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1 Amazing one

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2 really good ones

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Mode auto, Aperture  f5.6 , Shutter Speed over 60th of a sec, ISO 400, Lens 35mm
The photoshoot went great. Yes it was successful since it all worked out.

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Mode auto, Aperture  f5.6 , Shutter Speed over 60th of a sec, ISO 400, Lens 35mm
For next time I might do something different. I like the black and white and then the color of the cereal added in.

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1. The camera feels more secure with the center column of your tripod down: When you buy a tripod, make sure to buy one that is tall enough to reach your eye level without using the center column.

2. A battery grip will be the best $50 you ever spend on your camera: It is an add-on to the bottom of your camera that gives you another shutter button so you can hold the camera properly when shooting verticals. Also, it allows you to stack another battery in there.

3. Your camera doesn't have much to do with sharpness, so find something else to blame: If the photos are not sharp then you have to fix the fundamentals first.

4. The camera strap that came with your camera is for lynch mobs, not photographers: A comfortable camera strap it important to photography

5. Your camera craves customization: Take time reading the camera manual so you have a easier time taking your pictures. Customize your camera so your camera will fit better for you.

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White Balance is an aspect of photography that many digital camera owners don’t understand or use. The range in different temperatures ranges from the very cool light of blue sky through to the very warm light of a candle. Different digital cameras have different ways of adjusting white balance so ultimately you’ll need to get out your camera’s manual out to work out the specifics of how to make changes.
White Balance:

Auto – this is where the camera makes a best guess on a shot by shot basis. You’ll find it works in many situations but it’s worth venturing out of it for trickier lighting.

Tungsten – this mode is usually symbolized with a little bulb and is for shooting indoors, especially under tungsten (incandescent) lighting (such as bulb lighting). It generally cools down the colors in photos.

Fluorescent – this compensates for the ‘cool’ light of fluorescent light and will warm up your shots.

Daylight/Sunny – not all cameras have this setting because it sets things as fairly ‘normal’ white balance settings.

Cloudy – this setting generally warms things up a touch more than ‘daylight’ mode.

Flash – the flash of a camera can be quite a cool light so in Flash WB mode you’ll find it warms up your shots a touch.

Shade – the light in shade is generally cooler (bluer) than shooting in direct sunlight so this mode will warm things up a little.

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Good lighting is key to photography. Direction controls the location of shadows and highlights on the subject. Apparent size controls the appearance of these shadows and highlights.
Hard and soft light are important to photography. Distance and apparent light size or important factors to photography. Finding the right lighting direction requires the photographer to strike a balance between several potentially competing considerations.
In general, the goal of portrait lighting is to achieve softer light. This makes a subject's features appear smooth and gradual, and makes skin texture appear softer. Achieving softer light requires making the apparent size of the light source bigger.

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1. Look for ways to shoot through natural frames to highlight your subject. Trees, doorways and windows work well.

2. Focus on the subject, NOT the foreground element which is the frame. The viewer's eye will go to the sharpest area of the image and you want that to be the subject. You don't want the frame drawing attention, it should support the subject, not take away from it.

3. If you find an interesting subject, photograph it as you normally would first. Then look behind you to see if there is anything that can be used as a frame. Sometimes simply backing up and shooting through the doorway behind you does the trick.

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Pixels- the dots that make up the photograph

Image- the media being shown

Resolution- the detail the image holds

Megabyte- a unit of information equal to 220 bytes or, loosely, one million bytes

Megapixel- a unit of graphic resolution equivalent to one million or (strictly) 1,048,576 (220) pixels

Gigabyte- a unit of information equal to one billion (109) or, strictly, 230 bytes

Jpeg- a format for compressing image files.

Raw- unprocessed film

Tiff-  computer file format for storing raster graphics images

Png- raster graphics file format that supports lossless data compression

white balance- the color balance on a digital camera

Histogram- graphical representation of the tonal values of your image

Aperture- a hole or an opening through which light travels

shutter speed- the time for which a shutter is open at a given setting

depth of field- the distance between the nearest and the furthest objects that give an image judged to be in focus in a camera

aperture priority- an exposure system used in some automatic cameras in which the aperture is selected by the user and the appropriate shutter speed is controlled automatically

shutter priority- a system used in some automatic cameras in which the shutter speed is selected by the user and the appropriate aperture is then set by the camera

Bitmap-  mapping from some domain to bits

Exposure- the amount of light per unit area reaching a photographic film or electronic image sensor

Watermarking- marker covertly embedded in a noise-tolerant signal such as an audio, video or image data

optical zoom- mechanical assembly of lens elements for which the focal length can be varied, as opposed to a fixed focal length lens

digital zoom- method of decreasing the apparent angle of view of a digital photographic or video image

Bracketing- technique of taking several shots of the same subject using different camera settings

light meter- device used to measure the amount of light

image stabilization-  techniques that reduce blurring associated with the motion of a camera or other imaging device during exposure

Noise- the grain of the photograph

lag time- delay between triggering the shutter and when the photograph is actually recorded

hot shoe-  mounting point on the top of a camera to attach a flash unit and other compatible accessories

Fisheye- ultra wide-angle lens that produces strong visual distortion intended to create a wide panoramic or hemispherical image

Macro- photography producing photographs of small items larger than life size

Telephoto- type of a long-focus lens in which the physical length of the lens is shorter than the focal length-  distance between the lens and the image sensor when the subject is infocus

wide angle- focal length is substantially smaller than the focal length of a normal lens for a given film plane

DSLR- is a digital camera that combines the optics and the mechanisms of a single-lens reflex camera with a digital imaging sensor, as opposed to photographic film

dynamic range- measure of the range of light intensities from the shadows to the highlights

exposure compensation- technique for adjusting the exposure indicated by a photographic exposure meter

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History of Photography Timeline Study Guide

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History of Photography Timeline Study Guide

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In ancient times camera obscures were used to form images on walls in darkened rooms. In the 17 century camera obscures were made portable. In 1837 Louis Daguerre creates images on silver-plated copper, coated with silver
iodide and "developed" with
warmed mercury. In 1834 Henry Fox Talbot creates permanent (negative)images using paper soaked in silver chloride and fixed with a salt solution. In 1936 Development of Kodachrome, the first color multi-layered color film.

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Mode auto, Aperture  f16 , Shutter Speed over 60th of a sec, ISO 400, Lens a little above 18mm

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Mode auto, Aperture  f5.6 , Shutter Speed over 60th of a sec, ISO 400, Lens 55mm

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Mode auto, Aperture  f16 , Shutter Speed over 60th of a sec, ISO 400, Lens 18mm

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Mode auto, Aperture  f5.6 , Shutter Speed over 60th of a sec, ISO 400, Lens 55mm

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Depth of Field is the distance between the nearest and the furthest objects that give an image judged to be in focus in a camera.                               Depth of field is controlled by changing the aperture setting on your camera. You control the aperture, by changing the aperture setting, which is measured using a scale of f-stops. Aperture Priority mode is indicated on the mode selector. It has the symbol A. To control the depth of field while shooting change your distance from the focal point, choose the right focal length for your lens.

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Depth of Field is the distance between the nearest and the furthest objects that give an image judged to be in focus in a camera.                               Depth of field is controlled by changing the aperture setting on your camera. You control the aperture, by changing the aperture setting, which is measured using a scale of f-stops. Aperture Priority mode is indicated on the mode selector. It has the symbol A. To control the depth of field while shooting change your distance from the focal point, choose the right focal length for your lens.

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U.S. forces dropped a atomic bomb over Nagasaki, Japan. The explosion shot up a 45,000-foot-high column of radioactive dust and debris. Lieutenant Charles Levy, the bombardier said, "It was purple, red, white, all colors—something like boiling coffee. It looked alive. There were about 80,000 fatalities caused by the atomic bomb. Six days later Japan surrendered.This was the only image that showed full scale of the mushroom cloud from the air. What makes this so intriguing is it is the only image that showed the full scale and force of the atomic bomb.

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The photo, taken by Richard Drew in the moments after the September 11, 2001, attack. The most seen images from 9/11 are of planes and towers not of people. This photo was published in many U.S. newspapers. What makes this photo so intriguing is this man was so desperate to escape the flames he jumped out of the building and it was published throughout the U.S.

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Zeppelins were giant majestic skyliners. On May 6, 1937 the 804-foot-long LZ 129 Hindenburg to drift in from Frankfurt. As the media watched the ships flammable hydrogen caught fire, bursting into flames. There were 36 fatalities. What makes this so intriguing is that Sam Shere captured one of the biggest airship disasters of that time

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This photograph shown below was taken from the Hubble Space Telescope. The telescope almost did not make it. It was over-budget and years behind schedule. When it reached orbit its 8-foot mirror distorted as a result of a manufacturing flaw. In 1993 a repair mission would bring Hubble back online again. On April 1, 1995, the telescope delivered the photographs capturing an image of the universe. One of the photographs it took is shown below, Pillars of Creation. The intriguing part of this photo is the fact that it went through all the challenges it faced it actually accomplished its mission and gave amazing photos right out of a fairytale.

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A Man on the MoonNeil Armstrong, NASA1969

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A Man on the MoonNeil Armstrong, NASA1969

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The picture below was taken in 1969 of the first person on the moon, Neil Armstrong. Buzz Aldrin the second person on the moon is the one behind the camera. Both of these men about 240,000 miles from their home, Earth. This is a amazing accomplishment for the world. What makes this photograph so intriguing is it's the very first photos taken of the first man on the moon.