna Li

Del Mundo, Jaira Moira

Divina, Jim Rex

Fragata, Raine Julianne

Pondang, Princess Lorraine

# data[].attributes.body
Members:

Advincula, Vienna Li

Del Mundo, Jaira Moira

Divina, Jim Rex

Fragata, Raine Julianne

Pondang, Princess

ELEMENTS:

1. Sound Effect

The Vivo Commercial utilized sound effects to convey the message of their advertisement. In the audio, sound effects of Christmas bells, children laughing, and choir singing could be heard in order to interpret the sounds that Stephen Curry was describing. Through the sound effects, we are being immersed into the commercial and we feel more connected as those sound effects are the familiar sounds of Christmas. It made us more engage to listen to the information being said about the product.

2. Music

From the commercial, the song, “We Wish You A Merry Christmas” was played. This is a popular song during the holiday season which also matches the theme of the commercial since it aims to target the “Vivo Christmas” spirit. Therefore, using a familiar and popular song that can be recognized by many will be an effective way of getting engagements from the listeners and consumers. Additionally, the instrumental for “Jingle Bell Rock” also a popular tune was utilized towards the end of the commercial where Stephen Curry was informing about the product. This is an effective way of keeping the attention of the audience.

PRINCIPLES:

1. Mixing

The commercial ensures that different sound elements such as background music, sound effects, and dialogue are distinct and well-balanced. The sound effects, like family laughter and children singing, are kept separate from the man’s voice to maintain clarity and highlight the message. Toward the end, when "Jingle Bell Rock" plays simultaneously with the man's voice, the background music is carefully mixed to avoid overpowering the dialogue. This ensures that the message remains clear and easy to understand. The man’s voice is also clear and emphasized, making the advertisement digestible and ensuring the product's message is delivered effectively.

2. Transition

The commercial smoothly shifts between different sound elements, such as laughter, singing, and the Christmas instrumental, to maintain a natural and engaging flow. When the product is introduced, the transition to "Jingle Bell Rock" signals a shift in focus, subtly emphasizing Vivo without making the change too abrupt or distracting.

3. Pace

The commercial maintains a well-structured pace, ensuring a smooth flow from one element to the next. At the start, the pacing is warm and inviting, with sounds of family laughter, children singing, and Christmas instruments creating a cozy, festive atmosphere. As the commercial progresses, the transition to "Jingle Bell Rock" when introducing Vivo subtly increases energy, making the message more engaging. Overall, the pace is well thought out, it goes from calmer tone to climax.

GUIDE QUESTIONS:

1. The Vivo commercial effectively communicated its product benefits by marketing and associating itself as a phone used with positive emotions and experiences. The brand explains its ability to capture clear selfies, highlighting its 24-megapixel front camera, which can be used in events such as family reunions at Christmas. Vivo also mentioned its all-screen display feature and the convenience of face ID access. Overall, Vivo presents itself as a phone which can be used during holiday seasons.

2. Both the sound effects and background music are correctly used in the video, helping set a festive atmosphere. The Christmas bells, children's singing, and laughter all show joy and togetherness. Moreover, the cheerful background music matches the mood, ending with Stephen Curry's inviting message for the viewers. All of these factors focus on the spirit of Christmas and help promote the Vivo brand, thus making the advertisement more engaging.

3. At some point, the advertisement may be effective for listeners because it includes a sample audio feature from the phone being promoted, which serves as a strong marketing strategy. However, it may also be ineffective due to the unclear and difficult to understand delivery of the voice actor’s speech.

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Members:

Bryan B. Brondo

Nico Angelo I. Bugna

Charles Glenn Lastimado

John Patrick Espalanada

Xania B. Tamundong

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╱|、 Pangilinan, Jared Reine

(˚ˎ 。7 Azanza, Ehra Gabrielleb

|、˜〵 Cervantes, Reign Micaella

じしˍ,)ノ Dela Cruz, Matt Joeffrey

Noguera, Matthieu

Talusig, Hannahrose Pauline

Design Elements

1. Whip Pan Transitions – Fast, energetic camera pans to switch between scenes, enhancing action and comedic timing.

2. Speed Ramps & Freeze Frames – Slow motion or freeze frames at key moments to emphasize action or humor, often paired with stylized text.

3. Glitch & Jitter Effects – Subtle screen shakes, glitches, or flickers to exaggerate confusion, sudden realizations, or comedic chaos.

Design Principles

1. Contrast – The film shows a mix of action and comedy, making it more engaging. Serious moments are paired with funny scenes to keep the audience entertained. This contrast can also be seen in how the scenes are shot, like changes in lighting or camera angles.

2. Rhythm and Pacing – The way the scenes are edited affects how the story feels. Fast cuts make the action scenes more exciting, while comedic moments might have pauses or exaggerated movements to make them funnier.

3. Emphasis – Certain moments stand out more because of how they are filmed. For example, slow motion or zoom-ins can highlight important actions, like when the tsinelas (slippers) are thrown or when characters react in a funny way. These techniques help make key parts of the film more memorable.

Guide Questions:

1. The short action-comedy film Tsinelas uses various camera techniques to enhance both action and humor. Shots and angles shown in the video include: close up shot, medium shot, eye level angle, dutch angle, over-the-shoulder angle, and high angle. Close-up shots highlight exaggerated facial expressions, intensifying reactions. Medium shots balance movement and dialogue, emphasizing physical comedy. Eye-level angles keep characters relatable, while high angles make them appear vulnerable or ridiculous. The Dutch angle adds unease, heightening chaos in fight scenes. Over-the-shoulder shots provide perspective, deepening interactions and comedic misunderstandings. Together, these techniques create a visually dynamic and engaging experience.

2. The very contrasting lighting shifts and deep shadows accentuated the speed and force of each melee strike. Heavy rhythmic audio cues like thudding impacts, sharp exhales, and shifting fabric made every movement feel powerful and urgent. This blend of lighting and sound design created a high-action tone, drawing the audience into the intensity of the fight.

3. The short film effectively engages its audience by blending traditional Filipino parenting style with comedy and action. It cleverly incorporates exaggerated fight scenes similar to action and kung-fu movies, adding humor and energy to the narrative. The conflict arises when the mother, enraged by the sight of uncooked rice despite instructing her sons to cook it, initiates a dramatic yet comedic showdown—a scenario that resonates with many Filipino households.

Additionally, the use of familiar household items such as tsinelas, walis tambo, and sandok enhances relatability, as these objects are often associated with discipline in Filipino culture. Seeing these materials being used in such a way, the hint of care behind the mother's actions, and the typical reason for getting reprimanded added to the comedic factor of the film, reinforcing its structure. The film’s effective cinematography captures the characters’ emotions, while its seamless editing enhances the fluidity of the fight sequences, making the scenes visually appealing. These techniques work together to create an entertaining and culturally relatable experience for the audience.

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Members:

Alcordo, Caña, Cartera, Escaño, Labayno, Mateo

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Members:

Brondo, Bryan B.

Bugna, Nico Angelo I.

Esplanada, John Patrick

Lastimado, Charles Glenn L.

Tamundong, Xania B.

Elements:

1. Sound effects

Sounds of a phone app interface (clicks, notifications), sounds of food being delivered (doorbell, bag rustling), and sounds of people enjoying food (eating, happy sighs).

These SFX create a realistic and immersive experience, placing the listener within the context of using Foodpanda.

2. Music

The background music is probably light, cheerful, and catchy. It's designed to create a positive and energetic mood. The music likely reinforces the "happily ever after" theme, suggesting that Foodpanda brings joy and satisfaction.

Principles:

1. Pace:

The pace of the commercial is likely fast-paced and energetic, reflecting the convenience and speed of Foodpanda's service. The dialogue and music would contribute to this sense of urgency and excitement.

2. Mixing:

The mixing would aim to balance the dialogue, SFX, and music to make all elements clear and audible. Priority would likely be given to the dialogue, ensuring that the message is easily understood.

Guide Questions:

1. How did the advertisement effectively communicate the product/service benefits?

The Foodpanda radio advertisement effectively conveys its product and service benefits by presenting relatable, everyday scenarios where food delivery provides a convenient solution. Through engaging dialogue, the ad highlights the ease and speed of the service, reinforced by sound effects such as app notifications and delivery sounds. The cheerful background music fosters a positive emotional connection with the brand, associating it with satisfaction and ease.

2. Are sound effects and background music used appropriately and how do they enhance the overall message?

The strategic use of sound effects, like the sounds of food being enjoyed, enhances the message by immersing the listener in the experience and demonstrating the practical advantages of Foodpanda. The music complements the dialogue and sound effects, creating a cohesive and engaging atmosphere that reinforces the brand's message.

3. Would the listener remember the product/service after hearing the ad? Why or why not?

It is likely that listeners would retain the memory of this advertisement. The combination of relatable dialogue, memorable sound effects, and a catchy musical backdrop creates a strong auditory impression. Additionally, the "Happily Ever After Moment" theme, alongside the well-known Foodpanda brand, contributes to the ad's memorability, making it likely that listeners will recall the service when considering food delivery options.

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Leader:

Garcia, Julianne Lois

Members:

De Onon, Kenji Lois

Lucas, Kim Angelo

Mendiola, Blessed Oliver

Villaruz, Marielle