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Zaira is a foundation student from part 3, she is my friend. She as done this scenario for her animation, and I was looking when she did it, she explain have used the paper Paraná and paper cansom. This inspired me because the white is a neutral colour for work, and deal with my idea.

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he is an artist with his own language, not only mixed surrealismo a very diverse universe, but also used stop motion, different scenarios and sculptures. Most of their video involves stop motion, even the characters being human, which creates a curiosity for the viewers' looks, at the same time perhaps a metaphor with the dreams and the ways we see it. Trying to indetermine dreams. This language influences me because the idea of ​​what is real or not is strong, and at the same time the quest to indetize our dreams, which reins rather the cave of Platao and surrealism itself, exploring the human mind and how big it is . Jan knows to use stories already made, but to create another narrative and with another aesthetic. For example Faust, a history that I already have interest, using character, classic catholic sculptures talking with a human, just to symbolize. And then Alice, a retelling of the famous book, exploring its own technique and style. Jan used re-readings to explore himself. A good way to understand who he is by setting an example for me
And many works also have no lines, only gestures and movements, another example of which we do not always need to speak to demonstrate what we feel, and art is a good space for that.

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The exposition at IMS(sp), it’s about the photographer Claudia Andujar, who was dedicated to the people of Yanomami. In the exposition we can see a lot of portraits represents the people life, and she take pictures with no artificial light what’s make he work more interesting because which photo she has student different lights, and angles to represent them in the best way. She’s a activist photographer, her intentional was to shows how is this people make to survive, telling about Brazil problem, the demarcation and the military’s problems. Who don’t respect this people.
The photos are amazing, the way the exposition in displayed looks like screen, like tv. And the mostly photo are in Black and White, but those wich are colourful, are great, because the landscape is already beautiful and she got the perfect light and colour.
In the end, has a big room where has displayed some screen where the photos pass with the same rhythm of the sound, as a show. This is a good reference to take attention, like to think about the music and the photos with the music. Also the screen and how was projected, how they did to have the perfect size.

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"When we first produced the Design of Dissent we assumes that the condition of world affairs couldn't get worse. We were wrong. Things have gotten worse. The rise of authoritarian leaders, nationalism, and a host of destabilising force suggest that democracy and freedom are in jeopardy. Irrational, egocentric behaviour from the world's most powerful leaders has ignited fear and demoralising apprehension . These totalitarian impulses have spread, but have also stimulated an extraordinary response from citizens who are demonstrating their dissent every day. Though we have collected only a fraction of these vigorous expressions, they collectively demonstrate the passion and conviction of those who recognise what is happening around the globe"
- Milton & Mirko - The Design of Dissent

"I SHOULD BE IN CHARGE -
What I mean when I say " you should be in charge". We should be in charge. What motivates me is politics, but our politicians are ghastly. (...) In Britain , politics shapes culture ( gorvernments have cultural policies)- It should be others  way round with culture. Artists, actors, theatres and writhers should have policies and tell politicians  what to do where to go."
- BOB and ROBERTA SMITH - Bob and Roberta Smith I should be in charge.

"Despite its ephemeral existence, the influence of the posters is lasting. It remain both in memory and history , finding space on others wall as, for example, this exhibition thats- extend through others posters, styles, languages and artists - we hope opens horizons and reflects o the role of the poster day. "

- Ricons Lins, curator of Graphic Manifest.

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The Surrealists sought to channel the unconscious as a means to unlock the power of the imagination. Disdaining rationalism and literary realism, and powerfully influenced by psychoanalysis, the Surrealists believed the rational mind repressed the power of the imagination, weighing it down with taboos. Influenced also by Karl Marx, they hoped that the psyche had the power to reveal the contradictions in the everyday world and spur on revolution. Their emphasis on the power of personal imagination puts them in the tradition of Romantics , but unlike their forebears, they believed that revelations could be found on the street and in everyday life. The Surrealist impulse to tap the unconscious mind, and their interests in myth and primitivism, went on to shape many later movements, and the style remains influential to this today

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Her outfits have forms, who maybe I can do similar. 

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Her outfits have forms, who maybe I can do similar. 

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Her outfits have forms, who maybe I can do similar. 

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The photography started with the “camera obscura” image projection and the fact that some substances are visibly altered by exposure to light, as discovered by observation. Of course had the necessity from the humans to  keep with importante moments, and the development of technology.
Louis Daguerre, was the one who took the first photo with people, but in this time had to wait the photo for to be exposed, it’s why we can’t see people on the photo, because he waited 10 min for the photo be exposed.

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Before photography was created, people already knew the principles of how it eventually got to work. They could process the image on the wall or piece of paper, however no printing was possible at the time as preserving light turned out to be a lot harder task than projecting it. The instrument that people used for processing pictures was called the Camera Obscura (which is Latin for the Dark Room) and it was around for a few centuries before photography came along.
camera  Obscura is essentially a dark, closed space in the shape of a box with a hole on one side of it. The hole has to be small enough in proportion to the box to make the camera obscura work properly. The way it works is that due, to optical laws, the light coming through a tiny hole transforms and creates an image on the surface that it meets, i.e. the wall of the box. The image was mirrored and upside down, however, so basically everything that makes today's analogue camera's principles different to camera obscura ones are the mirrors and the film which is used to capture and preserve the image created by the light.

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The scanning of the slits keeps the pictures from simply blurring together, and the user sees a rapid succession of images, producing the illusion of motion.

Just insert an animation strip, spin the drum and look through the slots. The pictures instantly spring to life!
This is the base of animation. How started the ways to do a film with a draw.

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3D Zoetrope "Get Animated" at the California State Fair

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Is an optical toy in which figures on the inside of a revolving cylinder are viewed through slits in its circumference and appear like a single animated figure.

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The praxinoscope improved on the zoetrope by replacing its narrow viewing slits with an inner circle of mirrors, placed so that the reflections of the pictures appeared more or less stationary in position as the wheel turned. Someone looking in the mirrors would therefore see a rapid succession of images producing the illusion of motion, with a brighter and less distorted picture than the zoetrope offered.

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What a useful thing for the people who wants to play videos.

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Something I really love in is the photojournalism, first because my mother and my sister are journalist, and I had an uncle who died, and he was the most famous journalist in Brazil who did photojournalisms photos, Jose Medeiros. He took the last photo of Getúlio Vargas, an brazilian dictator, before him deaf.
Photojournalism is the process of story telling using the medium of photography as your main story telling device. While a journalist will use their pen and paper to tell stories, a photojournalist will use their camera to capture the visual representation of a story.
I have so many research’s about.
The most famous one, Dorothea Lange

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My sister’s book about our uncle and him photojournalism jobs.

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This instagram is about all photographers and photographys on the world, connected with photojournalism, history, culture, pop and nostalgic. There I can have somes references and try to do news things for art.

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Fotocracia. (@fotocracia) * Instagram photos and videos

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569.9k Followers, 1 Following, 2,237 Posts - See Instagram photos and videos from Fotocracia. (@fotocracia)

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Like this one, where they explain how the photo was took and the photographer, Flávio colker .

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Cássia Eller para capa do disco homônimo, de 1999. ⠀ Essa imagem nasceu de um acidente, um acaso: o figurino previsto para a foto, não chegou. O maquiador Duda Molinos deu o lance de gênio: "Faz com a minha camiseta..." "E em baixo?" "Ela usa a calcinha dela". Cássia, topou. (©Flavio Colker)

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32.7k Likes, 446 Comments - Fotocracia. (@fotocracia) on Instagram: "Cássia Eller para capa do disco homônimo, de 1999. ⠀ Essa imagem nasceu de um acidente, um acaso: o..."

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If you have watched the documentary “abstract” you know who I’m talking about, he’s the time’s photographer. In the documentary he tell how is the connection he have with the photo. He likes to know the models, and their history. About the material, he still using ancients cameras. A simple guy with a big heart. And there’s him instagram.

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esther and josue. "This is Esther and her baby Josue. Esther walked into my makeshift studio at the Panzi hospital in the Democratic Republic of Congo. I asked her to tell me her story. She explained, that one day she was collecting water from a rural area outside of Bukavu near her family home. She was abducted by a gang of FDLR rebel malitia. They took her into a nearby forrest, tied her to a tree and raped her for 4 days. On the 4th day, the ropes came undone and she escaped. Eventually making it to the gates of the Panzi hospital for urgent medical treatment. Although she was treated successfully, she soon discovered that she was pregnant from the rape. Over a year later this 17 year old young lady sits intront of my camera with her one year old son born from the horrors of sexual violence. As she told me this excruciating story I broke down in tears. Yet, Esther kept her stoic dignity through the entire photo shoot. I asked her, 'How is it that you are able to tell me this horrific story without crying.?' She replied, 'The reason I don't cry in your picture, is because I don't want to make you feel sad.' She continued, 'My mommy and daddy always told me that I must bring joy to the world and I don't want to let them down." What a courageous and compassionate young leader Esther is. Despite the trauma she has experienced she still finds room in her broken heart to think about others. This young women is a heroic leader of our time. Esther and Josue, I salute you."

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12.1k Likes, 358 Comments - @platon on Instagram: "esther and josue. "This is Esther and her baby Josue. Esther walked into my makeshift studio at the..."

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How I told I’m a big fan of architecture, and for this project I choose two references who I loved, Zara Hadid, Frank Genry, they like to work with curves, shapes, and abstracts things. I love this projects because they don’t work a lot with concrete buildings, usual buildings. Even they don’t follow the rules, the building are wonderful for our eyes.
Opera house (Frank Genry)

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"Saul Bass truly shaped the vision of our time"- Milton Glaser
Paul Bass was a visual communicator par excellence, who produced a diverse and powerful body of work. his highly evocative images, full of intense clarity and subtle ambiguities, are among the most compelling of the post-war years. (...)
Today he is best known for his iconic film posters, and more than fifty title sequences of Hollywood films, each featuring an image or symbol that served as a metaphor for the film itself. "Bass"definitive aesthetic : work who shows a strong drive towards reductionism, distillation, and economy, features central to Modernism, it also reveals a concern with fragmentation, layering, ambiguity, and metaphor. his bolds designs are matched by old and expressive colour palettes, and the poster incorporate finely honed lettering and typography.
his reputation in film sometimes overshadows his enormous and equally prolific work across a wide range of disciplines. (...)
reference: the book "the iconic film posters bu Saul Bass"by Jennifer Bass & Pat Kirham
I had choose my favourites his posters :
1 - THE FIXER
I draw are fantastic with the lines effects, he show us what we can expect about the movie.
2- THE SHINING
I love this movie, an horror story by  Stephen King , very famous.
3 - VERTIGO
His most famous poster.
4 - SECONDS
Make me remember the tv show; WEST WORLD.
5 - BONJOUR TRISTESSE

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Serifs are the small traces on the ends of the characters on the letters of the typeface. A serif font has these small traces, a sans-serif font doesn’t.
Historical knowledge tells us that we should always use sans-serif fonts for titles, headers, and different brief blocks of textual content, and serif fonts for the principle physique of the document. The reasoning behind this has to do with the aim of the serifs. The serifs on the letters are designed to tug the textual content collectively, making it simpler to your eye to transition from one letter to the subsequent, then from one phrase to the subsequent. In impact, the serifs ‘pull’ you thru the document, and in doing so make the textual content simpler to learn. Subsequently, lengthy blocks of text will likely be simpler to learn if they’re written with a serif font. Sans-serif fonts work nicely in short blocks of bigger textual content, what you’ll usually discover in titles and headings.
Typical serif fonts are:

Times, Times New Roman

Courier, Courier New

Georgia

MS Serif

Typical sans-serif fonts are:

Arial

Helvetica

Tahoma

Verdana

MS Sans Serif

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The joining of two or more letters for optical purpose,a feature common in metal setting but less so with photosettings, where the enlarged character set thus required is undersirable for the manufacturers. There are signs, however, that ligatures are returning with digital typography.
Ligatures fall into two categories: standard and discretionary. Standard ligatures are designed to solve the problem of neighboring characters that either collide or combine in unattractive ways. Discretionary ligatures are more decorative in nature and are intended to be used at one’s discretion, thus the term discretionary.
Reference: “20th-Century Type” by Lewis Blackwell.

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Leading is the space between lines. Prior to photocomposition, this was created by physical inserting a strip of metal called a lead into the page make-up in order to give more white space between the lines of type.
X- height, it's the size of a font.
Cap height is the height of a capital letter above the baseline.
Ascender is the upward vertical stem on some lowercase letters.

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Is the curved stroke which creates an enclosed space within a character (the space is then called a counter).

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Kerning refers to the spacing of letters closer than is standard, usually in order to create the optical effect of consistency of space between characters by allowing part of one letter to “kern” into the white space of another; see also tracking.

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A pica is a measuring unit used in typography, and 12 points make up 1 pica, and makes up 1/6 of an inch.

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Break in a setence - a nice pause.
They can replace commas, parenthesis, or colons.

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there're some of my favourites animation made in stop motion technique.
Names who I'm really fan:
Tim Burton, like a giant about stop motion and horror history, I loved his choices of characters.
Wes Anderson, is a professional when is about not be a stereotype or a normal history. What I love most is the fact about he can transform any common history in some extraordinary. Especially in their stop motion movies, about animals, like Mr. Fox and Isle of dogs, the characters are so well done, is really nice to look at all, the movements, the effects like the fire with yellow and red papers, and more. His symmetry obsession made the composition be more harmony, because have so many informations and we need something for help us how to watch.

Laika company, who did Coraline, Paranorman, and the Broxtrolls. I'm a big fan of their styles, and how they used all material they can. Valuing work by the hand.

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Paula Scher is one of the most influential graphic designers in the world. Described as the “master conjurer of the instantly familiar,” Scher straddles the line between pop culture and fine art in her work. Iconic, smart, and accessible, her images have entered into the American vernacular.
In the mid-1990s her landmark identity for The Public Theater fused high and low into a wholly new symbology for cultural institutions, and her recent architectural collaborations have re-imagined the urban landscape as a dynamic environment of dimensional graphic design. Her graphic identities for Citibank and Tiffany & Co. have become case studies for the contemporary regeneration of American brands.
She´s on the netflix documentary, Abstract.
Sources: https://www.pentagram.com/about/paula-scher

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Abstract:  Art of the Design/ Paula Scher

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This episode features graphic designer, Paula Scher.  Prolific, bold, iconic - Paula Scher's designs have spanned 4 decades and have appeared on candy wrappers, credit cards, and record covers.

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The Minimalist Designer Who Changed Cinema Forever

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Radius Bank is flipping over the proverbial couch cushions to find you extra money each month. From ATM rebates, cash back rewards and healthy interest rates, Radius Bank customers earn an average of $20 each month, without you having to lift a finger.

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The Philosophy Of Saul Bass: The Minimalist Designer Who Changed Cinema Forever

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Radius Bank is flipping over the proverbial couch cushions to find you extra money each month. From ATM rebates, cash back rewards and healthy interest rates, Radius Bank customers earn an average of $20 each month, without you having to lift a finger.

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This´s the beginning of the movie, Monsters SA. Make me remember Saul Bass style, but i didn´t know who did the video.

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is a short documentary filmed by the singular graphic design titan Saul Bass and screenwriter Mayo Simon in 1968.
"Through several amusing live action and animated vignettes, Saul Bass illustrates a fundamental and essential particularity of human nature that keeps us alive and the world turning, evolving and reaching new designs and possibilities: the necessity of creation. And by creation, Bass means everything from art to mundane things, from words and numbers to unusual abstract works."  - IMDb

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This types have an amazing composition  recognizable for its unique visual characteristics, its geometric rounded shapes combined with elongated letters and vertical decorative line details.
Unlike other type movements, Art Deco as a style was created by one designer only, A.M Cassandre.( plese look at the link)  A.M. Cassandre was a multi-disciplinary painter, commercial poster artist and typeface designer. He did the logotype YSL.
Also I´m a big fan of Art Deco, essential when we speak about Gustav Klimt, with all textutes, colours, characters, expressions. We can see too how art decor changes the architecture from the world. Is like an way how to see the world. More classic. And is funny, because I´m someone who like minimalism, not so much details how we have in Art Deco. But in this case is different, maybe when we talk about classic things, we dodn't think in some contaminated, means polluted.

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Discover the typography of the Graphic ​Designer AM.Cassandre

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Is an exhibition who presents the public with a selection of posters organised to promote discourse between the Brazilian and international productions in a journey that begins in the second half of the 20th century and finishes in the present-day.

"the poster is public graphics.
this is how it started like a cry in the streets.
the poster is a graphic intervention."

So I get some good references, I'll try to describe some posters an more.

Rico lins

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12 Principles of Animation (Official Full Series)

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I was inspired by architecture over again. But not an specific architect, but more about types of architecture, the one who show the pipes, and don't carry about hide them. It's like showing the process, and I liked this, the reason is I think the process are the most important part of every outcome. It's show a lot how the ideas came. And the same time the pipes make the building be a style underground. And my letter C, is for construction, so have connexion with the pipes, and all things about PROCESS.

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This is a pre foundation project, about my mind map, there have some of my inspirations.

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142 Likes, 14 Comments - Clara Leal🍮 (@claradopudim) on Instagram: "The list (primeira animação)"

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The posters has been present in social militancy since its origins. The poster was born in the streets and social struggle. From party politics to the defence of human rights, the fight for ecological equilibrium to respect for minorities, the struggle for a cause has always been one of the drivers behind poster production.
Like the Atelier Populaire, a group of artists who gathered during the demonstrations of May 1968 in France. An group made up of politically active artists and art students.The frenetic production of posters in serigraphy, printed overnight to be displayed in the streets. Took control of Paris during tumultuos days.

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Shigeo Fukuda (February 4, 1932 – January 11, 2009) was a Japanese design prodigy and creative multi-potentate as a sculptor, graphic artist, and poster designer. Most importantly, Shigeo Fukuda was greatly influential as a designer of optical illusions.

Growing up surrounded by toys helped him develop an appreciation for creativity and aesthetics. As a young post-war designer, he was intrigued by the minimalist Swiss school of design. While at the Tokyo National University of Fine Arts in the mid-50s he developed a minimalist and simple style that became part of his defining look.
During the 1960’s, Shigeo Fukuda became deeply intrigued by illusionism. He began writing a column on visual magic in the Ashai Newspaper called “Ryu Mita Ka?” (Have you seen the Dragon?). He also ran Idea Magazine’s Visual Circus, which was a bi-monthly magazine that showcased entertaining visual illusions. In these roles, he became the expert and a master designer of illusion. Here is a great quote from him on the topic of illusion:

“I believe that in design, 30% dignity, 20% beauty and 50% absurdity are necessary. Rather than catering to the design sensitivity of the general public, there is advancement in design if people are left to feel satisfied with their own superiority, by entrapping them with visual illusion.”

During the span of his career, he created thousands of posters. The use of simply lined illustration and repetition of form combined with illusion has been emulated by many graphic and motion graphic designers. You can see a Fukuda influence in this Pet Shop Boys video by Han Hoogerbrugge.

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The founding members were Pierre Bernard, François Miehe, and Gérard Paris-Clavel. They were joined by Jean-Paul Bachollet in 1974 and by Joseph Beuys‘ student Alex Jordan in 1976. The group’s work was motivated by solidarity with the protesting workers, a critical stance towards capitalism, the goals of the international peace movement, and the belief that art and design can contribute to social change. The collective rejected commercial advertising and mainly worked for the Communist Party, the union CGT, for social organizations, communes, cultural institutions, and as of 1981 for governmental ministries as well. The group broke with visual habits and created highly innovative and sensual graphic designs using handwriting, blurred photographs, stains and various collage elements. At the beginning of the 1990s, the collective dissolved but the unconventional image language they had created continues to have an effect until today.

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Barbara Kruger is best known for her silkscreen prints where she placed a direct and concise caption across the surface of a found photograph. Her prints from the 1980s cleverly encapsulated the era of "Reaganomics" with tongue-in-cheek satire; especially in a work like (Untitled) I shop therefore I am (1987), ironically adopted by the mall generation as their mantra. As Kruger's career progressed, her work expanded to include site-specific installations as well as video and audio works, all the while maintaining a firm basis in social, cultural, and political critique. Since the 1990s, she has also returned to magazine design, incorporating her confrontational phrases and images into a wholly different realm from the art world. Associated with postmodern Feminist art as well as Conceptual art, Kruger combines tactics like appropriation with her characteristic wit and direct commentary in order to communicate with the viewer and encourage the interrogation of contemporary circumstances
The economy of Kruger's use of image and text facilitates a direct communication with the viewer. Within a short declarative statement, she synthesizes a critique about society, the economy, politics, gender, and culture.

Kruger merges the slick facade of graphic design with unexpected phrases in order to catch the viewer's attention using the language of contemporary publications, grapic design, or magazines. Rather than attempting to sell a product, her works aim to sell an idea to the viewer that is meant to instigate a reconsideration of one's immediate context.

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In Brazil we had the Military Regime
1964 and 1985, the military was in direct command of the state, imposing indirectly elected generals as president. After overthrowing the reformist center-left government of João Goulart on March 31, 1964, the military installed a tutelary authoritarian regime to control civil society and the political system, serving as a political model for similar regimes in Latin America during the Cold War.

The military passed arbitrary laws and severely repressed left-wing political groups and social movements while also seeking to accelerate capitalist development and the “national integration” of Brazil’s vast territory. They intended to modernize Brazilian industry and carry out bold infrastructure projects. On the other hand, they faced strong opposition from civil society, led by political groups, artists, intellectuals, and press outlets of diverse ideological backgrounds (Marxists, liberals, socialists, and progressive Catholics). These groups were divided between total refusal to negotiate with the military and critical adherence to the policies of the generals’ governments, composing a complex relationship between society and the state.
With all this, protest themself against to the Military, was hard, the torture was for everyone who try to declare. A lot of people died, or vanished. But with time, and so much pain, the people wanted to protest.
But even all this things passed, have some brazilians who say the Military Regime was good for us, and they want again. With all this discrimination and censure. So is for this I´ll to the manifest today,  against the candidate similar than the militars.
#elenao

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works as an illustrator and graphic designer, makes his own typefaces, understands manual and industrial printing technics as an important part of his design work, illustrates and designs books, posters, newspapers and magazines, in sizes between postage stamps and giant hangers, between commissioned jobs and his own art projects, between original work and mass produced objects, undertakes detours into animation film, theater and music, works since 1994 as professor of the illustration class at the University of Arts in Berlin.

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Suffragettes are often portrayed as heroes today, but they were often demonised as anarchists and even terrorists in their day.

The fight for women to vote was protracted indeed.

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Suffragettes – Stories from Parliament (Part 1 of 2)

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An perfomance can be use for do protests, most are about how people react in some situations, like Marina Bramovick, queen of perfomance, when she put herfelf naked for everyone do what they wanted. And other artists doing perfomance for represents world´s problem, xenophobia, racism and more.
I think perfomance can be usefull for everything.
In the video, represent an abusive relationship, some I would like to prostest myself.

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Elliot Moss - "Without The Lights" (Official Video)

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I´m feminist, and I´ll be for the rest of my life, because they helped me a lot, to confrot things I though was my fault. But now I understand I have to figth for rights.

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The Borderless teamLab is a group of works of art, world's largest dedicated to digital, interactive art, freely from the rooms, form connections and relationships with people, communicate with other works, influence and sometimes blend with one another, and have the same concept of time as the human body.
The pieces have the idea to interact with the audience, and the images been projected moves, what gave to the viewers more interact.
This could be a good reference, because the public interact, giving approaching to the work and the artist. The interaction is a good technique to takes viewers attention and a way to explain the idea, to understand more easy.

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© 2019 Creative Planet is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

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This's one of my references about my video, Giselle is an professor on FAU, she's a design, and she did this video with commentary tooked on media, but hateful commentary.

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I liked Robet Wallace because of his style, of mix of colours. And this video is dynamic because the draw play with the place, and I think this a good skils for play and experiment.
Parallel Teeth is the alias of Robert Wallace; Director, animator and graphic artist. (What I really wanna be

His playful style spans poppy live action, hypnotic 2D animation, puppetry, and colourful illustration. He’s worked across a range of media, including music videos, commercials, festival identities, album artwork, installation projections, 360 videos, wall murals and prints.

His work has been screened at international festivals including Pictoplasma, File Anima+ and CutOut Fest. He has exhibited in group shows in the United Kingdom, USA, Australia and Japan. He has given lectures in the United Kingdom and Italy. He was also selected by the Art Directors Club for the Young Gun award and won the Music Video category in the Motionographer Motion Awards.

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Ways of Seeing BALTIC Centre - Parallel Teeth

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Director and Animator: Robert WallaceClient: Canvas & It's Nice ThatAdditional Animation: Caitlin McCarthy Matt Lloyd Production Company: Strange Beast Producer: Zoe MuslimMusic and Sound: Skillbard Art Director: Connor CampbellProject Manager: Rob Mordue Thanks to Craig Astley, Rob Young and the rest of the team at BALTIC.

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She´s animator from London, and worked with Robert Wallace, I really enjoy her style because she have a lot of video with the same type of draw and colour´s chose. She´s a good exemple who can talk about everything, just using the same style. Gave to me a lot of inspiration because, I was blocked what I can do.

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hi pals here's another bit more dEpReSsiNg clipette from my School of life film ❗️pls stay tuned for alien arm rubbing 🖖👹

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578 Likes, 14 Comments - caitlin mccarthy (@c8l.in) on Instagram: "hi pals here's another bit more dEpReSsiNg clipette from my School of life film ❗️pls stay tuned..."

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"My main satisfaction is that film had an effect on the audiences, and I consider that important...I feel it's tremendously for us to be able to use the cinematic art to achieve something of a mass emotion. And with Psycho we most definitely achieved this. It wasn't a message the stirred the audiences, nor was it a great performance or their enjoyment of the novel. They were aroused by pure film."
-Hitchcock
On MIS, the expostion is about the personality  bihind Alfred Hithcock, and how he created one persona who go far. Ironic, smart, provocative, thorough, into the set, planned everythin on the scene.
And the curator was carried about show all characteristics, about his horros movies. They are there for the viewrs keep the eyes on the image.
The expostion is really dynamic, because is like a maze and every step have some different to look at, is like hitchcock movies, you can´t take the eyes!

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cool man is chanel on youtube and instagram, don´t have a real subject to speak, but is really funny, and simple. It´s fantantastics, they got the ideia of minimalism.

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The third volume in the New York Times bestselling Wes Anderson Collection series showcases the best artwork from “Bad Dads,” an annual exhibition of art inspired by the films of Wes Anderson.
Curated by Spoke Art Gallery in San Francisco, “Bad Dads” has continued to grow and progress as a dynamic group exhibition since its inaugural show in 2011, and has featured work from more than 400 artists from around the world. Those artworks range from paintings to sculptures to limited-edition screen prints and vary greatly in style, making for a diverse and lively show each year. Though each piece is distinct in its own right, the artworks’ unifying element is the shared imagery and beloved characters from Anderson's many films.
The book features an original cover by graphic artist Max Dalton, a foreword by writer and director Wes Anderson himself, and an introduction by TV and movie critic Matt Zoller Seitz, author of the bestselling Wes Anderson Collection books.
A visual treasure trove, Bad Dads grants fans of Wes Anderson another creative avenue to explore his inspired worlds and movies.

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This is the game I´ve be inspired about, and I looked, is not a really god design, ok the point is not the art, and more about the subject. So I decided "why not do a good design in this time, with my trace". And the same time, I got my ideia for show what´s about, and can play with.

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In Coup, your goal is to be the last player standing. Each player starts the game with 2 influence, represented by facedown character cards. Each turn, a player can take an action from either a set list, or a special action based on what character cards they were secretly dealt. The key is, players can lie about which character they have. However, if you are caught in a lie, you will lose an influence (character card). Although if it turns out you weren’t bluffing, then the accuser loses an influence. If a player loses both of their characters, they’re out of the game. Whoever is the last player to have a character card left is the winner.
This is a card game who I really like to play, first because is really easy, the art is simple but so artistic, and gave a valour to the artiste.

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ISLE OF DOGS | "Making of: Puppets" Featurette

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ISLE OF DOGS | "Making of: Puppets" Featurette

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About all process on stop motion movie.

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ISLE OF DOGS | "Making of: Puppets" Featurette (2018)

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Making Of- Les Noces Funèbres (Making Puppets Tick-Corpse Bride)

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Dixit is a card game created by Jean-Louis Roubira, illustrated by Marie Callud, and published by Libellud. Using a deck of cards illustrated with dreamlike images, players select cards that match a title suggested by the "storyteller", and attempt to guess which card the "storyteller" selected.
This game inspired me because wich card have a different illustration, and is the player who say whats the card represents. Is pure art.
So the ideia to illustrate card for me is interesting, because I can give other solution for the draw, and with my trace.

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It’s a game about vision the future of someone. Just readings from tarô can talk about the future. But what’s really interesting to me is the illustration, exist a lot  exemples of tarô, and they change the draw. Is wonderful, I don’t believe in this, but I liked.

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a cartoonist and illustrator from São Paulo, who became known worldwide for his authorial series "Icarus and the Sun" and for his fanart of Teen Titans.

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My 2017 favorites! ✨ Thank you so much for all the kind support this year, I can't wait to show you the things I'm preparing for 2018! There's a graphic novel for Icarus and the Sun coming up, a comic about the zodiac archers and lots more! 🥂💖 I'm curious which one of these you prefer?

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248.8k Likes, 1,489 Comments - Gabriel Picolo (@_picolo) on Instagram: "My 2017 favorites! ✨ Thank you so much for all the kind support this year, I can't wait to show you..."

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Tim Burton pays tribute to his dog in 'Frankenweenie.'

SANTA MONICA, Calif. - Most kids can relate to the devastating loss of a childhood pet.

But for a young Tim Burton, the death of his beloved dog was the spark behind a tale so powerful that the adult director felt compelled to resurrect it decades later. The rise of Frankenweenie (opening Friday) marks Burton's deeply personal depiction of a boy who brings his deceased dog back to life.

The black-and-white, stop-motion animated film pays frequent lighthearted tribute to classic horror movies, but the love story between a boy and his dog is the very heart of the movie.

"That was the impulse for the whole thing, remembering the dog," says Burton. "It's like your first love. It's the first time you experience those kinds of feelings. With the right pet, it's all very pure."
Review: Alexander: USA TODAY Movies: View the latest news, reviews & coverage of all things film 'Frankenweenie' stars deal with their own pet heartbreak 'Frankenweenie' revives Burton's allure, emotion
In Frankenweenie, this pure love is apparent between the spunky dog Sparky and young, socially-awkward Victor Frankenstein, who would rather make super-8 movies starring his pet than play sports - much to the chagrin of his loving-but-concerned parents. The untimely demise of the pointy-nosed canine crushes the boy.

For Burton, 54, the beloved childhood pet was his mongrel Pepe, who came into his suburban Burbank, Calif., home when he was 3 years old.

"The funny thing about dogs is that they are so simple - you leave, come back 10 seconds later and it's like they haven't seen you in a year," Burton says with a laugh. "People don't treat you like that. It's the soulfulness of the dog. There was this strong connection."

Adding to the dog's hold on his young heartstrings, Pepe also suffered from canine distemper for much of his life.

"They said the dog was not going to live very long. He ended up living many years in spite of that," says Burton. "But there was always the specter of that hanging over it."

Sitting amidst the Italian Renaissance Revival architectural splendor of the Casa Del Mar hotel, Burton does not emote animal lover. The Corpse Bride director is a vision of dark from head-to-toe, right down to the black sunglasses he wears indoors, and the black collar of his jacket that points toward his shock of mad-scientist hair. Even the therapeutic band on his right wrist is black ("Don't ask me about that, it's just too embarrassing," he insists).

But Burton says he's a true animal fan ("I love all animals. Hmm, I sound like Miss America''). The loss of Pepe when he was 10 hit him hard.

"It's traumatic because it's this pure little thing," says Burton. "And the emotions are just very simple and present. So much of life is complicated, convoluted. But this was pure and special that way."

Multiple viewings of horror movies helped him through that time, especially ones that featured creatures that were brought back to life - like Frankenstein.

"It wasn't like I really wanted to bring (Pepe) back to life. It was an emotional thing through these movies," says Burton. "That's what those movies did. Dr. Frankenstein getting all crazy. All those feelings I related to. There were easy connections to make in the themes of these films."

CLOSE

As an adult, Burton first tapped into the Frankenweenie concept with a 1984 short film (starring Shelley Duvall and Daniel Stern), which he says was rejected by Disney as a featurette ("they didn't like it or whatever, it wasn't released").

But as stop-motion animation technology improved, Burton was inspired again to tell the tale in 3-D form. The project, 18 months in the making because of the painstakingly slow animation process, is his most personal screen story to date. The fictional New Holland is an animated stand-in for Burbank (and the nearby Solvang, famous for its windmills).

"This is the first movie where everything is based on a memory," says Burton. "The project opened up things not only about my dog, but the kids at school and how weird they all seemed. The way kids act with each other. The weird teachers. I tried to base it all on the real memories of that place.''

Longtime producing partner Allison Abbate says the filmmaker even had his British crew of animators fly to Burbank and visit Burton's Burbank High School to get a feel for the setting and architecture.

"He was really channeling the kids he met at school,'' says Abbate. "For him, he was tapping into his own personal experience."

Frankenweenie's Victor is especially moved by an eccentric Vincent Price-like science teacher, Mr. Rzykruski (voiced by Martin Landau). Burton calls the character a composite of many of the teachers who both inspired and scared him. As part of his research, he reconnected with his high school art teacher, 90-year-old Doris Adams, who was Burton's special guest at the Frankenweenie premiere. She was struck by the similarities between the young boy on-screen and the gifted but socially awkward art student who took every one of her classes.

"He was very shy, very introverted, but very creative," says Adams. "And the kids admired his talent. He didn't show it off. He was the most talented student I ever had. He had the most amazing imagination."

Even the part of the film that shows Victor bringing his dog to life with the help of serious jolts of electricity reflected Burton's passion.

"This is Tim Burton all the way through," Adams says, laughing. "If he had the right teacher that could have taught him about electricity, who knows?"

Charlie Tahan, who voices Victor, says it took him one day to become keenly aware of the similarities between his soft-spoken character and the director.

"On the first day I was in the recording booth and (Burton) called me Tim by accident instead of Charlie," says Tahan, "everyone was laughing. And it was explained to me that Frankenweenie is about his childhood."

The dog Sparky looks nothing like Burton's Pepe. But Burton says the "spirit" of the relationship between Victor and Sparky is very much the same as with his own dog - even if he didn't use Pepe in his super-8 creations. ("He didn't do too much. He had injuries. I decided not to torture him by dressing him up," says Burton.)

Other similarities with his past include his parents, who share key characteristics with their counterparts in the movie. While his father, Bill, was a minor-league baseball player, Mr. Frankenstein in Frankenweenie coaxes his son to come out of the attic and play baseball with the other kids.

"That happened," says Burton. "I wasn't the best athlete, I wasn't the worst. My interests were elsewhere. But it was good to be pushed into things you don't want to do. There was that dynamic, but I never considered it to be a negative."

However, Victor's parents' peaceful understanding of their son's quirky behavior "is certainly more of a fantasy version of things."

Martin Short, who voiced the father (along with two other characters), says a clear line was never drawn to real life. "(Burton) never said to me, 'By the way, you're playing my real parents, this is my life.' ".

That said, Burton says he never considered having his longtime partner and frequent film collaborator Helena Bonham Carter play the part of his mother. Too weird. "I didn't want to turn him into Norman Bates from Psycho. It's best to keep things separated," says Burton.

One of his great joys of doing the film, Burton says, was working with his varied professional family, including Landau (who received an Oscar for Burton's 1994 Ed Wood), Catherine O'Hara, Winona Ryder and Short.

"I feel like a part of this great reunion in his life," says O'Hara, who voices Victor's mother and starred in 1988's Beetlejuice. "It's wonderful."

CLOSE

Ryder voices the part of Victor's young next-door crush, which marked the first time she worked with Burton since 1990's Edward Scissorhands.

"She still sounds like she is 10 years old," says Burton. "She hasn't changed in that way at all."

Burton admits he still thinks about his childhood dog. "It's like any memory of an animal or people you lose. They come into your head at unexpected times," he says. "That's the nature of things in your life that have impact. It comes back."

But the true message that came through the making of the movie was the impact of those who have been part of his life since then.

"This really made me think about the people who have meant something to me," says Burton. "Not just my first dog, but my family and friends. People who are no longer with us. This movie is dedicated to them."

Read or Share this story: http://usat.ly/SApQHU

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Burton's 'Frankenweenie' pays tribute to a beloved dog

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Tim Burton pays tribute to his dog in 'Frankenweenie.' SANTA MONICA, Calif. - Most kids can relate to the devastating loss of a childhood pet. But for a young Tim Burton, the death of his beloved dog was the spark behind a tale so powerful that the adult director felt compelled to resurrect it decades later.

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Edson Oda is a brazilian animator. Malaria is about the death, and men who want to kill the death and protect a little girl for it. Start with a conversation about the death and how the men though he was a woman. So after the discussed and the man put gun against to the death, he explained what could happen if he killed him. But the end is a surprise.
The material are simple, just some draw, like comics, with some texts to play, and nife for give a suspense mood. And the blood on the paper, the fire on the end, are simples and beatiful effects, give the fell to want more, like a tv show.

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the all animation is made by clothing fabrics. and the skeleton move with a glass.

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Ai Weiwei is a Chinese contemporary artist, active in sculpture, installation, architecture, curating, photography, film, and social, political and cultural.
In oca exposition, talk about the connections he have done with the production of art with social and collective. And what maybe the latinos could explore on this porjects, for the moment we are. With criativity,bravery and in charge.
the importante question is; the art practice could change something?
One of my favourists pieces, is the one where he took some photos where he lefty the vase fallen. The vase is a symbol for dysnaty from china, and he desmostrated and protest about how the governement is. He play a lot about the politic, as he told, "ar is everything. Politic is everything."
He did his own simbol, a finger. A polemic action, and play with doing pattern.
Pattern, repetition is something he really are obssed, I noticed many pieces, on repetition, have tree I really enjoy, like de one with the wallpaper about refugees, and the porcelain vases. Because he brought to us, things coomon to speak about some history, or just images. And he told about the refugees, with a clear way, and speak how we are equal.

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is one of the most innovative Chinese young artists to have emerged on the international scene. Currently living in Beijing, she mixes social commentary, popular aesthetics, references to Surrealism, and documentary conventions in her films and installations. Her works reflect on the rapid and chaotic changes that are occurring in Chinese society today.
She uses photography, video, and digital media in innovative ways to expose the dramatic changes to her everyday environment during the period, starting in 1992, of China’s high economic growth, urban development, and rapid globalization that centered on her native Pearl River Delta region. she explored the alienation and escapism felt by disaffected and displaced youth who cast themselves as fantastical gaming characters. The interplay between virtual and real worlds, utopia and dystopia, and the body and technology would remain major themes for the artist, as her social commentary became increasingly pointed.

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Everyone has heard the myth of La Town. The story first appeared in Europe, but after traveling through a space-time wormhole, reappeared in Asia and Southeast Asia. It was last seen near the ocean bordering the Eurasian tectonic plate, vanishing in its midst as if a mirage.La Town, struck by unknown disaster - where without sunlight, time froze. Polar night was all encompassing, so the few instances of white nights have been momentously recorded in the town's history. Yet, through the drifting of time and space, various countries have rewritten La Town’s history, and details have been neglected. Now, the story of the small town’s past - love affairs, politics, life, demons and disasters - have all been sealed beneath the museum’s vitrines, the historical “specimens” becoming an authoritative but limited interpretation of this town’s history.
- Cao fei
She really carrys about the others life, stranges people life. The ideia is took from tv, journal, about tragedies, city wich was destroyed . And how we watched, but don´t think about the people who live there. She give a new way to look them, with a animation, she did a all scenario how the city became. And using stop motion, doing mokings, little sculptures, what gave the work more intensity and power, because demostred how they are small for us.

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Cao Fei 'La Town' at CFCCA, 2016 - 30 Years of CFCCA

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cao is obssessed about utopia, and real lifes, I think she try to declare about what´s real and what´s virtual or dream. In this video she speak about workers dream. I like the way she choose for speak, like, beggining with one point of view, for understand the workers dream, and after, they dance the same coreography but diferents, places, whats mean they has dream, but differents. And the scenario is ironic, because they are doind what thye wanted, but on place where they can´t be .

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is an famous artist by his sculptures who demostrate idea of movements, historys, idealogie, and ways to thinks.
Rodin liked to say "art doens´t exist with out life", he liked to play the little things about life and how this changed us. It´s just not the movement but the expression behind the character he created, this made the piece be more real.
Like how he did "the thinker", with no many movement with the body, but the expression on the face of the character.

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Rodin told the movement is the transition of some action for another, so the viewr see the action through on the character. Also the artist can reproduce the impression of a movement. It´s not like the same about photography, where the time stoped. On he sculpute the time is stoped but we have the ideia it´s can move even not possible.
One big of exemple is him piece about the Door of the hell by Dante. Where have many characters doing diferents things, explained how is the hell by Dante. And this piece is wonderful and great, big like a big door, and wich detail is amazing to see how Rodin carrys about everything. Made me think about harmony.

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"things already exist. Sculputre already exists. My jobs is to transform what exists in the outer world by uniting it with the world of sensations, imagination and faith. Action can be confused with life."
- Antony.
for undestanding his work, needs to feel the object, how it displayd and the ideia he wanted to pass to us. To think about the human been and where he´s.
He have own language with sculpture. They way he choose the same action ou position but explore maximum of materials possibles, and we can see how the material changes the way we look, and feel about.
he had drew a lot, and this made me think about what I need improve, for development my ideas. He inspired me with the language about conscious, the experiments with how the humans react, and the obssession about the bodys and repeate them.

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Futurism was mainly characterized by a break with art and culture of the past, celebrating progress and modern technology, urban life, speed and energy to the point of exalting arms and violence. The members of this style were the great disseminators of the movement, using lectures and publicity to give visibility to this style.
Frequently in Futurist paintings appear vibrant and contrasting colors, geometric shapes, overlapping images beyond the use of what futurists called lines of force. The use of these resources was intended to give an idea of a dynamic scene, that is, the object in action. The idea of vigorous movement and speed was central to the poetics of Futurism.
This piece by Umberto Boccione clear can desmotrated how the futurist changes everything, because this peice was inspered on Rodin pieces, but the futurist wanted to exageret on the movement idea, like how we can´t see what really is because, made think about fast.

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This video helped to think about the way we´ll do for the digital 3D, to undertand how work, and the best way to take the photo.

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Autodesk ReMake - How to Take Photos for Photogrammetry

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he is artist who performs from forest and urban waste - trees condemned naturally, by the action of the weather or by the action of man.

The process of production of the Hugo pieces is confused with the concept of their work: the concern with the waste of the wood, especially of the species discarded by the traditional furniture, and the belief that there is possibility of total reutilization of this material so noble

The pieces created by the designer are born of a creative dialogue with the raw material: everything starts and ends in the tree. She is your inspiration; its shapes, holes, cracks, burn marks and the action of time provoke its sensitivity and lead to a carefully chosen design, a minimal intervention that generates unique
The way how is using rest of trees, and whats he got with one material and got a lot of differents results.

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They are a par of artist who enjoy the rests and doing new shapes. I liked the ideia of creat a shadow, and the shadow could be a character doing a action. This is another language which is useful.

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Tim Noble & Sue Webster, NO - Exhibition & Limited Editions

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A wave can be described as a disturbance that travels through a medium from one location to another location. Consider a slinky wave as an example of a wave. When the slinky is stretched from end to end and is held at rest, it assumes a natural position known as the equilibrium or rest position. The coils of the slinky naturally assume this position, spaced equally far apart.
The ocean wave are most commonly caused by wind. Wind-driven waves, or surface waves, are created by the friction between wind and surface water. As wind blows across the surface of the ocean or a lake, the continual disturbance creates a wave crest. These types of waves are found globally across the open ocean and along the coast.
So the wave just exist by a movement, she is a movement.

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Air pollution kills about 49,000 Brazilians every year. About half of these deaths – 25,000 – are from the outdoor pollution that we normally worry about, particularly in cities. The other 24,000 result from household air pollution, caused by cooking with wood and other solid fuels. This affects mainly rural communities. Deaths from both outdoor and indoor air pollution represent one in every 26 deaths from all causes in Brazil, making it the ninth largest mortality risk in the country.

In both cities and countryside, the cause is the same: tiny particles in smoke which we breathe in and which can lead to chronic lung disease and acute respiratory infections, lung cancer, heart disease and strokes. This does not just affect Latin America, but is a global problem causing over 6 million deaths worldwide each ye

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The World Health Organization (WHO) warned this week that air pollution currently poses the greatest environmental risk to health. According to a new study done by the organization, nine out of ten people on the planet breathe air with high levels of pollutants; this represents 90% of the world's population. Because of this contamination, 7 million deaths annually from diseases related to these pollutants, such as lung cancer, stroke and asthma, according to data collected in more than 4,300 cities in 108 countries

The IBGE (Brazilian Institute of Statistics and Geography) says that in Brazil about 220 thousand tons of garbage are produced, with the popular garbage equivalent to 125 thousand tons, responsible for more than half. Of the total, only four thousand tons are sent to selective collections. It is interesting to note that about fifty thousand tons of waste remain in the open, damaging the health of individuals and the environment.
The garbage we produce affects wildlife, which is not as far as we usually imagine. Russian environmentalists have made a plea after disclosing pictures of the bear cub with the canned stallion on the island of Wrangel, a natural sanctuary located in the Arctic circle in the extreme north-east of Russia, one of the world's heritages of humanity by Unesco.
Many factors are labeled as causing pollution, but in general the real cause of this great environmental problem is simply man, and ironic as it may seem, he alone can fight the created evil itself. Industries, cars and homes are some human actions that emit hundreds of pollutants daily in the environment, and which has been deteriorating more and more negatively

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In addition to polluting the waters of rivers and lakes, man also pollutes sea water. Although the amount of water is very high, the amount of waste that man throws is enough to cause serious environmental problems in these areas, and those who pay the price for such irresponsibility are marine animals.

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Equipe de pesquisa salva tartaruga marinha com canudo preso no nariz.

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Link para matéria: http://wp.me/p6qFts-8v __________________ * Dê um like, se inscreva no meu canal e curta minha fanpage no facebook. Assim você contribui para o meu trabalho! * Site: https://www.coolriosidades.com Fanpage: https://www.facebook.com/CoolriosidadesWeb Twitter: https://twitter.com/Coolriosidades Tumblr: https://coolriosidades.tumblr.com